This article draws on narratives of 45 career-change professionals and explores the use of models as onboarding tools through the lens of writing transfer and the crucial rhetorical thinking and metacognition that it requires. These interviews show that the use of models often limits the opportunity for writing transfer for these professionals by deemphasizing the “invention” phase while they learn to write new documents in their new workplaces. The article argues that invention, rooted in rhetorical thinking, in the workplace can be a prompt for writing transfer, which is often difficult for new communicators in professional settings. The author suggests ways to position students as advocates of invention-related practices in their future workplaces, so that writing transfer might happen more seamlessly.

Background: Practitioners, academics, and accrediting boards all recognize the importance of communication to the work of engineers, but ensuring that engineering students graduate with effective communication skills continues to be a challenge for programs. Our project examines this problem within our institutional context, with the goal of serving local needs while extending the literature on engineering communication. Literature review: Prior research identifies communication skill gaps, examines the effectiveness of various approaches to teaching engineering communication, and highlights issues of knowledge transfer. Few studies collect both academic and practitioner perspectives. Research questions: 1. How effectively does the required first-year course provide students with foundational engineering communication skills? 2. How much do students’ communication abilities improve by the time they complete the engineering capstone course in their final semester? 3. To what extent are engineering students graduating with the communication skills they will need to succeed professionally? Research methodology: This study involved technical and professional communication instructors’ analysis of student communication work from two courses: 1. first-year engineering communication and 2. the engineering capstone. The study also included surveys of and follow-up interviews with engineering practitioners regarding the communication skills of capstone students and recent engineering graduates more generally. Results: Student work from the first-year engineering communication course was weak; communication work from the capstone was not substantially stronger, even though students were provided with a detailed template for each assignment. The survey and interviews suggest that practitioners tended to view capstone students’ communication skills favorably but found the skills of new hires who were recent graduates to be weaker. Conclusions: The data emphasize the shortcomings of stand-alone communication courses, issues with knowledge transfer, and the role of institutional contexts.

This article seeks to present a model of critical factors that influence writing transfer by exploring and extending conversations happening in the field. The article identifies five critical and interconnected factors that support writing transfer: connection, perception, reflection, disposition, and fortification. These factors emerge from an integration of writing transfer scholarship and data from a longitudinal study of student writers. In that study, six participants were followed for seven years (from first-year composition past graduation and into the workforce) and asked to explain their experiences and perceptions of writing. I offer these five factors to spark a broader conversation about how multiple overlapping influences contribute to writing transfer and to encourage further research into how these factors interact and reinforce one another.

By Taylor J. Wyatt. Any discussion about multimodal composition inevitably invites the question: “What counts as writing?” This question of what “counts” often reveals an underlying assumption that multimodality lacks adequate academic rigor. “What counts as writing” leads to further considerations, such as identifying pedagogical strategies to help students expand their knowledge in new writing contexts and genres. In their 2016 edited collection, Chris M. Anson and Jessie L. Moore define transfer “as the ability to repurpose or transform prior knowledge for a new context” (370). As they offer their definition of transfer, Anson and Moore note the complexity of the term and write, “for many scholars transfer functions as an umbrella term, encompassing an array of theories about the phenomenon” (370). Kara Poe Alexander, Matthew Davis, Lilian W. Mina, and Ryan P. Shepherd’s edited collection Multimodal Composing and Writing Transfer considers writing transfer and what counts as writing within a multimodal context.

Yan Li Abstract Over the past two decades, writing transfer theories have significantly influenced curriculum development in first-year writing (FYW) programs across the United States (US). This study examines the theories shaping multilingual curriculum development in FYW by presenting findings from a national survey informed by a transfer-encouraging methodology. Despite the critical importance of this […]

This piece explores a recent change in pedagogy for a professional communication program at a U.S. university. The Covid-19 pandemic prompted a reevaluation of the program’s service-learning curricula. Students’ pre-pandemic challenges are described and compared to their exacerbated struggles post-Covid, especially the impact of misinformation and artificial intelligence upon critical thinking skills. Service- learning clients’ struggles too are analyzed. Intersecting service-learning pedagogy with thought from public pedagogy scholarship can address these challenges by enhancing reciprocity in service-learning relationships. A nuanced understanding of reciprocity in service-learning roles can address power dynamics and break free from restrictive academic conventions, fostering a more equitable learning environment. The piece includes an example of how a revised service-learning curriculum in grant writing affected students’ critical thinking skills and enabled client partners to advocate for their organizations’ constituents.

Purpose: This study offers an in-depth review of the body of research articles on the topic of boundary spanning and the dynamic nature of different actors to provide a more comprehensive knowledge on different boundary spanning activities and their effects on performance, flexibility, and resilience in educational institutions. Design/methodology/approach: To address the limited research on boundary-spanning functions in education, this study employed a two-round systematic literature review (SLR). The first round, which included an analysis of 338 research studies, sought to identify boundary-spanning functions and their activities. Using data from 39 studies, the second round sought to examine the boundary-spanning function and the critical role that information transfer plays in enabling boundary spanning in education. Findings: This review of literature led researchers to draw the main variables/strategies that facilitate boundary spanning in education (leadership and instructional strategies; collaboration and networking; training and development; teamwork; and revised pedagogical approaches). Also, the review highlighted the importance of knowledge transfer in facilitating boundary-spanning functions. Originality/value: Researchers, practitioners, and decision makers looking to improve boundary-spanning activities by utilizing networks and knowledge transfer might use this systematic review as a source. It also provides various strategies of how boundary spanners and leaders can support and facilitate the function of boundary spanning in educational institutions.

No abstract as this is a book review.

This essay introduces a circulation analysis assignment, blending together insights from multimodal composition, remix/assemblage pedagogy, and circulation studies to encourage writing transfer. The assignment asks students to document the origins and evolution of a cultural meme (as coined by evolutionary biologist Richard Dawkins) as it is adapted for different rhetorical situations, modeled for students in the titular documentary film Feels Good Man. By completing this analysis, presenting it in multimodal contexts, and reflecting upon how they adapted that presentation for their audience, students begin to develop the metacognitive, cross-contextual thinking necessary for successful writing transfer.

This research team sought to gauge potential changes in the composition landscape by replicating, diversifying, and extending Bergmann and Zepernick’s 2007 study. To potentially measure the impact of years of transfer-focused work, we examined participants’ perceptions of first-year writing (FYW) classes at multiple institutions and in multiple fields at four diverse institutions. Gathering data from thirteen focus groups and sixteen interviews, the study included sixty-four total participants at four universities across the United States. Our findings diverged from the original study. The results indicated students felt that FYW was both personal and academic; that FYW taught students how to write; that FYW instructors were experts in their field; that FYW teaches best writing processes and practices; that personally relevant writing is important to writing transfer; and that for writing, there is “no box under the bed.” These findings suggest that transfer curricula may be working in tandem with other approaches, such as Writing about Writing, to shift students’ perceptions of the importance of FYW.

