This article rethinks digital access and community literacy by sharing aspects of intentional engagement informed by social justice frameworks to establish community partnerships that empower communities both local and global with digital literacy. The article explores access, privileges, and positionalities that the author strategically utilizes to support the communities within her current locality and in her hometown Nepal. By showcasing multiple intentional and equitable partnerships informed via social justice frameworks, the article argues that we require a transnational context to redefine digital literacy and our students need to understand these contexts better given the demands of the current workplace.

AbstractInstructors of writing-intensive disciplines infrequently integrate cinematic media in composition curricula. Furthermore, when instructors use films in composition courses, they often treat films merely as supplemental texts tangentially relevant to course topics and prioritize teaching content rather than media or filmmaking. This pedagogical approach overlooks an opportunity to ask students to consider how the audiovisual rhetorical efforts can meaningfully harmonize or create dissonance with the content. In this research study, the author argues that students are active media consumers engaging frequently with media as a form of composition. He navigates the limitations of Gregory Ulmer and Lev Manovitch, whose early work stressing the primacy of media literacies in composition classrooms is nonetheless seminal to the author's larger claims of film's educational import. The author relates the results of the IRB-approved research of his composition students, who offer feedback about the use of film in the class. The author calls for greater attention to film instruction and curricula development for collegiate composition classrooms, urging educators to move beyond film's supplemental use and toward more educationally fruitful practices, including teaching active watching and basic film analysis. Film is a critical form of cultural communication and media, and the author contends that it is a pivotal part of the landscape of twenty-first century literacy engagements.

This essay argues that technical rhetoric in ancient Athens is neither well nor fully understood in its present historical characterization but rather is best realized as occupying a position on a spectrum of literate skills ranging from an art to a craft. The dismissive views of technical writing advanced by Plato and Aristotle should be reconsidered and specialized literate practices be recognized as an important feature of rhetoric in Athens’ classical period. A review of discursive and material (archaeological) evidence reveals that technical writing was evolving into a craft-skill in Athens as early as the archaic period and, by the classical period, would be regarded as a respected “rhetorical” profession of artistic expression. This essay urges readers to reconsider the restrictive characterization of rhetoric advanced by some historians of rhetoric and include the specialist craft-skills of writing as a manifestation of technical rhetoric that both illustrates, and more accurately represents, the range of classical rhetoric in ancient Athens.

This article follows the academic literacy learning trajectory of Farah, an undergraduate anthropology major at the American University in Cairo. In charting her path from the Egyptian public schooling system to a Western-based transnational university, this study offers a perspective in which a writer created and navigated a challenging trajectory and adapted Western-based literacies to aid in the development of an academic and professional agenda based in personal and national interests. This article draws on frameworks in composition studies and transnational literacy studies to suggest that theorizing such trajectories may require new concepts that can account for literacy learning trajectories for writers like Farah.

Language-oriented literacy standards offer mostly linguistic accounts of text complexity. In response, the present article demonstrates that multimodal and visual narratives offer additional ways to understand and discuss text complexity. This descriptive analysis of one fourth-grader’s comic provides an account of the multimodal patterns and orchestration noted across the pages of the comic. Data sources included the published comic, as well as a multimodal artifact elicitation interview conducted with Sabrina, a fourth-grade student. The authors show how Sabrina constructed a complex multimodal text by drawing not only from her knowledge of image and written language but also from her experiences with spoken language, touch, facial expressions, and gesture. These findings suggest that it would be beneficial for teachers and researchers to continue to create curricular space for multimodal composing opportunities and that stakeholders in language arts and communication education might deepen collaborations to develop instructional frameworks that support students as they compose using modes beyond language across the grade levels.

There is a gap in the academic literature examining how visual elements enhance verbal communication. We intuitively know that a well-placed graph or diagram can help get a complex point across, but the "how"s and "why"s remain more art than science. When you look at the average academic journal, this shortage of visual research is not so surprising. Despite all the urgent dialog in recent years about multimodalities and visual literacy, the publishing process makes it very difficult to challenge this "text first" status quo.

