This article presents students’ experiences with hybrid grading contracts through a thematic analysis of data. We specifically focused on students’ perceptions of the grading contract’s role in improving their writing skills, issues of fairness, labor, and stress. We argue that the stressful conditions of COVID-19 illuminate the benefits and drawbacks of contract grading, especially regarding fairness and equity, when used at institutions that predominantly serve working-class students. This article can serve as an example of how graduate teaching assistants can use hybrid grading contracts in writing classrooms. We conclude with recommendations for instructors on how to adapt grading contracts to meet the needs of the students and suggest a future research agenda to examine grading contracts and stress levels.

This article argues that in the teaching of writing online, incidents of linguistic discrimination can be (in)directly caused by faculty unfamiliarity with online teaching best practices, lack of critical linguistic awareness, and the prevalent legacy of racist and monolingual ideologies. To address this issue, it is necessary to cultivate empathy as a bridge between instructors and students. This article calls for the interconnectedness of empathy and linguistic justice in online writing courses as tools to create more equitable and inclusive environments for all students. The article uses data from a longitudinal, cross-institutional study to apply an empathetic, linguistically just approach to OWI to examine assumptions around technology instructions and use. The authors stress the importance of understanding student perspectives and experiences and outline strategies that humanize students in online writing courses. Implications for teaching include a need for increased reflexivity and pedagogical clarity.

This course design integrates the use of contemplative practices, specifically applied improvisational theater, into writing pedagogies to foster mindfulness and critical engagement. It explores the theoretical, neuroscientific, and practical rationale for incorporating contemplative pedagogies in writing classrooms, arguing that applied improv offers a unique framework for examining sociocultural and political contexts in writing instruction. Drawing on research in neuroscience, it demonstrates how applied improv promotes affective well-being, interpersonal skills, and rhetorical listening. By embracing uncertainty and cultivating resilience, students engage in contemplative practices and presence, challenging dominant discourses and power dynamics. The course design emphasizes the potential of applied improv to disrupt conventional teaching paradigms and empower students in their literacy learning. Through reflective analysis and student feedback, it evaluates the effectiveness and limitations of this approach in facilitating mindful engagement with writing and dismantling inequitable structures in education.

Student writers labeled “underprepared” by colleges often have trouble imagining themselves as scholars. Challenges these students routinely encounter include difficulty forming original insights and translating ideas to the page. Although the usage of the term “underprepared” varies across institutional contexts, the designation commonly requires that students enroll in a developmental writing course, making it difficult for these students to feel confident in their work and academic abilities. In this article, I position mindfulness as a strategy instructors can use to nurture students’ emerging scholarly identities. After describing common teaching challenges and the role mindfulness might play in overcoming them, I share a sample course schedule and series of assignments for a first-year writing course that incorporates mindfulness practices, such as slow reading and deep listening. These exercises and assignments can help students develop unique voices and connections to course material, qualities that tend to translate to higher levels of student confidence in both the writing classroom and in the college environment more generally.

Mental health challenges, notably anxiety, disproportionately affect graduate students, with research indicating a 41% prevalence rate compared to the general population (Evans et al.). Academic writing anxiety (AWA) stands out among these concerns, correlating with lower grades, self-esteem, and self-efficacy (Martinez et al.; Daly and Wilson; Goodman and Cirka). Traditionally, AWA has been viewed through a cognitive lens, neglecting its complexity. To address this, we conducted a comprehensive survey gathering both quantitative and qualitative data on graduate students’ AWA experiences. Our analysis of student narratives unveils how academic cultures alienate marginalized students, fostering impostor syndrome and AWA. We advocate for integrating mindfulness-based and contemplative pedagogies within feminist and anti-racist frameworks (Mathieu and Muir; Inoue; Graphenreed and Poe) to catalyze transformative change amid this pressing historical moment.

There is valuable scholarship on the importance of teaching narratives in the FYC classroom, but none does so through the frame of vulnerability. This paper explores, through an IRB approved case study, how composition teachers can best guide students to write powerful and well-crafted personal narratives to ignite students’ own voices, histories, and stories to be born, made into art, to enact positive personal and social change. This work will examine how being vulnerable and understanding one’s own story as an instructor has the ability to produce powerful community in the college classroom (Mathieu; Garcia; Parks). Ecocomposition invites this writing experience to be seen through the lens of mindfulness, healing, and the belief that stories hold power to enact cultural change, not only within the writer, but also the classroom and beyond.

The field of argumentation theory is a rich field, with rather deep divisions.In addition to the perhaps most important distinction between formal logic and practical argumentation, that is, between the study of logical-mathematical inferences and how people actually argue within different domains, there are several "schools" that study practical argumentation.One could say (as argumentation theorists like) that the various schools are based on three different perspectives on argumentation in Western thinking, inherited from classical times: logic, dialectic, and rhetoric.The title of this fine anthology, edited by Christian Kock and Marcus Lantz, reveals that it is concerned with a rhetorical look at argumentation.More specifically, the book presents insights into the work on argumentation theory from the Copenhagen milieu in rhetoric.This builds on the seminal work of Merete Jrgensen, Charlotte Onsberg, Christian Kock, and Lone Rrbech, consisting of both a textbook (Jrgensen & Onsberg 1987) and an empirical research project -"Rhetoric that moves votes".These have been the cornerstone of the Copenhagen research into and teaching of argumentation, and the background for their particular rhetorical perspective.How does a rhetorical perspective on argumentation differ from the others, such as informal logic (based in Windsor, Canada) or pragma-dialectics (based in Amsterdam)?The distinctive character, and advantages, of the Copenhagen school are clearly highlighted in the book's introduction: A rhetorical perspective on argumentation takes the functions argumentation has in a democratic society as its starting point -always from a normative angle.What does it take for argumentation to serve (deliberative) democracy?In this sense, the Copenhagen 1.

Editorial for the issue. Addresses the themes of the articles along the lines of situating and contextualising academic literacies.

In this teaching practice article, we discuss the possibilities of integrating AI into the writing classroom utilizing prompt engineering techniques. We propose a strategy for prompt engineering in which we see AI as an audience and interlocutor during the invention process. We consider using the method in preparation for argument composition and with that we propose an ethical model for teaching writing based on a view of rhetoric as both technê and praxis. To draw attention to the ethical question in relation to human—non-human interactions, we use as metaphor for AI tools the image of Klara, an android who serves as a children’s companion in Ishiguro’s novel Klara and the Sun (2021).

