Megan McIntyre Abstract In response to a growing awareness of the oppressive foundations of educational institutions, literacy educators have turned to antiracist, culturally responsive (Alim and Paris; Paris), and equitable teaching and assessment practices to combat the inequities (colonialism, racism, sexism, homophobia, ableism, etc.) on which our institutions are built. According to scholars including Geneva […]

Rebekah Sims and Sharon Hunter Abstract This program(me) profile describes the development of embedded writing instruction within a Scottish initial teacher education course: the Professional Graduate Diploma in Education (PGDE). This programme is the main entry route into primary and secondary school teaching in Scotland, where all teaching is a university-degreed profession. This profile describes […]

Raffaella Negretti, Hans Malmström, and Jonathan Weidow Abstract In this program profile, we describe the development of an integrated, genre-based writing curriculum in first-year engineering physics at a technical university in Sweden. The curriculum aimed at supporting undergraduate students develop disciplinary literacy and an understanding of the exigencies that different scientific genres fulfill, with a […]

Maria Eleftheriou and Sana Sayed Abstract The American University of Sharjah (AUS) Writing Center, one of the first writing centers in the Gulf region, supports a multilingual student body in the transnational context of the United Arab Emirates. The profile gives an account of the Center’s history, peer-tutoring program, tutor-training course, and Writing Fellows initiative, […]

Shane A. Wood, Nikolas Gardiakos, Matthew Bryan, Natalie Madruga, Pamela Baker, Joel Schneier, Joel Bergholtz, Emily Proulx, Vee Kennedy, Ricky Finch, Mya Poe, Norbert Elliot, and Sherry Rankins-Robertson Abstract The University of Central Florida’s First-Year Composition Program has sustained its commitment to values-based sustainable development despite a series of significant changes from 2020–2025. In this […]

Carl Schlachte The picture shows a young white man, maybe eighteen years old, his face wracked with confusion or frustration, head resting on a fist. The background, with rows of out-of-focus books, suggests he is in a library. Thick brown hair sweeps across the man’s head in the style of the time. He is clean-shaven, […]

Yan Li Abstract Over the past two decades, writing transfer theories have significantly influenced curriculum development in first-year writing (FYW) programs across the United States (US). This study examines the theories shaping multilingual curriculum development in FYW by presenting findings from a national survey informed by a transfer-encouraging methodology. Despite the critical importance of this […]

Abstract Taking their cue from the internet and popular cultures in which they engage, college students are becoming more comfortable with the notion of intersectionality, a term first coined in the late 1980s by the critical race scholar Kimberlé Crenshaw. Drawing from her legal training as well as Black feminist precursors such as Sojourner Truth, Crenshaw shows how to best understand the experiences of the multiply marginalized, not through a simple process of addition (woman plus Black, for instance) but through a careful attention to the way in which the specific combination of those two identities can create new forms of marginalization obscured by single-vector frameworks. For those who teach undergraduate writing students, the proliferation of intersectionality in cultural conversation offers a unique opportunity: here is a densely theoretical concept that students are eager to think about and which, in fact, they may already be thinking about. This piece provides a pedagogical model for approaching intersectionality in the writing classroom. Using Langston Hughes's richly ambiguous short story, “Seven People Dancing,” which foregrounds the racial, sexual, class, and gender identities of its characters, the article guides instructors through a process by which students can use theoretical concepts to produce stronger analyses of complicated texts.

Abstract Kate Chopin's The Awakening (1899) offers a feminist critique of marriage conventions and the Cult of Domesticity that prevailed in the nineteenth century. Yet hidden behind protagonist Edna Pontellier's entrapment in marriage and domestic life lies another systemic hierarchy: white privilege sustained by African American labor. Building from existing scholarship and from sources on teaching race, this essay explores the hidden Black labor that allows Edna's “awakening” to happen at all, given that the entire system is built around white privilege. This essay considers ways to teach The Awakening to a college literature class, illuminating the historical silencing and limitations of Black people in the United States and identifying the mechanisms of white privilege. The essay poses a key question for students: how do the silent Black bodies in The Awakening reinforce white privilege? Using various pedagogical approaches, this essay aims to help students investigate, uncover, and confront white privilege in other texts and in their world.

Abstract Since March 2020, terms like resilient course design, resilient pedagogy, pandemic resilience, and keep teaching have become ubiquitous in higher education. In response to COVID-19, institutions have proselytized about bouncing back. However, what many may have internalized as a survival response to “the unprecedented” — resilience — is intrinsic to what many in English studies teach: the writing process. Writing is an exercise in resilience. To write is to think. To think is to reckon with complexity. And that reckoning requires that one abandons, however momentarily, the illusion of control for the possibility of creating something new. Building on a burgeoning body of scholarship on resilience in critical pedagogy and composition and rhetoric, this article works to normalize resilience in the writing process and in the teaching of First-Year Composition (FYC). In doing so, the article redefines resilience as a rhetorical tool: a flexibility of mindset and moves that student-writers may develop as they encounter different writing situations and reflect on how they navigate those situations, which can guide them in making strategic choices about languaging, in and beyond our classrooms.