This article describes the importance of pedagogies of access for equity in literacy classrooms, especially for first-generation students, who are more likely to bring what sociologists call strategies of deference that have been shaped by differences in class culture. A threshold concepts approach can bring transparency to the values of college-level core literacy skills to help interrogate and address those differences.

Learning management systems (LMSs) are a common software many higher education institutions rely on to facilitate online, hybrid, and web-enhanced courses. However, while our students use the LMS for online learning, less often do they study the LMS as a cultural artifact that shapes how learning happens. This assignment prepares first-year writing students to disrupt the perceived neutrality of LMSs. Students study the LMS and grapple with issues related to technology, power dynamics, audience, and purpose that are foundational to their reading and writing of other texts. Before engaging in this project, students practice conducting rhetorical analysis and inquiry research that prepare them for the kinds of thinking and questioning required for the final LMS project. The final project for the course is a three-part LMS project that culminates in a digital presentation.

This article introduces a flexible and adaptable Map Composition assignment to promote cartographic literacy. With applications to composition and writing across the curriculum, this assignment promotes students’ awareness of the rhetorical nature of maps, which is important as maps inform and influence public discourse on wide-ranging issues. Student work shows how composing a map can lead them toward improved rhetorical awareness, cartographic literacy, and engagement with place-based civic issues. The article acknowledges limitations of teaching maps in writing classes and concludes with discussion of how this assignment can be adapted to a range of courses to promote cartographic literacy in support of broader literacies and civic engagement.

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Materials compositions, such as textiles, tell stories and act as data carriers. They persist in speaking even as their makers are erased or lost. When information about a maker ceases to be available, applying principles of storytelling and rhetoric facilitates a possible re–reading of a material composition as a process of recentering the human maker.

This article highlights technical and professional communication (TPC) as a literacy practice used to plan and sustain Black family reunions. Specifically, I examine the work of three families who create and engage with technical and business writing genres to complete internal and external reunion organizing work. I argue that the field of TPC needs more focused inquiry into research that centers Black families as TPC practitioners.

ABSTRACTThis article examines how 14 Black professional communicators publicly share their stories about their career change into software development and other positions in the tech industry. Findings suggest that Black readers looking to shift into the tech field benefit from emotional experiences with professional development resources as they make their strategic career pivots. Black technical joy describes this rhetorical practice to find comfort in and celebration of the strategic ways Black people approach technical communication.KEYWORDS: Computer science / programmingracial studies / ethnic studies / cultural studiesblack technical joyblack rhetoricqualitative methodsworkplace studies / professional practice AcknowledgmentsMany thanks to Christopher Castillo and Jason Tham for their comments on the first draft of my proposal to this special issue. Your disciplinary perspectives from literacy studies and technical and professional communication helped me understand how to ground my research within the expectations of Technical Communication Quarterly readers. Thank you anonymous peer reviewers for your sharp observations on how this article could strengthen its argument and highlight the most salient themes in my analysis. And thanks to the wonderful editors of this special issue for their mentorship and guiding revision.Disclosure statementNo potential conflict of interest was reported by the author(s).Notes1. Black professionals in this article represent the United States, the United Kingdom, Nigeria, and Kenya. I use Black to encompass these nationalities.2. Annamma, Jackson, and Morrison (Citation2016) argue that "color-blind racism" points out the problem of refusing to acknowledge race while associating disability with ignorance and passivity. They suggest that color-evasiveness "allows for both comprehensively situating the conceptualization and critique of color-blindness as well as thoughtfully considering how to move the underlying ideology forward expansively" (p. 158).3. For this study, I referred to McKee and Porter (Citation2008) and Quinton and Reynolds (Citation2018) for advice on the ethics of doing my Internet research study. Rather than determining if online content is private or public, "we need to think about the sensitivity of the subject we might be researching as well as the vulnerability of the research participants" (Quinton & Reynolds, Citation2018, p. 159) to decide if informed consent is required. University institutional review boards (IRB) may not have clear guidance on how to assess the ethics and harm of Internet research (My university determined my study was exempt from further review because I was not speaking directly to the authors.). In response to limited guidance or policy from IRB, scholars should make an empathetic, humanizing "probable judgment" (McKee & Porter, Citation2008, p. 725) and reflect if "it's reasonable to assume that [the authors] desire their content to be disseminated and also commented upon, which includes the analysis of their content as a data resource for research" (Quinton & Reynolds, Citation2018, p. 159).4. Agile is an incremental and iterative collaborative approach to project management that emphasizes teams' quickly delivering versions of a product or service to clients in a two-week sprint to receive feedback. Teams can then implement desired changes to the product or service in another two-week sprint. This process of iterative discovery helps teams reduce risks and ensure the product adapts to new requirements. Agile was first developed in software development in 2001 and has since been implemented in other industries.Additional informationNotes on contributorsAntonio ByrdAntonio Byrd is an assistant professor of English at the University of Missouri-Kansas City, where he teaches courses in professional and technical communication, multimodal composition, and Black/African American literacy. He uses qualitative research and critical race studies to understand how Black adults learn and use computer programming to address racial inequality in their communities. Byrd's work has previously appeared in College Composition and Communication and Literacy in Composition Studies. He is the recipient of the 2021 Richard Braddock Award for Best Research Article in the College Composition and Communication journal.

