The rise of English as a Medium of Instruction (EMI) threatens to upend traditional teaching and learning practices. Writing, speaking, and communication instruction will all need to evolve. This article presents a case study of one institution's efforts to design and implement a communication curriculum responsive to the unique demands of the EMI environment. The curriculum proposed enacts an interdisciplinary, multimodal approach to the teaching of communication. We discuss the specifics of the curriculum, the process of its creation, the principles underlying it, and how these principles play out in practice. In doing so, we hope to provide a model both for global communication instruction and future curricular design efforts.

Abstract This essay outlines the rhetorical elements and discursive strategies used to perpetuate cultural racism, or ethnicism, in contemporary political discourse. Using Marine Le Pen's Islamophobic discourse as a case study, this essay demonstrates how Le Pen deploys ethno-nationalist rhetoric to highlight the dangers that she believes Muslim terrorists pose to French national identity. She portrays Muslim terrorists as rootless wanderers capable of causing irreparable damage to France, which enables her to craft herself as a protector of the French home using populist reasoning. In doing so, Le Pen's discourse stokes fears of clandestine terrorists hiding among the French Muslim and migrant populace, which constitutes the Muslim terrorist—and by extension, all Muslims—as major security and cultural threats to the nation. Consequently, Le Pen portrays French national identity as incompatible with all forms of Islam.

Abstract This essay examines the first major American debate over aerial warfare as a case study in the relationship between visual spectacle and warfighting technologies. In the early 1920s, Brigadier General William “Billy” Mitchell mounted a short but intense advocacy campaign to win public approval for a standalone and fully supported air force. He justified his arguments with sanitized depictions of the warplane's idealized deployment. I call such depictions technological spectacles, and I parse their three hallmarks in Mitchell's advocacy: the dissociation of violence and destruction, the self-justification of technology, and the confusion of possibility for probability. I demonstrate that these habits of spectacle pervaded not only Mitchell's rhetoric but the coverage he received in the press. The essay establishes Mitchell as a key figure in the history of American rhetoric about military technology and, in the process, offers new historical context and critical vocabulary for diagnosing rhetorics of technological spectacle.

The recent speculative turn in literacy, English education, and other ELA-related fields has brought renewed energy for redesigning English teaching and learning through genre awareness. However, extant work on speculative genres of reading, writing, and literary study assumes that ELA teachers are prepared or, more fundamentally, aware of these genres and their unique features. Addressing this gap, this article presents a single intrinsic case of Carlos, a queer man of Color and bilingual elementary teacher, as he cultivated genre awareness through an interactive approach to genre pedagogy through restorying. Based on a rhetorical genre studies approach, Carlos’s case demonstrates how English teachers might expand their genre repertoire to include speculative genres and integrate them into their classrooms. This article concludes by advocating for the integration of speculative literacies into English teacher education, doing so to disrupt normative realities tied to white supremacy and homophobia within the field.

AbstractThis article argues that the oral performance of personal monologues in first-year composition courses allows students to identify meaningfully with one another across difference at a time when the American political climate too often forecloses such opportunities. The author considers the opportunity personal monologue provides for parrhesia that recontextualizes the space in which deliberative discourse occurs. Drawing on a case study of the author's food-based composition course, this article provides supporting evidence for the power of performed personal monologue to encourage mutual identification among students that creates a new foundation for subsequent discourse.

AbstractDrawing on object-oriented approaches to rhetoric and the scholarship of museum education, the author describes her development of a first-year composition experience that puts observation at the center of first-year writing—observation of an art object and its context of display, as well as self-observation of a writer interacting with that object. The experience uses these object-oriented encounters to broaden students’ understanding of the role that close observation plays in effective writing while acting as a case study for how first-year composition instructors can draw on object and museum theories to design experiences and assignments conducted outside of traditional classroom spaces.