Abstract Upon arrival at college, students often experience difficulty integrating themselves into the new space of a university classroom. They may wonder how their previous skills connect to present use or they may feel linguistic, social, gendered, racial-ethnic, or class-related barriers to inclusion — barriers that are all too frequently invisible to faculty members. Classroom Community Agreements (CCAs) can ameliorate these situations by helping students to express their needs to their classmates and to faculty. CCAs operate on principles of antiauthoritarian teaching embraced by bell hooks; they embody Krista Ratcliffe's “rhetorical listening” and Lisa Blankenship's “rhetorical empathy,” both of which offer strategies for orienting instructors’ and students’ awareness to others’ needs within a classroom environment. This article studies the processes and effects of CCAs in a first-year writing program at a large university. Five faculty members from the Expository Writing Program at New York University narrate their practices of creating CCAs, which they initiated both before and during the COVID-19 pandemic. These narratives illuminate the ways CCAs build trust, clarify course values and expectations, and enhance experiences of presence and agency. Collectively, our findings demonstrate the potential that CCAs have to foster student belonging and learning in virtual and physical classroom spaces in first-year writing and other disciplines.

Abstract This article explores the creation and sustainment of a standing antiracist pedagogy group in a technical and professional communication program at a large, predominantly white Midwestern R1 university with a strong STEM culture. Reflecting on personal and collective experiences, group members discuss the evolution of the group, how the group fosters sustained engagement and ongoing development among its members, and its hopes (as well as challenges) for the future. Ultimately, the authors aim to provide a framework for the development of other kinds of support groups in universities and beyond.

Abstract Drawing from new and foundational scholarship in the field and from our experiences as teachers at a range of institutions, the authors consider how multimodal learning can support antiracist classrooms. This article emphasizes the value of cross-institutional collaboration, as the authors make a collective case for remixing the essay in first-year composition. This term denotes a method for building on the traditional college essay through activities and assignments that allow students to reevaluate and repurpose this well-established genre. The authors offer four case studies for remixing the essay—“Multimodal Translation: Playing with Post-Its” (Borough of Manhattan Community College /City University of New York), “Remixing Activism: The Essay as Personal and Political Playlist” (St. Francis College), “NYC Graffiti Autoethnography” (Fordham University), and “‘Vernacularity and Translation Activity” (Yale University). All four narratives present practices that support critical agency and linguistic justice by addressing the conventions of college writing assignments. Together, the authors offer a useful practice for composition instructors seeking to implement antiracist and multimodal instruction as well as a generative concept for administrators developing new writing curricula.

Abstract This article considers how Jacques Derrida's theory of hospitality, applied within university literature classrooms, can help instructors meaningfully respond to competing student desires for flexibility and belonging. Derrida contends that ideals of “absolute” hospitality must be embodied in concrete and inevitably “conditional” ways. Arguing that the tension between absolute and conditional is one to embrace, the article considers how story-centered classrooms (specifically, general-education literature classes) allow teachers and students alike to move in and out of the roles of welcoming host and gracious guest. The article breaks down this pedagogical process into three overlapping stages, where class participants move from a traditional relationship where a teacher-host welcomes the student-guest, to experiences of readerly co-dwelling in which they collectively allow a story to host its disparate readers. The article argues that this pedagogical rethinking of traditional hospitality hierarchies gives students empowering strategies for welcoming diverse perspectives and inhabiting varied roles with confidence. These hospitality skills, in turn, allow them to practice and experience belonging.

ABSTRACT Ever since Thomas Kuhn’s The Structure of Scientific Revolutions was published in 1962, philosophical “pluralism,” a concept barely a hundred years old, has emerged across all the academic disciplines in many different forms as a possible response to variants of skepticism, relativism, and dogmatism. What makes Richard McKeon’s meta-philosophical pluralism distinct from all others is both his focus on philosophical first principles and his rhetorical method of coordinating their possibilities for theoretical development and practical application. Yet McKeon’s lifelong intellectual project remains largely unknown even among philosophers and rhetoricians, a situation the present essay modestly hopes to ameliorate.

ABSTRACT For Richard McKeon (1975), the relationships between Greek dialectics and dialogue and rhetoric involve the “fruitful interplay of controversy and agreement,” and he judges this interplay to be the contribution that Greek dialectic makes to Western history and thought. Thus, he promises to enrich ongoing challenges of diversity, involving his own ideas on pluralism. This article reflects on and furthers that thinking, connecting early Greek insights on the concepts here identified with the post-McKeon debate on deep disagreement in argumentation.

ABSTRACT Revered and feared during his lifetime, Richard McKeon left a rich and ambiguous intellectual legacy. The architect and practitioner of a cosmopolitan and expansive, historically and philosophically self-reflexive interdisciplinarity who reimagined liberal arts education for an era of transformation delighted in transcending boundaries and destabilizing assumptions and in demonstrating the relativity of every foundation to a particular constellation of ideas and methods. This essay explores the uncanny legacy of McKeon’s simultaneously visionary and old-fashioned style of thought, meditating on the timeliness, at this moment of crisis in and beyond the university, of a philosophical pluralism that embraces multiplicity, ambiguity, and difference without abandoning the commitment to critique.