In this article, we present a novel framework for identifying young students’ writing development in the first years of primary school (age 6–8 years). It was developed to analyse a large number of student texts (n = 803), all in the format of digitised books, as part of the large-scale Danish research project titled Teaching Platform for Developing and Automatically Tracking Early Stage Literacy Skills (ATEL, 2018–2023). In this project, based on a text-oriented model of writing, we aim to gain insights into less considered dimensions of emergent writing. Specifically, we consider how young students construct sentences and expand their meaning-making repertoires in this regard, as well as how they tie a whole text together and begin to express interpersonal meaning. In developing the framework, we took inspiration from both formal and functional linguistic approaches to young students’ writing development and constructed a comprehensive framework to examine the first steps into ways of communicating through writing in school. Furthermore, through a theory-and data-driven process, we developed the framework to suit emergent writing in the educational and language context in Denmark. In addition to presenting the framework in this article, we discuss its limitations and potentials for research and practice.

This paper aims to validate scales for the early development of writing proficiency based on a framework used to linguistically describe multiple dimensions of writing development in 6–9 year-old Danish-speaking students and to lay the statistical foundation for empirically describing proficiency levels in emergent writers. The analysis is based on the Rasch model and was conducted on texts (n = 803) written by Year 0–2 students using the computer app WriteReader. The paper introduces both the model and the theory behind it, including the rationale for using this model, and it presents the main analytical steps taken and decisions made in the study, which is part of the large-scale Danish research project entitled Teaching Platform for Developing and Automatically Tracking Early Stage Literacy Skills (ATEL, 2018–2023). The results show that it is possible to identify detailed levels of early writing development in four dimensions: 1) text construction, 2) sentence construction, 3) verbals, and 4) modifiers.

Recent decades have seen a shift regarding ideas of and approaches to literacy. One example is that the individual-psychological perspective focusing primarily on specific writing skills that used to be predominant has been extended and complemented by functional, social semiotic, and sociocultural perspectives where the interaction between the individual's use of language resources and the social, cultural, and historical contexts is in focus (e.g., Furthermore, issues of writing instruction and research have, in recent years, received far more attention than before, which can be noted by the publication of handbooks of writing research (MacArthur et al., 2016), writing development (Beard et al., 2009), writing instruction (Graham et al., 2019), and reviews of writing research