Creating new emojis is predicated on a system of technical writing that lobbies for new emojis to the Unicode Consortium. Emojination, an activist collective working for cultural inclusivity, helps everyday people write proposals for inclusive and culturally sensitive emojis. Through a case study of Emojination, this article describes ways that Tactical Technical Communication can work toward cultural inclusivity within regulatory frameworks.

This article presents a case study of an online class in technical and professional communication pedagogy (the teaching of technical and professional writing) that uses digital video technology for discussions. Because students in the class share their experiences using the video technology, the study uses a collaborative autoethnography framework to learn if the digital technology, Flipgrid, would enhance students’ experiences with discussions in an online class compared to their experiences with discussions on traditional discussion boards. Providing such exposure to a new technology tool can help students gain the confidence that is necessary for learning new technologies in the workplace. When the technology did not provide the hoped-for results after a few weeks, the class stopped using it, returning to the traditional discussion board in the learning management system, which can be more effective when teachers participate and organize students into small groups. Reflecting on what happened, students in the class collaborated on this article to share their experiences.

The Chilean curriculum for writing education includes five paradigms: cultural, macro-linguistic, micro-linguistic, procedural, and communicative. The implementation of such a poly-paradigmatic curriculum can occur in multiple ways. Therefore, we analyzed classroom practices with two aims: (a) to describe how the paradigms are evident across practices, and (b) to analyze the paradigms’ internal alignment within each practice. We conducted classroom observations with five Spanish language teachers with varied orientations toward writing instruction. A content analysis of teachers’ discourse formed the basis for a narrative case-by-case analysis and a cross-case analysis. This process was guided by data collected during a previous survey study and supported by teachers’ interviews. Findings revealed that the cultural, macro- and micro- linguistic paradigms were implemented most often, while the implementation of procedural and communicative paradigms was rare. Additionally, paradigm alignment was visible in two practices but not in other practices. Possible reasons for this lack of integration and potential solutions to resolve this issue are discussed.

ABSTRACT The phrase “Enlightenment rhetoric” typically denotes discourses bent on rejecting classical oratorical styles in favor of purportedly scientific ones. Likewise, scholars often associate Enlightenment rhetorical styles with the scientific epistemologies that emerged in the seventeenth and eighteenth centuries. This article reconsiders Enlightenment rhetoric by analyzing David Hume’s 1742 essay “Of Eloquence.” More specifically, the article argues that the Scottish Enlightenment context necessitated a rhetoric that compensated for the discursive limitations of new scientific worldviews. In so doing, the article argues that Hume verbalizes the transcendent dimension of classical eloquence in ways commensurate with the emphasis on perspicuity emerging in English culture, a rhetorical maneuver that the author calls discursive transcendence. Hume’s “Of Eloquence” thus serves as a case study demonstrating how an Enlightenment writer advanced a rhetoric that both rejects and pulls from prior rhetorical traditions, constituting a new understanding of Enlightenment rhetoric.

PDF version Abstract In our changing educational environment, understanding the way students experience community-engaged writing pedagogy has become more important than ever. Following a semester-long qualitative study examining the reflective writing of students and conducting interviews with those students about their experiences, three students were invited to elaborate on their experiences with a critical community-engaged… Continue reading A Window Into Community-Engaged Writing: Three Student CEW Reflections

Drawing on a yearlong ethnography I conducted at a public, urban, comprehensive high school in the midwestern United States, in this article I analyze a classroom instructional conversation about gender and trans identities in a sophomore humanities (grade 10) course that combined English language arts and social studies. In the conversation, youth constructed temporalities (i.e., relationships among pasts, presents, and futures) that were out of sync with the temporalities sanctioned by the school. In doing so, they drew on ideologies about gender, religion, race, sexuality, and class. Yet different youth offered futures that were incommensurate, particularly because they clashed over whether temporalities were rigid, fixed, and unchangeable or fluid, variable, multiple, and thus open to change. Being out of sync signaled possibilities, but not guarantees, of more just futures and suggested a need for literacy educators and researchers to rethink the roles of (un)certainty, (in)stability, and (non)linearity in classroom instruction with respect to sexual and gender diversity. In making this argument, I integrate queer and trans theorizations of temporality and futurity with adolescent queer literacies scholarship, specifically the concept of literacy performances.

