This article describes how contemporary psychoanalytic and poststructuralist theories inform my teaching of writing. It suggests that the psychological and academic challenges confronting freshmen recently placed in a new social/academic environment may be abated by a pedagogy that highlights a poststructuralist understanding of identity as multiple and performative.

This article discusses how teaching students to recognize the contemporary American Indian theoretical concepts of “rhetorical sovereignty” and “rhetorical alliance” in Native texts can help deepen understanding of American Indian voices and histories in an appropriate context, while also developing students' understandings of multiple and cross-cultural rhetorical frameworks.

This article interrogates the commonly used creative writing workshop model, calling for a higher degree of process-oriented work in the classroom and bringing to light process-oriented models already in place in universities across the country. This discussion can serve as a springboard for classroom development of alternative teaching models.

This scholarship of teaching and learning project explores how students read in a first-year general education class on critical writing and reading. In this article, I offer observations about which reading strategies seem most popular regardless of efficacy, which elements seem to foster student learning, and which obstacles remain.

Poster sessions aren't just for professional conferences. They are popular in a variety of academic disciplines, where they have been shown to boost motivation, foster alternative assessment, and promote peer interaction. They are gaining popularity as a classroom teaching strategy, because they promote the development of student research skills and foster positive attitudes toward research. They encourage collaboration and peer interaction. Visual presentation strategies provide opportunities for students to display their ideas and knowledge in several multimedia formats. Poster sessions also promote alternative assessment strategies such as peer and self-assessment. We report here on the ways that we have used this assignment format in our basic linguistics class, titled “The Nature of Language.” We conclude with tips on incorporating poster assignments into teacher education classes regardless of the content matter.

This article argues that teaching Asian American literature should include immeasurable and nontangible factors that accompany racial grief, such as cultural betrayal, the trauma of belonging interstitially, and the sensation of displacement. I propose that these be introduced via a gothic motif, such as the double, haunting, and possession by ghosts. Such motifs have the advantage of familiarity (or, if not, are quite easy to explain) and being psychoanalytically informed.

Ruminating on the work of Eve Kosofsky Sedgwick around failed pedagogy and a confused cat, I consider ways to provoke new streams of critical thought in my composition students around issues of gender and sexuality without “pointing.” Thinking about Jean Genet's novel Querelle and Rainer Werner Fassbinder's film of the same name, I delineate the specifics of how I teach these two difficult, often incomprehensible texts in an introductory class. In reviewing the confusion these works can provoke in student discourse upon reading and viewing the texts, I emphasize the role of disorientation and dislocation in the mapping of student thinking and writing, ultimately reemphasizing the importance of nondemagogic, malleable pedagogy in the teaching of sexuality and gender, particularly with composition students who are exploring and amplifying their voices. Teaching Querelle is like unleashing a virus of confusion and intrigue on student writers, but the incoherence it creates also creates opportunities to explore new ideas and horizons in these developing thinkers/writers.

This article describes my experiment with surveillance technology as a composition teaching tool in a computer classroom. The technology, a software program called Remote Desktop, displayed live on my lectern screen all of my students' activities on their computers. While I first intended mainly to use Remote Desktop to monitor students' focus on assigned tasks, I quickly became interested in the pedagogical possibilities it presented. Because I could read students' work as they were composing it, I could intervene quickly when they were struggling and offer near-instant feedback; I could also guide class discussions by identifying patterns of weakness to address, strong examples to share, or the single answer a given student had gotten right to praise. I could anticipate how debates might unfold among students with differing opinions, or how similarly minded students might offer support to one another. While these strategies might have been possible without the technology, they were significantly facilitated by it — especially because this group of students was particularly underprepared and found discussion difficult. Class time became more productive and built their confidence in their own abilities as readers, writers, and editors.

Service-learning projects and traditional internships both prepare the student of technical communication for the workforce in many ways. What is lacking in the scholarship is a discussion of how to successfully link these two ideas. To help teachers implement courses that bridge the gap between service-learning projects and internships, I discuss how to design a course in technical communication that actively prepares students for subsequent internships with nonprofit agencies. In specific, I outline social development and social learning theories, service-learning pedagogies, and lesson plans and assignments that integrate these theories into practice. This project serves as a model that insists that the teacher first instructs students regarding not only rhetorical aspects of document design, including audience awareness and style, but also in placing the students in internships and designing assignments to be fulfilled in internship roles. The combination of classroom practices with an internship supports the idea that students learn the value of the process of writing, including the social embeddedness that can often influence their writing.