Eli Goldblatt and David A. Jolliffe's 2020 Literacy as Conversation: Learning Networks in Urban and Rural Communities is to be interpreted as a "book of essays" and, more importantly, as vivid and lived conversations that aim to showcase nearly three decades of friendship between two colleagues concerned about meaningful community participation and literacy. This collection captures their reflections on their participation in community-based projects within the urban neighborhoods of Philadelphia and rural and semirural towns of Arkansas, but also offers an expanded and active understanding of literacy as social practice with complex relationships between sponsors, learning networks, power, and taking place in non-school environments having an access point through conversation and written symbols. Goldblatt and Jolliffe's endeavor to highlight the social connections and complexity of literacy aligns with their intent to include not just scholars in higher education, but also "everyday folk" or ordinary people including educators, government officials and policy makers, and people from all walks of life. As a scholar of color and teacher of a Hispanic-serving institution and as a community member of a predominantly Hispanic city in Texas, I was immediately intrigued and captured by the authors' commitment to highlight the stories of people who persevere and design interventions to construct hope and shape themselves and the world into a better place.

Immersive virtual reality (VR) technology is becoming widespread in education, yet research of VR technologies for students’ multimodal communication is an emerging area of research in writing and literacies scholarship. Likewise, the significance of new ways of embodied meaning making in VR environments is undertheorized—a gap that requires attention given the potential for broadened use of the sensorium in multimodal language and literacy learning. This classroom research investigated multimodal composition using the virtual paint program Google Tilt Brush™ with 47 elementary school students (ages 10–11 years) using a head-mounted display and motion sensors. Multimodal analysis of video, screen capture, and think-aloud data attended to sensory-motor affordances and constraints for embodiment. Modal constraints were the immateriality of the virtual text, virtual disembodiment, and somatosensory mismatch between the virtual and physical worlds. Potentials for new forms of embodied multimodal representation in VR involved extensive bodily, haptic, and locomotive movement. The findings are significant given that research of embodied cognition points to sensorimotor action as the basis for language and communication.

Phonological awareness and alphabet knowledge are commonly considered the most powerful literacy predictors at the beginning of schooling. Our aim was to analyse the contribution of invented spelling in kindergarten to reading and spelling in Grade 1 beyond the effects of those two variables. Participants were 92 Portuguese 5-year-old children. Phonological awareness, alphabet knowledge, and invented spelling were assessed in kindergarten and were used to predict word reading and spelling at the end of first grade, using correlation statistics, sequential regression analyses, and path analysis models. General cognitive ability and parents’ educational level were control variables. The results showed that invented spelling predicted reading and spelling performance beyond phonological awareness and alphabet knowledge, with a statistically significant improved prediction in both cases. Alphabet knowledge and phonological awareness influenced invented spelling, which in turn influenced reading and spelling results in the first year of primary school. Additionally, alphabet knowledge directly influenced reading and spelling. Phonological awareness also had a direct influence on spelling but its effect on reading was only mediated by invented spelling. These results are in line with those of other linguistic contexts and provide insightful findings towards the importance of invented spelling at the onset of literacy learning.

Preparing preservice teachers (PSTs) as teachers of writing has gained attention in recent years, but little is known about their preparedness when engaging with student writers over extended periods. We examine PSTs’ preparedness to teach writing within a structured literacy tutoring experience to better understand the skills and knowledge of PSTs related to teaching writing. Results indicate PSTs contextualized writing instruction, considered clients’ affect around writing, and used data to inform writing lessons. PSTs were also grappling with specific pedagogical considerations related to writing instruction, offering implications for teacher educators and researchers.    

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This essay examines the discourse around the trigger warning through the analytic paradigm of racial literacy and the rhetorical frames of colorblind racism to illuminate how the trigger warning as currently conceptualized, even when framed as a means of equitable engagement, is mediated by and upholds the racial status quo.