The author proposes a model for reading material characterized by “nested” literacies to decipher complex information where literacy operates in enmeshed and unpredictable ways. A case study of a nesting Allosaurus fragilis illustrates how deciphering multiple interacting literacies can identify areas needing technical communication intervention. In this context, multiple literacies include the usual reconstruction of Allosaurus fragilis in museum displays, the public discourses surrounding the nesting Allosaurus, and the associated scientific literature.

This article describes a qualitative study of how two ethnic Burmese families in the United States authored storybooks that included their children’s drawings and writings representing their families’ stories. The theoretical perspectives of storytelling and the social semiotics multimodal approach were utilized in this inquiry. The data included interviews, video recordings of the storybook-writing process, artifacts, and informal conversations. The data were collected when both families participated in the study together. The findings show that the children took the lead in authoring and composing their storybooks and carefully chose the topics for their drawings and writings and that the process was mediated through their mothers’ oral storytelling and conversations with siblings and friends. The findings suggest that schools and teachers need to incorporate multimodal storytelling into class activities and use storytelling to support children’s agency.

This article, based on an interview study with community changemakers working within hostile systems of higher education and legislative politics, builds upon scholarship that names and challenges normative time by offering a cultural rhetorics analysis of activists’ alternative, community-based temporal practices that are centered in relationships and prioritize participant needs over institutional mandates. We theorize community-based temporal practices based on the changemaking stories of our interview participants, especially moments when they encountered time-based obstacles and used community-based knowledges as workarounds. We constellate these stories about the material barriers of time, the way time is wielded by those in power, and how to prioritize relationships, thus illuminating temporal practices that can be used to challenge institutional systems.

ABSTRACT This article maintains that African philosophy should consider those discourses that function as channels of important ideas in African cultures, without prejudice against their language and, especially, their genre. What are such philosophical discourses? This article starts from a case study, Swahili culture, and interrogates the communicative resources available to it to serve as vehicles of philosophical thought. The survey includes language itself, proverbs, musical performance (sung lyrics), metric and free-verse poetry, novelistic prose, theoretical writings, and translations. Based on this spectrum of genres, the article ventures some general observations about the relationship of African philosophy to language and genre.

Relying on rhetorical analysis, this article explores the rhetoric and ethics of a particular type of designer- and player-created technical communication genre, video patch notes, to further explore how various technical communication genres structure the experience of play. By providing a case study of official video patch notes for the game Overwatch in combination with Youtube user dinoflask's satirical fan made videos, the article examines both developers’ communication practices and the ways in which players creatively negotiate and re-purpose these practices in order to illustrate how such tactical technical communication remixes sustain a subtle dialogue between players and developers. This dialogue in particular illuminates pain points between stakeholders (in this case, discrepancies between developer intent and player experience) in ways that could potentially offer a means of persuading particularly ideologically fixed audiences, highlighting how practitioners might use tactical technical communication with activist intent.

This article presents the findings from a small case study to examine how community-engaged research is systemically delegitimized over the course of a scholar’s career. Analyzing a genre system of university professionalization documents prior to tenure and promotion shows how such documents discourage emerging scholars from thinking of their community-engaged work as research, except when it results in traditional forms of scholarship like a publication or conference presentation. A more complicated understanding of this genre system reveals pressure points to leverage for institutional change that might allow community-engaged scholars greater institutional freedom to create and sustain strong community partnership projects.