In this review of Frost, Kiernan, and Malley's collection Translingual Dispositions: Globalized Approaches to the Teaching of Writing, I propose that the collection fills a necessary gap of augmenting translingualism discourse globally and beyond the classroom. The contributors to Frost, Kiernan, and Malley's collection develop the theory of translingualism as an attitude, lived experience, an advocacy issue, and a classroom practice by showing a myriad of application sites for this concept. In so doing, the collection also demonstrates the messy operationalization and embodiment of translingualism in U.S. academic and non-U.S. academic settings.

Academic literacies refer to academic writing as social practices. This study describes first-term nursing students’ perceptions of the academic literacy education provided and its significance for their forthcoming training and clinical practice. Nine student nurses at the Swedish Red Cross University participated in semi-structured interviews. Data were analysed using latent content analysis. Two categories were identified: A challenging but rewarding step focused on the students’ struggles to become academically literate. A professional outlook targeted the students’ perceptions of the requirement to acquire academic literacies for their training and future clinical practice. The results provide insights of dichotomous perspectives among nursing students regarding their need to acquire academic literacies. Some of the students convey a resistant and sceptical view of adding academic education to nursing training. Others acknowledge the requirement of being academically literate, a competence sometimes hard-won. However, in their struggles, teacher guidance was requested; an appeal that needs to be met with creative solutions. Repetitive approaches by teachers combined with the use of student initiatives are proposed to enable improved academic literacy levels among the students.

In creative nonfiction, the genre of the braided essay is common. This creative art of braiding different strands and outside voices might also be liberating for academic writers as an expansion of academic writing that allows hidden meaning to shine through. This teaching practice paper shares how this genre was used for writing about teaching practice at EATAW 2021. It introduces the genre of the braided essay and uses the steps of the EATAW workshop as an example of how to teach it.

In this article, I chart my efforts in teaching a first-year writing class centered around mutual aid at a predominantly white institution. After contextualizing mutual aid and explaining my local institutional context, I describe the course I taught, “Rhetorics and Literacies of Mutual Aid.” In particular, I detail the Mini Solidarity Campaign, one major assignment that asks students to work collaboratively as an entire class to engage a campus issue in their lives. After doing so, I conclude by reflecting on the limits and challenges of doing mutual aid work in mainstream educational settings.

For Reflections readers, the lines between “teaching,” “research,” and “service” have always been fluid. The community-engaged work that some consider “service” is central to the research identity and trajectory of many Reflections readers. In the same way, Reflections readers also understand that  “teaching,” and pedagogy more broadly, takes place in many areas beyond a single classroom.

<bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Introduction:</b> We present a case study of a user-experience (UX) graduate certificate. This program is part of a stackable group of credentials offered by a larger technical and professional communication (TPC) program. Our goal was to gather feedback from graduates, supervisors of graduates, current students, and instructors to identify best practices, challenges, and other lessons that can help TPC programs contribute to UX education. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">About the case:</b> The UX graduate certificate program is a 16-credit, fully online program that learners can complete in nine months. The program draws learners of diverse backgrounds and has enabled them to become UX professionals. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Situating the case:</b> UX education programs have sprung up across the academy and industry. Little scholarship, however, has examined the effectiveness of these programs. As TPC competes with other organizations in UX education, it is critical to investigate TPC-originated UX programs. It is particularly helpful to juxtapose the perspectives of the classroom and industry. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Methods:</b> We conducted 13 semistructured interviews. These interviews examine, among other topics, what draws learners into the certificate program and how the certificate program has helped them in their subsequent career advancement. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Results:</b> We found that a short-term, asynchronous certificate program is effective for novice learners to get into the UX field and advance their career. The most prominent strengths of this program include its conceptual depth, its quality of teaching, and its flexible learning. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Conclusion:</b> TPC programs have a distinctive role in shaping UX education. The power of their rhetorical foundation enables them to cultivate UX leaders and advocates. In turn, UX education helps TPC programs adapt to the changing landscape of higher education.

<bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Research problem:</b> A considerable amount of scholarship has amassed over the last 20 years regarding the teaching of user experience (UX) design, but there has been no systematic attempt to review this literature. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Research questions:</b> 1.What is the definition of UX pedagogy according to technical communication and adjacent fields? 2. What is the state of specific UX pedagogical approaches in technical communication and adjacent fields? <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Literature review:</b> Our corpus contained 76 sources directly pertaining to the teaching of UX. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Research methodology:</b> The theoretical framework of this study marries rhetorical theory and critical thinking. The former provides technical communication literature reviews with keen discourse analysis and the latter offers objectivity to the evaluation. To use this framework, we sought sources using journals related to technical communication and large databases from adjacent fields, including the ACM digital library and IEEE Xplore. We completed our search using Google Scholar to ensure broad coverage. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Results and conclusions:</b> Our review of sources revealed a variety of trends and a remarkably diverse conversation on UX, including various definitions of UX pedagogy, and a large variety of theoretical orientations, educational models, instructional approaches, industry influences, methods, and ethical concerns. From this diverse corpus, we hazard a unifying definition centered on teaching the UX process through hands-on approaches such as engaged learning. We close our article with recommendations for continuing to refine UX pedagogy in the future.

Introduction: As a field, we have tended to look at user-experience design (UXD) as a data-driven design process, anchored by usability studies, and anchored in fulfilling user needs and expectations. How then might technical and professional communication (TPC) curricula respond to evolving trends in user-experience (UX) scholarship and pedagogy? About the case: Addressing this question, we share our programmatic journey, a teaching case that represents more than a decade of reflection and evolution, culminating in the launch of a redesigned major and a UXD minor in a stand-alone department at a regional, primarily undergraduate teaching-focused university. Situating the case: Our programmatic identity began to shift toward a designer mindset that embraced three core frames for professional action–information design, problem solving, and civic engagement—and three complementary design tenets—empathy, advocacy, and bricolage. Methods/approach: To better understand this shift, we recognized the need for a multimethod approach of data gathering. Beginning with an annual assessment of our introductory and capstone courses, we collected data through examination of key course artifacts, through department self-studies, which includes surveys, interviews, and focus groups with relevant stakeholders, and through an external review. Results/discussion: Our self-study data indicated that our students would benefit from stronger audience awareness and design competencies. From these data, we discuss curricular revisions, which include creating a UXD minor. Conclusions: We conclude this article by considering the following three questions: 1. What strategies might other programs consider if they want to design empathy-driven UX pedagogy that is responsive to prevailing scholarly and pedagogical trends? 2. Why might programs cultivate student-researchers as UX bricoleurs? 3. What might other programs expect from student-researcher UX bricoleurs?

