How can we nurture children’s creative ability as writers outside the academic context, celebrating their unique voices, teaching them to trust their ears and value the creative process? It can be set up simply: A group of young students in an after school center. Some adults acting as mentors to help them do creative writing.… Continue reading Merging Voices: University Students Writing with Children in a Public Housing Project by Michael John Martin

The writing I received in my first-semester composition class at Xavier University in New Orleans, Louisiana, the semester immediately following Hurricane Katrina was stunning with respect to both student commitment and narrative sophistication. In this essay, I analyze a representative example of this writing entitled “life During Katrina” by a student I have called “K.”… Continue reading Writing the Blues: Teaching in a Post-Katrina Environment by Gwen Robinson

The title of this article means in triplicate. “True Stories from Philadelphia” is the title of the Project WRITE (Writing and Reading through Intergenerational Teaching Experiences) web site (http://www.temple.edu/CIL/WRITEhome.htm). “True story” also smacks a bit of gossip, the confession of some difficulty. And the phrase “true stories,” itself perhaps an oxymoron, also describes the type… Continue reading True Stories from Philadelphia by Hannah M. Ashley

In the aftermath of Hurricane Katrina, writing instructors at the University of New Orleans felt compelled to incorporate personal, social, and political aspects of the storm into their classrooms. In this article, individual instructors discuss a particular pedagogical approach assignment, class theme, or teaching strategy that we adopted, exploring its rationale and reflecting on our… Continue reading Making It Up As We Go: Students Writing and Teachers Reflecting on Post-K New Orleans by Doreen Piano, Reggie Poche, Sarah DeBacher, Celeste Del Russo, & Elizabeth Lewis

Reflections: What prompted CCCC to create a national service-learning committee? Deans: There were short-term and long-term goals. As for the short term, last spring Campus Compact issued a request for proposals to national disciplinary associations offering the possibility of grant money to support teaching and research in service-learning. A committee officially sanctioned by NCTE and… Continue reading CCCC Institutionalizes Service-Learning by Tom Deans

In 2006, a college professor found herself teaching freshmen composition students during the fall semester at Xavier University of Louisiana. This in itself was not unusual; what was different was that this “fall” semester was starting in January, thanks to Hurricane Katrina. Whether an out-of-towner who rode out the storm on campus or a New… Continue reading Show and Tell by Katheryn Krotzer Laborde

Beginning with the impact of Hurricane Katrina on the author, his students, fellow teachers, and Southeastern Louisiana, the article focuses on lessons learned about writing and teaching through the experience. The article tells the story of Katrina: In Their Own Words, an anthology of storm stories by local students and teachers that the author edited,… Continue reading Katrina in Their Own Words- Collecting, Creating. and Publishing Writing on the Storm by Richard Louth

Introduction: As technical and professional communication (TPC) becomes increasingly networked, students must learn to work cross-culturally. However, these skills can be difficult to develop. We report on a service-learning project aimed at helping students write and design for an audience in India. About the case: The authors saw a need to provide course materials to practitioners in India that became an opportunity to involve students in global content creation. This teaching case reports on two courses designed collaboratively to teach design and communication skills through service-learning, while providing course content to Indian practitioners of TPC. Situating the case: Technical communication has a long history of teaching writing skills for the globalized workplace. Service-learning opportunities can engage students cross-culturally while encouraging them to think critically about audience awareness. This case extends the literature by reporting on how students learned principles of cross-cultural and accessible communication. Methods/approach: This study uses qualitative student reflection documents from two courses to answer questions about how service-learning opportunities shape student skills. Their responses illustrate the successes and failures in the course designs and provide strategies for instructors working on similar projects. Results/discussion: Students reported that their experiences helped them to think critically about audience awareness, synthesize skills in collaboration, engage flexibly with new technologies, and work through time constraints. Conclusion: We provide practical suggestions for implementing similar course designs at other institutions and information about implementing relevant technologies. It outlines adaptations for new teaching environments.

