Recent scholarship in genre studies has extended its focus from studying single genres to multiple genres, as well as how these genres interact with one another. This essay seeks to contribute to this growing scholarship by adding a new concept, intermediary genre. That is, a genre that facilitates the “uptake” of a genre by another genre. This concept is designed to reveal a particular aspect of multiple genres: that one genre can be used to connect and mobilize two otherwise unconnected genres to make uptake possible. The concept is illustrated in case study of knowledge mobilization, an instance in which scientific research was used in the judicial system to inform public policies on eyewitness handling and police-lineup procedures. The case study shows how intermediary genres emerge, how they connect other genres, and how knowledge circulates as a result of such connections and affects policy decisions.

This article proposes a novel approach to the investigation of student academic writing. It applies theories of metacognition and self-regulated learning to understand how beginning academic writers develop the ability to participate in the communicative practices of academic written communication and develop rhetorical consciousness. The study investigates how this awareness changes over time and how it relates to students’ perceptions of the writing task, metacognitive awareness of strategic choices, and evaluation of their writing. Through a constructivist grounded theory approach, journals collected throughout a semester from students of beginning academic composition were analyzed to determine qualitative changes. The data suggest a link between task perception and students’ conditional metacognitive awareness —their understanding of how to adapt writing strategies to specific rhetorical requirements of the task and why—and performance evaluation. Metacognitive awareness also seems to have a reciprocal relationship with self-regulation and students’ development of individual writing approaches.

This empirical study surveyed academic staff at a Swedish university about their experiences and perceptions of the use of English in their academic fields. The objective was to examine how the influence of English in disciplinary domains might affect the viability of Swedish in the academic sphere and to investigate how it might disadvantage Swedish scholars. The data findings were analyzed quantitatively and are complemented with a qualitative content analysis, outlining perception and attitude patterns in the responses. Findings suggest power asymmetry between English and Swedish, as the data contain indications of perceived unequal opportunities between native and nonnative speakers in the international academic community. Swedish scholars highlighted the nuanced expressions of academic discourse found in social science writing as creating particular difficulty when writing in English.

This article tracks the socialization of a Chinese intern into a Hong Kong PR company and considers the factors that enabled her to move toward acquiring the discourse of the profession. Taking a case study approach, the research is based on a detailed daily journal written by the intern during her internship, and two interviews. Over the 3-month period of the internship, her written discourse changed considerably, revealing the extent of her socialization into the organization. Specifically, the intern’s writing changed from detailed general descriptions of her activity to discourse resembling that of PR practitioners. The study demonstrates the power of the workplace as a context for learning, yet data show that the academy, by providing tools for understanding and reflecting on organizational culture, also has a role to play in socialization processes.

This article reports the results of an interview-based study which investigated the citation behavior in the assignment writing of two second-language postgraduate business management students, Sofie and Tara. Discourse-based interviews were used to elicit the students’ own perspectives on their citation behavior in two of their assignments. Citations were one of the ways in which Sofie and Tara enacted performance (Goffman, 1959), aiming to create a favorable impression on the assignment markers. Both students made sure they cited key sources on their reading lists, whether they found the texts helpful or not, because they understood that lecturers required evidence that these sources had been consulted. Both writers also cited a large number of sources, whether they had read these sources carefully or not, to perform the industrious student who reads widely. By ensuring the same sources which had been discussed in class were cited in her writing, Tara was able to perform the attentive student who listened carefully to lectures and seminars. Sofie sometimes tailored what she cited to fit her markers’ perceived interests and ideological standpoints, in an attempt to align her own stance with what she felt would be the stance of her markers and thus gain their favor. Implications of using Goffman’s notion of performance to explore student writers’ citing behavior are discussed. The pedagogical implications of the study for subject-specific lecturers and for EAP teachers are also addressed.

This article provides quantitative data to establish the relative, perceived burden of writing research articles in English as a second language. Previous qualitative research has shown that scientists writing English in a second language face difficulties but has not established parameters for the degree of this difficulty. A total of 141 Mexican, Spanish-speaking scientists from a range of scientific disciplines participated in a survey which directly compared writing scientific research articles in Spanish and English as a second language. The survey questions defined burden in relation to perceived difficulty, dissatisfaction, and anxiety. The results revealed that the experience of writing a scientific research article in English as a second language is significantly different than the experience writing in a first language and that this writing process was perceived as 24% more difficult and generated 11% more dissatisfaction and 21% more anxiety. The findings suggest that the use of English as a second language is the cause of this increased burden.