It is a mere fifty-five years since the bulk of the New Rhetoric Project (NRP) was presented to English-speaking (and -reading) audiences in the John Wilkinson and Purcell Weaver 1969 translation. Not long in the grand scheme of things, but long enough for certain orthodoxies to become established in the literature. We know, for example, that this was a return to Aristotle to recover ideas that had long been lost and that would undergird the logic of value.1 And we know that the “Universal Audience” is a problematic and confused idea. But such received ideas are what this collection of essays challenges.If there has been a rhetorical turn in argumentation theory (Bolduc 2020, 9), then that turn has safely been traced to the 1958 publication of Le Traité de l’argumentation: La nouvelle rhétorique (henceforth, the Traité), and the coincidental appearance of Stephen Toulmin’s Uses of Argument in the same year. Subsequent to the Traité’s publication, its authors, Chaïm Perelman and Lucie Olbrechts-Tyteca, expended considerable efforts in publicizing its main themes and ideas through a series of short papers in different languages, and Perelman’s single-authored précis of the larger tome, L’empire (1977), found an immediate readership among audiences—often students, for whom the larger work was deemed too unwieldy.That dissemination aside, the need for such a collection as the one now under review arises in part because of the “errors” that have found their way into the literature, but also because the Wilkinson and Weaver English translation lacks the scholarly apparatus that would provide commentary on ideas and explain the cultural background to the concerns that arise. For example, the Traité makes continuous reference to European writers of the day with which later, non-European, audiences will be unfamiliar. And beyond this, there is a growing interest in the history of the NRP: the ideas and influences that led Perelman and Olbrechts-Tyteca to develop one of the most important projects in the history of rhetorical theory. Their rhetorical turn in argumentation, identifying the centrality of audience adherence to theses through the development of a range of argumentation schemes and rhetorical strategies, has fascinating antecedents in Perelman’s early philosophical thinking. To this end, Michelle Bolduc and David Frank’s expressed goal is to translate the most significant texts that remain in French and to correct current mistranslations. This collection contributes to that goal.The book comprises seven essays, along with introductions and commentaries from Bolduc and Frank. Five of the essays are by Perelman alone, and the other two were written in collaboration with Olbrechts-Tyteca, including the centerpiece, “Logique et rhétorique” (1950).One of the fascinating aspects of this volume is the insights it provides into Perelman’s own development as a thinker, especially a rhetorical thinker, independent of his work with Olbrechts-Tyteca. The five essays with his sole authorship range over twenty years, from the early thirties to the early fifties, and include one of his first publications, “De l’arbitraire dans la connaissance” (On the Arbitrary in Knowledge, 1933), published when he was only twenty-one years old. Here we have a young philosopher establishing his ideas against the dominance of logical positivism, insisting that values do not lie outside of reason. Value judgments, he argues, belong to the realm of the arbitrary, or nonnecessary, and are opposed to necessary truth judgments. This inaugurates an important, positive pluralism, as it is to the underlying realm of the arbitrary that we need to turn for human knowledge.In this essay, Perelman addresses the difficulty of imagining the other. It is not enough to put ourselves in the place of another person; “we must imagine ourselves living in another time, in another context, educated differently, with a different background. This is much more difficult” (44). We might detect here an emerging appreciation of the importance of audience as well as the roots of his conception of the Universal Audience. This is also the paper, as Bolduc and Frank point out, in which we see the first discussion of the technique of dissociation that will play so central a role in the argumentative strategies of the NRP that reconfigure the way reality appears to us (31). It is through this technique, we might recall, that concepts are modified and revalued after an incompatibility in their use develops in society.Two essays on the Jewish question, “Réflexions sur l’assimilation” (1935) and “La Question juive” (1946), occupy the focus of chapter 2. Beyond providing a sense of the cultural background against which Perelman’s ideas were developing, it tells us something about his political and cultural affiliations. Perelman was a “political Zionist” who lived through the Holocaust and the establishment of the state of Israel, and his allegiance to Belgium kept him rooted in Europe, although throughout his life he worked in a number of capacities on behalf of Belgium Jews. The essay also shows that he saw his theoretical ideas having importance for the world that was developing around him. And in the remarks on antisemitism, we begin to see Perelman’s recognition of the significance of groups and how they operate in opposition to each other.A fourth essay, “Philosophies premières et philosophie régressive” (1949), receives an updated commentary and translation from the version Bolduc and Frank published in 2003 in Philosophy & Rhetoric and is here given its place in the emerging NRP story. The importance of this essay in Perelman’s development has been noted before. It introduces his conception of regressive philosophy in its opposition to a tradition of first philosophies, including Aristotle’s. In this essay, we also see more clearly the move to rhetoric as the importance of a rhetorical logic (the logic of regressive philosophy) is stressed. Unlike the dogmatism of first philosophy, with its goals of absolute and necessary knowledge, regressive philosophy champions what earlier was seen in the domain of the arbitrary. It returns thought to its human roots in human contexts. Thus, rhetorical logic, in the words of the commentary, “requires commitment and responsibility because it provides the guide for human action” (97).The last of Perelman’s essays, “Raison éternelle, raison historique” (1952), provides further details of his expanded sense of reason. He sees in Aristotle the license to develop a model of nonformal reason, but one that has Perelman’s own distinct features. His rhetorical definition of reason is rooted in human experience (time), action, and judgment. This is a conception of reason that will start to appear familiar to readers of The New Rhetoric.This is also one of the essays that clarifies details surrounding what has become one of the more difficult concepts associated with the NRP, that of the Universal Audience. As readers may appreciate, the literature is filled with readings (and perhaps misreadings) of this central idea as scholars struggle to understand it. The problem was such that Perelman himself was still trying to clarify matters late in his career (Perelman 1984). Bolduc and Frank put the confusions partly down to the Wilkinson and Weaver translation (12). Whatever the cause, there is material here to set readers down the right path. Reacting to the rather feckless audiences imagined by Aristotle in his Rhetoric, Perelman promotes audiences that are “no longer constituted by a crowd of ignorant people, but by the subject himself when it is a matter of inner