In our information age, written communication has become increasingly important in many professions. As a result, university faculty and administrators need to develop specific curricula and pedagogies that will facilitate the process of equipping students with the required writing knowledge and skills to meet the demands of their workplace environments. In this article, we argue that Writing Across the Professions (WAP) as a curricular model meets that requirement, particularly in Work-Integrated Learning (WIL) contexts, which we believe are conducive to fostering writing transfer in university students. WAP foregrounds the importance of writing in workplace contexts and aims to facilitate the transfer of students’ knowledge and practices by focusing on rhetorical genre theory and analysis, discourse community theory and analysis, providing engaged feedback on students’ writing, and inviting students to critically reflect on their previous and current writing knowledge and practices. In this article, we propose four conceptual foundations that university faculty and administrators can utilize to implement WAP programs at their institutions. The first concept is that professional (writing) knowledge and practices are contextual and require lifelong learning; WIL faculty and students thus need to be informed about what is involved in learning to write across professions. Secondly, as the transfer of professional (writing) knowledge and practices goes beyond disciplinary boundaries, both faculty and students need to build contextual awareness. Thirdly, as problem-solving is an integral part of writing in the professions, faculty and students need to engage in critical reflection. Finally, professional (writing) knowledge and practices impact identities and therefore require mentoring. In outlining these shared concepts from WIL and writing transfer research, this article offers examples of how they can inform curricular approaches and pedagogical practices in WAP.

Abstract This article suggests pedagogical practices to help first-generation students gain effective problem-solving strategies for the future transfer of writing knowledge and skills. The retention of first-generation students depends on developing four positive dispositions for learning: success attribution, self-efficacy, expectancy value, and self-regulation. Meaningful writing assignments with a connection to students’ cultural experiences are an essential foundation for improving transfer. Specific reflective activities are detailed for analyzing emotional reactions to writing experiences, evaluating procedural writing strategies, and solving current and future writing-related problems. A reflective problem-solving pedagogy promotes deep learning by emphasizing students’ agency in responding to writing difficulties and their resourcefulness in creating successful solutions.

When we enter an empty classroom, what do we see? Desks, a board, and, if we're lucky, some collection of functional technology (and if we're luckier, windows). The classroom space operates through standardization, each element of the classroom designed to regulate the transfer of knowledge. When we enter a classroom full of students, what we see might subordinate to another question: what do we feel? Those quiet moments before class begins, as we mentally prepare, are ones dominated by feeling. (In my case, these are often the most uncomfortable moments of my teaching days.) They are moments of affective uncertainty in which a variety of feelings—chief among them, anxiety—enter the classroom along with us, through the many operating screens, and even as we look through doors and windows.1We may find ourselves at odds with the space's arrangement. Often to the criticism of contemporary pedagogical theory, the traditional classroom installs clear hierarchies of power that teachers decide either to work within or, in a now well-established attempt to subvert these hierarchies, to “flip.” Placing students in a circle, grouping them into pods, inviting them to the front of the room—these are all practices that defamiliarize what can become a practiced (and tired) method of knowledge transfer for students and teachers alike and engender a more dynamic and fruitful experience for all. Rather than allowing students to sit back and receive knowledge that they will apply somewhere else, flipping the classroom originated to encourage students to apply concepts immediately and see teaching and learning as reciprocal activities that require their participation on both sides (Brewer, McCook, and Halasek 2018: 484). If classroom structures exist to make learning more predictable, then flipping the classroom is an action that allows us to remain open to surprises.What is affect if not something that arrives to our surprise and, potentially, our transformation? Affect “arises in the midst of in between-ness,” demanding of us that we remain open to its grip and potentially allow it to “drive us toward movement . . . that can likewise suspend us” (Seigworth and Gregg 2010: 1). Understanding affective meaning is curious in that it requires us to be attuned to the background of experience. While it might seem strange to suggest that the classroom should be remade through the affects that undergird our experience, it is just as strange to turn to models that presuppose that we are never surprised, interrupted, or moved by affect.The humanities classroom, furthermore, is a space particularly well suited to unpack moments of affective rupture because our pedagogical goals—to reshape students’ understanding of the textual, political, and mental worlds through which they move—depend on being moved in unexpected ways. Noticing and reading the affective material of the classroom pushes us down fascinating paths, and it can dramatically and helpfully expand our pedagogical methods. Indeed, deriving meaning from the seeming interruption of affect allows us to reassess the very foundations of what Lynn Worsham (1998) calls “dominant pedagogy,” or the structures of the classroom setting that themselves produce the very notion of a “legitimate point of view” (221). Worsham's definition of legitimacy evinces how dominant pedagogy is inseparable from hegemonic structures of power, and she proposes that we turn to what she suspects “we already know but have learned to forget”: that our pedagogical commitments to social change “must occur at the affective level” (216). To fail to recognize our affective experience in the classroom is to prohibit the project of social change. Recognizing the place of “the tight braid of affect and judgement” places teacher and student in a collaborative project of reimagining social relations (216).In an effort to examine what it looks like to teach through feeling, we seek to better understand how affect shapes our encounters with not only our students but also our objects of inquiry. While there is a large and diverse body of work examining how affect relates to reading practices (Sedgwick 2002; Felski 2008, 2015; Anker and Felski 2017; Best and Marcus 2009; Love 2010) as well as how the act of reading might buttress empathetic feelings (Keen 2007; Hogan 2016), we redirect these differing but linked conversations toward different inquiries. Some essays in this cluster explore how our embodiment in the classroom creates moments of rupture that reshape our textual encounters and methodologies. Embodiment is a capacious concept, and we consider what it means when we and our students cannot find a full reckoning with our own embodiment in critical theory. Other essays explore how nonhuman beings and objects themselves shape our affective experience in the classroom. In both cases, the intersection of affect and embodiment raises questions about how we see and treat one another. Likewise, some contributors examine how the political worlds that surround the classroom shift the affective direction of our teaching by putting undue pressure on students and teachers, a lesson that has only become clearer since the spread of COVID-19. Increasingly, those political worlds enforce censorship and surveillance, influencing what students and teachers can do in classroom spaces that are either entirely virtual or shaped by their potential digital afterlives. As pedagogy continues to shift toward digital models that archive and preserve the classroom far beyond the ephemerality of class discussion, we must begin addressing how those models shape our pedagogic affects. Finally, while scholarship on the affective displacements of critique is well underway, some of the essays here help bridge the divide between critique and postcritique by locating the compatibility of affect and critical reading in our pedagogy. Across these varied approaches and inquiries, essays frequently return to a tension that emerges as a guiding thesis: the seeming disruption of affect is a productive site of learning for faculty and students alike.The concept of affective rupture is central to the work that follows. Even though we do not take rupture as an intrinsically good pedagogical event, we do hold it as one that reveals much about both the conditions in which we teach and learn and the methods of humanistic inquiry on which we most frequently rely. Much has been written about affective rupture by critics in affect studies. Rarely has this work been more compelling and urgent than in Lauren Berlant's (2011) analysis of an untitled John Ashbery poem. Berlant seizes on a moment of rupture to examine how it makes us feel “lost but alive and unvanquished” (25). “Life has been seized . . . by an event that demands fidelity” (25). Anna Ioanes picks up on nonliterary ruptures in the classroom, exploring the importance of other moments of interruption—when a bug floats through the room, a student drops a book, or the weather changes suddenly. Particularly when such moments involve nonhuman things, they offer ways to answer questions about how we treat others, both human and nonhuman, while also bringing into focus the affects circulating in the classroom all the time. In this way, Ioanes reminds us that affect is not merely bound up in interactions between people but also a dynamic part of how we see the nonhuman things that populate the classroom. She argues that we must resituate external forces—a pandemic and political protest, most recently—as sites of learning, action, and civic responsibility.Just as Ioanes insists that we should focus on the affects produced through interruptions, Lauren Silber takes seriously her students’ feelings of discomfort that emerged when discussing affect theory alongside race. Silber examines how the presence of affect theory itself can produce an interruption that shifts our inquiry away from our material and toward institutional structures and even the whiteness of critical theory. Silber explains that, somewhat paradoxically, it is in becoming better interpreters of affect that students were able to critique the limiting structures of education and their discipline, which frequently enjoins them to focus (only) on the text. Just as Silber asserts that the study of affect interrupts models for knowledge production in the humanities, Aaron Colton examines how attention to sincerity helps bridge a similar divide between critique and postcritique. If proponents of postcritical reading hold that a critical hermeneutics obscures superficial or literal readings, others argue that critique might help render “feelings as objective structures (rather) than subjective dispositions” (Rasmussen and Sharma 2017: n.p.). Colton explores how a course examining the New Sincerity movement—a post-1980 amalgam of realist fiction, sentimental film, and indie music emphasizing themes of authenticity, enthusiasm, and vulnerability—primed students to regard texts not only as subjects for suspicious interrogation but also as historical and structural catalysts for affective response. Colton argues that prompting students to identify and interpret the mechanisms by which texts might speak sincerely can help them discern the compatibility of affective and critical reading practices.Silber and Colton explore whether pedagogical models organized around feelings such as empathy and sincerity are suited to break down colonial, heteronormative, neoliberal frameworks in the classroom or whether these feelings might themselves collapse important differences into sameness (Palumbo-Liu 2012; Dischinger 2018). Likewise, Tiffany Diana Ball explores the limits and uses of other structuring feelings—namely, paranoia—when teaching queer theory in China in front of a state-required classroom camera. Ball argues that, strange as it may seem, even paranoia can produce an affective community, however tenuous that practice might feel. Teaching and learning under clear surveillance opened the space for deep investigation into how paranoia feels without placing it into clear opposition with alternative reading practices.The contributors to this cluster represent different segments of an increasingly contingent profession. The teaching of humanities courses has long been shifting toward contingent labor, hybrid teaching, split administrative-faculty positions, and interdisciplinarity—itself an imperative, albeit one that many scholars embrace, to cover ever more terrain. The casualization of labor began long before Marc Bousquet's (2008) landmark book described it through the notion of organizational flexibility or the institution's preference to hire part-time to tenure-track labor. That preference led to a situation in which “the holders of a doctoral degree are not so much the products of the graduate-employee labor system as its byproducts” (21). In the thirteen years since Bousquet wrote those words, conditions have consistently worsened. While the contributors to this essay cluster represent far from every type of labor model in the profession, they come from a variety of institutional settings: an assistant professor teaching interdisciplinary writing and literature courses, a scholar-administrator teaching literature and writing at a liberal arts institution, a lecturer teaching multimodal communication at a research institution, and a postdoctoral scholar teaching queer theory in China. These settings help us illustrate how the position in which we teach shapes our pedagogical practices.Different as these essays are, they work backward from the same question: when we encounter affect in the classroom, will we avoid that encounter or be changed by it? While nearly everyone who has taught has had the experience of what they might call an affective interruption, we sometimes think of these moments as obstacles that must be worked around with quick solutions. When we think of affective rupture as an unwelcome and momentary distraction from the task of teaching and learning, that is, we are ill prepared to think through the felt conditions of pedagogy and labor.Having moved through over a year of teaching fully online during a pandemic, we now realize that the affective obstacles of the digital classroom are legion. Far from these ruptures being limited to moments when technology fails us, we spend much of our time lamenting the unrelenting reliability of the digital classroom. As we begin to realize how exhausting it can be to work in exclusively online spaces, the questions of this essay cluster—how we interact with nonhuman elements, how we come up against institutional and disciplinary structures, how paranoia and suspicion can be worked with or against—are more urgent now than ever. If we teach students to interpret the affective materials of the classroom and remain open to working through them ourselves, we preserve the opportunity to teach with humanity and generosity. In doing so, we gain access to an important path for our students, and we redirect our pedagogy as the foundations of higher education continue to shift.