Abstract The 1973 Battle of the Sexes tennis match between Billie Jean King and Bobby Riggs provides an example of what I call “sport spectacle.” I define “sport spectacle” as a staged encounter in which the institutions of sports and media conjoin with the activities of individual athletes and the gaze of interested audiences to co-produce narratives in which athletic endeavors reflect, shape, or intervene upon social will in material and symbolic ways. Sport spectacle involves a contested co-production of meaning about a sporting event's social importance that occurs before, during, and—through the rhetorical processes of public memory—after the sporting event. I analyze how King and Riggs understood the match within women's movement discourse and the cultural evolution of tennis, in addition to how King and others have treated the match as a cultural touchstone that can be redeployed in public memory. Recent films When Billie Beat Bobby (2001) and The Battle of the Sexes (2017) offer very different characterizations of King's role as a social movement actor and the Battle of the Sexes as a social movement act. While When Billie Beat Bobby credits King with wide-ranging transformation of women's lives in a universe largely devoid of political context, The Battle of the Sexes anachronistically champions King as a closeted LGBTQ+ icon with a more nuanced understanding of sport spectacle as a transformational gathering that prepares spectators for political contestation. This case study contributes to a growing body of scholarship that attends to the nuanced rhetorical dimensions and political contexts of spectacle.

AbstractOn Wednesday, March 11, 2020, the author received an email that would change the course of his teaching for the following twenty-four months. The university-wide communication indicated that, due to the emerging COVID-19 crisis, all classes, activities, and university business was suspended, with the email further instructing faculty to wait at home for more details. As the author mulled over the educational shifts ahead of him, his training as a technical communicator—and more specifically his knowledge of user-experience (UX) and design thinking—kicked in, offering him a set of tools he could pull from as he sought to create courses that reflected the quickly shifting needs of his students. In this article, the author discusses how the use of design thinking expands the limited conversations about course co-creation, a practice that leads to more effective and equitable course designs. The author additionally uses his experience employing design thinking in the creation of his Shakespeare seminar course as a case study, demonstrating the value that the collaborative nature of design thinking has for pedagogy.

Through a case study of a popular food and recipe blog (Pinchofyum.com), this article details how two content creators practicing an advertising-based business model built a loyal audience and profitable business. A content analysis of the income reports published by the site's creators found that their advertising-based business model incentivized them to (a) segment their audience, (b) surveil their audience, and (c) automate interactions with their audience. This incentive structure led the content creators to employ an inconsistent and often problematic persona of their intended audience as they aimed to scale their ability to build trust with a rapidly growing audience. These findings provide guidance for aspiring online entrepreneurs and technical communicators desiring to understand the implications of distributing their content on platforms funded through advertising.

Abstract This essay explores coalition-building as a confluence of space and embodiment. In particular, the author studies the relationship between U.S. military Veterans and Lakota protestors during the 2016 and 2017 anti-Pipeline Demonstrations at Standing Rock. A critical analysis of the case study brings to light a set of workable practices that involve situating physical bodies together in space, locating the situated-self relative to other people and the world, and performing an enlarged understanding of the self as always potentially coalitional. Together, these practices contribute to forming not only a functional social alliance but also a transformative coalitional consciousness.

Drawing on critical theories of labor and commodification, this qualitative embedded case study explores how students experience alienation and intimacy in the work of writing for an English language arts class. Analysis of fieldnotes from 30 observations, student writing products, and reflective interviews with focal students and the teacher illuminated the meaningful assemblages where conditions of intimacy permeated instruction. Two practices supported intimacy in working conditions: knowledge about writing built through a collective process of noticing, and open-ended work time characterized by “managed nonmanagement” (, p. 176), or calculated flexibility in rules and expectations. Findings illustrate how a literacy practice might contribute to students’ experience of alienation or intimacy (or both) while writing, depending on conditions of industrialization and commodification. Even as the teacher strove to deindustrialize work, commodification through grades and standardized assessments heightened alienation in the writing environment. The study provides an example of an educational context governed by an industrial system of assessment where local actors (the teacher and students) disrupted alienation by working in smaller scales and more closely with texts.