deliberation or, during a discussion, by an individual interlocutor, or by what we could call the Universal Audience, formed by all reasonable humans, during the presentation of a thesis whose validity should be universally recognized” (170). Accepting that we understand “validity” here in the nonformal sense in which it is employed in the NRP, then we have a clear statement of the three audiences that will become important for Perelman and Olbrechts-Tyteca.The Universal Audience is not a “blank slate,” but accepts facts, values, and argumentative techniques. This audience represents “incarnate reason,” but is not provided by experience alone because it always begins with an extrapolation from “the actual adherence of certain individuals.” Thus, Perelman concludes, “We posit that the theses attributed to this audience can vary in time, that they are not impersonal but rather dependent on the person who declares them, and on the milieu and the culture which shaped him” (170–71). Thus, we see changes in the understanding of what is reasonable influencing the way people argue at different times and in different places about, say, the value to be accorded to the physically disadvantaged or about those to whom the category of “person” should be extended. This is indeed the Universal Audience that can be extracted from The New Rhetoric, but its nature is expressed far clearer in Bolduc and Frank’s new translation.The remaining two essays are authored by Perelman and Olbrechts-Tyteca together. “De la temporalité comme caractère de l’argumentation,” from 1958, develops some of the insights in Perelman’s earlier essay on historical reason. Because time plays no role in demonstration, its importance is pronounced when we turn to argumentation. The nature and logic of argument cannot escape its history, the demands of the present, and future consequences. Here is another way in which reason informs the human condition, grounding thought in the experience of self and others and our relation to the world.It is, however, the other coauthored paper (identified as their first collaboration), “Logique et rhétorique,” from 1950, that is the most valuable essay in the collection, in terms of its anticipation of the NRP and illumination of ideas found there. It constitutes chapter 4 of the book, aptly titled “The Debut of the New Rhetoric Project.”We gain a better sense here, for example, of how Perelman and Olbrechts-Tyteca consider the relationship between persuasion and conviction, which can be another point of confusion in The New Rhetoric. For many scholars, and for figures such as Kant, conviction is the stronger mental state. But the authors of the NRP allow that the relationship can be reversed, a position rarely seen since Richard Whately (1963, 175). They write,True to the focus on values and action, persuasion is the conversion of conviction into action; a position or claim that is judged as correct, to which there is adherence, is personalized as it informs the behavior of the audience.Also, in accordance with its title, this article announces the importance of rhetoric for the authors and clarifies their understanding of this concept in relation to their predecessors’ views. Rhetoric differs from logic in its concern with adherence. Hence the important, but revised sense, of persuasion. As Bolduc and Frank observe, both Perelman and Olbrechts-Tyteca were surprised by their discovery of rhetoric (131n18), and they explain the central importance of epideictic rhetoric (often marginalized at the expense of the deliberative and judicial types) in a way not made clear in the Traité or any work prior to L’empire: “The battle that the epideictic orator wages is a battle against future objections; it is an effort to maintain the ranking of certain value judgments in the hierarchy or, potentially, to confer on them a superior status” (134). It is the association between the epideictic and value judgments that elevates epideictic in their eyes. As Perelman will later write, “In my view the epideictic genre is central to discourse because its role is to intensify adherence to values, adherence without which discourses that aim at proving action cannot find the lever to move or to inspire their listeners” (1982, 19).Further ideas, like the Universal Audience, are again rehearsed in “Logique et rhétorique.” But this is also a paper that best clarifies the distance between Perelman and Olbrechts-Tyteca, and Aristotle, and this is something that deserves some discussion.One of the assumptions generally made about the NRP is that it is Aristotelian in nature and its authors neo-Aristotelians. There are, of course, grounds to support this assumption. Perelman himself speaks of the new rhetoric as a project that “amplifies as well as extends Aristotle’s work” (1982, 4). Michel Meyer, Perelman’s student, seems to confirm as much when he writes, “Perelman’s view of rhetoric has often been qualified as neo-Aristotelian because it is reasonable, if not rational, to provide arguments which are convincing due to the type of logos used” (2017, 54). And even one of the current authors in question has described Perelman and Olbrechts-Tyteca’s project as “their contemporary revision of Aristotelian rhetoric” (Frank 2023, 251). So, clearly, there are careful distinctions to be made here.Throughout the papers, the debt to Aristotle is evident and frequently acknowledged. The Aristotelian syllogism plays an important role in several discussions, and the young Perelman saw value in Aristotle’s tandem of potentiality and actuality, terms that play an important role in the Metaphysics (and, one might suggest, in the Rhetoric).2 And as we have seen, Perelman and Olbrechts-Tyteca acknowledge Aristotle as paving the way to seeing a model of nonformal reasoning and a viable conception of rhetoric.At the same time, the logic of Aristotle’s rhetoric is not one that Perelman and Olbrechts-Tyteca endorse. It fits smoothly into the tradition of first philosophies that the whole NRP opposes. And the vision of reason is ultimately very different, as Perelman insisted in a response to Stanley Rosen (Perelman 1959). This is made clear in “Logique et rhétorique.” Aristotle’s relevant logic, the one developed in his Rhetoric, is a logic of the plausible. Perelman and Olbrechts-Tyteca’s logic, as dictated by their conception of rhetoric with its emphasis on values, is a logic of the preferable (137). Nothing could set the two systems more firmly apart. And on this distinction, if for no other, we can see why ultimately Perelman and Olbrechts-Tyteca would not consider themselves neo-Aristotelians.Michelle Bolduc and David Frank have provided an enormous service to present and future readers of The New Rhetoric. Elsewhere, Bolduc (2020, 288) warns against limiting the corpus of the NRP to the Traité of 1958. This volume supports that warning, bringing to light a sampling of what might be missed by such a restrictive vision. The authors have also done readers throughout the world an immeasurable service in negotiating an open-access contract with Brill. This removes all financial impediments to studying an important set of essays, and I suspect it reflects Bolduc and Frank’s belief in the value of the ideas they are presenting here, and which in further volumes they will continue to present. These are two collaborators who have thought seriously about the nature of scholarly collaboration (Frank and Bolduc 2010), deriving insights that inform their approach to their subjects here. One suspects it is a collaboration as rewarding for those involved as it is for those who benefit from its results.