Background: The ability to create a context is essential in writing the introduction of a research article (RA). This study explores the experience of engineering Ph.D. students in Australia, for whom English is an Additional Language (EAL), in using a problem-solution-based writing model to develop context-creating skills in writing RA introductions. Research question: What is the experience of engineering Ph.D. students in creating contexts through explicit learning of a problem-solution-based model for writing RA introductions? Literature review: Genre-based teaching is a common approach in the second language classroom. Recently, a genre-based approach for writing the introduction of engineering RAs has been proposed. The descriptive values of the model, PSP-CaRS, have been shown in corpus studies of published engineering RAs. However, its applicability has not been explored pedagogically. Methodology: Twenty-nine Ph.D. students were asked to respond to a questionnaire nine months after learning the model and reflect on their experience using it. The findings were then corroborated with data obtained from interviews, researcher observation, and writing samples. Results: The findings showed that the participants perceived PSP-CaRS to be useful and they continued using it after nine months despite some difficulties encountered in the writing process. Participants' responses showed that explicit teaching of PSP-CaRS formed the foundation upon which more competent skills to create contexts were developed through practice and integration of subject knowledge. Discussion: Explicit teaching using a model can impart the basics of genre awareness to students. Once students gained an in-depth understanding of the model by working through their difficulties, they developed better genre awareness, and used the model adaptively to visualize and write their RA introductions. Conclusion: The results confirm the usefulness of the proposed model and reveal how a continuing process of learning and practicing using the model helps students develop their skills to create contexts and enhance their genre awareness.

Background: Early-stage accelerator programs teach new entrepreneurs how to identify and exploit venture opportunities. In doing so, they implicitly teach these new entrepreneurs how to develop and iterate claims. But since this function of teaching persuasion has been implicit and generally unsystematic, it is unclear how well it works. Literature review: We review related literature on the venture development process, value propositions, and logic orientation (Goods-Dominant vs. Service-Dominant Logic). Research questions: 1. Does an entrepreneurship training program implicitly teach new entrepreneurs to make and iterate persuasive claims? 2. How effectively does it do so, and how can it improve? Research methodology: We examine one such accelerator program via a qualitative case study. In this case study, we collected interviews, observations, and artifacts, then analyzed them with thematic coding. Results/discussion: All teams had received previous entrepreneurship training and mentoring. However, they differed in their problem and logic orientations as well as their stage in the venture development process. These differences related to the extent to which they iterated value propositions in the program. Conclusions: We conclude with recommendations for improving how accelerator programs can better train new entrepreneurs to communicate and persuade.

This article introduces a Special Issue that gathers a collection of effective tools to promote the teaching and learning of writing in school-aged and university students, across varied contexts. The authors present the theoretical rationale and technical specificities of writing tools aimed at enhancing writing processes (e.g., spelling, revising) and/or at providing writers with automated feedback to improve the implementation of those processes. The tools are described in detail, along with empirical data on their effectiveness in improving one or more aspects of writing. All articles conclude by indicating future directions for further developing and evaluating the tools. This Special Issue represents an important contribution to the field of technology-based writing instruction, in a moment in which online teaching and learning tools have shifted from being an instructional asset to a necessity. We hope that in the future the validation of each tool can be expanded by reaching out to different populations and cultural contexts.

Teaching the craft of written science communication is an arduous task that requires familiarity with disciplinary writing conventions. With the burgeoning of technological advancements, practitioners preparing novice research writers can begin to augment teaching and learning with activities in digital writing environments attuned to the conventions of scientific writing in the disciplines. The Research Writing Tutor (RWT) is one such technology. Grounded in an integrative theoretical framework, it was designed to help students acquire knowledge about the research article genre and develop research writing competence. One of its modules was designed to facilitate revision by providing different forms of automated feedback and scaffolding that are genre-based and discipline-specific. This study explores whether and how the features of the RWT may impact revision while using this module of the tool. Drawing from cognitive writing modeling, this study investigates the behaviors of a multidisciplinary group of 11 graduate-student writers by exploring how they interacted with the RWT's features and how this interaction may create conditions for enhanced revision processes and text modifications. Findings demonstrate promising potential for the use of this automated feedback tool in fostering writers' metacognitive processing during revision. This research adds to theory on cognitive writing models by acknowledging the evolving role of digital environments in writing practices and offering insights into future development of automated tools for genre-based writing instruction.