As a business communication teacher walks into their classroom ready to introduce a wonderful new teaching object, they are riding on a wave of spiritual joy. They know that they are about to transport their students into new business communication skills. It’s magical. My Favorite Assignment is Association for Business Communication’s (ABC’s) resource of classroom-tested pedagogical innovations. This article offers 10 teaching innovations first presented at the 2022 ABC Annual International Conference held in Tampa, Florida USA. Readers can select from assignments designed to teach email, personal and professional development, and social media.

An analysis of surveys ( N = 143) and interviews ( n = 34) with human resources and talent development professionals suggest respondents desired corporate trainers who were competent communicators—who could deliver content effectively in an engaging manner. Nonacademic trainers and subject-matter experts (SMEs) were often perceived as less adept at presenting complex material than academics who were considered SMEs in their fields and in the practice of teaching. Based on these findings, we recommend communication academics who desire to train in organizational settings market their expertise in instructional communication to training managers and SMEs seeking professional development.

Instruction about teaching business communication skills has been a long-established tradition in the communication discipline. Recent trends in teaching communication training and development extend a long-held emphasis on business communication skill instruction. Given the classical roots of the communication discipline and the current focus on communication skill instruction, this article suggests that future communication theory and research should focus greater attention on behavioral learning outcomes—specifically communication training. This review identifies relevant communication theory that informs a renewed research agenda focused on enhancing behavioral learning outcomes. In proposing this research agenda, we discuss opportunities to apply our current knowledge of intrapersonal, interpersonal, group, public, organizational, mediated, and intercultural communication to advance the discipline through theoretically driven research about business communication skills.

This essay conducts critical discourse analysis of website landing pages for community college English departments that have explicitly adopted Guided Pathways reforms. The analysis examines how the social practice of teaching English is recontextualized through discourse.

This article argues for repositioning voice within BIPOC histories and contributions to the fields of English/rhetoric/composition studies. By reinvestigating the affordances and constraints of Expressivist-driven definitions of “voice” and the contemporary applications of imitation writing assignments, this article demonstrates alternative approaches to teaching and thinking through voice in writingbased courses.

This paper tells the story of theedubba, the Mesopotamian scribal school. First, theedubba’s pedagogy demonstrates that the first formalized center for teaching writing was more akin to the modern writing center than to the composition classroom. Second, unlike many modern writing centers, theedubbawas multilingual. It is easy to look at the past and congratulate ourselves on how much better we’ve made the future, but theedubbahas something to teach us beyond the fact that it preceded the composition classroom. A circle has no beginning, and both the writing center and the writing classroom are part of one circle—equally important to the students they serve.

In this article, we argue for a coalitional orientation for writing programs and centers to advance language justice and make good on the promises delineated over fifty years ago in the Conference of College Composition and Communication’s publication of the Students’ Right to Their Own Language. Specifically, we argue that writing centers are ripe sites of teaching and learning—not merely auxiliary support for the composition classroom. Indeed, as we demonstrate, many writing centers actively push for language justice by, for example, publishing language diversity/inclusion statements and championing concrete, pedagogically just practices. Accordingly, we urge the discipline of composition and writing centers to work together as coalitional partners to advance language justice across the discipline and, ultimately, beyond.

This article outlines the concept of readiness to learn (RTL) as a framework for explaining students’ differentiated engagement with the Teaching for Transfer (TFT) curriculum. As documented in student voices, RTL operates along a continuum ranging from preparing to engage, on one end, to enacting TFT, on the other, with beginning to engage in the middle.

This interview was conducted on February 14, 2023. It is available in an English translation by Benjamin de Buen on the RTE webpage at https://t.ly/Rf7KX. David Poveda es profesor titular de universidad en el Departamento de Psicología Evolutiva y de la Educación, Facultad de Psicología de la Universidad Autónoma de Madrid. Lleva algo más de dos décadas investigando a través de metodologías etnográficas y cualitativas un abanico amplio de cuestiones relacionadas con la educación y los procesos de socialización de la infancia y juventud contemporáneas.

This interview was conducted on February 14, 2023, and is published in the original Spanish in volume 58, issue 1 of Research in the Teaching of English. It was translated into English by Benjamin de Buen. David Poveda is associate professor at the Department of Developmental and Educational Psychology, School of Psychology of the Autonomous University of Madrid. He has been using ethnographic and qualitative methodologies for over two decades to study a wide range of educational and socialization processes of contemporary childhood and youth.

Supporting the professional development of graduate teaching assistants (GTAs) is a strategic necessity for both English studies and higher education. At many academic institutions, GTAs represent a significant proportion of instructional staff for first-year composition courses (Young and Bippus 116). These courses serve a crucial institutional mission as an academic entry point for the majority of undergraduate students and have been closely linked with student retention, graduation rates, and academic performance (Garrett, Bridgewater, and Feinstein; Holmes and Busser). Based on a recent national study, Amy Cicchino found most rhetoric and composition programs offer intensive, but condensed, GTA training programs that typically include a preservice orientation, semester-long teaching proseminar, and peer or faculty mentorship (93). Yet, time is a significant constraint—most programs take place over a single semester or academic year and end just as GTAs gain enough teaching experience and confidence to become more interested in composition theory and professional development (Obermark, Brewer, and Halasek; Reid).