The relationship between democracy and literacy is a longstanding topic of interest both to contemporary communication scholars as well as historians of rhetoric. Democracy and literacy are both social activities. Focusing on the Classical Period of Athens ( ca. 480–323 BCE) as a specific site of study, this essay argues that the dynamic interaction of these two activities was facilitated by the development and application of technological equipment. That is, technology, in this case, refers to the equipment and machinery ancient Athenians utilized that enhanced their literate skills in order to facilitate the performance of democratic activities. Archaeological excavations over the last century, especially at the Agora, have yielded artifacts that provide evidence of the technological implements used in democratic activities. This study offers an analysis of recently excavated artifacts arguing that Athenians developed and employed equipment that utilized literacy in order to enhance the civic processes of democracy. This field study advances the conclusion that the relationship between democracy and literacy in classical Athens requires an understanding of a third factor: the impact of technology.

Mainstream artificial intelligence (AI) is an extractive industry that exploits both humans and nonhumans. The extractive underpinning of mainstream AI systems means that technical communicators must be careful when advocating for accessibility and inclusivity in AI because those efforts may expose marginalized groups to further exploitation. Extractive AI also necessitates that technical communicators reconsider how their own discipline may be complicit in the damaging logics and practices of extraction.

We report on a longitudinal case study (n = 9) about popularization writing skills in undergraduate interdisciplinary students. Writing skills were determined by analyzing components of the cognitive process model of writing proposed by Hayes. Keystroke logging and video observation were used to analyze the text construction process (the process level) in third-year writing. Genre knowledge (the control level) was analyzed through text analysis and assessment of first-year and third-year texts. Results showed that writing was highly individualized at the process level, including switches between processes, timing, number of edits, and reliance on the source text. At the control level, popularization genre knowledge did not significantly change over time and text quality remained low to average, suggesting a lack in genre knowledge. Choices in the writing process are, thus, not reflected in the quality of the writing product. These findings point to a need for explicit training in popularization discourse alongside academic discourse training.