This study reviews the current underlying theories relevant to writing centers as well as the research methods being used in the early 21st century. The first section covers the theories used in writing center scholarship from the 1980s onward based on influential articles and texts. The second section covers published research both in the Writing Center Journal (WCJ) and other publications from 2010 onward and discusses the current state of research methods. Readers may not be aware of some of the fine divisions of theory; for example, the distinction between collaborative learning and social constructivism. Researchers may benefit from the overview of methods, which covers the most popular and current methods (survey and textual analysis) and promising but little-published research methods, such as ethnography. Keywords : collaborative learning, social constructivism, writing as a social process, Zone of Proximal Development, scaffolding, cognitivism, feminism, transfer of learning, threshold concepts, tutoring encounter, social and environmental justice, survey, mixed methods, textual analysis, descriptive studies, theoretical research, archival research, quasi-experiment, quantitative methods, narrative inquiry, grounded theory, case study, usability, ethnography

This article presents the results of an IRB-approved study investigating what learners self-identify about their writing-transfer learning in 3,404 reflections on providing peer feedback. Drawing on writing-transfer theory, results are analyzed according to what learners self-identify about writing transfer in the following three areas: writing-knowledge transfer; near- and far-writing transfer; and dispositions toward transfer. This article proposes foregrounding writing transfer from providing peer feedback by making the following questions explicit for learners in peer-feedback experiences: How might you become a better writer by providing peer feedback? What might you learn about writing from providing peer feedback?

This article synthesizes the literature on writing transfer and findings from several key studies of reading in two-year colleges to outline a set of pedagogical practices that instructors can use to promote reading transfer through explicit attention to “strategic reading.”

Developed from a collaborative transdisciplinary analysis of transfer scholarship, we redefine transfer as a relational phenomenon to capture the “dynamic, emergent, embodied, messy” elements of writing transfer (Prior and Olinger 137). Relationality also highlights conceptual relationships in transfer research that produce seeming contradictions but are more often complementary than confounding.

This double issue of Across the Disciplines features seven articles, as well as a book review. I am confident that individuals interested in research on WAC faculty development, writing in STEM, threshold concepts of writing, and writing transfer will find much of value. Two articles take up the central WAC matter of faculty development: Elisabeth Miller et al. ( Three contributions engage

Transfer-focused pedagogies like Writing about Writing (WAW) or Teaching for Transfer (TFT) have claimed to better facilitate transfer of writing knowledge from first-year composition (FYC) courses. These pedagogies have emerged alongside research indicating that students in upper-level writing intensive courses often do not transfer FYC knowledge. While research has suggested that these transfer-focused pedagogies do improve transfer during subsequent semesters, research has not sought to determine whether students' long-term attitudes toward FYC knowledge is affected by these pedagogies. This article presents the results of an IRB-approved pilot survey study of what students enrolled in upper-level writing intensive courses at a small, private, Catholic, suburban university in the Midwestern United States remembered learning in their FYC courses, and whether they perceived that knowledge as having been useful for their writing. Results seem to indicate that some transfer-focused pedagogies do have significant effects on students' perceptions of the usefulness and transferability of what they recall learning in FYC. Additionally, many students identify conceptual knowledge of genre and discourse communities as useful for their upper-level writing, though often using alternative terms, particularly types, styles, forms, or formats of writing. To a large extent, this is true regardless of whether students enrolled in a transfer-focused course or not, but responses from those who experienced a transfer-focused course give indications of a more sophisticated understanding. These results might indicate that students may be predisposed to remember and connect knowledge at intermediate levels of generality that could lead to new possibilities for teaching for transfer.