Western notions of race have never been for us. Yet culture has historically functioned as an “insider” discourse, representing our ways of living, knowing, and communing with one another. How, then, might Black folks remain mindful in our treatments of race and culture, ever cognizant of how we wield these constructs to our collective global advantage? In this essay, I reflect on how three Africana historical figures have engaged this question: (1) David Walker, whose sense of literacy in Appeal to the Colored Citizens of the World centered free and enslaved Black audiences as cultural “insiders,” (2) C.L.R. James, whose evolving sense of collective Black identity prompted him to write texts such as The Black Jacobins, a Black-centered interpretation of the Haitian Revolution, and (3) Reverend John Chilembwe, whose Africana global alliances and literacy-based leadership ignited the Nyasaland Uprising against colonial oppression in Malawi. I argue that these three figures resisted race by affirming global Black collectivity as a cultural homeplace, thus informing how we may theorize and practice Black rhetorical studies today.

In this essay, Patterson continues the tradition of turning to analysis of family as a way to challenge asymmetrical power relations within academic discourse. Through an analysis of publications and performances from three members of the author’s family—Phillip Patterson’s The Serenity of Knowing, Michael Patterson’s Humanist Solutions to American Problems: An Apolitical Approach to Governing, and Morgan Deane’s “A Light in the Night: Reopening & Operating Nightlife Venues in the Time of Covid-19”—Patterson animates Tracie Morris’s theory of grace as an African proverb performance rooted in Black family rhetoric to make visible rhetorical traditions and strategies used to create literacies for working across difference and surviving and thriving despite racist hegemonic structures of oppression. Additionally, Patterson extends their family rhetorical practices as useful techniques for decolonizing curriculum in form and content.

We describe the work of two groups of middle school youth as they authored stories set in their community, based on superhero and absurdist storytelling genres. Their storytelling was part of a weekly ELA project that took place from February through May 2017 in a public middle school in a neighborhood where economic inequality defines many facets of everyday life. Drawing on audio and video recordings from ten weekly storytelling events, field notes, interviews, and close readings of youth narratives, we describe how youth created and initiated proleptic bids and, thereby, opened proleptic gaps for improvising on and producing new material with the potential to rescript the meanings of childhood and equity in their communities. We argue that these bids and gaps made space for youth to not only critique but also move beyond dominant readings of their neighborhood, and we suggest that such openings are therefore necessary for transformative literacy pedagogy and practice. We further argue that proleptic pedagogy, in the form of joint storytelling, affords a compelling and sustainable space for youth to experience joy, friendship, and artist-authoring identities, all of which have been systematically eroded by federal, state, and district policies oriented to testing and closed meanings.

Drawing on perspectives from cultural studies, affect theory, and critical literacy, this article explores comics made by three eighth-grade students in response to Art Spiegelman’s Holocaust memoir Maus. Students’ comics were developed through participatory research alongside their classroom teacher, a research team, and teacher candidates from a local university. These three students, Stella, Maisie, and Naomi, reacted strongly to the content of Maus and the comics medium, and raised questions around identity, representation, and the legibility of their often-intense emotional responses. We trace their affective engagements to explore how comic-making allowed students to represent feelings that are often difficult to make visible in school spaces. Our analysis highlights how affective critical literacy orients teaching and research toward working-through rather than resolving complicated emotions, allowing educators to recognize unanswered questions as forms of critical engagement.

Recent work across disciplines has examined the current post-truth climate and various types of information disorders which have permeated the internet. Scholars have made significant progress in defining and theorizing information literacy and its various aspects, as well as in designing programs to help students acquire the relevant skills for evaluating information. Nevertheless, further exploration is needed, for example to understand the roles of criteria in information evaluation. The present study draws on scholarship in discourse and rhetoric studies to suggest how discursive strategies, a key concept in these convergent areas, can inform approaches to information evaluation. To illustrate this improved approach, this study explores the case of a recent piece of fake news that involves both text and image and has circulated widely as a digital flyer on social media.