ABSTRACTThis article explores rhetorics connected to the 1918 graduation of Korea’s first women’s college. The study examines textual and visual archives from the early 1900s to 1965, drawing on scholarship in colonial studies, Korean studies, history, and rhetoric. I argue that Japanese, Koreans, and US missionaries competed at this college’s 1918 commencement to define and take credit for the school’s work. I show how weather constrained Koreans and missionary leaders as they leveraged visual rhetorics for divergent objectives. I analyze how the Korean valedictorian employed the English language and US cultural references to compose anticolonial mimetic rhetorics. Finally, I examine how Japanese and US spatial rhetorics worked to displace Koreans and erase their history. This study suggests how traditional textual sources might be complicated by considering mundane meteorological, sartorial, linguistic, and spatial details. The article also seeks to demonstrate the importance of broadening our field’s languages and regions of study.KEYWORDS: Colonialismcommencement rhetoricsmimesisspatial rhetoricsvisual rhetorics AcknowledgementsI thank the reviewers for encouraging and challenging suggestions that advanced and clarified my arguments. My thanks to the RSQ editor and staff for their patient support. I am deeply grateful to experts in archives, libraries, and museums in Korea and the US who generously located and helped me secure permission to use textual and visual primary sources—this project would have been impossible without them: to 손현지 Son Hyunji at the Ewha Archives and 서은진 Seo Eunjin at the Ewha Museum for years of invaluable assistance; to Candace Reilly, Manager of Special Collections at the Drew University Library; to Alex Parrish at Drew University’s United Methodist Archives and History Center; to Frances Lyons at the United Methodist Church’s General Commission on Archives and History; and to the staff at Research Information Services at the National Library of Korea.Disclosure StatementNo potential conflict of interest was reported by the author(s).Correction StatementThis article has been corrected with minor changes. These changes do not impact the academic content of the article.Notes1 “梨花 學堂 卒業式 [이화학당 졸업식] (Ewha Academy graduation).” Here and throughout, I have modernized the obsolete vowel • to its modern equivalents (toㅏ when it appears alone and to ㅔ or ㅐ when it appears as part of another vowel).2 This and all translations are mine, except for the titles of Korean-language works in the bibliography.3 For example, see Finnegan “Doing Rhetorical History” and “Studying Visual Modes”; Gries, Still Life; Hariman and Lucaites.4 Campt; Coronado.5 See especially Hyaeweol Choi, “Visual” and Heejeong Sohn; also, Clark, Missionary Photography.6 See 김윤 Kim Yun; Chung; Hyaeweol Choi, New Women and Gender; Yoo.7 Quoted in Bordelon 511.8 Kim Hwallan, Grace 44.9 임영신 Im Yeongsin/Louise Yim 116; McKenzie 292–93.10 In 1952, for instance, Frantz Fanon famously observed the rhetorical power of seeing Martinicians return from France wearing European-style clothing and speaking European languages (18, 20).11 In rhetoric, see Enoch, Domestic 9–10; Jerry Won Lee and Jackie Jia Lou; Eun Young Lee 2. In other disciplines, see Qian; Wright; and Yeoh.12 See Hsia for Japanese architecture in Taiwan.13 See, for example, Fuller on Italians’ “dehistoricizing” of Ethiopia (401–02). Fuller cites Nezar AlSayyad’s characterization of this phenomenon as a colonialist “myth of the clean slate, the need for dominance to wipe out and rewrite history” (416 n. 17).14 https://sunrise.maplogs.com/seoul_south_Korea.84.html?year=1918.15 See the records at the Korea Meteorological Administration: https://data.kma.go.kr/data/grnd/selectAsosRltmList.do?pgmNo=36.16 Many thanks to 서은진 Seo Eunjin at 이화박물관 Ewha Museum for extensive help interpreting this picture. To help me establish the compass directions of the photograph, she identified the buildings on a historic campus map (https://www.ewha.ac.kr/ewhaen/intro/history-campus.do). Main Hall in the foreground (which no longer survives) was southeast of Simpson Memorial in the background. Students are therefore staring nearly due east. The sun appears to be shining directly in their faces, and there is almost no shadow cast from the Simpson Memorial roof on its walls, suggesting that the sun was still somewhat low in its ascent toward the zenith and that this was sometime in the morning. My conjectures are based on the assumption that we can take the caption on Figure 2 literally and conclude that “at commencement” means 27 March 1918.17 Main Hall, on the left, was the campus’s first Western-style building, completed in 1899 (Conrow 6). Simpson Memorial, on the right, had been completed in 1915, just three years before this photograph (Conrow 14).18 박인덕 Bak Indeok/Induk Pahk recalls her winter clothing at Ewha in the 1910s: “In the winter we wore padded blouses made from ten to twelve pieces of cotton or silk for the outer part and seven pieces for the lining” (47).19 In Figure 6, women wearing caps are visible immediately stage left of the open church door and through the top and bottom window panes stage right of the door. According to 김희정 Kim Hee Jung, traditional fur caps including pungcha and 남바위 nambawi fell out of fashion after the mid-1920s, but both should still have been a viable option for Ewha students in 1918, had students been permitted to wear them (ii, 131).20 See Clemente for a study of the ways women students and school leaders engaged public perceptions about dress, higher education, and gender roles in the United States in the first decades of the twentieth century.21 Kim Seok-hee (11); Pahk (18); 임영신 Im Yeongsin/Louise Yim (54).22 Kim Hwallan Rural 37; Grace 97; “女學生 (Problems)” 13; 김윤 Kim Yun 40, 50–52.23 Classical Chinese: 內鮮一体, Korean: 내선 일체, “[Japan] and Korea, one body.” For an overview of the campaign, see Uchida 137. On “cultural genocide,” see Clark, Living 197, 210. See Yoonmi Lee for a recent study of how convincing this campaign was to idealistic young Japanese elementary school teachers tasked with implementing it in rural Korean schools.24 Kang 111.25 Personal correspondence with 서은진 Seo Eunjin at 이화박물관 Ewha Museum, 30 November 2021.26 김윤 Kim Yun 51–53; 김활란 Kim Hwallan, 그빛속의 [Little life] 209; Grace 97. See 윤주리 Youn Ju Ri 8 for images of students wearing mombbe at Ewha and elsewhere; see 김윤 Kim Yun 51 for images at another women’s school.27 Without further evidence, of course, these are speculations. It is possible that participants of that year’s commencement were unconscious of any politicization of color, although this ignorance would have been despite government proclamations. But these ideas were a growing component of Japanese assimilation-minded colonial discourse—and Korean resistance to it.28 In addition to Kohl and Fanon cited above, see (among the extensive literature on mimicry) Bhabha; Ferguson.29 See the discussion of Japanese restrictions on missionary schools in notes 39 and 40. See also Marker et al. 40–41 for Ewhaians’ struggles to obey Japanese language regulations in 1913.30 See, for example, the colonial government’s 1920 English-language publication Manual of Education in Chosen [“Chosen” is the English spelling of the Japanese term for Korea at the time], especially pages 60–61; see Heé on similar Japanese propaganda relating to Taiwan.31 For example, see Enoch, Domestic, chapter 3.32 In addition to the Manual of Education in Chosen mentioned above, the Japanese colonial government published the English-language Annual Reports on Reforms and Progress in Chosen between 1907 and 1945, propagandizing its rule of Korea: see Dudden 20; Grunow 86–87.33 Kim Hwallan, Grace 38.34 “국내 최초의 여학사들, 조국의 미래를 위해 헌신하다!” Ewha University Blog, 19 November 2012, https://m.blog.naver.com/PostView.naver?isHttpsRedirect=true&blogId=the_ewha&logNo=20171598761.35 See Kwon; Choi Gender, chapter 7.36 I have so far been unable to locate their names—a fact that underscores Koreans’ marginalization.37 Board of Missions of the Methodist Episcopal Church, “Mission Photograph Album—Korea #5 Introductory Page,” UMC Digital Galleries, accessed 22 June 2023, https://catalog.gcah.org/images/items/show/10841.38 Harris delivered words of “commendation and encouragement” at commencement (Frey et al. 48).39 In its first decade following annexation, the Japanese government forbade the teaching of Christianity at missionary schools and required them to achieve stringent certification standards—actions that led to the closure of nearly 50% of such institutions by 1919 (Yoo 62–64).40 See Andrew Hall for Sekiya’s role in formulating Japanese educational policies in Korea. In 1913, Ewha leaders had described Sekiya as having “been most kind to us. He has been very much interested in our school and we are sure after talking with him a number of times that nothing will be done to hinder us in our … work” (Marker et al. 41). Given the broader US-Japanese conflicts that had defined the first years of Japan’s occupation—in addition to the educational conflicts described in footnote 39, the Japanese had imprisoned a missionary during the so-called Conspiracy Case just a year earlier (Clark, “Surely” 50; Jun 51–58)—it is tempting to read this statement as masking anxieties that had led to the fear of the government “hinder[ing]” Ewha’s work. Whatever their real feelings, Ewha’s leaders and Sekiya evidently kept up a working relationship for at least two years until he delivered his speech in 1915.41 Nordlund provides a recent study.42 See 서정현 Seo Jeong Hyun 96 for a map.43 For studies of Gojong’s reforms in Jeongdong district (where Ewha Hakdang and the First Methodist Church were located), see김현숙 Kim Hyeonsuk and 서정현 Seo Jeong Hyun. In English, see Clark, Living 13; and Henderson (although this source is very dated).44 In 1912, for example, missionary William Elliot Griffis (admittedly a Japanophile) expressed his contempt for the common one-storey Korean buildings, which he derided as “the squatty native structures in use from king to coolie” (209).45 In 1954, Im Yeongsin/Louise Yim remembered Gojong’s death as murder by poisoning by the Japanese (102). In their 2011 study of Gojong’s death, 이해웅 Hai-Woong Lee and 김훈 Hoon Kim “assume that the possibility of poison murdering is high” (125, 132). In her own 2011 study, 윤소영 Yoon So-young disagreed. Recent fictional depictions also reveal the continuing importance of Gojong’s death in South Korean thought and culture—see his implied poisoning by a Korean collaborator with Japan in the film 덕혜옹주 The Last Princess (2016).46 For one example of this translation into English, see Clark, “Surely” 53. For a modern, English translation of the full declaration, see Han-Kyo Kim. An original document can be viewed at https://www.heritage.go.kr/heri/cul/culSelectDetail.do?pageNo=1_1_1_1&sngl=Y&ccbaCpno=4411106640100.47 Clark, “Surely” 53.48 Clark, “Surely” 53; Kim Hwallan, Grace 40.49 On US colonial rule in the Philippines, see Jimenez. See Desser for a rhetorical study of the United States in Hawaiʻi, and Enoch, Refiguring, chapter 3, on US schools for Native Americans.