While transnationalism has emerged as a growing area of interest in Writing Studies, the field has not fully examined how migrants’ movement across national borders shapes their literacy practices. This article offers one answer to this question by reporting on an ethnographic study of the transnational religious literacies of a community of undocumented Brazilian immigrants in a former mill town in Massachusetts. A grounded theory analysis of (a) participants’ accounts of their literacy experiences before and after migration, (b) their writing, and (c) ethnographic observations reveals the following: As participants crossed a border and were excluded from state documentary projects, they began to write within other literacy institutions, namely, transnational churches, that have historically documented subjects and whose reach extends across national borders. The author concludes that as the field of Writing Studies continues to explore transnational literacies, it would do well to take into account the materiality of national borders, which can shape possibilities for written communication in a global context.

In an increasingly globalized world, writing courses, situated as they are in local institutional and rhetorical contexts, need to prepare writers for global writing situations. Taking introductory technical communication in the United States as a case study, this article describes how and to what extent global perspectives are incorporated into writing. Based on an analysis of eight textbooks and a closer analysis of four of them, we illustrate the representation of technical communication and communicators as well as multiculturalism and multilingualism in these textbooks and point out the limitations vis-à-vis the cultural and linguistic complexity of global technical communication in today’s world. We conclude by considering implications for U.S. college composition as it continues to contribute to the international discourse of writing studies.

This study focused on 12th-grade Chilean students’ ability to produce locally coherent persuasive texts and on the cognitive basis that underlies this ability. All the participants wrote persuasive texts and answered a test of recognition of incoherent sequences. A subsample wrote another persuasive text while thinking aloud and had a semistructured interview about the text composed. Quantitative and qualitative methods were used to analyze local coherence (LC) in students’ writing and the relation between products and students’ ability to recognize, explain, and self-regulate LC. The majority of students composed texts that were mostly coherent although ideas were presented in long unstructured sequences that did not use the more sophisticated LC resources to construct their reasons and opinions in writing. Findings suggest an association between being able to recognize incoherent sequences, using more sophisticated LC resources in writing, and being able to explain and self regulate LC during writing.

This article reports on a digital ethnography that examines writing, authorship, and self-publication in an online niche market. Drawing on interview and web data collected over 3 years, it focuses on the writing practices that have supported the production, distribution, and sanction of 13 ebooks self-published by online poker players. The article advances an understanding of authorship as sustained interaction among writers and readers as the work of publishing becomes absorbed into online networks as literate activity. In lieu of the capital investment of publishers that produces the materiality of the book, participants in these spaces have manufactured valued texts through collective literacy practices, coming to a loose consensus on what constitutes a book, and working together to enable proprietorship over texts, even amid environments of mass collaboration.

In this article, the authors engage the theoretical lens of multimodality in rethinking the practices and processes of composing in classrooms. Specifically, they focus on how learning new composing practices led some fifth-grade students to author new literate identities—what they call authorial stances—in their classroom community. Their analysis adds to the current research on the production and analysis of multimodal texts through an analysis of the interrelationships between multimodal composing processes and the development of literate identities. They found that by extending the composing process beyond print modalities students’ composing shifted in significant ways to reflect the circulating nature of literacies and texts and increased the modes of participation and engagement within the classroom curriculum.These findings are based on an ethnographic study of a multimodal storytelling project in a fifth-grade urban classroom.

This article, drawing on ethnographic study in a chemical physics research facility, explores how notebooks are used and produced in the conduct of laboratory science. Data include written field notes of laboratory activity; visual documentation of in situ writing processes; analysis of inscriptions, texts, and material artifacts produced in the laboratory and assembled in notebooks; and an in-depth interview with an expert chemist whose research and writing formed the basis of this investigation. Findings from this study suggest that the notebook occupies a negotiated space between the scientist’s contingent response to exigency in the laboratory and the genre-specific strategies that he or she deploys to communicate his or her work outside the laboratory. This text, the author argues, might therefore be understood as a locus in the sense that it facilitates a reflexive process whereby inscriptions are used both to interpret a-perceptual chemical phenomena in time, and, through their inclusion and integration in the notebook, to discipline that interpretation over time. Tracing the way inscriptions move between material synthesis, on the one hand, and text production, on the other, this article ultimately offers a methodical approach for investigating how the material, technical, and symbolic dimensions of writing and text converge in a modern scientific workplace.