Because evidence is still limited on writing motivation around the globe and the factors that could influence it, a survey-based quantitative study with 2,067 Costa Rican students from first to sixth grade (84 classrooms in 4 schools) was conducted to explore variations in two constructs of motivation for school writing across school grades and gender in Costa Rican students. Attitudes towards writing were investigated with students from first to sixth grade, while self-efficacy beliefs towards writing were investigated with students from third to sixth grade. Results show that students’ positive attitudes towards writing decreased with grade level, with the highest positive attitudes found in second grade and the lowest in sixth grade. Grade level only determined students’ perceived self-efficacy for generating ideas and concentrating during writing, but not for punctuation and spelling, which is interpreted in relation to the Costa Rican writing education curriculum. Girls from second to sixth grade reported more positive attitudes towards writing than boys; however, they only had higher self-efficacy beliefs for generating ideas and not for punctuation, spelling, or concentrating on a writing task.

Marking the point of departure of the clause, Theme position is used to identify subject matter, the writer’s angle on that subject matter, and the direction of travel of the text. Learning to exploit this cohesive resource is essential to the learning-to-write process, becoming increasingly relevant in late childhood as children begin to write longer texts in a wider variety of registers. This research explores how children achieve this, by comparing texts written by 17 children aged 8-9 and 9-10 years, analyzing changes to thematization and identifying children’s “gateways” into new repertoires. Findings reveal that the writers’ choice of “macroTheme” (an overarching initial thesis statement) significantly influenced subsequent thematic choices. Furthermore, experimentation with new thematic resources reflected the writers’ adoption of a meta-perspective elicited by appropriation of modeled macroThemes, the integration of counterarguments, and recognition of the potential of abstract Themes to provide new insights into lived experience.

Generative artificial intelligence (GenAI) has brought into question how much ownership college students feel for “their” writing when it is AI-generated. This study recruited 88 college writers at one midwestern state university in the United States. In a within-subjects design, participants composed poems about a meaningful, challenging life experience, then prompted GenAI to compose a poem about that same event. Results showed significantly greater ownership for human-made poems; additionally, human-made poems were rated as more accurately reflective of selected lived experiences. Aesthetic merit, however, was rated higher for AI-generated poems for imagery, language, and form—but not for originality. Half the students preferred GenAI poems, mainly because of their textual features, while less than half preferred human poems, mainly for personal connections to the events presented. Implications for GenAI as a tool to support creative writing and meaningful literacy are explored.

Walter Lucken IV An adequate summation of Professor Ian Barnard’s career in and out of rhetoric and composition studies would require much more than the space allotted. Suffice it to say that from the early 1990s to the present, Barnard, Professor of Rhetoric and Composition in the English Department at Chapman University, has steadfastly explored […]

The integration of generative artificial intelligence (AI) into academic writing has raised questions about the syntactic complexity of AI-generated texts compared to human-authored essays. While studies have explored syntactic complexity in human writing, limited research has compared AI-generated argumentative and narrative texts, particularly in isolating cognitive overload and proficiency factors. This study addressed this gap by examining genre-specific syntactic patterns in AI-generated essays. Using the L2 Syntactic Complexity Analyzer, the study analyzed four hundred AI-generated essays (two hundred argumentative and two hundred narrative) and employed paired T-tests and Pearson correlation coefficients to identify differences and relationships among syntactic measures. Results showed that argumentative essays demonstrated higher syntactic complexity than narrative essays, especially in production unit length, coordination, and phrasal sophistication, while subordination measures remained similar. Correlation analysis revealed that argumentative essays compartmentalized ideas through coordinated and nominally complex structures, while narrative essays integrated descriptive richness through longer sentences and embedded clauses. The findings suggest that genre-specific rhetorical demands shape syntactic complexity in AI-generated writing. Implications for teaching and learning writing and future studies are discussed.

In response to disruptions introduced to the job market by AI resume screeners, this article introduces a novel theoretical framework for the life cycle of artificial intelligence systems to help unblackbox resume screening AI systems. It then applies the AI life cycle framework to a digital case study of RChilli’s job-resume matching algorithm. The article introduces an eleven-step computational job-resume matching assignment that writing instructors can use in their classrooms to explore the pedagogical implications offered by the AI life cycle framework. The assignment helps students simulate important phases in AI production and development while highlighting biases and ethical concerns in AI screening of resumes. By exploring job-resume analytics, this study helps to teach critical AI and data literacy, make job-resume matching algorithms more explainable, and transform how professional writing can be taught in the age of automated hiring.

In a relatively short time, market and political forces have intensified the reach of artificial intelligence (AI). AI has become, in a word, climatic—not only a discrete technological system but also a creeping assemblage of ideological, material, and political forces. This article tracks these forces by developing rhetorical climates of AI as a conceptual framework. In doing so, I aim to (1) link the harms of climate change with the rapid buildout of AI infrastructure and (2) shift the frame of the conversation by emphasizing the extractive, exploitative, enclosed, and knotted supremacist conditions that have been prerequisites for building AI systems at scale. While these pervading rhetorical climates may seem unchangeable, I track how microclimates of resistance have developed, in the past and in the present. In particular, I emphasize the importance of bodily intelligence in navigating asymmetrical conditions of power felt in the AI industry. The article concludes by discussing how rhetoric and writing studies can weather the unfolding rhetorical climates of AI by diagnosing conditions, seizing moments, and plotting futures to imagine a less extractive and less harmful world.