Community-based projects immerse technical writing students in intercultural communication, addressing local needs and shaping documents in human terms. Students at a South Texas university work to establish communication with clients in a city-county health department to create effective documents and disseminate family health legislation. To prepare students for interactions in multicultural settings, the teacher provides an instructional framework that highlights the concepts and values of intercultural communication and the principles for effective problem-solving. Students engaged in the Baby Moses ( el niño Moisés) project encounter misunderstandings, rhetorical challenges within the process of document creation, and cultural tensions that thwart their goal to disseminate information to the community. Students and the teacher learn that the classroom, like the city-county health department, is a fertile site for cultural disequilibrium, tensions, and potential cultural awareness. To insure a viable Technical and Professional Writing Program in a culturally diverse university and surrounding community, the teacher identifies opportunities that help students develop and enhance their identities as culturally-sensitive communicators and effective problem solvers.

Using tracings from a 1924 technical writing class, this article follows some normally unmarked processes of teaching and learning in order to highlight the humanities–utility binary from the perspective of the shadows of instructional practice. First, the article situates the humanities–utility debate as it is being addressed in postwar America, and second, it offers evidence of how far-reaching the resolution might have been, evidence taken from the margins of a copy of Watt’s (1917) The Composition of Technical Papers. Both the professional discussions and this textbook’s philosophy are reflected in jottings made by a technical writing student. This article suggests that tracing these issues through this underside of pedagogical history offers a type of evidence that is difficult to recover but worth seeking.

The field of technical communication has made notable progress in researching and teaching intercultural issues. Not enough discussion, however, is available on assessing students’ intercultural competence. This article attempts to start this discussion and invite further research. It suggests a working definition to conceptualize intercultural competence and draws upon diverse disciplines to review different assessment methods, including their strengths, drawbacks, and potential applications in technical communication classes.

Writing performance of a complex recommendation report produced by student teams for an actual client during a 15-week semester was compared in a writing-intensive Agronomy 356 course and in paired Agronomy 356/ English 309 courses. The longitudinal study investigated differences that existed between reports produced for each learning environment in terms of argument effectiveness, document usability, and professionalism. Three agronomy and three professional communication raters ranked the 12 lengthy reports in the sample. The study found that all top-rated reports were generated in the paired courses and all lowest-rated reports were generated in the stand-alone agronomy course. Four pedagogical factors appear influential in this result: working in dual problem-solving spaces, pushing the boundaries on problem solving, incorporating workplace realities, and using just-in-time teaching.

Research Problem: Studies identify peer review as an effective instructional method to improve student writing. Some teachers, however, avoid peer review, perhaps due to the workload required for assessing and correcting peer reviews. Previous studies have not proposed any method to reduce teacher workload by using an objective means to analyze the effects of peer review. Research Questions: This study assesses the degree of similarity between student essay drafts using normalized compression distance (NCD), a compression-based classification algorithm. How does peer review affect student essays, as measured by the NCD? What were the changes in essay length and holistic scores? How did students respond to peer essays? How did peer review affect students during revision? What were the NCD results? How did holistic scoring correspond to NCD results? Literature Review: Studies of pharmacists and engineers indicate that English language technical communication skills are important. Studies of peer review in language education indicate that peer comments are valuable but cultural differences and lack of confidence may impede making or using comments. Studies of NCD applied to web data, figures, and images indicate useful results. Methodology: This quantitative study used anonymous peer review and compared the results of traditional holistic scoring against a novel NCD measure. The researchers conducted the study with 35 student volunteers at a pharmaceutical university in Tokyo, Japan. The students had at least nine years of previous English instruction and previous peer-review experience. In class, students wrote an essay, anonymously reviewed a peer's essay according to instructions, then revised their own essays based on peer comments. An assessor graded the two drafts using a holistic scoring rubric. The researchers used NCD to quantify the change between drafts. Results and Discussion: Sixty percent of revisions contained more words than the originals. 51% percent of revisions received higher scores, 40% had no change, and 8.5% percent had reduced scores. Eleven percent of reviewers with low English proficiency did not identify obvious errors. Three revised essays had lower grades because the writers did not know how to incorporate peer comments. Anonymous peer review could lead to poor results where students had poor reviewing skills or did not know how to use peer comments. NCD helps teachers identify which revised essays to re-evaluate after peer review by indicating those with large quantities of changes. The study was limited by its small group of participants. Future research will examine longer essays, more participants, varied backgrounds, web delivery of NCD, and finding more factors to indicate the quality of written work to reduce teacher workload.