Heather Brook Adams is assistant professor of English at the University of North Carolina (UNC) Greensboro. Her research investigates discourses of gender, reproduction, and shame as well as decolonial/intersectional methodologies. Adams's work has appeared in journals such as Quarterly Journal of Speech, Rhetoric Review, and Women's Studies in Communication. Her monograph, Enduring Shame: A Recent History of Unwed Pregnancy and Righteous Reproduction, is forthcoming from University of South Carolina Press. Adams has been granted funds for implementing undergraduate research while teaching at the University of Alaska, Anchorage as well as at UNC Greensboro. Currently she teaches courses on contemporary rhetoric, rhetorics of health and medicine, and advocacy and argumentation.Brian Cooper Ballentine is senior vice president for strategy and senior adviser to the president at Rutgers University. His research focuses on humanistic notions of value within the context of the modern universities, student debt, and the pressures of economic valuation and market forces. He has served as chief of staff to the president at Rutgers, as the director of the university's office for undergraduate research, and as research director at a global consulting firm. He holds a PhD in comparative literature, with a focus on classical reception in the English Renaissance, from Brown University.Laura L. Behling is provost at University of Puget Sound. She edited the Resource Handbook for Academic Deans (2014) and Reading, Writing, and Research: Undergraduate Students as Scholars in Literary Studies (2010). Publications in literary studies include Gross Anatomies: Fictions of the Physical in American Literature (2008); Hospital Transports: A Memoir of the Embarkation of the Sick and Wounded from the Peninsula of Virginia in the Summer of 1862 (2005); and The Masculine Woman in America, 1890–1935 (2001). She taught at Palacky University, Czech Republic, as a Fulbright scholar and served as a Fulbright specialist at the American University of Bulgaria.Hassan Belhiah is associate professor of English and linguistics at Mohammed V University in Rabat. Previously, he held the positions of chair of the Department of English Language and Literature at Mohammed V University, associate professor of English and education studies at Alhosn University in Abu Dhabi, assistant professor at Al Akhawayn University in Morocco, and lecturer/teaching assistant at the University of Wisconsin–Madison. His publications have appeared in Classroom Discourse, Journal of Pragmatics, Modern Language Journal, Language Policy, and Applied Linguistics. He has coedited a book entitled English Language Teaching in Moroccan Higher Education (2020).Andrea Bresee is a recent graduate of Utah State University with a degree in English teaching and a composite in writing. While at Utah State University, Andrea served as an undergraduate teaching fellow for three upper-level English classes, as well as an undergraduate researcher for three separate studies. She was named the English Department Undergraduate Researcher of the Year in 2019 and has presented at three undergraduate research symposiums and conferences. Andrea now teaches seventh-grade English at Space Center Intermediate School in League City, Texas.Kendra Calhoun is a PhD candidate in the Department of Linguistics at the University of California, Santa Barbara. Her research examines the intersections of language, race, and power in face-to-face and social-media contexts. Her dissertation analyzes diversity discourse in US higher education and its effects on graduate students of color. She served as a research mentor and instructor to undergraduate students in the UCSB-HBCU Scholars in Linguistics Program, and she recently published on Black-centered introductory linguistics curriculum in Language.Anne Charity Hudley's research and publications address the relationship between English language variation and K–16 educational practices and policies. She is the coauthor of three books: The Indispensable Guide to Undergraduate Research: Success in and beyond College (2017), Understanding English Language Variation in U.S. Schools (2011), and We Do Language: English Language Variation in the Secondary English Classroom (2013). She is the author or coauthor of over thirty additional articles and book chapters. She has worked with K–12 educators at both public and independent schools throughout the country. Charity Hudley is a member of the Executive Committee of the Linguistic Society of America (LSA).Dominic DelliCarpini is the Naylor Endowed professor of writing studies and dean of the Center for Community Engagement at York College of Pennsylvania, where he also served thirteen years as writing program administrator and five years as chief academic officer. He founded and administers the annual Naylor Workshop on Undergraduate Research and is coeditor of the Naylor Report on Undergraduate Research in Writing Studies (2020) as well as other articles on this topic. DelliCarpini served as president of the Council of Writing Program Administrators, secretary of the Conference on College Composition and Communication (CCCC), and as a member of the CCCC's Committee on Undergraduate Research.Mariah Dozé is a 2020 graduate of Emory University, where she received a BA in African American studies and sociology. While at Emory, she served as a research assistant studying racial disparities in capital punishment and a writing tutor, among many other positions. Dozé’s research exploring the intersection between rhetorical studies and social justice was awarded publication in the peer-reviewed scholarly journal Young Scholars in Writing. For this accomplishment, she was recognized as an Emory Undergraduate Research Program featured researcher. She is now a Georgetown Law 1L and intends to specialize in human rights law.Cecily A. Duffie is a PhD student in English literature at Howard University. She graduated cum laude from the University of Florida with a BA in African American studies with a concentration in journalism. Her master's thesis was on cycles of postmodernism in the work of contemporary Black women writers, particularly Terry McMillan and Toni Morrison. She has been selected as an UC/HBCU Initiative scholar, NeMLA panelist, and Howard University Research Week panelist and presenter. She has also been published by the Miami Herald. She writes Tudor-era historical fiction and southern Black gothic fiction.Jeremy Edwards is a PhD candidate in the Gevirtz Graduate School of Education at the University of California, Santa Barbara. His research examines higher-education practices and policies that impact college access and student development. His dissertation explores the relationships between Black students and the UC system in thinking about levels of support and advocacy for Black students on recruitment, retention, and postgraduation career plans. He was a co-instructor for the UCSB Engaging Humanities Initiative, was a 2019 graduate fellow of the Andrew W. Mellon Foundation, and served as a coordinator and mentor of the UCSB-HBCU Scholars in Linguistics Program.Jenn Fishman, associate professor of English and codirector of the Ott Memorial Writing Center at Marquette University, is a widely published, award-winning scholar and teacher whose current work addresses community writing and listening, longitudinal writing research, and undergraduate research in writing studies. She has edited special issues of CCC Online, Peitho, and Community Literacy Journal, as well as The Naylor Report on Undergraduate Research in Writing Studies (2020), and contributed national professional leadership through various roles, including inaugural cochair of the CCCC Committee on Undergraduate Research and president of the Coalition of Feminist Scholars in the History of Rhetoric and Composition.Lauren Fitzgerald is professor of English and director of the Wilf Campus Writing Center at Yeshiva University where she recently chaired the Yeshiva College English Department. With Melissa Ianetta, she edited Writing Center Journal (2008–13) and its first undergraduate research issue (2012) and wrote The Oxford Guide for Writing Tutors: Practice and Research (2015). She has also published on writing center undergraduate research in Writing Center Journal (2014) and the edited collection How to Get Started in Arts and Humanities Research with Undergraduates (2014).Hannah Franz is the Program Associate for Graduate Advisement at the Jack Kent Cooke Foundation. Her scholarship focuses on equity and inclusion in high-impact practices, such as undergraduate research and writing-intensive courses. She is coauthor of The Indispensable Guide to Undergraduate Research: Success in and beyond College (2017) and has published in Scholarship and Practice of Undergraduate Research.Collie Fulford is professor of English at North Carolina Central University. Her recent work on writing program development, writing across the curriculum, and the scholarship of teaching and learning has appeared in Pedagogy, Composition Studies, Across the Disciplines, and Journal of Effective Teaching in Higher Education.John S. Garrison is professor of English at Grinnell College, where he teaches courses on early modern literature and culture. He is coeditor of three essay collections: Sexuality and Memory in Early Modern England: Literature and the Erotics of Recollection (2015), Ovid and Masculinity in English Renaissance Literature (2020), and Making Milton (forthcoming). His books include Shakespeare at Peace (2018), Shakespeare and the Afterlife (2019), and Performing Gods in Classical Antiquity and the Age of Shakespeare (2020).Ian Golding is an assistant professor of English at the University of Cincinnati, Blue Ash. He is the editor of Queen City Review, an international journal of undergraduate research. His research addresses student agency, archival practices, and visual media.Kay Halasek is professor of English and director of the Michael V. Drake Institute for Teaching and Learning at Ohio State University. Halasek's research spans a range of topics within rhetoric and writing studies: feminist historiography, teaching writing at scale, collaborative learning, writing program administration, portfolio assessment, and basic writing. She is the author of A Pedagogy of Possibility: Bakhtinian Perspectives on Composition Studies (1999), which received the CCCC Outstanding Book award. As director of the Drake Institute, she leads enterprise initiatives in instructional support for faculty and graduate students and research on and policy development