Advanced technology has brought about great changes to language teaching and learning, such as significant shifts and requirements in the field of writing, which is considered as a complex ability to acquire, especially for second language (L2) learners (Hyland, 2021). Writing in this digital era has been shaped by various new technologies, resulting in more attention paid to technology use in L2 writing instruction and research. A new collection of papers titled Technology in second language writing: Advances in composing, translation, writing pedagogy and data-driven learning has been timely published to illustrate how the L2 writing field embraces the integration of technology in teaching and researching students with various cultural backgrounds. This fascinating book was edited by Jingjing Qin and Paul Stapleton who gathered scholars with different pedagogical experiences to provide a comprehensive detour from original research orientations to pedagogical applications.

Research on corrective feedback (CF) has developed from its original focus on identifying which type of CF is most effective for developing L2 language learners’ grammatical accuracy to focusing on how learners use CF. Underpinning this is the assumption that learners know what to do with CF when they receive it. The concept of “feedback literacy” challenges this assumption. Carless and Boud (2018), define feedback literacy as “the understandings, capacities and dispositions needed to make sense of information and use it to enhance work or learning strategies” (p. 1316). Our intention in this paper is to reflect on the manner in which theoretical and empirical work on feedback literacy can contribute to advancing L2 written corrective feedback (WCF) research agendas. Central in our proposal is the partially under-researched aspect of experience in terms of the L2 writers’ educational background experience, particularly experience with L1 and L2 writing. We further argue that how learners were taught L1 writing and how the L1 educational culture/ society values writing can impact on how learners approach L2 writing tasks and accompanying feedback. Implications of this inclusive view of the learner for future research and pedagogy is discussed.

Abstract This article discusses best practices for teaching text encoding in undergraduate literary studies courses. It examines learning outcomes associated with text encoding and ways of incorporating encoding into the teaching of literary analysis, as well as advantages and challenges, concluding that encoding activities and assignments offer unique opportunities for learning.