In this article, the author argues that Method sections in social science research reports, particularly those that employ qualitative methods, often lack sufficient detail to make any results that follow from the analytic method trustworthy. The author provides a brief review of the evolution of the Method section from the 1960s to the present, makes a case for a more robust reporting of research method, and then outlines one way to achieve the end of providing a detailed, specific account of research methods that enable readers to understand unambiguously the means by which data are rendered into results. This consideration includes attention to the reporting of data collection, data reduction, data analysis, and the context of the investigation to make it clear why an illustrative presentation of data supports the claim that it offers.

This article critically explores the value of ethnography for enhancing context-sensitive approaches to the study of academic writing. Drawing on data from two longitudinal studies, student writing in the United Kingdom and professional academic writing in Hungary, Slovakia, Spain, and Portugal, the author illustrates the different contributions ethnography can make to researching academic writing, depending on the level at which it is construed, as method, methodology, or “deep theorizing.” In discussing the third level of ethnography, the author draws on recent debates around linguistic ethnography to explore how ethnography as deep theorizing can contribute to refining social practice accounts of academic writing through the specific notions of indexicality and orientation. By working through three levels of ethnography, her aim is to signal the ontological gap between text and context in academic writing research and to open up debate about how this gap can be narrowed.

This is a qualitative case study of two students' composing processes as they developed a documentary video about the Dominican Republic in an urban, public middle school classroom. While using a digital video editing program, the students moved across multiple media (the Web, digital video, books, and writing), drawing semiotic resources from each as they did so. Using sociosemiotic and dialogic-intertextual theoretical frameworks, the author examines how the interface of the video editing program influenced the students' composing by making new types of semiotic resources available and new means of combining these resources. As they moved across these media in a nonlinear fashion, the students created an interactive context for composing that transcended the individual possibilities of each respective medium. This suggests that multimedial composing environments offer a rich intertextual landscape and unique ways of making meanings.

Young children are growing up in a time when literacy practices and textual productions are in flux. Yet literacy curricula, particularly for those deemed “at risk,” are tightly focused on the written language “basics.” What are the potential consequences? In this article, the author considers this question, drawing on an ethnographic study of child writing in an urban school site. Using a sociocultural and dialogic frame, she examines first graders' interpretations and negotiations of official writing practices, detailing how these (a) shaped their written language use, including use of time and space, multimodal tools, and expected voices and modeled ideologies and (b) pushed to the sidelines or left in the unofficial child world aspects of their knowledge and know-how, including a breadth of communicative practices and a diversity of graphological symbols. The author concludes with reflections on instructional links among official writing practices, children's literacy experiences, and the “basics” in contemporary times.

This article examines the poetry, prose, and rap lyrics written by nine low-income, African American and Latino urban youths. The study is based on a 3-year research project using ethnographic methods including field observations, informal interviews, and collection of written artifacts. Part of a larger study of these youths’ writing practices, this article focuses on the ways that they use writing to negotiate gendered and sexual identities in complicated, sometimes conflicting, ways. The article is grounded in the field of new literacy studies, and the author argues that educators and other youth workers can find, in the writing of youths like those in the study, an entrèe into sometimes uncomfortable yet vitally important conversations about gender and sexuality. Through analysis of the writers’ texts and conversations, the author models ways of drawing useful insights from such texts.

This article describes five political scientists’ interview-based accounts of appropriate and inappropriate use of the pronouns I and we in academic writing. The informants talked about pronoun use with reference to one of their own journal articles and also by referring to other informants’ texts. Beliefs about appropriate and inappropriate use varied widely, and it was emphasized that the discipline encompasses a number of subdisciplines, which helps account for these differing pronoun preferences. The insights and implications of the study are discussed, and a heuristic that combines corpus-based and interview-based approaches to the investigation of pronouns is proposed. The corpus-based part of the heuristic provides the researcher with data on typical disciplinary patterns of pronoun use, whereas the interview-based part provides accounts of informants’ motivations and intentions that inform their pronoun use. It is argued that the heuristic could be adapted to investigate other linguistic features in academic writing.

Although the rhetoric of expertise stemming from the hard and social sciences has been well researched, the scholarship has not tended to focus on acts of public expertise by scholars from the humanities. This article reports a case study in the rhetorical practices of a theologian, acting as a public expert, first attempting to affect decision making in the Waco conflict in 1993 and then attempting to participate in and shape the public debates that followed it. To compare the practices of this humanities scholar to expectations from research on the rhetoric of expertise, a rhetorical analysis was conducted on the context, style, genre, and argument in the scholar’s public writings. This article discusses (a) the role of kairos in the policy cycle in determining the scholar’s bids for acceptance as an expert, (b) the use of narrative as a generic hybrid of intra- and interdisciplinary practice, and (c) the role of “understanding” asa special topic.