Set in one of the least privileged neighborhoods of the US Southeast, this research project took a discourse analysis approach to construct a day-in-the-life case study. It illustrates how, during an after school storybook cooking class, a 7-year-old, multilingual, Mexican American girl navigated local linguistic microaggressions and extended microaffirmations to her peers. At the same time, she contested and critiqued societal power imbalances associated with whiteness. This study widens the corpus of scholarship that has primarily examined children’s sociodramatic play and literacy development in preschool settings. It also broadens the body of research that has predominantly focused on students’ linguistic dexterity and metalinguistic awareness in middle and high school contexts.

Drawing from a qualitative study, we share findings that demonstrate how students articulate and express emotion in reflection. As they reflect on their writing identities, processes and products, peer and instructor feedback, and assess their work, the students in our study routinely discuss their emotions. Our essay closes with pedagogical strategies for helping students reflect on their thinking and feeling about writing.

Abstract This article introduces a grounded theory of assessment in literary studies. Analysis of instructor interviews elucidates the cultural and dispositional influences that shape some instructors’ conscious decision not to teach or assess affective learning outcomes like empathy. The author urges literature instructors to engage critical inquiry of disciplinary assessment practices.

It is important to understand multilingual students’ lived experiences and sense-making in their everyday written communication before rethinking the implementation of translingual writing in college composition classrooms. Unpacking multilinguals’ written communication across social and academic contexts, this exploratory qualitative study integrates digital ethnographic and interview methods to examine the first-semester communication experiences of 10 undergraduate students. The findings indicate that while participants engaged in translingual written communication as part of their lived experiences in social contexts, they were reluctant to draw upon their home language in academic settings. Based on the findings, I discuss the pedagogical implications of supporting multilingual students in college composition classrooms. I argue that instructors must reposition themselves as co-learners together with their multilingual students to enact a translingual stance in academic settings and reimagine meaningful written communication beyond English-only. This study sheds light on rethinking the pedagogical practices around implementing translingualism in college composition.

Even as education is always a high-stakes endeavor, the stakes of prison education contexts are even higher. Given the ongoing violences of surveillance, censorship, and obfuscation in prisons, these environments are neither conducive to literacy practices nor do they support the flourishing of human life or growth. Simultaneously, however, prison educators working with incarcerated students navigate and push back against these oppressions to support students learning in everyday contexts. In exploring these tensions through qualitative research, I argue that prison educators mobilize complex and highly situated literacy practices to subtly and quietly bend the rules in carceral environments. In deploying subversive acts of “creative maladjustment” (King Jr., Kohl), these instructors circumnavigate state power to sustain educational commitments to incarcerated students in the face of state violence. Through such explorations, I contend that literacy educators can better comprehend what it means to resist the state: for research, praxis, and survival.

Although literacy narratives have been a popular assignment in college composition classrooms, the role of context and interaction in students’ writing and understanding of literacy is one of the least explored areas. This article reports the findings of a qualitative case study conducted in a regular first year composition class (English 101) of a public research university in the Southwest. The data is comprised of fifteen literacy narratives accompanied by reflective letters written by a group of English monolingual and bi- and multilingual students; transcripts of nine personal interviews; and twelve one-on-one conferences that were coded and analyzed using a combination of inductive, deductive, and literal or verbatim coding methods mostly informed by grounded theory. The findings show that a literacy narrative assignment in college writing can foster a complex understanding of literacies among student writers. When we adopt a translingual orientation to literacy, encourage cross-cultural conversations through various collaborative activities and diverse readings, and emphasize the role of little narratives to resist the master narrative of literacy, both English monolingual and bi- and multilingual students mutually enrich their understanding of literacies. In this process, the writing classroom becomes borderland and the instructor and students become border crossers.

This article reports findings from a qualitative study in a third-grade classroom in the Southwest in the wake of Donald Trump’s campaign and inauguration. In response to students’ concerns about Trump’s rhetoric around immigration and border-wall construction, the teacher provided curricular space for students to study immigration policy and write letters to their congressional representative expressing their positions. Drawing on field notes, interviews, and student writing, this study asks, (a) What sources of knowledge did students draw on in their talk and writing? and (b) How did students respond to such curricular design? Analysis suggests that students drew on border thinking () and politicized funds of knowledge (), positioned themselves as change agents, and developed and displayed knowledge of academic genres and conventions.