There is increasing evidence that automated writing evaluation (AWE) systems support the teaching and learning of writing in meaningful ways. However, a dearth of research has explored ways that AWE may be integrated within different instructional contexts and examined the associated effects on students’ writing performance. This paper describes the AWE system MI Write and presents results of a mixed-methods study that investigated the integration and implementation of AWE with writing instruction at the middle-school level, examining AWE integration within both a traditional process approach to writing instruction and with strategy instruction based on the Self-Regulated Strategy Development model. Both instructional contexts were evaluated with respect to fostering growth in students’ first-draft writing quality across successive essays as well as students’ and teachers’ experiences and perceptions of teaching and learning with AWE. Multilevel model analyses indicated that during an eight-week intervention students in both instructional contexts exhibited growth in first-draft writing performance and at comparable rates. Qualitative analyses of interview data revealed that AWE’s influence on instruction was similar across contexts; specifically, the introduction of AWE resulted in both instructional contexts taking on characteristics consistent with a framework for deliberate practice.

Transfer across Media: Using Digital Video in the Teaching of Writing presents digital composition as one pathway toward a better understanding of the transfer of writing knowledge. Through an in-depth study of the video composing experiences of eighteen students, the book illustrates how video provides useful opportunities for transfer across media through multimodal production.

This article is the first in a two-part series. It features 13 teaching innovations selected from the 60 My Favorite Assignments presented at the 2019 Association for Business Communication’s annual international conference in Detroit, Michigan. Pedagogy presented includes experiential learning methods to teach how to deliver peer feedback, new approaches for incorporating the Internet and social media into learning experiences, and a boost on a classic topic, ethics.

Effective organizational socialization demands soft skill competence. This article advances two goals: (a) explore the inclusion of undergraduate researchers in the scholarship of teaching and learning research and (b) present research findings on employer perceptions of new college graduates’ communication skills. The research team used a rules approach to explore employer perceptions of nonverbal communication skills for new college graduates, such as commonly violated rules. Four key findings relating to rule violations in unspoken communication include displaying a lack of interest, inappropriate attire, body art, and writing deficiencies. Suggestions are offered for including undergraduates in this kind of research.

This case study explores corporate social responsibility (CSR) through the perspective of communication professionals at a large financial services firm. These employees rely on both external communication through formal reporting as well as informal internal communication to understand CSR activities, and tend to describe CSR by what it means within their organization. We find that communication employees perceive that CSR is obligatory, rarely questioned or explained, labeled as “voluntold,” and mainly employed for good press due to its philanthropic focus. We offer theoretical and practical implications that center on making CSR operational, not additive, and ideas for educators teaching CSR.

This article reports on one university’s experiment in resurrecting and reanimating the composition lecture, a one-hundred-plus student section dubbed “MonsterComp,” including the process, outcomes, and lessons learned. Although this restructuring of the first-year composition course was partially motivated by administrative pressures, the main motivation behind this experiment was to enhance teacher training and support while still retaining the workshop environment and low student-to-instructor ratio of traditional composition sections. The course involves multiple stakeholders, including the WPA and graduate student program coordinators, graduate student instructors, and course-based coaches from our university's writing center. Assessment of student work, observations of the course, and surveys administered to stakeholders indicate that the course was successful in terms of teacher training and preserving student learning outcomes.