Genres embody typified discursive activity that is situated in an ecology of texts, people, and tools. Within these settings, genres help writers compose recognizable information artifacts. Increasingly, however, many professions are becoming mobile, and mobile technologies (e.g., personal digital assistants [PDAs]) are creating problems of translation as writers attempt to make genres work across contexts. Mobile devices uproot genres from their native contexts, undercutting their ability to mediate discursive activity. The semantically reduced design of PDA-accessible information magnifies these problems by obscuring, but not erasing, genre characteristics that tie information to its native context. Readers must assume the burden of composing meaningful information artifacts, work otherwise offloaded to genres. The author explores the nature of this composition burden in a case study of veterinary students. He finds that context and the degree of mobility both influence student perception of this composition burden.

Scholars around the world are under increasing pressure to publish their research in the medium of English. However, little empirical research has explored how the global premium of English influences the academic text production of scholars working outside of English-speaking countries. This article draws on a longitudinal text-oriented ethnographic study of psychology scholars in Hungary, Slovakia, Spain, and Portugal to follow the trajectories of texts from local research and writing contexts to English-medium publications. Our findings indicate that a significant number of mediators, “literacy brokers,” who are involved in the production of such texts, influence the texts in different and important ways. We illustrate in broad terms the nature and extent of literacy brokering in English-medium publications and characterize and exemplify brokers’ different orientations. We explore what kind of brokering is evident in the production of a specific group of English-medium publications—articles written and published in English-medium international journals—by focusing on three text histories. We conclude by discussing what a focus on brokering can tell us about practices surrounding academic knowledge production.

This article examines the appropriation of academic biliteracy by three French-speaking students at an English-medium university in the Canadian province of Québec. Drawing on Hornberger’s continua model of biliteracy, Bourdieu’s critical social theory, and philosophical hermeneutics, the author conceptualizes individual biliterate development as a subjective and intersubjective evaluative response to social contexts of possibilities for biliteracy. Case study data were collected during 2 ½ years and included autobiographical and text-based interviews, inventories and analyses of academic writing in English and French, classroom-based observations, field notes, and documentation of the legal, historical, institutional, and demographic contexts. Analyses of the participants’ negotiations and trajectories of bilingual academic writing development reveal the challenges and resources of bilingual writers to uphold their commitment to academic biliteracy within English-dominant institutional and disciplinary contexts. Implications for the advancement of multilingual academic literacies are drawn.

When writers plan a document together, they rely on gestures as well as speech and writing in constructing a common representation of their group document. This case study of a student technical writing group explores how group members used gestures to create a conversational interaction space that they then treated like a physical text that they manipulated, wrote on, and pointed at. These gestures suggested a group pretext that helped group members translate abstract goals into concrete plans. However, the close proximity of gesture to the physical act of writing may mislead students into thinking that the tricky work of translating abstract ideas into final written form had already been completed. Gestures and adaptor movements (such as fidgeting with a pen) also seemed to conspire to help individuals control the conversational space and call attention to themselves as writers. Implications for future research on gesture and collaborative writing, gender, and writing technologies are discussed.

This article presents research from a qualitative study of the way that reflective writing is solicited, taught, composed, and assessed within a state-mandated portfolio curriculum. The research situates reflective texts generated by participating students within the larger goals and bureaucratic processes of the school system. The study finds that reflective letters are a genre within the state curriculum that regulates the substance and tone of students’ reflections. At the classroom level, the genre provides a mode that students adopt with the assurance that their reflections will meet state evaluators’ expectations. At the bureaucratic level, the genre helps to continually validate the state’s portfolio curriculum through its strong encouragement of stylized narratives of progress. The study demonstrates the importance of understanding how large-scale assessments shape pedagogy and students’ writing.

The personal statement written for graduate school admission has been a genre virtually ignored by rhetoricians but one that deserves attention. Not only a document of pragmatic importance for applicants, the personal statement is an indicator of disciplinary socialization. The discipline studied here is clinical psychology. Combining quantitative and qualitative methods, the author analyzed a corpus of statements to identify features distinguishing statements of admitted applicants from those of rejected applicants. The findings showed that successful applicants attended more to projecting their future research endeavors and demonstrating their commitments to scientific epistemology. Thus, the author argues that the modifier personal needs qualification, because successful applicants tend to emphasize their public identities as apprentice scientists.