In these instructional notes, I share practical strategies for using ESL students’ first language as a resource for English language and literacy acquisition. These strategies emerged from a bilingual writing program that linked ESL and Spanish writing instruction at Bronx Community College (CUNY). After discussing how I was able to circumvent the monolingual orientations of my institution and set up this program as a learning community cluster, I illustrate ways in which translanguaging can help ESL students take ownership of English for academic purposes.

In 2019, the TYCA Executive Committee appointed the TYCA Workload Task Force to develop a white paper on workload and two-year college English faculty. This white paper, which is the result of a national survey of more than a thousand two-year college English instructors, establishes workload recommendations for teachers of postsecondary literacy courses in community and technical college settings.

In response to growing neoliberal pressures and austerity measures, two-year English teacher-scholars have embraced Sullivan’s call to activism, but this work is made challenging as aspiring teacher-scholar-activists struggle to balance activism with the other heavy demands of their professional practice. After expanding teacher-scholar-activism as a theoretical framework, we explore activism through cross-case analysis of three developmental literacy professionals’ actions, mindsets, and training. We then provide a pragmatic how-to manual for aspiring teacher-scholar-activists.

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Drawing from Latinx studies and the literacy experiences of men employed as university custodial staff, we propose a home- and community-based approach to workplace literacy. The central goals of this approach are to allow participants to identify their professional and vocational literacies to highlight their literate assets and goals across contexts. The approach offers a humanizing lens for individuals who are often denied the opportunity to showcase their literate repertoires and desires within the context of their formal workplaces. Overall, this article calls for a broader understanding of participants' literacy experiences--not only as workers but as people who work.

This profile features the authors' shared work to co-create both a community literacy project, Stories from the Flood, and the undergraduate community-based learning courses that supported the effort. Stories from the Flood works to assist community members in southwestern Wisconsin to share their flood experiences, aiming to support community healing and serve as a resource for future conversations about flood recovery and resilience. Our collaboration on Stories from the Flood demonstrates the importance of non-university expertise and aims to daylight and correct structural asymmetries that render these rural watersheds both particularly vulnerable to flooding and absent of government intervention.

This article examines how scientists, classroom teachers, poetry educators, and youth negotiated the domains of science through their engagement in a two-year Massive Open Online Collaboration (MOOC) funded by the National Science Foundation. To make sense of learners' unconventional and interdisciplinary writing and the cultural and disciplinary conflicts that emerged around it, I offer a reframing of science literacy as a series of crash encounters. Such a reframing prompts literacy practitioners to anticipate fallout when diverse bodies, objects, and rhetorics collide and, therefore, to better design and participate in interdisciplinary networks to create more dynamic and vibrant approaches to science literacy.

Our world is no stranger to mobilities, ranging from molecular movement in ecological systems to quotidian economic transactions and social interactions to transnational voyages across continents.Thus, readers of the Community Literacy Journal (CLJ) are sure to be engaged by this eclectic addition to the current scholarship on mobilities work, with the construct of mobility emerging as a central theoretical idea that underpins the epistemological and methodological premises of many disciplines, including that of cultural geography, feminist studies, critical race theory, queer studies, and composition and rhetoric.With a universalizing and broad focus on composition-in-mobility, this edited collection-organized in two sections across which all the contributing authors unpack and articulate the mobile nature of mobility and composition-answers the central question of what constitutes and sustains mobility in our divergent, diverse, literate activities and practices.The volume editors-Horner, Hartline, Kumari, and Matravers-advance a mobilities paradigm to further unpack the dynamic constitution of mobility in composition and rhetoric and to cast a norm-based light on mobility-in-composition work (3).In particular, rather than treat mobility as a matter "requiring adjustment or accommodation", Horner et al. argue that the proposition of mobility as a commonplace or even as a fact is long overdue (4-6).One hallmark that characterizes this paradigm is that mobilities are poly-faceted forms, whose social value is mercurial, relational, and provisional (4-6).This critical premise holds the potential to shift our perspective of viewing language, composition, writing-curriculum administration, writing pedagogy, or writing research as impermeable to perceiving them as fruitfully unsteady and potentially subject to transformation.As the volume addresses the nature of mobility in composition, the organization of the twenty chapters-divided into Part I where case studies in mobility-in-composing-practices (e.g., community literacy, translingual composition, or digital and professional writing) are reported and Part II where critical responses to Part I are articulated-also attempts to reflect on the nature of mobility, with each chapter conversing