Reviews 207 thereby unmasking emotional frameworks that deprive others of the means to restore honor to social relations (p. 108). For many early modern authors, expression and regulation of emotion is closely tied to ethical behavior and the pursuit of justice. If readers are left wanting something from this book, it will most likely be further engagement with contemporary work on rhetoric and emotion. This is less a critique of the existing text and more a testament to the poten­ tial of further work in this area. Olmsted's close focus on the early modern period leaves ample room for studying the differences among emotional frameworks in other historical periods and provides the theoretical ground­ ing and the intellectual space in which to raise interesting and important questions about emotion and rhetoric. Scholars with interdisciplinary inter­ ests may find that Olmsted's insights into the gentle strand of persuasion have much to offer, for instance, to the contemporary study of diplomacy, the art of teaching, counseling, and to other contexts where coercion or force are considered unfit strategies for persuasion. As teachers, citizens, and friends, we are all involved in the schooling of emotion, helping others negotiate the competing emotional frameworks that determine the limits of persuasion and the shifting boundaries of the self. Just as Milton's advocacy of uncen­ sored publication supported an arena of competing truths, early modern counsel among friends supported an arena of competing emotional frame­ works. Olmsted's close attention to the early modern organization of these frameworks is both a caution and a model for how we enact persuasive, if imperfect, pedagogies of emotion. Eric D. Mason Nova Southeastern University Giancarlo Abbamonte, Lorenzo Miletti, Luigi Spina (a cura di), Dzscorsi alia prova. Atti del Quinto Colloquio italo-francese "Discorsi pronun­ cian, discorsi ascoltati: contesti di eloquenza tra Grecia, Roma ed Europa (Napoli - S. Maria di Castellabate 21 - 23 setiembre 2006), Napoli: Giannini ,2009.639 pp. ISBN 978-88-743-14-331 (http://www.fedoa.umna. it/2998/). Questo poderoso volume é il frutto di un colloquio organizzato dalle Universitá di Napoli (Federico II) e di Strasburgo, all interno dell ampio progetto, animato da un gruppo di ricerca misto italo-francese, Alie radici dell'Europa: la cultura d'assemblea e i suoi spazi (religione, retorica, teatro, politica ). Tra modelli antichi e ricezione moderna, che ha giá fornito numerosi contributi di alto valore, segnalati da L. Pernot nell'lntroduzione (p. 10). II vo­ lume fa il punto sul rapporto tra la produzione del discorso e la sua ricezione e tra contesto della performance, uditorio e oratore. 208 RHETORICA Per esigenze di brevità, segnalerô gli aspetti a mio parère più significativi e innovativi: i contributi di maggior peso saranno raggruppati temá­ ticamente, a prescindere dalla loro successione. Dopo la fine e puntúale analisi di A. De Vivo, Oratoria da camera. Il processo intra cubiculum di Valerio Asiático (Tac. Ann. XI1-3) (pp. 15-25), capace sia di illuminare le modalité di conduzione dei processi in età giulio-claudia sia di mettere in rilievo l'abilità tacitiana nel descrivere una situazione grottesca , il primo contributo di rilievo è di G. Abbamonte, Allocuzioni alie truppe: document!, origine e struttura retorica (pp. 29-46), che apre un trittico dedicato a Le allocuzioni alie truppe nella storiografia antica, - seguono: L. Miletti (Con­ test! dei discorsi alie truppe nella storiografia greca: Erodoto, Tucidide, Senofonte, pp. 47-61) e C. Buongiovanni (Il generale e il suo 'pubblico': le allocuzioni alie truppe in Sallustio, Tácito e Ammiano Marcellino, pp. 63-86). Abbamonte sottolinea come sia importante anche oggi affrontare questo argomento, perché si tratta di un genere ben lungi dall'essere estinto - purtroppo - e che, anzi, costituisce un capitolo di "storia della cultura ancora da scrivere" (p. 46). Le modalité del movere sono l'oggetto del contributo di L. Miletti, che esamina il discorso diretto di Hdt. 9,17,4, le informazioni offerte da Thuc. 4,91 e 7,69-70 e alcuni passi delle Elleniche e della Ciropedia di Senofonte. Entrando nell'annoso dibattito sulla veridicité dei discorsi nelle opere storiografiche (e soprattutto in Tucidide), Miletti si esprime per una loro rivalutazione contro Teccessivo scetticismo dimostrato per esempio da M...