When we enter an empty classroom, what do we see? Desks, a board, and, if we're lucky, some collection of functional technology (and if we're luckier, windows). The classroom space operates through standardization, each element of the classroom designed to regulate the transfer of knowledge. When we enter a classroom full of students, what we see might subordinate to another question: what do we feel? Those quiet moments before class begins, as we mentally prepare, are ones dominated by feeling. (In my case, these are often the most uncomfortable moments of my teaching days.) They are moments of affective uncertainty in which a variety of feelings—chief among them, anxiety—enter the classroom along with us, through the many operating screens, and even as we look through doors and windows.1We may find ourselves at odds with the space's arrangement. Often to the criticism of contemporary pedagogical theory, the traditional classroom installs clear hierarchies of power that teachers decide either to work within or, in a now well-established attempt to subvert these hierarchies, to “flip.” Placing students in a circle, grouping them into pods, inviting them to the front of the room—these are all practices that defamiliarize what can become a practiced (and tired) method of knowledge transfer for students and teachers alike and engender a more dynamic and fruitful experience for all. Rather than allowing students to sit back and receive knowledge that they will apply somewhere else, flipping the classroom originated to encourage students to apply concepts immediately and see teaching and learning as reciprocal activities that require their participation on both sides (Brewer, McCook, and Halasek 2018: 484). If classroom structures exist to make learning more predictable, then flipping the classroom is an action that allows us to remain open to surprises.What is affect if not something that arrives to our surprise and, potentially, our transformation? Affect “arises in the midst of in between-ness,” demanding of us that we remain open to its grip and potentially allow it to “drive us toward movement . . . that can likewise suspend us” (Seigworth and Gregg 2010: 1). Understanding affective meaning is curious in that it requires us to be attuned to the background of experience. While it might seem strange to suggest that the classroom should be remade through the affects that undergird our experience, it is just as strange to turn to models that presuppose that we are never surprised, interrupted, or moved by affect.The humanities classroom, furthermore, is a space particularly well suited to unpack moments of affective rupture because our pedagogical goals—to reshape students’ understanding of the textual, political, and mental worlds through which they move—depend on being moved in unexpected ways. Noticing and reading the affective material of the classroom pushes us down fascinating paths, and it can dramatically and helpfully expand our pedagogical methods. Indeed, deriving meaning from the seeming interruption of affect allows us to reassess the very foundations of what Lynn Worsham (1998) calls “dominant pedagogy,” or the structures of the classroom setting that themselves produce the very notion of a “legitimate point of view” (221). Worsham's definition of legitimacy evinces how dominant pedagogy is inseparable from hegemonic structures of power, and she proposes that we turn to what she suspects “we already know but have learned to forget”: that our pedagogical commitments to social change “must occur at the affective level” (216). To fail to recognize our affective experience in the classroom is to prohibit the project of social change. Recognizing the place of “the tight braid of affect and judgement” places teacher and student in a collaborative project of reimagining social relations (216).In an effort to examine what it looks like to teach through feeling, we seek to better understand how affect shapes our encounters with not only our students but also our objects of inquiry. While there is a large and diverse body of work examining how affect relates to reading practices (Sedgwick 2002; Felski 2008, 2015; Anker and Felski 2017; Best and Marcus 2009; Love 2010) as well as how the act of reading might buttress empathetic feelings (Keen 2007; Hogan 2016), we redirect these differing but linked conversations toward different inquiries. Some essays in this cluster explore how our embodiment in the classroom creates moments of rupture that reshape our textual encounters and methodologies. Embodiment is a capacious concept, and we consider what it means when we and our students cannot find a full reckoning with our own embodiment in critical theory. Other essays explore how nonhuman beings and objects themselves shape our affective experience in the classroom. In both cases, the intersection of affect and embodiment raises questions about how we see and treat one another. Likewise, some contributors examine how the political worlds that surround the classroom shift the affective direction of our teaching by putting undue pressure on students and teachers, a lesson that has only become clearer since the spread of COVID-19. Increasingly, those political worlds enforce censorship and surveillance, influencing what students and teachers can do in classroom spaces that are either entirely virtual or shaped by their potential digital afterlives. As pedagogy continues to shift toward digital models that archive and preserve the classroom far beyond the ephemerality of class discussion, we must begin addressing how those models shape our pedagogic affects. Finally, while scholarship on the affective displacements of critique is well underway, some of the essays here help bridge the divide between critique and postcritique by locating the compatibility of affect and critical reading in our pedagogy. Across these varied approaches and inquiries, essays frequently return to a tension that emerges as a guiding thesis: the seeming disruption of affect is a productive site of learning for faculty and students alike.The concept of affective rupture is central to the work that follows. Even though we do not take rupture as an intrinsically good pedagogical event, we do hold it as one that reveals much about both the conditions in which we teach and learn and the methods of humanistic inquiry on which we most frequently rely. Much has been written about affective rupture by critics in affect studies. Rarely has this work been more compelling and urgent than in Lauren Berlant's (2011) analysis of an untitled John Ashbery poem. Berlant seizes on a moment of rupture to examine how it makes us feel “lost but alive and unvanquished” (25). “Life has been seized . . . by an event that demands fidelity” (25). Anna Ioanes picks up on nonliterary ruptures in the classroom, exploring the importance of other moments of interruption—when a bug floats through the room, a student drops a book, or the weather changes suddenly. Particularly when such moments involve nonhuman things, they offer ways to answer questions about how we treat others, both human and nonhuman, while also bringing into focus the affects circulating in the classroom all the time. In this way, Ioanes reminds us that affect is not merely bound up in interactions between people but also a dynamic part of how we see the nonhuman things that populate the classroom. She argues that we must resituate external forces—a pandemic and political protest, most recently—as sites of learning, action, and civic responsibility.Just as Ioanes insists that we should focus on the affects produced through interruptions, Lauren Silber takes seriously her students’ feelings of discomfort that emerged when discussing affect theory alongside race. Silber examines how the presence of affect theory itself can produce an interruption that shifts our inquiry away from our material and toward institutional structures and even the whiteness of critical theory. Silber explains that, somewhat paradoxically, it is in becoming better interpreters of affect that students were able to critique the limiting structures of education and their discipline, which frequently enjoins them to focus (only) on the text. Just as Silber asserts that the study of affect interrupts models for knowledge production in the humanities, Aaron Colton examines how attention to sincerity helps bridge a similar divide between critique and postcritique. If proponents of postcritical reading hold that a critical hermeneutics obscures superficial or literal readings, others argue that critique might help render “feelings as objective structures (rather) than subjective dispositions” (Rasmussen and Sharma 2017: n.p.). Colton explores how a course examining the New Sincerity movement—a post-1980 amalgam of realist fiction, sentimental film, and indie music emphasizing themes of authenticity, enthusiasm, and vulnerability—primed students to regard texts not only as subjects for suspicious interrogation but also as historical and structural catalysts for affective response. Colton argues that prompting students to identify and interpret the mechanisms by which texts might speak sincerely can help them discern the compatibility of affective and critical reading practices.Silber and Colton explore whether pedagogical models organized around feelings such as empathy and sincerity are suited to break down colonial, heteronormative, neoliberal frameworks in the classroom or whether these feelings might themselves collapse important differences into sameness (Palumbo-Liu 2012; Dischinger 2018). Likewise, Tiffany Diana Ball explores the limits and uses of other structuring feelings—namely, paranoia—when teaching queer theory in China in front of a state-required classroom camera. Ball argues that, strange as it may seem, even paranoia can produce an affective community, however tenuous that practice might feel. Teaching and learning under clear surveillance opened the space for deep investigation into how paranoia feels without placing it into clear opposition with alternative reading practices.The contributors to this cluster represent different segments of an increasingly contingent profession. The teaching of humanities courses has long been shifting toward contingent labor, hybrid teaching, split administrative-faculty positions, and interdisciplinarity—itself an imperative, albeit one that many scholars embrace, to cover ever more terrain. The casualization of labor began long before Marc Bousquet's (2008) landmark book described it through the notion of organizational flexibility or the institution's preference to hire part-time to tenure-track labor. That preference led to a situation in which “the holders of a doctoral degree are not so much the products of the graduate-employee labor system as its byproducts” (21). In the thirteen years since Bousquet wrote those words, conditions have consistently worsened. While the contributors to this essay cluster represent far from every type of labor model in the profession, they come from a variety of institutional settings: an assistant professor teaching interdisciplinary writing and literature courses, a scholar-administrator teaching literature and writing at a liberal arts institution, a lecturer teaching multimodal communication at a research institution, and a postdoctoral scholar teaching queer theory in China. These settings help us illustrate how the position in which we teach shapes our pedagogical practices.Different as these essays are, they work backward from the same question: when we encounter affect in the classroom, will we avoid that encounter or be changed by it? While nearly everyone who has taught has had the experience of what they might call an affective interruption, we sometimes think of these moments as obstacles that must be worked around with quick solutions. When we think of affective rupture as an unwelcome and momentary distraction from the task of teaching and learning, that is, we are ill prepared to think through the felt conditions of pedagogy and labor.Having moved through over a year of teaching fully online during a pandemic, we now realize that the affective obstacles of the digital classroom are legion. Far from these ruptures being limited to moments when technology fails us, we spend much of our time lamenting the unrelenting reliability of the digital classroom. As we begin to realize how exhausting it can be to work in exclusively online spaces, the questions of this essay cluster—how we interact with nonhuman elements, how we come up against institutional and disciplinary structures, how paranoia and suspicion can be worked with or against—are more urgent now than ever. If we teach students to interpret the affective materials of the classroom and remain open to working through them ourselves, we preserve the opportunity to teach with humanity and generosity. In doing so, we gain access to an important path for our students, and we redirect our pedagogy as the foundations of higher education continue to shift.