This article undertakes a close rhetorical reading of the speeches given by Bill Clinton, Tony Blair, Francis Collins, and Craig Venter on June 26, 2000, at the White House ceremony announcing the completion of the Human Genome Project. Specifically, it looks at the metaphors used by each speaker to describe the activity of genomic scientists. Scientific activity regarding the genome was metaphorically compared to such actions as producing a map, opening a frontier, unlocking a vault, drawing a blueprint, reading an instruction manual, and learning a language. This article argues that these metaphors and the way in which they interact with each other can oversimplify the subject matter under discussion and can conflict with the ethical goals that the authors explicitly proclaim. An examination of the interaction between metaphorical vehicles in this particular case study amends some earlier claims that the author made in a theoretical reflection on the problems and the possibilities of mixed metaphors in genomic science.

Popular accounts of scientific discoveries diverge from scholarly accounts, stripping off hedges and promoting short-term social consequences. This case study illustrates how the “horse-race” framing of popular accounts devalues the collective sharing, challenging, and extending of scientific work. In her best-selling Longitude , Dava Sobel (1996) depicts John Harrison's 18th-century invention of a marine chronometer, a ground-breaking precision instrument that eventually allowed sailors to calculate their longitude at sea, as an unequal race with Harrison as beleaguered hero. Sobel represents the demands of the Board of Longitude to test and replicate the chronometer as the obstructionist machinations of an academic elite. Her framing underreports the feasibility of the chronometer and its astronomical rival, the lunar distance method, which each satisfied different criteria. That readers accept Sobel's framing is indicated by an analysis of 187 reviews posted on Amazon.com, suggesting that popular representation of science fuels cynicism in popular and academic forums.

This case study of a Chinese undergraduate nursing student focuses on her literacy experiences in her nursing major. Although traditional academic writing played some role in her education, the unusual demands of nonacademic, disciplinary documents, particularly nursing care plans (NCPs), played a more significant and more intractable role in her education and in the difficulties she faced. This investigation of features of academic literacy across the curriculum also embeds this student’s experience in broader concerns of the nursing curriculum and nursing regulatory agencies, further complicating the role of disciplinary literacy acquisition.

This article focuses on supervising professors’ and master’s degree students’ understanding and experiences of supervision practices in a Norwegian university, with focus on differences in text cultures and text norms between and within three academic disciplines. The interview study shows that each discipline is a heterogeneous discourse community with largely unarticulated differences. The findings suggest three supervision models, described as teaching, partnership, and apprenticeship. Dominant trends in supervisory relationships and textual practices are distinguished, and characteristics of each are outlined. Connections are shown between the models supervisors adhere to, the kind of texts they expect from their students, and how they provide feedback. As an example, conflicting attitudes toward exploratory student texts are discussed. The study shows that supervision models and textual expectations are influenced by the disciplinary text cultures in which supervisors and students take part. Finally, some practical implications of the study are suggested.

This article offers a theoretical account of school literacy development that foregrounds the symbolic and social resources of childhood cultures. Drawing upon ethnographic data collected in an urban school site, this article illustrates how the playful childhood practices of a small group of young school children shaped their entry into school literacy. A child-named “drinking god” is used to capture the energizing force of the group’s developmental “remix” processes, through which they stretched, reorganized, and rearticulated their everyday cultural resources in their travels into school literacy. That god messes up any unitary pathway, renders visible the multiple communicative experiences that potentially intersect with literacy learning, and bequeaths to each child, in the company of others, the right to enter school literacy grounded in the familiar practices of their own childhood.

This study describes the extent to which shared assumptions of literary scholars form part of an introductory literature course. Fahnestock and Secor, in The Rhetoric of Literary Criticism, describe five special topoi of literary criticism (appearance/reality, paradigm, ubiquity, contemptus mundi, and paradox) that characterize the warrants of literary criticism appearing in a sample of major literary studies journals. This study triangulates ethnographic data of a class's meetings, analyses of students' essays, and questionnaires to discover whether these topoi are communicated to students in a survey course, whether students recognize and use them, and whether students are rewarded for using them. The special topoi of literary criticism appear in the discourse of instructors and students. Though textual analysis did not reveal a connection between using the special topoi in writing assignments and receiving a higher grade, questionnaires revealed that students adept at recognizing literary values and discourse conventions were more successful.