This paper describes methods to study the impact of service-learning on the writing performance of students in first-year college composition. Linguistic and rhetorical features commonly identified as affecting judgments of writing quality are compared to holistic essay ratings to assess the impact of different teaching and learning contexts on writing performance. Link to PDF

The authors argue that writing-intensive service-learning courses extend the lessons of first-year composition courses by teaching students how to understand and negotiate differences between the discourses of the academy and those of community-based organizations. While first-year writing courses lead students through successive approximations of a generalized academic discourse in the relative safety of the composition… Continue reading Confronting Clashing Discourses: Writing the Space Between Classroom and Community in Service-Learning Courses by Caryn Chaden, Roger Graves, David A. Jolliffe, Peter Vandenberg

This article adopts the perspective of rhetorical theory to examine student, teacher, and client assessments of community service writing projects created by students in a technical writing course. The study compares both students’ and clients’ assessments of the benefits of the service-learning experience and the teacher’s and clients’ evaluations of the documents. It highlights significant… Continue reading In the Eye of the Beholder: Contrasting Views of Community Service Writing by Teresa M. Redd

Bruce Herzberg is Professor and Chair of the Department of English at Bentley College. He is the author of several articles on service learning, including “Community Service and Critical Teaching,” published originally in CCC and reprinted in a number of anthologies, and “Public Discourse and Service Learning,” published in JAC . He is also the… Continue reading Community Service and Critical Teaching A Retrospective Conversation with Bruce Herzberg by Thomas Deans

Nine people with mental health diagnoses wrote a dialogue to discuss how we navigate our conditions and ask for accommodations within an academic setting. We cogitate on the challenges of obtaining a diagnosis, how and when we disclose, the affordances and challenges of our symptoms, seeking accommodations, and advocating for ourselves. We consider how current scholarship and other perspectives are changing the conversation about mental health in the academy. We conclude that while the 2008 revisions to the Americans with Disabilities Act have addressed necessary accommodations, that those with mental health conditions are still seeking access.

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Using a multidisciplinary approach to social justice teaching, this article explores the often invisible impact of double consciousness on adult English language learners in the United States and provides examples of classroom practice that invite students to reflect on its effects. The experience of double consciousness is examined as it relates to English language learner identities. A Critical Language Awareness (CLA) framework and identity-conscious teaching practices are explored to encourage student participation and reflection. This approach, demonstrated through examples used in writing classes, encourages the exploration of identity in the face of oppression by interrogating social constructions and fiction and nonfiction stories containing connected themes. Three classroom lessons and consequent writing are analyzed with a critical discourse lens to examine student responses and reflections on language and identity. Student writing demonstrates that encouraging English language classes to interrogate the language of institutionalized inequity and identity formation can illuminate potential influences of double consciousness, which can empower students to think critically about their identities and choose whether to take steps to mediate the ways in which they could be affected by double consciousness.

Building upon critical and intercultural work in the field, Haas and Eble’s edited collection, Key Theoretical Frameworks: Teaching Technical Communication in the Twenty-First Century offers a soci...

“The term virtue,” John Duffy notes wryly in his recent book, “is not exactly trending”—yet perhaps it should be (14). Virtue, as Duffy, John Gallagher, and Steve Holmes suggest in the introduction...

This article uses a contemporary literature class titled Alternatives to Realism that the author taught at the University of North Carolina at Chapel Hill as the basis to argue for the special value of experimental, speculative, and otherwise antirealistic literature for introductory-level undergraduate literature pedagogy. The author argues that, rather than choosing realistic narratives that students are likely to understand and relate to on first pass, professors should deliberately seek out works students are likely to initially find confusing or strange and then endeavor to help them understand those texts. The article suggests that the difficulty associated with such texts, rather than intimidating students, actually invites them to engage with the reading process more actively and enthusiastically. The article discusses the premise and overall structure of the class and the rationale behind it; delves into specific examples of discussions and assignments based on such texts as Mark Z. Danielewski’s House of Leaves and Martin Amis’s Time’s Arrow; and examines students’ own ultimate responses to the class as presented in their final exam reflection essays. Ultimately, the author argues that teaching (seemingly) difficult, idiosyncratic literary works helps students appreciate the unique intellectual work of reading, strengthens their self-confidence, and leads them to a keener appreciation of the humanities more broadly.