Abstract This essay argues that The Palm-Wine Drinkard ([1952] 2014), a tale of a quest through the African bush by the Nigerian writer Amos Tutuola, does important decolonial work and is therefore an excellent candidate for inclusion on a literature syllabus that aims to introduce students to decolonial thinking. After introducing Tutuola's work and considering some of the issues at stake for a decolonial pedagogy, it argues that Drinkard provides an active reading experience that creates powerful opportunities in the classroom to challenge students’ assumptions about how colonialism was experienced by colonized populations, the valences of the human, and uses of the English language. In so doing, the essay highlights potential teachable moments in the text that may be useful to instructors who wish to adopt a decolonial approach in their literature courses.

Abstract This article examines the impact of video surveillance on teaching. Through a consideration of disciplinary power and paranoid reading debates, the author probes her personal experience at a university in Beijing, China. Surveillance inspires paranoia as well as an opportunity to reflect on the emotional life of academic inquiry in the classroom.

Abstract The appearance of a spider in the classroom can disrupt the flow of teaching, often prompting strong reactions that unsettle classroom norms. Minor classroom disruptions like this might not seem worth theorizing, but this essay reframes such disruptions as rich sites for understanding the role of affect in humanities pedagogy. Ultimately arguing against killing a spider in the classroom, this essay theorizes the moment of disruption as an opportunity to model humanistic attention to both human and nonhuman actors in the classroom space.

Tiffany Diana Ball is a lecturer at the University of Michigan. She has held academic positions at Kalamazoo College and Tsinghua University where she was a postdoctoral scholar in the Tsinghua Society of Fellows. She published a chapter in The Routledge Companion to Literature and Emotion.Sheila T. Cavanagh is professor of English at Emory University and director of the World Shakespeare Project. Author of Wanton Eyes and Chaste Desires: Female Sexuality in The Faerie Queene and Cherished Torment: The Emotional Geography of Lady Mary Wroth's Urania, she has also written many articles on early modern literature and pedagogy, among other topics. She is currently writing a monograph entitled “Multisensory Shakespeare for Specialized Communities.”Aaron Colton is an associate teaching professor and the director of first-year writing in the Department of English at Emory University. His current research examines the critical and pedagogical dimensions of writer's block in post-1945 US fiction. His scholarship has appeared previously in Arizona Quarterly, Studies in American Fiction, College Literature, Praxis: A Writing Center Journal, and Postmodern Culture.Matthew Dischinger is a program advisor for the National Institute for Student Success at Georgia State University.Alexander Fyfe is an assistant professor of comparative literature and African studies at the University of Georgia, where he teaches courses on modern African literatures, postcolonial theory, and world literature. He previously taught at the American University of Beirut and the University of Edinburgh. He is particularly concerned with designing courses and curricula that introduce students to the powerful conceptual and theoretical work that is carried out by literary forms from the global south.Amy Kahrmann Huseby is an associate teaching professor, media director, and online literature program coordinator in the English Department, affiliated faculty in gender and women's studies, and honors college fellow at Florida International University. Huseby's work has appeared or is forthcoming in Victorian Poetry, Victorian Periodicals Review, Women's Writing, South Atlantic Review, and several edited collections. Her own poetry has been published and anthologized by the Atlanta Review, Wilderness House Literary Review, and Pearl, among others. Together with Heather Bozant Witcher (Auburn University), she is coeditor of Defining Pre-Raphaelite Poetics (2020). She also serves as editor for the scholarly journal Victoriographies.Anna Ioanes is assistant professor of English at the University of St. Francis (Illinois). A scholar of post-1945 American literature and culture, her research interests include affect studies, aesthetics, and theories of race, gender, and sexuality. Her scholarship appears in American Literature, Journal of Modern Literature, the minnesota review, Signs: Journal of Women in Culture and Society, and ASAP/J, where she is also a contributing editor.Heather McAlpine is an associate professor of English at the University of the Fraser Valley in British Columbia, where she teaches nineteenth-century British literature.Lauren Silber is the assistant director of academic writing and an assistant professor of the practice at Wesleyan University. She received her PhD in English and American studies at the University of Massachusetts Amherst. Her scholarship emerges at the intersection of migration studies, comparative race and ethnic studies, gender studies, and affect theory, with interests in narrativity and storytelling.Jennifer Stewart is an associate professor of English and director of composition at University of Tennessee at Chattanooga. She teaches graduate and undergraduate courses, including teaching college writing, workplace literacies and project management, and the rhetoric of popular culture heroines. Much of her scholarship draws from her work in the writing program and in the classroom. Recent projects discuss incorporating diversity-themed common readers and multimodal composition into writing programs as well as the use of institutional ethnographic methods to investigate standard writing program practices.Doreen Thierauf is assistant professor of English at North Carolina Wesleyan University where she teaches courses in composition and literature from the nineteenth century to the present. Her work on pedagogy, sexuality, and gender-based violence has appeared in Victorian Studies, Victorian Literature and Culture, Women's Writing, Nineteenth-Century Gender Studies, and the Journal of Popular Culture, among others. With Erin Spampinato and Michael Dango, she is preparing an edited collection for SUNY Press entitled New Rape Studies: Humanistic Interventions, slated for publication in 2024. She also serves as Reviews editor for the scholarly journal Victoriographies.Theresa Tinkle pursues a broad range of interests in the humanities. She holds a BS in elementary education from Oregon College of Education, an MA in English literature from Arizona State University, and a PhD in English literature (medieval) from UCLA. Since 1989, when she joined the University of Michigan, Ann Arbor, she has researched and taught in the fields of medieval literature and drama, manuscript and textual studies, writing studies, writing placement, and disability studies. She is currently director of the Gayle Morris Sweetland Center for Writing. In this capacity, she leads collaborative research in writing placement, writing in the disciplines, and community college transfer. She has published in a number of journals, including ELH, JEGP, Chaucer Review, Studies in the Age of Chaucer, Speculum, and Assessing Writing.