related to teaching and learning.Abigail Harrison graduated from the University of North Carolina at Greensboro (UNCG) in 2020. Her area of focus is English with minors in rhetoric and public advocacy and communication studies. While at UNCG, she participated in hands-on undergraduate research highlighting rhetoric in both historical and contemporary media. Her scholarship on rhetorical theory within university media centers can be found in the Communication Center Journal.Rachel Herzl-Betz (she/her) is the Writing Center Director and assistant professor of English at Nevada State College. She earned her PhD at the University of Wisconsin–Madison and began her writing center career at Carleton College. Her research focuses on intersections between disability, writing center studies, and educational access. Most recently, she has pursued projects centered on equity in Writing Center recruitment and the impact of “access negotiation moments” for disabled writing instructors. In 2017, her first novel, Hold (2016), received the Tofte/Wright Children's Literature Award from the Council for Wisconsin Writers.Katherine Hovland is an undergraduate student at Marquette University, double-majoring in writing-intensive English and data science. She was a member of a research team in the Ott Memorial Writing Center that studied the accessibility of writing on Marquette's campus.Kristine Johnson is associate professor of English at Calvin University, where she directs the university rhetoric program and teaches courses in linguistics, composition pedagogy, and first-year writing. Her work has been published in College Composition and Communication, Composition Studies, Rhetoric Review, WPA: Writing Program Administration, and Teaching/Writing: The Journal of Writing Teacher Education. An associate editor of Pedagogy since 2019, her research interests include writing program administration, teacher preparation, and undergraduate research.Rachael Scarborough King is associate professor of English at the University of California, Santa Barbara (UCSB). She is the author of Writing to the World: Letters and the Origins of Modern Print Genres (2018) and editor of After Print: Eighteenth-Century Manuscript Cultures (2020). She is also principal investigator for the Ballitore Project, a project combining archival research and digital analysis at UCSB Library's Special Research Collections.Joyce Kinkead is Distinguished Professor of English at Utah State University. In 2012, she was named a Fellow of the Council on Undergraduate Research. As associate vice president for research, overseeing undergraduate research, she instituted University Undergraduate Research Fellows, the Utah Conference on Undergraduate Research, and Research on Capitol Hill. Dr. Kinkead is a scholar of writing studies and undergraduate research; her titles on undergraduate research include the following: Researching Writing: An Introduction to Research Methods Undergraduate Research Offices and Programs (2016), Advancing Undergraduate Research: Marketing, Communications, and Fundraising (2010), Undergraduate Research in English Studies (2010), and Valuing and Supporting Undergraduate Research (2003).Danielle Knox is a Black creative writer who graduated from Howard University with a bachelor's degree in English. A prospective graduate student, her research interests include gender and sexuality across the African diaspora while noting the ways Black queer communities define and express themselves outside of a white Western context. She also desires to help challenge systemic inequalities, promote funding for public libraries, and support all forms of Black literature and art.Addison Koneval (she/her) is a doctoral candidate at The Ohio State University. Her work in rhetoric, literacy, and composition primarily focuses on culturally sustaining pedagogies. Most recently, she has been working with grammar education in first-year writing settings.Susan Lang (she/her) is director of the Center for the Study and Teaching of Writing and professor of English at The Ohio State University. Lang has extensive experience in teaching online and hybrid courses in technical communication at both undergraduate and graduate levels. She and colleagues at Texas Tech also developed Raider Writer, program-management software for large writing programs. Her research examines aspects of writing program administration, writing analytics, and technical communication. Her work has been published in College English, College Composition and Communication, Writing Program Administration, and Technical Communication, among others. She is the recipient of the 2016 Kenneth Bruffee Award for Best Article in Writing Program Administration and the editor-in-chief of the Journal of Writing Analytics.Bishop Lawton is a PhD student in history at the University of Illinois, Urbana-Champaign. His research interests include Pan-African Intellectual History, the history of precolonial African civilizations, and twentiethth-century Black movements. In further pursuit of his interests, in June 2020, Bishop became a writer for blackpast.org, the largest online encyclopedia of African American history.Ali Leonhard is an undergraduate at Marquette University, double-majoring in forensic science and philosophy. She was a part of the Ott Memorial Writing Center's research team that looked at the accessibility of writing on Marquette's campus.Hayden McConnell is an Elon University alumna. She graduated with a major in professional writing and rhetoric as part of the English Honor Society. Her research addresses the lack of video content that addresses the topic of rhetoric in an engaging manner while also using successful rhetorical strategies. Her work has many intentions, but the overarching goal is to begin providing more visually stimulating content that discusses rhetoric and its many branches for both new and current members of the field.John Henry Merritt is a senior English major and Mellon Mays fellow at Howard University. His research interests include African American fiction, postmodernism, literary theory, and the digital humanities. Currently, he is interested in using Twitter data to develop reader-response based analyses of blockbuster movies. His senior thesis examines the function of the underground as a setting throughout African American fiction. In his free time he likes to write code and study languages. After graduation, he hopes to pursue a PhD in English literature and get a puppy.deandre miles-hercules (they/them), MA, is a doctoral student in the Department of Linguistics at the University of California, Santa Barbara. They are originally from Prince George's County, Maryland, and obtained a BA in linguistics with minors in anthropology and African American studies from Emory University. Their research focuses on language as a nexus for the performance of race, gender, and sexuality in the domains of sociality and power, specifically as it pertains to Black, femme, queer, and trans communities. deandre currently holds a National Science Foundation Graduate Research Fellowship.Jessie L. Moore is director of the Center for Engaged Learning and professor of professional writing and rhetoric in the Department of English at Elon University. She is the coeditor of three books, including Excellence in Mentoring Undergraduate Research (2018). Her recent research examines transfer of writing knowledge and practices, multi-institutional research and collaborative inquiry, the writing lives of university students, and high-impact pedagogies. She served as Secretary of the CCCC, founded the CCCC Undergraduate Researcher Poster Session, and currently cochairs the CCCC's Committee on Undergraduate Research.Jamaal Muwwakkil (he/him), MA, is a PhD candidate in the department of linguistics at the University of California, Santa Barbara. Jamaal is originally from Compton, California, and transferred from Los Angeles City College to University of California, Los Angeles, where he earned a BA in linguistics. Jamaal's research focuses on political discourse, African American language and culture, and linguistic practices in educational and university contexts.Angela Myers is a professional writing and rhetoric alumna of Elon University. She was an honors fellow and a Lumen scholar, a two-year, competitive grant award earned by only fifteen Elon students each year. Her research addresses the rhetorical strategies of sexual violence prevention courses for undergraduate students.Sunaina Randhawa is a Marquette University alumna. She graduated in 2020 with a BA in English literature and minors in writing-intensive English, anthropology, and digital media. Along with a team of researchers from Marquette's Ott Memorial Writing Center, she worked in conjunction with the Office of Disability Services at Marquette. With their help, she and her team determined both the ways in which they could make writing more and the ways in which the writing center could help that Michael associate professor of English at the University of North as codirector of first-year composition and senior faculty fellow with Center for and He The Writing of (2018) and coedited Perspectives on and Writing He is currently and with undergraduate students that are on curriculum and is a of 2020 graduate of Grinnell College, with a major in English. He is a Undergraduate a research project on of by contemporary of the of the of the he has presented at and participated in a research at the University of in He to pursue a PhD in has a PhD in literary and studies from Mellon University, where she teaches courses on literature, and gender studies. Her current research explores can writing in the humanities. Her work on literature examines the ways in which and discourse the of gender as a modern of has a PhD in rhetoric and composition from Texas University. She Emory University as director of the Writing She has also been associate professor at College, associate professor and chair of English and language at University, and associate professor and chair of communication studies at King University. Her research in the intersections between literature and rhetoric as well as in teaching and She is a book on the in the She also coedited the Journal of the on Perspectives on Learning for is an undergraduate student in and in English and at Nevada State College. As an undergraduate writing and his work and code is professor of English and dean of the College of Arts at University. He taught undergraduate writing and graduate in the Rhetoric and Composition His scholarship focuses on writing program and the teaching of writing.