The policing of Black Language is inextricably tied to the policing of Black people and is entrenched in a long history of white Western European colonization. The legacies of white supremacy pervade schooling in its earliest years, yet Black teachers have consistently mounted a counterforce in battling white hegemony. In this article, I feature one such teacher, Raniya, who licensed Black Language in her preK classroom. Based on three months of classroom observations and interviews, this ethnographic case study explores the institutional architecture that affords white supremacist language assessments, particularly through an epistemology of language as an abstracted entity and through its process of curricularization. A raciolinguistic perspective illuminated how the white teachers at Raniya’s school insisted on broadly dehumanizing students of color through a schoolwide policy based on white monolingual standards. Drawing on notion of “vernacular insurrections,” I juxtapose white teachers’ raciolinguistic ideologies with Raniya’s practices. She claimed her classroom as a critical vernacular site through her approach of student language as a practice, and by subverting the normalcy of white hegemony within the schoolwide assessment process. This article calls for a shift in thinking about skills-based, decontextualized approaches as inherently white supremacist, and excavates how such a language approach supports white supremacy to thrive. I discuss the significance of centering the fight against white supremacy in our analysis of literary practices, which elucidates the potency of even small amounts of white dominance in institutional mechanisms as detrimental for Black students. As a field, the stagnation of Black student equity and commitment to white hegemony by white educators and administrators across preK through higher education persists. Though some white educators diverge from hegemonic practices, we must consider who benefits and what is sustained when exceptions are used to overlook and not interrogate the norm. This work contributes to the mounting rationales for racial diversification in the teacher workforce.

Literacy learning is an ideological proposition, one that privileges certain forms of language and those who speak them above others. This qualitative study utilizes critical metaphor analysis () to examine the literacy ideologies at work in a secondary remedial reading class. By analyzing the speech of Mr. Baker, a seasoned remedial reading teacher, and his ninth-grade student Angelica, three dominant metaphors in the corpus are explored: READING CLASS IS A RACE, LEARNING TO READ is a journey, and STUDENTS ARE MACHINES. Findings suggest both the limitations of the metaphors employed by participants as well as the utility of critical metaphor analysis in uncovering the ideological underpinnings of school-based literacy practices.

Genre has long been used by Writing Studies ethnographers as a theoretical orientation and analytical tool to bridge text and context. This article describes how genre-based ethnographies as methodology might get taken up at the level of method. Drawing on a genre-based ethnographic study as an example and guide, this article presents a process of data collection that builds ethnographic sites from genre by emergently identifying chains of data sources and collection techniques emanating from starting genres. Applying a genre orientation at the level of method centers inquiry on writing and mitigates the need to define site boundaries. By articulating how a genre orientation might shape ethnography at the level of method, this article encourages a stronger articulation between research methodologies and methods across the field of Writing Studies. Further, this article can be used as a guide for researchers conducting genre-based ethnographies.

As essential as positionality is to qualitative research involving engagement with research participants, contemporary scholarly discussion of positionality is mainly aimed at educating emerging researchers about acknowledging their own subjectivities. In turn, there is little consensus regarding how authors should address positionality in writing for research publication. Emphasizing the importance of written positionality as a component of research transparency, this article proposes a framework for positionality in ethnographic research writing. The author collected 59 ethnographies published in peer-reviewed academic journals to study the extent to which researcher positionality is established or can be inferred through the writing of research. The analysis identifies a series of considerations for research writing such as the form of writing, sociocultural identities, relationships with research participants, and the resulting implications. The author proposes this framework as a guide for qualitative researchers who benefit from explicitly situating themselves in the research process through their writing.