This paper focuses on the ways girls use digital environments, like Word, PowerPoint and chatting programmes, for writing and communication purposes. By combining quantitative and qualitative methods of analysis and by adopting a critical discourse framework, we will explore the relationship between girls and new media, especially the ones related to digital writing, in terms of three interconnected variables. The first one is related to the role of the two most important socialisation institutions, home and school, at the present historical juncture, characterised by intense mobility and an expansion of traditional forms of literacy. The strategic choices of the girls’ families and their schools’ teaching practices contributed significantly to the formulation of their digital writing practices. The second variable is gender. Our data clearly show that a substantial number of girls were more inclined than their male peers to use word-processing and presentation software, performing, thus, the school discourses of ‘diligent students’. The third key variable concerns the personality of the girls who filtered in their own unique ways their social experiences, overcame limitations, took initiatives and appropriated technologically-mediated writing media for personally meaningful ends that enhanced their school and/or entertainment Discourses.

In this study, I use think-aloud protocol methods to determine how students respond to their teacher’s conversational and nonconversational written feedback on their writing.

In this latest in a series of commentaries from former chairs of the national Two-Year College English Association (TYCA), Sandie McGill Barnhouse, TYCA chair (2008–2010) shares her experiences and observations.

This essay examines how three of the most popular public speaking textbooks address rhetorical invention. The essay argues that textbooks minimize the discursive space shared by speakers and audiences in public speaking classrooms. As a consequence, topic and argument invention is framed largely as an internal affair that occurs prior to the speaker's interaction with the audience. The essay concludes with recommendations for teaching invention by reframing the public speaking classroom as a protopublic space.

By examining in turn a son’s craft project, a family photograph, and an image of tectonic plates, the authors demonstrate how objects can elicit rhetorical invention.

Winner of the 2013 CCCC Advancement of Knowledge Award Winner of the 2013 CCCC Research Impact Award Transnational Literate Lives in Digital Times is a book-length project designed to document how people outside and within the United States take up digital literacies and fold them into the fabric of their daily lives. This research contributes to our knowledge of the impact of digital media on literate practices and also provides a basis for developing approaches for studying and teaching successful practices.

I draw upon Eileen Schell’s notions of “maternal pedagogy” and an “ethic of care” to analyze archival material from the National Education Association and Educational Testing Service pilot “lay reader” programs of the 1950s and 1960s. I argue that there are striking similarities between the material and social circumstances of these postwar lay readers’ labor and that of contingent faculty in first-year composition today. I additionally contend that lay reader program narratives and policies evince a longer historical trajectory of labor problems in the teaching of writing than we typically recognize. Thistrajectory illustrates a continual need for various types of “help” in achieving effective writing instruction, yet paradoxically values labor-intensive models for teachers that emphasize the personal (and interpersonal). Such conditions create a problematic “motherly” discourse for the discipline that is magnified by the gendered imbalance already typically found in the first-year writing teacher workforce.

While reading a series of undergraduate essay drafts, ten newly appointed graduate teaching assistants consistently projected their own anxieties about academic writing onto the authors of the papers, with two exceptions: the students were imagined neither to have the teachers’ compositional agency nor to feel their ambivalence about the academic writing conventions in question. Suggestions for repurposing the intellectual work of the TA-training practicum follow.