Drawing upon nine years of qualitative data, including a collection of writing samples and yearly interviews, this study seeks to articulate a model of long-term writing development that can be adapted for a wide range of research and teaching purposes. The model is adapted from Bronfenbrenner and Morris’s Bioecological model of human development and draws upon key works by writing transfer scholars, longitudinal researchers, and the work in lifespan development. The model identifies the critical interplay of ecologies of writing specifically through the intersection of Person characteristics (e.g., Identities, Dispositions, and Resources) with Key Events over Time, nested in particular writing Contexts. We specifically focus on the way that various Person characteristics (including sociocultural, sociolinguistic, and socioeconomic), drastically shape writing development over Time, particularly as they are mediated by the Salience of the specific Writing Event and a writer’s metacognitive awareness. Through case studies, we trace two writers’ long-term development across nine years, spanning their undergraduate degrees, internship and workplace contexts, and for one writer, experiences in medical school contexts. With a model that can be applied to a variety of research and teaching contexts to better understand learners’ writing development, we argue that Person characteristics—mediated by Salience and Metacognition and working together with Key Events, Contexts, and Time—substantially shape long-term outcomes for writing and learning. Through this robust model, we offer methodological and pedagogical implications.

This article explores ways that the field of rhetoric and writing studies can benefit from intentional engagement with work-integrated learning (WIL) research and pedagogy in the context of transfer research. Specifically, the article discusses: (1) redesigning writing internship pedagogies to align with WIL learning and curriculum theories and practices; (2) revisiting threshold concepts of writing by accounting for knowledge, theories, and practices that are central to epistemological participation in a variety of professional writing careers; (3) reconsidering notions of vocation to emphasize the ways writers’ personal epistemologies and social trajectories interact with the purposes, aims, and values of academic and workplace contexts; and (4) reconceptualizing writing major curricula in relation to the conceptual knowledge, procedural knowledge, and dispositions of expert writers in a range of professional contexts. In short, we argue that intentional engagement with WIL can enrich work on writing transfer and the field of rhetoric and writing studies as a whole. In addition to our theoretical discussion of the value of engaging with WIL frameworks in writing studies, we introduce our multi-institutional, transnational study of how WIL affects diverse populations of undergraduate students’ recursive transfer of writing knowledge and practices as an example of the kind of generative research on writing transfer and WIL that we are encouraging writing transfer researchers to take up.

Discourse-based interviews allow researchers to gather data about a writer’s understanding of what informs a task. This method was essential for a research team seeking to understand the impact of programmatic learning objectives on student writing development. Three decisions in the approach to this research project sought to center the student participants and make them quasi-researchers: the alignment of a clearly articulated theoretical framework with the methodology, the collection of supporting data from other methods, and modifications to the interview protocol. The study found that a writing program can facilitate the transfer of writing skills by implementing consistent, explicit, and intentional transfer-oriented learning objectives in both FYC and advanced composition courses.

Writing center professionals’ (WCPs) efforts to integrate transfer of learning theory into writing tutor education have exceeded empirical research on the effects of such curricula. Building on research in this area (Cardinal, 2018; Hill, 2016), we designed and implemented a semester-long, transfer-focused training curriculum for experienced undergraduate writing tutors that sought to build on tutors’ prior knowledge of writing center pedagogy. We tracked these tutors’ understanding of, attitudes toward, and uses of transfer and transfer talk in writing center sessions over the course of a semester. Through analysis of training meeting transcripts and a post-training survey, we found that tutors developed a basic understanding of transfer and demonstrated positive attitudes toward transfer and transfer talk; however, they responded negatively to examples of explicit transfer talk in the curriculum and proposed modifications constrained by the social context of tutoring (Carillo, 2020). We characterize these modifications as instances of tutors contextualizing transfer talk in light of their prior knowledge of writing center pedagogy. We encourage WCPs who are designing or researching transfer-focused tutor education to conduct additional empirical research and to prioritize tutors’ perceptions and experiences in order to develop more dynamic conceptions of transfer in writing center studies (Carillo, 2020).

This article uses the figured worlds theoretical framework to study the influence past writing education has on present and future writing education.