Based on a qualitative case study of students’ “theory of writing” essays, this study examines ways that first-year students’ community engagement experiences solidify and disrupt their writing knowledge, beliefs, and practices. Analysis of student writing demonstrates how different community-engaged writing projects inform first-year students’ writing theories and strategies.

Situated in disability studies, this article shares the results from a qualitative research project that examined how three community college students who wrote about addiction navigated the process-based activities assigned in their first-year writing courses. These findings illuminate how such exercises evoke a spectrum of emotion that shapes both process and product.

When most people think about the water coming from their kitchen faucets, they seldom consider where the water originates and how transporting it to their homes has environmental impacts. Utilities that supply water know the complexity of their systems, but from their position as a “utility,” they view their job as supplying safe water to their customers, not necessarily stewarding the environment. Consequently, when building large projects like dams, canals, and tunnels, utilities regard environmental disruption as a necessary byproduct of serving growing cities with water. Representations of these projects often replicate the “man conquering nature” frame, praising these engineering marvels for their defiance of nature. Denver Water, the utility that serves almost 1.5 million people on the arid eastern slope of the Colorado Rockies, has produced films describing its complex system since the early 20th century, and these films reveal an evolution of values from dominating nature to actively stewarding the environment. This paper reports on a grounded theory analysis of films produced by Denver Water between 1933 and 2018 examining how the films frame human relationships to the natural environment. The results reveal that the films increasingly express stewardship ideals over those of domination, with recent public communication actively advocating for environmental causes. The paper concludes by suggesting that we can learn important lessons from Denver Water about ethical organizational action for environmental stewardship.

This article presents an ethnographic study on the user experience (UX) design of the photo- and video-editing apps of millennial and Generation Z participants from different cultural groups. The case study calls attention to the implications of rhetorical misrepresentations of reality that photo- and video-editing apps afford and encourages future large-scale studies on the negative psychological and behavioral impacts such apps can have on users’ psychology, behaviors, and well-being. The authors use frameworks in virtue ethics to argue that despite slight variations, photo and video app UX has ethical implications that can negatively impact young adult users. For example, the study suggests that the photo and video app features tend to subvert the traditional Chinese virtues of modesty, honesty, and the middle way and that hyperbolic and playful designs can cause addictive behaviors.

While writing is a critical part of the medical profession, longitudinal studies exploring the social apprenticeship and genre knowledge development of medical practitioners are almost nonexistent. Through interviews and writing samples, this article traces a 10-year journey of one writer’s engagement with the Patient SOAP note, following his experiences from the first year of his undergraduate education to the end of medical school. Drawing upon theories of social apprenticeship and the RIME framework (reporter, interpreter, mediator, educator) from the field of medicine, we offer an in-depth case study of our focal participant’s growing medical expertise as he masters the Patient SOAP note. Through this in-depth analysis, we argue that the SOAP note functions as a “threshold genre” to assist entry into the medical profession. We conclude by offering additional evidence about the role that key threshold genres play in the development of professional expertise and offer implications for genre theory.

Preview this article: Layering Opportunities for Increased Access: A Case Study of Undergraduate Research and Student Success, Page 1 of 1 < Previous page | Next page > /docserver/preview/fulltext/ce/84/6/collegeenglish31994-1.gif

This paper considers some of the ways ethnography has been adopted in transdisciplinary rhetoric and also considers theoretical questions internal to rhetorical ethnography that can help transdisciplinary scholars navigate limitations and potential liabilities inherent in transdisciplinary work. I seek to more carefully consider transdisciplinary features of rhetoric though ethnographic study which, in its position as studying cultures both familiar and foreign to the researcher, mirror many of the disciplinary relations expressed in Marilyn Stember’s topology of disciplinarity. Noting that transdisciplinary rhetoricians engage with scholarship by experts in other fields, an ethnographic approach to transdisciplinary rhetoric recognizes that disciplinary experts might have expert knowledge that they struggle to communicate to non-experts, and rhetoricians should tread carefully in offering solutions to these communicative difficulties. I suggest rhetorical vulnerability and self-awareness expressed through standpoint as two strategies scholars of transdisciplinary rhetoric can use to adopt stances of transparent subjectivity rather than feigning scientific objectivity.