The Evolution of College English: Literacy Studies from the Puritans to the Postmoderns Thomas Miller A Counter-History of Composition: Toward Methodologies of Complexity Byron Hawk Toward A Composition Made Whole Jody Shipka Teaching with Student Texts: Essays toward an Informed Practice Joseph Harris, John D. Miles, Charles Paine, editors

This article examines some of the central paradoxes of vernacular language use in the classroom and suggests methods for converting those paradoxes into productive teaching opportunities. Beginning from a linguistic point of view, the authors discuss the devaluing and marginalization of the vernacular in educational settings and then move on to literary examples, demonstrating how vernacular literature generates its own transnational conversation. The authors propose concrete strategies for incorporating vernacular language and literature in language arts, composition, and literature classrooms at secondary and university levels.

Review Article| January 01 2012 If I Don't Know What I'm Teaching, How Can I Make the Best of It? Teaching What You Don't Know. By Huston, Therese. Cambridge, MA: Harvard University Press, 2009. Adam Pacton Adam Pacton Search for other works by this author on: This Site Google Pedagogy (2012) 12 (1): 187–191. https://doi.org/10.1215/15314200-1416576 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Adam Pacton; If I Don't Know What I'm Teaching, How Can I Make the Best of It?. Pedagogy 1 January 2012; 12 (1): 187–191. doi: https://doi.org/10.1215/15314200-1416576 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2011 by Duke University Press2011 Article PDF first page preview Close Modal Issue Section: Reviews You do not currently have access to this content.

This article explores how composition courses might address contemporary capitalism's strain on students' time resources through a classroom practice of temporal awareness. The piece discusses two related dimensions of this approach. The first involves incorporating students' considerations of time into course content; the second, rooted in teacher inquiry, asks writing instructors to examine how time mediates the pedagogical relationships developed within their courses.

Of the many fields affected by current economic conditions, the humanities are often hit especially hard because the very category “humanities” is inchoate. Mangum joins scholars who seek ways to bring the values of fields such as literature and history into focus for various public audiences. Engaging nonspecialists in practices of the humanities offers one way of “going public.” The forms of publicly engaged teaching, learning, scholarship, and collaboration can stretch as far as teachers' and scholars' imaginations and are applicable to social sciences and other disciplines as well.

College students often use the campus as a venue for their course-based research activities. More often than not, however, the university is simply a locus of research, not a subject of student inquiry. In this article, I consider what can be gained when students “study up” the university as an institution. I draw on data from my undergraduate students' research process in an ethnographic methods course at Illinois State University. I argue that an institutional focus provides an especially effective approach for teaching ethnographic methods — one that differs from standard introductory textbook instruction in ethnography and that helps students avoid routine pitfalls of beginning ethnographic research. In particular, I argue that the university focus enables novice students to analyze fine-grained ethnographic data within a middle-range institutional context without macrosocial theories and frameworks that are likely beyond the scope of their semester-long projects. I also argue that an institutional focus can help students become more engaged, critical stakeholders in the university community.

Review Article| January 01 2012 The Canon and the Cutting Edge: On Teaching the Graphic Novel Teaching the Graphic Novel. Edited by Tabachnick, Stephen E.. New York: Modern Language Association of America, 2009. Jennifer H. Williams Jennifer H. Williams Search for other works by this author on: This Site Google Pedagogy (2012) 12 (1): 193–199. https://doi.org/10.1215/15314200-1416585 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Jennifer H. Williams; The Canon and the Cutting Edge: On Teaching the Graphic Novel. Pedagogy 1 January 2012; 12 (1): 193–199. doi: https://doi.org/10.1215/15314200-1416585 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2011 by Duke University Press2011 Article PDF first page preview Close Modal Issue Section: Reviews You do not currently have access to this content.

This article describes what scholarly multimedia (i.e., webtexts) are and how one teacher-editor has students compose these texts as part of an assignment sequence in her writing classes. The article shows how one set of assessment criteria for scholarly multimedia—based on the Institute for Multimedia Literacy's parameters (see Kuhn, Johnson, & Lopez, 2010 Kuhn , V. , Johnson , D. J. , & Lopez , D. ( 2010 ). Speaking with students: Profiles in digital pedagogy . Kairos: A Journal of Rhetoric, Technology, and Pedagogy , 14 ( 2 ). Retrieved from http://kairos.technorhetoric.net/14.2/interviews/kuhn/index.html [Google Scholar]) for assessing honor students’ multimedia projects—are used to give formative feedback to students’ projects.

As rhetoric and composition teacher-researchers, we know how paradoxical and, at times, ambivalent the relationship between our work and social action can be. On one hand, many of us are brought to...