In recent years it has become almost normal for politicians to overtly and routinely lie. How should educators respond? Students should explore post-truth politics, develop research skills, and practice inquirybased factual writing, but they need more than literacy skills. Liberal education prepares them to be active, ethical participants in democracy.

Formerly, to be a radical teacher one had to be a Marxist, but in the past three years, a simple commitment to honesty, empathy, and democratic community has become an act of resistance. Examining three examples of reader-response criticism suggests how one can apply these values to deepen receptivity to literature and create a sense of agency and dialogue between students and teachers.

Communication using popular digital media involves understanding multimodal systems of appraisal for expressing attitude, which traditionally deals with emotions, ethics, and aesthetics in language. The formulation and teaching of multimodal grammars for attitudinal meanings in popular texts and culture is currently underresearched. This article reports findings from multisite qualitative research that developed students’ ability to use semiotic resources for communicating attitude multimodally. The research participants were 68 students (ages 9–11 years) from two elementary schools. Students learned how to use attitudinal language—affect, judgment, and appreciation—and applied this knowledge to multimodal design. The findings advance a leading system of appraisal for discourse by adapting the system to the multimodal communication of attitude in digital comic making in schooling. The research is significant because it demonstrates the potentials for augmenting students’ linguistic and visual semiotic resources to convey multimodal attitudinal meanings in contemporary communication.

Background: The lab report is a commonly assigned genre in engineering lab courses; however, students often have difficulties meeting the expectations of writing in engineering labs. At the same time, it is challenging for engineering faculty to instruct lab report writing because they are often under-supported in writing pedagogies and usually unfamiliar with the extent of students' prior writing knowledge. Literature review: Literature on technical communication in engineering addresses the importance of a rhetorical approach to writing instruction, as well as an emphasis on genre. Extending this literature, research into writing transfer provides valuable insight for better understanding how undergraduates negotiate the engineering lab report as a new genre within this distinct rhetorical context. Research questions: 1. How effective is a transfer-focused writing pedagogy in supporting students' understanding of the genre conventions of engineering lab reports? 2. How does the transfer-focused writing pedagogy impact students' writing quality in five categories (rhetorical knowledge, organization, evidence, critical thinking, and disciplinary conventions)? 3. What are the rhetorical features that engineering students improve or struggle with the most with lab report writing? Research methodology: Four engineering instructors and two English instructors participated in this study to design and develop the lab report writing instructional module, and implemented the module materials into their engineering lab courses. The module, consisting of lab report writing instruction and assessment resources, shares a rhetorical approach and foundational writing terms with first-year composition courses to emphasize a writing-transfer pedagogy. We collected and analyzed undergraduates' lab report samples to evaluate the impact of the module on students' writing performance. Two sets of lab reports were collected for analysis: the sample sets before (control), during the 2015-2016 academic year; and after (experimental) implementation of the module, during the 2016-2017 academic year. Results and conclusions: Data collected via pre- and post-implementation writing artifacts show that a rhetorical approach to teaching lab reports helped students better understand the expectations of the lab report as a discipline-specific genre, and it developed students' understanding of the rhetorical features of engineering writing. The pilot module positively impacted the quality of students' lab reports, a finding that suggests that using a transfer-focused writing pedagogy can successfully support the transfer and adaptation of writing knowledge into gateway or entry-level engineering laboratory courses.

While Robert Brooke’s discussion of underlife focused on the autonomy of students, in this article I apply his conclusions to the behaviors performed and desires expressed by faculty members, specifically six tenured, two-year college English faculty members who conceptualize their work teaching writing in relation to both individual writing courses and one or more aspects of a writing program.

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This study examined how three successful entrepreneurs/investors assessed the visual rhetoric of actual pitch decks from novice entrepreneurs. We compare their evaluations to the result of a heuristic for assessing visual rhetoric, Color CRAYONTIP. While the pitch deck is recognized as a key artifact in entrepreneurship, no studies have specifically addressed the visual design of the deck nor the key design skills novice entrepreneurs should implement to effectively persuade potential investors of the idea's promise. This preliminary and exploratory case study begins a dialogue on this topic by performing a visual analysis of seven novice decks which were deemed successful by experienced angel investors. The analysis revealed five key skills that appear to account for the success of these decks with the reviewers: rhetorical awareness, typography, color, photography, and contrast.