Although Toulmin models of argumentation are pervasive in composition textbooks, research on the model's use in writing classrooms has been scarce'typically limited to evaluating how students' essays align with the model's elements (claim, data, warrant, qualifier, rebuttal, backing) construed as objective standards. That approach discounts Toulmin's emphasis on context. In contrast, this study of a major university's summer composition program for high school students employs Wenger's notion of communities of practice and Bakhtin's notion of response to trace how classroom contexts mediate students' and teachers' understandings of a Toulmin model. The article presents a case study of a controversy that emerged when participants attempted to identify the main claim in one student's essay. The controversy arose, the analysis suggests, as participants positioned competing tacit and explicit representations of claims with/against other rhetorical terms (for example, thesis), variously interpreted the assigned tasks, and negotiated over tasks and texts.

Using the notion of design developed as part of the New London Group's Multiliteracies Project, this qualitative multicase study examines undergraduate academic literacy as a multimodal achievement game. Retrospective interviews and textual analyses revealed a series of operations on course content that constituted moves in the game. The goal of the game was to find, move, and display content, including not only facts but also concepts and forms of situated knowledge that would gain the highest points on assessments. Better “players” were more aware than their lower achieving counterparts of the game as specific activity different from learning. They also had more nuanced and planned versions of the operations that began with what was expected on assessments and moved backwards toward sources. Findings support forms of preparing students for academic success through the multiliteracies pedagogy that combines consciousness raising through overt instruction with forms of immersion and critical analysis.

This study explores the relation between fluency in writing and linguistic experience and provides information about the processes involved in written text composition. The authors conducted a think-aloud protocol study with native speakers of English who were learning French or German. Analysis reveals that as the writer's experience with the language increases, fluency (as measured by words written per minute) increases, the average length of strings of words proposed between pauses or revision episodes increases, the number of revision episodes decreases, and more of the words that are proposed as candidate text get accepted. To account for these results, the authors propose a model of written language production and hypothesize that the effect of linguistic experience on written fluency is mediated primarily by two internal processes called the translator and the reviser.

Arguing that the immediate historical context of desegregation is vital to an understanding of Shirley Brice Heath's Ways with Words, this article reports on materials from the archives of Heath's research housed at the Dacus Library of Winthrop University. What emerges from reading Heath's letters and other materials at the time she was researching Ways with Words is a portrait of an ethnographer trying to negotiate existing stereotypes and raw tensions in the scholarly and public discourse on race while attempting to adhere to the tenets of the ethnographic approach of the 1970s. Taking a critical race theory approach, the article suggests that these materials indicate that Ways with Words could most fruitfully be read at this point as a story of the persistence of prejudice—a story that suggests the failure of the arguments in favor of desegregation to broker lasting reforms toward equity, and one that reveals the different and racialized meanings literacy acquires in response to historical shifts.

The purpose of this article is to explore an empirical approach to investigating whether and why readers may perceive bias in public education documents (PEDs). Focusing on explanatory ballot booklets as a paradigmatic example of such documents, the study addresses three questions: (a) Can readers' bias judgments be predicted from rhetorical analyses? (b) What is the relation of readers' partisanship to their perception of bias? and (c) What is the nature of readers' bias judgment process? The study investigates readers' perceptions of bias in a Colorado ballot booklet intended to explain a tax cut proposal. Based on a synthesis of current theories and research investigating bias perceptions in cognitive and social psychology and a rhetorical analysis of the presentation frames and semantic cues in the ballot booklet itself, the study hypothesizes that readers, regardless of partisanship, would be more likely to perceive the ballot booklet to be biased in favor of the proposed tax measure than against it. Converging experimental data in the form of questionnaire ratings and think-aloud protocols are shown to support this hypothesis.

Most discussions of qualitative research organize research methodologies according to their place in a set of research paradigms identified by epistemological and ontological commitments. Drawing on the work of Bourdieu, the authors argue for a theory of research as social practice in which researchers' purposes are determined not by philosophical paradigms but by their commitments to specific forms of social action. The authors offer a model of research practices organized according to their relationship to social power rather than abstract paradigms. From this perspective, the dilemmas presented by recent postmodern critiques of representation, the inclusion and co-optation of participants' voices, and validity become a question of ethics. The authors explore the problems of postmodern ethics and qualitative research through the work of Bauman.