AbstractThis article describes an autoethnography project used in an undergraduate creative writing course and discusses its pedagogical benefits. Drawing on results from a survey and interviews with former students and a supporting librarian, the article considers how the assignment might be adapted for diverse institutional contexts.

This essay is concerned with what we have described . . . as the politics of summoning. We offer our own experiences as a case study in order to demonstrate how white scholars evoke these summonings, the means by which they reprimand and attempt to retain control of those who refuse to answer their call, and their calls for collective violence against scholars of color when we refuse to comply.

Abstract Russian disinformation activities imitate divisive U.S. political discourse within a polarized social media ecosystem. As part of a multipronged response, U.S. citizens have been urged to increase their personal vigilance and to identify inauthentic messages, hence flagging foreign-made disinformation by studying its content. However, by applying Taylor's concept of “imitation (in)security” to a set of Kremlin-linked Internet Research Agency (IRA) Facebook and Instagram advertisements, this article explains why content-centered approaches to combatting disinformation need to be reimagined. Building upon imitation (in)security, we propose that the strength of the IRA disinformation campaign was not its ability to foist falsehoods upon unsuspecting Americans, but, rather, its uncanny imitation of prevalent themes, images, and arguments within American civic life. Our analysis of IRA-generated advertisements targeting U.S. military veterans demonstrates how IRA “trolls” were imitating American communication patterns to amplify existing positions within a deluge of messages marked by polysemy. Our analysis suggests readers should be less concerned by such Russian-made imitations than was suggested in much of the breathless 2016 post-election coverage, for the traction of such disinformation hinges on domestic crises and injustices that long predate Russian interference. Pointing to foreign-made social media content stokes a sense of threat and crisis—the essence of national insecurity and a main objective of the IRA's efforts—yet our actual security weaknesses are homemade.

Drawing on data from a yearlong qualitative study examining how children in a multi-age (6-9 years) classroom utilized technology to write across genres, this article examines the gendered negotiation and discursive uptake of expert in early childhood writing. Zeroing in on genius hour as a “site of engagement,” the author thinks with rhetorical genre studies and mediated discourse analysis to examine how four second-grade writers positioned themselves as “experts” across the nexus of school writing. Findings highlight how expert—both conceptually and in practice—became gendered and was interdiscursively traced through three threads: the relational, the historical, and the distributive. Through analyses of young students writing in situ, this article contributes new understandings to thinking about children’s navigation of genres, not only as rhetorical typifications of academic and disciplinary discourse but as unique social actions of curricular play and gendered uptake.

Utilizing Sara Ahmed’s work on “brick walls,” this article discusses a qualitative study of stories shared by twenty-five women writing center directors and the possible insights gleaned if we choose to “notice through feminism,” (Ahmed) and advocate for change across writing studies.

Scholarship on trajectories of becoming with literate activities is of growing interest in Writing Studies, particularly in accounts of writing grounded in cultural-historical and dialogic approaches, and in lifespan accounts of writing. The research reported here contributes to those conversations by tracing trajectories of becoming that are dynamically nonlinear, necessarily messy, and predicated on exceptionally complex streams of times, places, life experiences, artifacts, and literate activities. I draw from one case study with Alex, once a deeply faithful Christian who, over complex trajectories of semiotic becoming, lost her faith and was left to make sense of drastic perspectival shifts, in large part, through literate activity. Weaving analyses of talk across 2 years, 15 interviews, and multiple texts and textual interactions, I trace a narrative of Alex’s trajectories of unbecoming/becoming. I argue that Writing Studies needs flexible, theoretically grounded methods to trace becoming across lifespan trajectories and I address this imperative by showcasing one approach— dialogic animation protocols coupled with dialogic analyses.