Expertise research spanning a variety of domains has established the central role that deliberate practice plays in developing expertise. This type of practice demands time, internal motivation, effort, feedback, and determination to surpass existing levels of performance. To leverage the rigors of deliberate practice, the two expert textbook writers who participated in this study deployed the writing processes of reviewing, writing it down, and incubating while developing textbooks for English language teaching (ELT). Data collected mainly via concurrent verbalization—whereby the participants expressed their thoughts aloud while engaged in textbook writing—and pre- and post-concurrent verbalization interviews revealed that the participants called upon these processes in purposeful ways as metacognitive strategies used to maximize writing effectiveness, with metacognition operationalized here as the participants’ knowledge and recognition of how they thought and worked. This study provides insight into how textbooks are written in practice and thus has implications for the research field of materials development; the findings also point to practical strategies that might be utilized by those who write language learning materials.

Expertise research spanning a variety of domains has established the central role that deliberate practice plays in developing expertise. This type of practice demands time, internal motivation, effort, feedback, and determination to surpass existing levels of performance. To leverage the rigors of deliberate practice, the two expert textbook writers who participated in this study deployed the writing processes of reviewing, writing it down, and incubating while developing textbooks for English language teaching (ELT). Data collected mainly via concurrent verbalization—whereby the participants expressed their thoughts aloud while engaged in textbook writing—and pre- and post-concurrent verbalization interviews revealed that the participants called upon these processes in purposeful ways as metacognitive strategies used to maximize writing effectiveness, with metacognition operationalized here as the participants’ knowledge and recognition of how they thought and worked. This study provides insight into how textbooks are written in practice and thus has implications for the research field of materials development; the findings also point to practical strategies that might be utilized by those who write language learning materials.

The present study investigated the effects of applying cumulative group dynamic assessment (G-DA) procedures (Poehner, 2009) to support EFL writing development in a university context in Iran. It focused on learner achievement, patterns of occurrence of mediation incidents, and learners’ and teachers’ perceptions towards G-DA. Quantitative data was collected from learners’ performance on writing tests and the frequency of occurrence of mediation incidents involving EFL writing components based on Jacobs, Zinkgraf, Wormouth, Hartfield, and Hughey’s (1981) scale. Findings revealed that G-DA was more effective than conventional explicit intervention for supporting EFL writing development. Also, it worked best for low ability learners as compared to mid and high ability ones. Besides, the number of mediation incidents declined from 27 in session one to 8 in the final session, confirming the efficacy of G-DA in promoting both EFL writing and learner self-regulation. Most teacher mediation involved language use, vocabulary, and organization and fewer incidents involved content and mechanics. Qualitative data analysis indicated that most learners and teachers held positive attitudes towards the efficacy of G-DA for supporting EFL writing development. However, a few participants asserted that the procedures were unsystematic, stressful, time consuming, and inappropriate for large classes.

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The *Othello* staging project invites introductory literature students to imagine that they are directing a new production of *Othello*. Students create a production proposal and poster that illustrate their directorial choices, using their original interpretation of the play as a guiding philosophy. This assignment successfully addresses many of the challenges associated with teaching an introductory-level, required "core" course of non-English-majors, as well as the challenges of teaching drama in general and Shakespeare in particular. Creative response assignments like this prompt can foster student engagement, mitigate student writing anxiety, and deepen student understandings of plays as living documents open to artistic interpretation.

Through an auto-ethnographic reflection, this article describes an attempt to enact a Black Feminist pedagogy in an undergraduate business writing course. Discussing both benefits and challenges to this pedagogical approach, I advocate for an increase in decolonial methodologies and pedagogies in teaching technical and professional communication and argue for their potential to intervene for equity and justice in both the classroom and the workplace.