In gaming, cheat codes change how players engage a system by inviting exploration and reducing the fear of failure. Drawing on writing center pedagogy, this article proposes a similar framework for navigating generative AI in writing instruction and positions play as a method for developing critical AI literacy. Writing centers have long served as spaces where students engage collaboratively with new technologies and construct meaning through dialogue. This article extends that tradition by positioning writing center pedagogy as a framework for helping students examine AI’s ethical implications through treating it as a rhetorical situation to be unpacked, which demands principled, human-centered engagement rooted in values such as collaborative exploration. By weaving together writing center praxis and game-informed pedagogy, this article contributes to ongoing conversations in writing studies about how to integrate AI in ways that support critical thinking and ethical reflection. It demonstrates how playful, classroom-tested activities can animate discussions of bias and representation while helping students build rhetorical discernment through experience. Ultimately, the article argues that ethical literacy must be practiced through relational, iterative work. As writing classrooms become one of the few remaining spaces where students encounter generative AI with support and critical context, writing instructors have a vital opportunity to help students learn to write with, against, and around powerful technologies.

This Research Brief discusses transformers—the core engine for most artificial intelligence applications. The brief situates transformer technology within the field of rhetoric and composition by surveying recent studies; highlights the innovative aspects of transformers; and, finally, thinks through (Majdik and Graham) the operations of transformers and generative AI through Miller’s theory of topoi, illustrating one way in which rhetoric and composition scholars and teachers can critically engage with generative AI in instruction and research.

In this article, we explore how multilingual paraprofessional teachers and students broadened the construction of personhood through literacy instruction in an English-medium school located in a Mid-Southern, semi-rural US town. Drawing upon a study that blended practitioner inquiry with an ethnographic approach, we closely examine how the construction personhood in translanguaging read-alouds was broadened beyond dominant models of personhood—as monolingual and as having Eurocentric, middle-class, and adult-sanctioned knowledges. Our findings show how students and teachers constructed broader models of personhood by constructing a model of a multilingual speaker and reader as well as Latine, working-class, and childhood popular culture knowledges as highly valued and exciting attributes of being human. We conclude by discussing what kinds of interactions these moments could foreshadow and the implications of this work for researchers and teachers to understand how both discursive and contextual factors can contribute to broadening conceptions of personhood to provide children and youth with a greater sense of dignity and belonging in their literacy learning.

Based on the notion that one’s critical consciousness development is rooted in understanding how the moments and narratives of our collective past construct our realities, this article brings together theories of critical literacy, critical memory, and critical sociohistorical consciousness to offer a literacy framework that can foster students’ radical imagination. By examining data from an ethnographic study of students’ critical consciousness development in a social justice-oriented urban high school, the author examines how a critical sociohistorical literacy approach to teaching classroom literature presents a site for interrogating and disrupting structures of inequity as well as a pathway for young people to cultivate innovative, literary perspectives in pursuit of social change. The framework and examples offered in this work highlight practical approaches for English educators seeking to support critical consciousness development in classrooms as well as the need for youth to develop critical sociohistorical literacies as a component of social activism and future building.

This study examines how metadiscourse resources are used to achieve persuasiveness in Apple's earnings conference calls from 2013 through 2022. Adopting a corpus-assisted discourse study approach, the study reveals that self-mentions, transitions, and boosters are the three most frequently used metadiscourse resources by Apple executives. The authors detail how different types of metadiscourse contribute to the construction of three interactive roles that enhance persuasiveness. The study contributes to current studies of persuasion as a form of strategic communication. Business practitioners may benefit from learning the language practices of leading companies in order to optimize their own corporate communication strategies.

Recent years have seen renewed attention to the dynamic aspects of second language writing, such as writing processes. Situated in this vein of research, this study uses screen capture, interviews, observations, and analysis of student texts to closely examine the digitally-mediated writing micro-processes of 38 first-year multilingual writers enrolled in composition courses at two U.S. universities. By studying a relatively large data pool, the study complements case studies of multilingual writers’ digitally mediated composing processes to provide a broad picture of multilingual writers’ digitally mediated micro-processes. Drawing on the framework of the extended mind, we show that the participants’ micro-processes incorporated digital tools through three clusters of practices: (1) L1 use through translation, (2) use of text-generators, and (3) self/writing regulation. While the three practices were shown to be widely used by the participants, their use varied depending on the participants’ goals. The study demonstrates the theoretical significance and pedagogical implications of closely examining writing micro-processes as they intersect with the use of digital tools.