Taking a social constructionist point of view and drawing on the work in cognitive psychology on situated cognition and expert performances, this study reports on a segment of an ethnography of writing in a workplace setting that reveals the interconnections of discourse community goals, writers' roles, and the socialization process for writers new to a given discourse community. Specifically, the data reveal 15 different writing roles assumed by members of the discourse community that depict a continuum from novice to expert writing behaviors. Writing roles were defined in relation to both the importance to community goals of the text to be written and to the amount of context-specific writing knowledge required to accomplish the task. The study applies the notion of legitimate peripheral participation in a discourse community and creates a framework for conceptualizing a social apprenticeship in writing either in school or nonschool settings.

This article reports qualitative research on a perceived literacy problem in an electronics factory in the Silicon Valley of Northern California. Guided by a sociocultural framework, Hull investigates an instance of frontline workers' apparent failure to read, understand, and/or follow important manufacturing process instructions. Interviewing all parties involved, from engineers and managers to workers, Hull explores the significance of the mistake and a range of explanations for why it occurred. In so doing, she moves beyond explanations that center on deficiency in individuals and groups, and toward broader based accounts that consider institutional, social, and cultural arrangements and the relationships and practices they foster. She offers an expansive definition of what it means to be a literate, skills-rich worker, and she urges vigilance against the tendency in both schools and workplaces to label and mislabel, and thereby to miss human potential.

This article focuses on the role of overhearer participation in learning to write. Using Goffman's notion of the participation framework as a linguistic structure that organizes and is organized by talk and interaction in activity, data drawn from an ethnographic study of kindergarten journal writing activity will be presented in a discussion of how shifts in participant roles contribute to text construction.

Emerging from the development of a workplace literacy program for entry-level tax examiners, this case study examines ways in which conflicts between management and workers over the division of labor are textually enacted in the two kinds of manuals that govern the work of tax examiners in an IRS Service Center. The first kind of manual, called an IRM, is the official government manual operationalizing the procedures for interpreting tax law and IRS regulations. The second, called a Desk Reference, is intended as an unofficial “translation” of the former. Closer analysis, using a critical application of systemic linguistics, reveals that systematic differences between the two manuals project contradictory views of the tax examiners' work. Consequently, tax examiners are put into the impossible position of attempting to be the compliant subjects of two opposing discourses.

Stories have often been rewritten for children. Children themselves are onlookers to the “chain of communication” that unfolds, as stories are rewritten by perceived ideological conservatives and, in turn, by perceived ideological liberators. In this article, I both present and dialogize this vision of children as receptors of adults' ideological messages. I begin by reviewing examples of adults' rewriting for children, drawing primarily on the rewriting of folk stories. Then, using ethnographic data collected in a study of urban school children's use of common story material (from the poplar media), I reconstruct one branch of a classroom chain of communication. The chain features a girl-next-door figure from a film well-known by the children. In so doing, I illustrate the dialogic process through which children's rewriting becomes a mediator of their ideological concerns. The article concludes with a discussion of the classroom conditions that seemed to support the activation of such a dialogic event.

The different emphases that theorists and teachers place on the product and process of writing in their accounts of how writers construct meaning have been influenced by different traditions of Western thought that have historically been at odds: Whereas the designative tradition focuses on the ways in which artifacts of speech mediate people's thinking, the expressive tradition focuses on the transformation of inner speech to public speech, thus emphasizing the ways in which the activities of speaking and writing promote changes in consciousness. In this article, through the analysis of the writing of a high school senior, it is argued that these two positions are not mutually exclusive, but rather are complementary aspects of a semiotic view on writing. The primary data set is a “situated protocol”—that is, a think-aloud protocol, including both concurrent and retrospective accounts of writing process, conducted over a 4-month period. Through the protocol analysis and analysis of related data, I examine the ways in which this student's writing experiences reveal the interrelated roles of both designative and expressive functions of writing. The analysis also reveals that the writer found the situated protocol itself to be an enduring means of development and reflection and a tool for meditation.

Drawing from a year-long ethnographic study that follows four early adolescent girls (two sets of self-proclaimed best friends and their larger circle of girlfriends) from May of their sixth-grade year through the completion of seventh grade, this article examines how (a) focal students comply with and resist official institutional expectations, (b) participation in the classroom is influenced by the underlife present within the school, and (c) one's membership within groups regulates literate practices. The author argues that students' performances within the classroom cannot be free from sociopolitical tangles. As newcomers to junior high, these girls had limited ways in which to assert identity or seek power. Literacy proved a tangible means by which to document social allegiances, claim status, and challenge authority. In conclusion, this study challenges many of the commonly held assumptions about appropriate pedagogy for adolescents.