This article addresses two central research questions: (1) Are there possible detrimental implications to teaching multimodal composition in first-year composition? (2) If so, what is pedagogy’s role in mediating these outcomes? Guided by these questions and focused on the responses of eighty seven first-year composition students, a mixed-methods research approach is engaged through surveys, pre/post-semester questionnaire data, transcribed interviews, and writing-about-writing essays. Uncovering the 39.6% of students who—through this research—are discovered to feel constrained rather than liberated by technology and who believe that technology amplifies their place in the literacy hierarchy, this article articulates the identity politics inside the multimodal composition classroom and introduces the term “hypermediated fractures” into the pedagogical conversations surrounding feminist pedagogy and the teaching of digital literacies in first-year composition.

In this conversation, Villanueva reflects on his major goals as a scholar, teacher, and an administrator. He argues that his main concerns emerge from negotiating his various "insider" and "outsider" roles and personal experiences that have been shaped both by cultural meanings and cultural theories. Ultimately Villanueva rejects being called a "boss compositionist" and instead reiterates his commitment to being a student of rhetoric.

In this article we consider the ways in which college writers make use of prior knowledge as they take up new writing tasks. Drawing on two studies of transfer, both connected to a Teaching for Transfer composition curriculum for first-year students, we  articulate a theory of prior knowledge and document how the use of prior knowledge can detract from or contribute to efficacy in student writing.

This video captures the reactions of selected writing researchers at the Elon Research Seminar as they are asked to consider the problem of transfer and how it relates to the teaching of writing. As a research area and pedagogical concept, transfer is poised to create a lasting impact in the way writing is studied and taught. In this video, scholars who focus on how writing knowledge is transferred share their questions, insights, and goals as they move forward their research efforts on transfer.

The case studies in this article represent the work of two elementary teachers who integrated their students’ identities into the literacy curriculum. Drawing on Cummins’ (2001) concept of identity investment, academic engagement, and multiliteracies theory, I discuss and analyze samples of students’ dual language writing and document the teaching practices that made these identity texts possible. Interview data from student participants and examples of their work illustrate the ways in which students re-imagine their identities by engaging with writing in both languages. The work of these students demonstrates the power that writing can have as a medium for students to express their identities. This study further shows that teaching writing through the use of personal narratives and cultural stories affords students opportunities to build their own cultural capital in relation to the expectations of academic writing.

This article focuses on student teachers of English in the Bachelor of Arts in Teaching English as a Second Language (BA TESL) program of the public state university of Oaxaca, Mexico. In Oaxaca, and Mexico at large, proficient English users are mainly from the upper socioeconomic classes. In general, the schools value Spanish and English to the exclusion of the prevailing Indigenous languages. Moreover, to be a legitimate English teacher, one is expected to look or act “American” or “gringo” and/or to have a “native-like” English accent. The Oaxacan student teachers are mainly from the lower or middle socioeconomic classes. They do not have “American” characteristics and lack a “native-like” English accent. Within this context is the present discussion situated. It demonstrates that the student teachers in two BA TESL classes utilize bilingual identity texts and dialogical ethnography as autobiographies and collages in order to co-create identities with which to assert their legitimacy as English teachers and multilingual speakers. The student teachers also validate their students’ multilingual identities, resist the “native speaker” versus “non-native speaker” dichotomy, confront the hegemony of Spanish over Indigenous languages, and attribute an international importance to their formation as English teachers. The bilingual identity texts and dialogic ethnography allow multilingual identity and intelligence to enter the TESL classroom and curriculum.

In this essay, I offer William James’s notion of pragmatic belief as a framework for re-envisioning religious discourses as rhetorical resources in composition teaching. Adopting a Jamesian pragmatic framework in composition teaching, I argue, entails two pragmatic adjustments to current approaches. The first adjustment concerns the way we think about the relationship between academic discourse and religious discourse. And the second adjustment relates to the stances we adopt when responding to religious students’ texts. Along with outlining these adjustments, I illustrate the ways James’s framework productively informed my response to a faith-based narrative that an evangelical student wrote in one of my first-year writing courses.