Horace’s Art of Poetry supplied the medieval schools with the only available classical doctrines on fiction and poetry before Aristotle’s Poetics became widely studied in the fifteenth century. Horace exercized both practical and theoretical influence on literary exegesis, and shaped medieval and early Renaissance doctrines of composition by discussing the very nature of fiction, narrative techniques, authorial roles, description of character and tone, including performance and reading of a text. The anonymous commentators as well as the Dante commentator Francesco da Buti (1395) were deeply influenced by the twelfth-century “Materia” Commentary, but also by the Arabic notion of an independent art of poetics, and remained in lively dialogue with the teaching of Ciceronian rhetoric of invention, disposition, elocution, and delivery.

Christoph Georg Leidl In memoriam January 10, 1960 - August 17, 2019. t came as a terrible shock for all of us when just a few weeks after the Biennial Con­ ference in New Orleans this past July, where we had been together with him and shared hilarious chats, drinks, and music, the news spread that our friend, colleague and fellow ISEiR member Christoph Leidl had passed away from this world at the age of only 59 years. Born in Burghausen, Upper Bavaria in 1960, from 1979 to 1986 Christoph studied Greek, Latin, and History at the Uni­ versity of Munich, Germany, and (during the academic year 1982-1983) at St. John's College, Oxford, UK. It was from the University of Munich that he earned his M.A. in 1987 and his PhD in Ancient History, Greek and Latin in 1991, with an edition and commentary on Appian's history of the Second Punic War in Spain, printed 1996. During the years 1987 to 1999 he was Assistant Professor at the Department of Classics in Munich, again interrupted by a stay in Oxford from 1995 to 1997 on a research grant from the German Research Fund (DFG). From 1999 to 2001 he was Assistant Professor in Classics at the University of Mannheim, until he received a tenured post as Akademischer Rat Rhetorica, Vol. XXXVIII, Issue 1, pp. 1-13. ISSN: 0734-8584, electronic ISSN: 15338541 . © 2020 by The International Society for the History of Rhetoric. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http:/ /www. nrnress.edu/journals.php?p=reprints. DOI: https://doi.org/10.1525/rh.2020.38.1.1 2 RHETORICA at the University of Heidelberg in 2002 (promoted to Akademischer Oberrat in 2006), where he has been working and teaching ever since. Besides a steadily growing emphasis on the theory and history of rhetoric, in which he particularly focused on the theory of metaphor and tropes, the orator's ethos, rhetorical pedagogy, and humour in oratory, Christoph also did research and published on poetics and literary criticism, on ancient historiography and on the reception of ancient drama in music. Christoph had been an ISHR member since 1995, and missed almost none of our conferences, with the sad exception precisely of the one in Tubingen in 2015, when he fell ill. He also held various offi­ ces in ISHR. He was a Council member from 2011 to 2015, and in 2013 also took on the chair of the membership committee, a duty he fulfilled with enormous dedication and accuracy until his last days. Everyone will remember his meticulous membership reports delivered at each Council or General Business meeting. Christoph was perfectly versed not only in ancient literature, but also in modern and contemporary literatures. He knew his Shakespeare, Moliere and Goethe just as well as his Homer, Virgil, or Horace, and he was acquainted with contemporary approaches to rhetoric just as much as with Aristotle, Cicero or Quintilian. His private library filled an entire house and might have been the envy of many a department library. One wondered when, alongside his exorbitant duties in teaching and administration, he ever found the time for reading all those books. In addition, he was also a great lover of music. He had stupendous knowledge in all things music and was able to talk in minute details about concert pianists, conduc­ tors or particular recordings, and he was himself an excellent piano player. He was also a passionate mountain hiker. Besides all this, he had a wonderful and subtle sense of humour, and an extremely amiable character; his big inviting smile remains unforgettable. On the other hand, Christoph was an indefatigable worker with an outstanding sense of duty. Not only was he more than thorough in his research, but he was also always available for his students whenever they needed help. He seemed to be permanently active; it appeared as if he never rested, and indeed he may well too often have burnt the candle at both ends. Only lately he talked about a change in his way of life. But it...