Social theories of language (e.g., Vygotsky and Bakhtin) implicate instruction that promotes spoken interaction during the writing process. Such interaction is said to make explicit for students the dialogic relationship between writers and readers that underlies written text. This case study of a “prewriting” class discussion and student writing in a secondary English class suggests that, more than establishing a relationship with readers, students talk and writing invoke a complex of roles that reflect their relationships with one another, the outside world, and their texts. Speaking and writing contexts shape the different roles that students take. The setting of the study is an inner-city classroom in which students' lives bear critical connections to the outside world; such classrooms may be particularly valuable sites for studying students as complex role players in the process of learning to write. In offering a theory of roles and relationships, the study complicates current thinking about how classroom discourse in these and other settings is linked to writing.

Current social perspectives on writing and disciplinary enculturation are generally grounded in theories of discourse communities. Although assumptions underlying these theories have been seriously questioned, few studies of situated writing have applied alternate theories. In this article, I explore a sociohistoric notion of disciplinarity in a case study of how a sociology student's dissertation prospectus is negotiated in a graduate seminar. A microhistorical narrative of a response episode in the seminar and subsequent textual revision is contextualized in histories of local activity. Analysis of the seminar response foregrounds emergent, nonlinear, discursively heterogeneous practices of disciplinary sense-making. Analysis of the text foregrounds practices whereby situated histories of textual production and reception are transformed into purified representations of the discipline and the author. Finally, the analysis details how the disciplinary work of revision in this setting was socially distributed and interactively achieved.

Interest in the social aspects of composing has led writing researchers to examine more closely the contexts in which writing takes place. However, there is little agreement about what constitutes context as a theoretical construct. Because of this lack of agreement, writing researchers have not been able to delineate as fully as possible the interactions between context and composing. This article examines ways in which context has been defined and suggests a reconceptualization of this construct. The argument depends upon analyses of data gathered during a year-long ethnographic study of graduate journalism education. Specifically, results from the analyses of these data suggest that contexts for composing need to take into account individual writers' personal and social histories as they interact with the economic and political circumstances in which writers compose.

Based on a year-long ethnographic study, this article presents a case study of a fourth-grade student, Kenya, who learned to participate in the literacy community of her classroom—in her terms “to be good”—by writing letters. It was through these letters, which began as daily written interactions about (mis)behavior, that Kenya gained confidence and skill as a writer. The genre of letters allowed Kenya to construct her identity as a writer in the classroom community, at the same time that she retained her identity as a member of a group of four, frequently defiant African American girls. In this classroom, teachers used writing to forge collaborative relationships with students—relationships that often were built around struggle and conflict—to encourage students' growth as writers. This study has implications for a new pedagogy of writing, one that provides a rich and challenging curriculum for all students, even those who might in other circumstances be considered “remedial,” and one which alters our conceptions of the roles of and relationships between teachers and students in a writing classroom.

This longitudinal study examines the reading processes and practices of one college student, Eliza, through eight semesters of undergraduate postsecondary education. Specifically, the study traces the development of this student's beliefs about literate activity—focusing not only on changes in her reading and writing activities per se, but also on her views about those activities, her representations of the nature of texts, and her understanding of the relationship between knowledge and written discourse within her disciplinary field of biology. Multiple data sources—including extended interviews, reading/writing logs, observations and field notes, texts, and read-and-think-aloud protocols—were used to explore Eliza's rhetorical development over her 4 college years. Results of various analyses together suggest that Eliza's conceptions of the function of texts and the role of authors—both as authors and as scientists—grew in complexity. A number of possibly interrelated factors may account for Eliza's expanding notions of authors and of texts: increased subject matter knowledge, instructional support, “natural” development, and mentoring in an internship situation.

This article argues for an activity-based theory of genre knowledge. Drawing on empirical findings from case study research emphasizing “insider knowledge” and on structuration theory, activity theory, and rhetorical studies, the authors propose five general principles for genre theory: (a) Genres are dynamic forms that mediate between the unique features of individual contexts and the features that recur across contexts; (b) genre knowledge is embedded in communicative activities of daily and professional life and is thus a form of “situated cognition”; (c) genre knowledge embraces both form and content, including a sense of rhetorical appropriateness; (d) the use of genres simultaneously constitutes and reproduces social structures; and (e) genre conventions signal a discourse community's norms, epistemology, ideology, and social ontology.