In this article, we share findings from our process of “reading the past, writing the future” of elementary research in NCTE’s journals. Our analysis focused on major domains of the field, including literature, writing, reading, language, and multimodal literacies, and spanned Elementary English Review, which first appeared in 1924, was renamed Elementary English in 1947, and became Language Arts in 1975; Primary Voices, which ran from 1993 to 2002; and Research in the Teaching of English (RTE), which began in 1967. Findings revealed both surprising continuities across decades as well as clear and important social and cultural shifts that influenced theory, methods, and practice in the field, emphasizing the importance of 1) recognizing the level of historical and political influences in elementary literacy research, 2) paying explicit attention to how the cultural-historical zeitgeist shapes our work as scholars, and 3) interrogating how our representations of research problems may contribute to the continuance of social and cultural inequities.

This issue coincides with the Annual Convention of the National Council of Teachers of English, whose theme, “Reading the Past, Writing the Future,” celebrates NCTE’s 100th anniversary as the Anglophone world’s largest and oldest organization dedicated to the improvement of the teaching of English. The expansion of publications under the NCTE imprint from a single publication, (The) English Journal, beginning in 1912, to twelve peer-reviewed journals today focusing on issues and topics from early childhood to university-level English and from theory and research to policy and practice stands as a testament to NCTE’s longstanding commitment to empirical inquiry. We realized, in other words, that we needed to find a way to celebrate the tradition of research in all of NCTE’s journals published throughout its history.

This article reflects on where and how empirical research, focusing particularly on college/adult writing and literate practice, has appeared over the last century in the complete runs of English Journal, College English, College Composition and Communication, Research in the Teaching of English, and Teaching English in the Two-Year College. Recounting our story of the empirical scholarship published in NCTE’s journals, we first appraise what has been meant by empirical research over the century and clarify how we define it for this article. We then frame that definition by considering how alternative discourse has regularly offered a significant counterpoint to that research. We next turn to the central theme of our reflections, the expanding scene of writing that has developed across the century. Finally, we conclude by considering emergent interests in global scholarship on writing and literate practice.

Noted researcher George Hillicks comments on Jory Brass and Leslie David Burns's useful and informative review of research appearing in the English Journal and Research in the Teaching of English over the past 100 years.

This November issue of RTE once again contains the Annual Annotated Bibliography of Research in the Teaching of English, available only here, on the NCTE website.

This study identified historical continuities and discontinuities across a century of secondary research published in English Journal (1912–1966) and Research in the Teaching of English (1967–2011). It highlights considerable methodological continuity across six decades of English Journal and some shifts in research emphases that tended to echo changing emphases in psychological research, curriculum reforms, and critiques of traditional linguistics. The analysis of secondary research published in Research in the Teaching of English explores how RTE emerged in 1967 with a definition of empirical social science that both expanded and contracted practices of positivist research and also excluded traditions of practitioner research and humanities-based research that had been published for decades in EJ. Next, the study tracks patterns of continuity and change across RTE from the late 1960s to the present, including shifts in secondary research that seemed to echo shifts in behavioral science (1960s–1980s), cognitive psychology (1980s), and the onset of “sociocultural” research (early 1990s to present). The article concludes with a brief discussion of overarching impressions of continuity and change in secondary research, the place of “science” within the NCTE imprint, and a call for more historical research in English education.

Communities—and their literacies—exist within larger contexts, and writing has the potential to empower or oppress, to maintain the status quo, or to transform the collective community. School is one such context and, in recent years, the nature of writing has changed; digital writing skills needed to participate in contemporary society do not always resemble skills of traditional, school-based literacy. This article examines the teaching of digital writing as an issue of social justice by sharing the perspectives of several novice teachers who were challenged to alter their views of what writing is and how it should be taught.

At the suggestion of a colleague, the narrator — a professor of oceanography — agrees to have dinner with Calais Steever, a professor of history from a nearby university, to talk about teaching. The conversation takes place in an informal but elegantly appointed bistro in a small city. Ever the skeptic, the oceanographer isn’t convinced at first that Steever’s passion for assigning students to write dialogues in courses across the curriculum would help his thoroughly fact-based, biologically oriented instruction. As the dinner proceeds, Steever shares examples of students’ dialogic writing from courses in such disciplines as philosophy, anthropology, biology, architecture, literature, chemistry, history, and political science. Slowly — but cautiously — the narrator begins to see possibilities for dialogic writing.