AbstractRecent advocates of postcritique urge scholars not to read texts suspiciously but instead to regard texts as capable of saying what they mean and, accordingly, to take those meanings seriously. While a suspicious disposition underlies much of introductory composition pedagogy, especially the teaching of argument, postcritique has made little entry into discourses of undergraduate instruction. Attending to the New Sincerity movement in American literature, film, and music after 1980, this essay examines how teaching texts that emphasize their own sincerity (and the difficulty of achieving sincere expression) can encourage students to regard argument and interpretation not as suspicious practices but as means for a generous mode of description that does not sacrifice the complexity of a given text.

<bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Background:</b> Following previous professional communication research into entrepreneurship, we examine key genres of a specific business accelerator, Start-Up Chile (SUP). Through a triangulated study of interviews, texts, and videos, we examine how the Playbook serves as a regulatory metagenre that represents the SUP experience to the participating firms. We find that aspects of the Playbook's representation are at odds with the other data, divergences that we argue emerge from a broader tension among SUP's stakeholders and goals. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Literature review:</b> We review the professional communication literature on entrepreneurship, literature on startups and accelerators, and on writing, activity, and genre research (WAGR). Specifically, we examine WAGR research on metagenres and professional identity formation. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Research question:</b> How does this successful international accelerator regularize the learning experience of its exceedingly diverse startups? Specifically, how does SUP regulate the startups' different experiences, reframing the experience of entrepreneurship and teaching these startups to form their professional identity as entrepreneurs? <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Research methodology:</b> We structured this research as a qualitative case study of SUP. Data included documents, videos, interviews, and social media. We triangulated these data sources to identify points of convergence (in which different data sources supported the same assertions) and divergence (in which data sources contradicted each other). <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Results:</b> SUP provides the Playbook and Newsletter as metagenres that regulate complex interactions among other genres and events, guiding firms into having roughly equivalent experiences as well as maintaining relationships among volunteers such as mentors. But the Playbook also reframes the experience of entrepreneurship so that it can fit into SUP's program: it reframes the cyclical entrepreneurship process as linear, and it reframes promises of future action as tracking of past actions. In undergoing these experiences, the startups form their professional identity as entrepreneurs. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Conclusion:</b> We conclude by discussing implications for accelerators as well as for how professional communication genres and metagenres regulate neophytes’ experiences in training programs more broadly.

Abstract: The renaissance witnessed both a large expansion of teaching and composition of rhetoric manuals and a flowering of literature in the sixteenth century. This essay asks what rhetorical theory contributed to renaissance literature. Where some earlier accounts, for example by Cave, Eden and Vickers, focus on the impact of one or two rhetorical doctrines, this essay argues that renaissance writers drew on, adapted and combined a wide range of rhetorical doctrines in thinking about how to persuade and move their audiences. In order to make this argument it sets out sixteen skills taught by renaissance rhetoric which writers could use: thinking about the audience; self-presentation; reusing reading in writing; style and amplification; emotion; pleasing; narrative; character; argument; examples; comparison; contraries; proverbs and axioms; disposition; beginning; and ending. It analyses texts by Erasmus, Tasso, Sidney, Montaigne and Shakespeare to show how the greatest renaissance writers adapted and combined ideas from rhetoric.

Generative AI may significantly disrupt the teaching and practice of business communication. This study of 343 communication instructors revealed a collective view that AI-assisted writing will be widely adopted in the workplace and will require significant changes to instruction. Key perceived challenges include less critical thinking and authenticity in writing. Key perceived benefits include more efficiency and better idea generation in writing. Students will need to develop AI literacy—composed of application, authenticity, accountability, and agency—to succeed in the workplace. Recommendations are provided for instructors and administrators to ensure the benefits of AI-assisted writing can outweigh the challenges.

Business communication teachers navigate a constantly changing pedagogical geography shaped by technology and breakthrough discoveries in linguistics, psychology, and neurobiology. My Favorite Assignment is designed to speed new teaching methods to the classroom. This article gives readers 11 teaching innovations on report writing, intercultural communication, and analysis and critical thinking debuted at the 2022 Association for Business Communication’s (ABC) 87th Annual International Conference in Tampa, Florida, USA. Additional support materials—instructions to students, stimulus materials, slides, grading rubrics, frequently asked questions, and sample student projects—are downloadable from the ABC and DePaul University Center for Sales Leadership websites.

Instructors face myriad competing demands for topical coverage in their courses, while navigating pressure to teach in varied modalities and meet employers’ expectations for graduates. Starting from a Scholarship of Teaching and Learning framework, this article contributes to the bridging-the-gap literature by addressing local employers’ needs and proposing an entrepreneurship-based approach to business communication curriculum.

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In our introduction to this special issue on cultural rhetorics, we as editors recognize that members of the field maintain many different approaches and frameworks. This diversity suggests that the work of prioritizing emplaced stories over universalizing theories brings cultural rhetoricians together, making research and teaching accountable first to communities, rather than the academy, and continuously examining our ethical commitments to O/others. This work, then, requires that scholars situate themselves within networks of places and spaces, cultures and peoples, power and privilege, so that we may practice relationality and accountability, actively seeking to make meaningful connections within and across research sites, and create space for silenced voices while building a more just world and disciplinary community.