This design-based study occurred within a writing methods course in an urban teacher education program. We designed an intervention to develop student teachers’ meta-composing strategies, critical thinking, and justice-oriented reflexivity by revising a teacher-as-writer course assignment to achieve two pedagogical goals: (1) synthesizing antiracist and pedagogical content from curated source texts, and (2) explicating racial literacy as future writing teachers of K-6 students. Using discourse synthesis as both an instructional and research method, we analyzed the synthesis outputs of student teachers during a writing assignment designed to communicate their learnings to an intended audience. Outputs included graphic organizers, planning documents, and a range of final products. We employed discourse synthesis to analyze source and synthesis texts through propositionalization, template formation, and thematic categorization, identifying idea unit origins, progression, or omission. Additionally, content and thematic analyses evaluated instructional strategies and materials to assess whether pedagogical objectives were met. Results indicated discourse synthesis instruction facilitated student engagement with antiracism content, such as historical events, systemic trends, and awareness of racist practices in schools. Findings also highlighted areas for improvement, including modifying source texts, revising the teacher-as-writer assignment, and reevaluating assessment practices in antiracist writing pedagogy.

Digital technologies have dramatically changed the way scientists produce, circulate, and disseminate scientific knowledge. Here we investigate women scientists’ writing activity and digitally mediated discursive practices in their professions. Using survey techniques, we identify patterns of professional and public science communication online across the disciplines. We also explore the potentially interrelated genres—“genre systems”—that routinely enact typified rhetorical actions in their professional contexts. The findings show that their socioliterate activity fully reflects the importance that their professional contexts attach to certain “privileged” genres of professional communication (e.g., journal articles), despite the fact that the respondents value highly genres of socially responsible research (e.g., blogs, infographics). Statistical analyses further confirm that “disciplinary culture” is a determining factor in the extent to which respondents engage with collaborative genres and participatory science genres. We report significant differences in the use of digital mediation tools to communicate science online to both expert and lay audiences. Finally, we discuss several implications for writing pedagogy and the development of digital skills to support scientists, especially women, who want or need to promote and disseminate their research widely.

This case study investigates how two ESL graduate students, Ian and Sam, use ChatGPT in their research writing after receiving a comprehensive tutorial based on Warschauer et al.’s (2023) AI literacy framework. We analyzed their engagement with ChatGPT across prompt categories including genre, content, language use, documentation, coherence, and clarity. Data were collected from research paper drafts, ChatGPT chat histories, and interviews. Data analyses included coding ChatGPT prompts, textual analysis of drafts, and thematic analysis of interview transcripts . Results show that while both participants utilized ChatGPT for understanding genre conventions and content development, they developed distinct approaches reflecting their individual backgrounds. Ian selectively used ChatGPT for specific assistance needs, while Sam engaged more systematically, particularly for APA style and coherence checks. Both approaches maintained academic integrity and scholarly voice, demonstrating that Generative AI tools can be effectively tailored to individual needs without compromising ethical standards. This study highlights how advanced ESL writers can adapt GenAI tools to their unique writing processes, offering insights into the diverse ways AI can enhance academic writing while preserving individual agency. The findings suggest that AI integration in academic writing can be customized to support diverse writing goals and backgrounds.

The majority of what we compose, we compose for others. Because audience impact is central to the success of writing and designing, peer review tests how our compositions work in the world. Accordingly, we have built decades of scholarship establishing best practices for sharing our work with others, especially as new technologies emerge. This article argues for the introduction of eye tracking as a tool that can supplement peer review, offering an expansion of what counts as feedback that fosters greater access and agency for students throughout the writing process. The method for incorporating eye tracking to expand traditional peer review modalities moves students from passive research subjects to active users of eye-tracking data. In doing so, students can examine how audiences experience their work, helping to frame revisions of their multimodal compositions and consider what story they most want to tell.

The language movement in East Pakistan (now Bangladesh) was a social movement that seeded Bangladeshi consciousness and is often considered as prefiguring Bangladeshi independence in 1972. It underscored the centrality of linguistic identity in modern nationalism. Developments in the language movement also provide a generative example of how development and modernity can frame discussions around language reform and literacy in contexts characterized by a multilingual norm and postcoloniality. This article examines the rhetorics of language reform in the movement through a reading of a set of recommendations for developing a simplified register of Bangla, called Shahaj-Bangla, within a sense of the overall language movement and its discourse. I argue that the new register simultaneously presents a scientific and cultural view of language to suit the needs of the region. This study contributes to current scholarship in the field by showing how an example of language reform assumes a fluid nature of language while also arguing for a form of standardization aligned with modern nationalism. It also adds to our developing conversations around language and literacy transnationally through its focus on a language debate about a non-European language set in a non-Western context.

Christian Weisser, Jackie Hoermann-Elliot, Gavin P. Johnson, and Daniel Ernst Readers of Composition Forum may have noticed a pause in our regular volumes; we postponed a Fall 2024 release while we were making some modifications to the journal. First and foremost, we have upgraded the design and functionality of the CF website by implementing a […]

Sandie Friedman Reznizki, Michal, and David T. Coad, editors. Dynamic Activities for First-Year Composition: 96 Ways to Immerse, Inspire, and Captivate Students. National Council of Teachers of English, 2023. A May 2022 New York Times article featured a graphic with the instantly recognizable design of the Harvard crest, but in place of the Latin “Veritas” […]