Gautam Basu Thakur is associate professor of English and director of the critical theory minor at Boise State University, where he teaches theoretical psychoanalysis, postcoloniality and globalization studies, and literature of the British Empire. His books include Postcolonial Theory and Avatar (2015), Lacan and the Nonhuman (coedited, 2018), Postcolonial Lack (2020), and Reading Lacan's Seminar VIII (coedited, 2020).Saradindu Bhattacharya teaches at the Department of English, University of Hyderabad, India. His recent publications have been in the domains of trauma studies, young adult literature, and the pedagogy of English. He has been teaching cultural studies, Renaissance literature, and new literatures in English at the postgraduate level. Additionally, he has also taught elective courses on nation, media, and popular culture and on children's literature. He particularly enjoys teaching English poetry and reading dystopian fiction.Jolie Braun is curator of modern literature and manuscripts at The Ohio State University Libraries, where she oversees the modern literature and history collections and provides special collections-based instruction. Her research interests include women publishers and booksellers, zines, and self-publishing. Her recent work has appeared or is forthcoming in Tulsa Studies in Women's Literature, American Periodicals, and Textual Cultures: Texts, Contents, and Interpretation.Craig Carey is associate professor of English at the University of Southern Mississippi. His research and teaching focus on nineteenth-century American literature, book history, media theory, and game studies. His scholarship has appeared in journals such as American Literature, American Literary History, and Arizona Quarterly, among others. He is currently working on a manuscript that explores the relationship between authors, archives, and invention in the age of realism.Moira A. Connelly is associate professor of English at Pellissippi State Community College in Knoxville, TN. She has published in Teaching English in the Two-Year College. Her research interests include equity in collaborative writing, writing transfer, writing about writing, responding to the writing of multilingual students, community college teaching, and applying ideas from the academy to activist spaces.Jathan Day is a PhD candidate in the Joint Program in English and Education at the University of Michigan. His research explores how writing instructors’ organizational and design decisions in the Canvas LMS affect the ways their students write and learn.Cassandra Falke is professor of English literature at UiT The Arctic University of Norway, where she teaches an introduction to literature, literary theory, romanticism, and contemporary fiction. She is the author of The Phenomenology of Love and Reading (2016) and Literature by the Working Class: English Autobiography, 1820–1848 (2013) as well as articles and book chapters on literary theory, phenomenology, romanticism, working-class writing, and liberal arts education. She has edited or coedited five collections and special issues.Paul Feigenbaum is associate professor in the Department of English at Florida International University and coeditor of the Community Literacy Journal. His research, teaching, and engagement interests include community literacy, public rhetoric, and the intersections between rhetoric and psychology. His scholarship has appeared in journals including College English, Reflections, and Composition Forum. His first book, Collaborative Imagination: Earning Activism through Literacy Education, was published in 2015.Dustin Friedman is associate professor in the Department of Literature at American University in Washington, DC. His fields of research and teaching are Victorian literature and culture, aestheticism and decadence, queer theory, the history and theory of aesthetics, and global nineteenth-century writing. He is the author of Before Queer Theory: Victorian Aestheticism and the Self (2019). His writings have appeared in Studies in Walter Pater and Aestheticism (2019), the Journal of Modern Literature (2015), ELH (2013), Literature Compass (2010), and Studies in Romanticism (2009).Helena Gurfinkel is professor of English at Southern Illinois University Edwardsville, where she teaches primarily critical theory and Victorian literature and culture. She is the author of Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy (2014; paperback 2017) and is currently writing a book on the Soviet television and film adaptations of the works of Oscar Wilde. She has published extensively in pedagogy, literary and film studies, gender studies, and critical theory. She is editor of PLL: Papers on Language and Literature.Sarah Hughes is a PhD candidate in the Joint Program in English and Education at the University of Michigan, where she also teaches in the English Department Writing Program. Her research explores how women use multimodal discourse—grammatically, narratively, and visually—to navigate online gaming ecologies.Andrew Moos is a PhD student in the Joint Program in English and Education at the University of Michigan. His research focuses on how writing instructors can and are using antiracist assessment and feedback practices in writing classrooms to empower students.Julie Sievers is founding director of the Center for Teaching, Learning, and Scholarship at Southwestern University, where she also teaches. At the time of this research, she was teaching literature and writing courses at St. Edward's University, where she also directed the Center for Teaching Excellence. Previously, she taught English and composition on the tenure-track at Denison University and in graduate school at the University of Texas at Austin. She has published on literature, pedagogy, and faculty development in the William and Mary Quarterly, Early American Literature, the New England Quarterly, To Improve the Academy: A Journal of Educational Development, and the Journal of Faculty Development. She is currently studying annotation pedagogy in the context of first-year seminar courses.Danielle Sutton is a PhD candidate in English studies at Illinois State University. She works at the intersections of life writing, children's literature, and memory studies and is especially interested in comics and verse memoirs of childhood. She lives in Normal, IL.Kathryn Van Zanen is a PhD student in the Joint Program in English and Education at the University of Michigan. Her research centers on ethical negotiation in writing and writing instruction, particularly among raised-evangelicals writing back to their home communities on social media.Crystal Zanders is a poet, educator, activist, and public speaker from Tennessee. As a Rackham Merit Fellow in the Joint PhD Program in English and Education at the University of Michigan, her research focuses on Black teachers’ use of African American English in pre-integration classrooms in the South.

Drawing on a five-year study of 20 student writers, this study advances a concept related to but distinct from writing transfer. Integration contextualizes and complicates transfer episodes and encourages us to take a long view of writing development. Like transfer, integration can be facilitated by connectionsand disconnectionswriters perceive between writing contexts.

The recent focus on threshold concepts in writing studies indicates the field’s growing commitment to engaging writing-based threshold concepts in the daily work of teaching and learning to facilitate writing transfer. However, although there is growing evidence of robust scholarly work in this area, research on the pedagogical importance of these concepts to the writing development and tutoring of L2 students is still in its nascent stages. To address this gap, this paper first presents findings from a research study that aims to understand how writing centre tutors addressed the needs of L2 students in tutoring sessions and the extent to which threshold-oriented language appeared in the content of the conference summaries. After discussing the findings, the paper proposes a threshold concept-based framework for tutoring L2 writers involving two established concepts: ‘writers’ histories, processes, and identities vary’ and ‘writing is informed by prior experiences.’ In addition, a new model of the conference summary as a reflective tool to promote writing transfer is presented along with a discussion of emergent writing centre-oriented concepts that reimagine the role of the tutor as an ‘expert-outsider’ and the L2 student as ‘informed novice.’

This paper discusses a first-year writing research prospectus prompt designed to support first-year undergraduate students transitioning from high school writing—which often focuses on summary and synthesis—to college-level writing. In college, “research papers” often require knowledge production: developing research questions that address gaps in existing scholarship. My prospectus prompt offers a scaffolded structure for writers embarking on such college-level projects, and it also offers a tool to facilitate writing transfer, with the goal of enabling students to develop major research projects independently in other classes. It does so in two ways. First, it labels the components of major research projects (e.g. objects of study, research questions about those objects of study, and the theoretical frameworks used to analyze objects of study). Second, it provides a process for approaching research projects, including showing students how to develop research questions and how to move beyond summarizing and synthesizing other scholars.

Preview this article: Posthumanizing Writing Transfer, Page 1 of 1 < Previous page | Next page > /docserver/preview/fulltext/ce/83/4/collegeenglish31194-1.gif

This paper examines three students’ multimodal composition experiences in Basic Writing where conceptions of literacy interacted with moments related to transfer across media. Extending Brian V. Street’s work on literacy and Rebecca S. Nowacek’s transfer theory to multimodal composition through video, we use analysis of ethnographic data to conclude that for some students, video facilitated both a robust conception of literacy as ideological and transfer across media. For others, external forces inhibited opportunities for transfer and reinforced a conception of literacy as autonomous. We close reflecting on how we might more usefully scaffold student learning for transfer and more complex conceptions of literacy.

This case study of students enrolled in a composition course at a large public university examines multilingual students’ application of multimodal composition practices to writing assignments that emphasize delivery and circulation. Assignments in which students remediate or translate a text in one genre or medium into another are widely used to foster transfer of writing knowledge from classrooms to public discourse. Remixing may be especially useful for multilingual writers by allowing them to draw on translingual meaning-making strategies. However, such assignments must be framed in ways that make explicit the rhetorical implications of how remediated or translated texts are taken up and circulated within larger ecologies and suggest how uptake can be measured and assessed to be useful. This article draws on Rhetorical Genre Studies and Translingualism to address this issue in Multimodal Composition by outlining a pedagogical approach that emphasizes delivery and measuring uptake.

Transfer across Media: Using Digital Video in the Teaching of Writing presents digital composition as one pathway toward a better understanding of the transfer of writing knowledge. Through an in-depth study of the video composing experiences of eighteen students, the book illustrates how video provides useful opportunities for transfer across media through multimodal production.

Background: The lab report is a commonly assigned genre in engineering lab courses; however, students often have difficulties meeting the expectations of writing in engineering labs. At the same time, it is challenging for engineering faculty to instruct lab report writing because they are often under-supported in writing pedagogies and usually unfamiliar with the extent of students' prior writing knowledge. Literature review: Literature on technical communication in engineering addresses the importance of a rhetorical approach to writing instruction, as well as an emphasis on genre. Extending this literature, research into writing transfer provides valuable insight for better understanding how undergraduates negotiate the engineering lab report as a new genre within this distinct rhetorical context. Research questions: 1. How effective is a transfer-focused writing pedagogy in supporting students' understanding of the genre conventions of engineering lab reports? 2. How does the transfer-focused writing pedagogy impact students' writing quality in five categories (rhetorical knowledge, organization, evidence, critical thinking, and disciplinary conventions)? 3. What are the rhetorical features that engineering students improve or struggle with the most with lab report writing? Research methodology: Four engineering instructors and two English instructors participated in this study to design and develop the lab report writing instructional module, and implemented the module materials into their engineering lab courses. The module, consisting of lab report writing instruction and assessment resources, shares a rhetorical approach and foundational writing terms with first-year composition courses to emphasize a writing-transfer pedagogy. We collected and analyzed undergraduates' lab report samples to evaluate the impact of the module on students' writing performance. Two sets of lab reports were collected for analysis: the sample sets before (control), during the 2015-2016 academic year; and after (experimental) implementation of the module, during the 2016-2017 academic year. Results and conclusions: Data collected via pre- and post-implementation writing artifacts show that a rhetorical approach to teaching lab reports helped students better understand the expectations of the lab report as a discipline-specific genre, and it developed students' understanding of the rhetorical features of engineering writing. The pilot module positively impacted the quality of students' lab reports, a finding that suggests that using a transfer-focused writing pedagogy can successfully support the transfer and adaptation of writing knowledge into gateway or entry-level engineering laboratory courses.

Creating her own assignments using openly licensed course materials allows this professor and her students to be more creative and to take greater advantage of digital resources.

Creating her own assignments using openly licensed course materials allows this professor and her students to be more creative and to take greater advantage of digital resources.

Using a mixed-methods, multi-institutional design of general education writing courses at four institutions, this study examined genre as a key factor for understanding and promoting writing development. It thus aims to provide empirical validation of decades of theoretical work on and qualitative studies of genre and the nature of genre knowledge. While showing that both simplistic and nuanced genre knowledge promote writing development, our findings suggest that nuanced genre knowledge correlates with writing development over the course of a semester. Based on these findings, we propose an expanded view of Tardy’s four genre knowledge components and argue for their explanatory power. We recognize these genre components can be cultivated by using three particular strategies: writing for nonclassroom audiences, using source texts explicitly to join existing disciplinary conversations, and cultivating two types of metacognitive awareness (awareness of the writing strategies used to complete specific tasks and awareness of one’s levels of proficiency in particular types of writing knowledge). Findings can be used to enrich first-year or upper-division writing curricula in the areas of genre knowledge, audience awareness, and source use.

This article addresses some of the pitfalls associated with current methods of investigating the transfer of learning within writing centers and encourages the adoption of a dynamic definition of transfer, as well as a dynamic taxonomy of context. The need for a more multidimensional approach to transfer emerged during the course of a preliminary study of a small group of writing center peer tutors over the course of a semester. The study, described in the article, sought to better understand what prior knowledge tutors were drawing on to facilitate tutorials; from which contexts they were transferring this prior knowledge; and how this prior knowledge impacted their work as tutors. The data collected in the form of observations and audio-recorded tutorials, as well as from follow-up interviews with the peer tutors, illustrate the need for writing center studies to develop a more nuanced and comprehensive approach to understanding and studying transfer. By addressing this need, writing center studies can help shape discussions about the transfer of learning.

In this program profile, we detail the design and implementation phases of an interdisciplinary first-year experience curriculum for multilingual students in the Creando Raíces learning community model at Humboldt State University. Our profile describes how we worked together as a professional learning community to integrate theories of writing development and transfer with culturally sustaining pedagogies. The coursework and academic structural supports of our model, such as its writing fellows program, supported student engagement in critical work that asked them to consider what it means to transfer one’s emerging and existing knowledges about language, literacy, discourse, schooling, and identity into and out of systems, institutions, and communities. In reflecting on our work across three semesters, our profile reveals ways that instructors, administrators and students can enact a multilingual, decolonial praxis as an approach to facilitating writing knowledge transfer.

Writing about writing (WAW) is an increasingly popular approach to teaching writing that, while often discussed as a single pedagogy, has always referenced a wide variety of curricula, pedagogies, courses, and assignments. While this diversity has been acknowledged, scholars have yet to fully explore the sources, nature, and implications of this variation. From our reading of over 40 published accounts of WAW courses, curricula, or programs, we articulate a WAW typology using an axiological heuristic that non-reductively but clearly identifies variations of WAW as well as the values that underlie the differences among them. We then explore the implications of these theoretical and axiological differences for the probable results of different WAW approaches, particularly related to claims that WAW effectively facilitates transfer of learning. We conclude with an exploration of questions regarding WAW and transfer that our typology and analysis raise that might be the focus of future research.

Drawing on the Teaching for Transfer (TFT) writing curriculum, this study documents how students in writing courses at four different institutions transferred writing knowledge and practice concurrently into other sites of writing, including other courses, co-curriculars, and workplaces. This research demonstrates that when students, supported by the TFT curriculum, understood that appropriate transfer of writing knowledge and practice is both possible and desirable, (1) they engaged in writing transfer during the TFT course into other sites of writing; (2) they transferred from in-school contexts into out-of-school contexts with facility; and (3) in both cases, they engaged in a just-in-time transfer.

Background: Preparing students to work on teams in the workplace is both important and challenging. The transfer of learning from school to work requires that faculty provide guidance to support teamwork processes, including team communication. Literature review: Leader communication, especially when nondirective, has been associated with team success. Nondirective leaders influence others and develop quality relationships through personal rather than position power. Personal power is created partly through interactions in which a leader's linguistic behavior effectively manages rapport with team members. Research questions: We wanted to explore the influence of team member feedback on leader rapport management, leader-member relationship quality, and perceived team effectiveness. Research methodology: We designed a feedback intervention that was delivered to team leaders within multidisciplinary student teams in a technical writing course. The study was a traditional, intervention-based, between-subjects quasi-experiment. Results/discussion: Despite its singular focus on team leader behavior, the intervention resulted in higher perceived group effectiveness. Although leader rapport management and leader-member relationship quality were higher in teams with feedback intervention, the effects were not statistically significant. Conclusion: We discuss several potential causes of our results, including several options for future research. Ultimately, because the intervention is simple to create and efficient to share, we conclude that it can supply instructors with one useful tool for intervening in student teamwork processes to improve team outcomes and for emphasizing the importance of interpersonal communication and leadership in teams.

In this essay we explore a variation of teaching for transfer (TFT) curriculum based on Writing across Contexts, published in 2014 by Yancey et al. We explain what the TFT curriculum is, how we modified it to fit our local two-year college contexts, and offer a look ahead to the continued research on this curriculum.

This article theorizes how students know when to activate knowledge acquired in FYC courses. Addressing knowledge activation as motivated by pursuing activity-specific objectives, the author calls for situating students’ encounter with and acquisition of rhetorical knowledge and practices of writing as knowledge of how to perform activities other than writing.