T he Community Literacy Journal is an interdisciplinary journal that publishes both scholarly work that contributes to theories, methodologies, and research agendas and work by literacy workers, practitioners, and community literacy program staff.We are especially committed to presenting work done in collaboration between academics and community members, organizers, activists, teachers, and artists.We understand "community literacy" as including multiple domains for literacy work extending beyond mainstream educational and work institutions.It can be found in programs devoted to adult education, early childhood education, reading initiatives, or work with marginalized populations.It can also be found in more informal, ad hoc projects, including creative writing, graffiti art, protest songwriting, and social media campaigns.For us, literacy is defined as the realm where attention is paid not just to content or to knowledge but to the symbolic means by which it is represented and used.Thus, literacy refers not just to letters and to text but to other multimodal, technological, and embodied representations, as well.Community literacy is interdisciplinary and intersectional in nature, drawing from rhetoric and composition, communication, literacy studies, English studies, gender studies, race and ethnic studies, environmental studies, disability studies, critical theory, linguistics, cultural studies, education, and more.

This article is an ethnographic case study of a community literacy project that teaches immigrants to the U.S. how to get their driver's licenses.The article shows how perceptions of literacy change when project participants encounter the "rules of the road"-unspoken rules that are highly social, deeply embodied, and usually pitched by the powerful as clear, neutral, and necessary for survival.Based on qualitative analysis of written materials and interviews gathered during the project, we demonstrate how the community project activated analogic thinking about literacy.That is, realizing that driving rules are negotiable leads learners to realize that literacy rules are negotiable, too.

Abstract This article discusses how we have used undergraduate research (UR) to foster habits of mind associated with information literacy (IL). Our strategy is course based and involves students as potential contributors to the Graphic Narrative Database (GND), a digital work in progress. Presenting students with focused parameters for their research and with the prospect of an authentic audience for their writing, the assignment provides students with many opportunities to explore our complex information landscape as practitioners. Students deploy a wide array of strategies to gather and share information about a body of texts that are themselves richly multimodal.

The previous special issue of Pedagogy, “Undergraduate Research as a Future of English Studies,” featured institutional and pedagogical strategies for helping undergraduate students make original intellectual and creative contributions to the fields of literary studies, writing studies, and linguistics. Authors in this special issue described large-scale, multi-institutional strategies for promoting undergraduate research, and they used traditional definitions of undergraduate research from the Council on Undergraduate Research: students are mentored by faculty or more experienced researchers, they use research methods widely accepted in their discipline, they make at least modest contributions to their discipline, and they circulate their work beyond a classroom audience (Hakim 1998: 190). These characteristics are part of what marks undergraduate research as a high-impact practice, and this cluster of articles highlights how the spirit of undergraduate research—original, primary, and secondary research that aims to answer meaningful, authentic questions in a discipline—invigorates individual courses.Undergraduate research offers students and institutions clear benefits around success and retention: students who participate have higher retention rates, grade point averages, and graduation rates (Bowman and Holmes 2018). It further promotes student learning as students make demonstrated gains in independent critical thinking, the ability to integrate theory and practice, and oral and written communication. The articles in this cluster highlight the ways in which course-based undergraduate research can also foster learning gains in information literacy, particularly the information literacy practices required in English studies. Information literacy is often associated with first-year writing courses, but these courses are simply the beginning. Information literacy should extend vertically through undergraduate majors, and it can be effectively paired with undergraduate research experiences.The authors in this cluster demonstrate how novel, course-based undergraduate research experiences can foster growth in information literacy. First, Angela Laflen and Moira Fitzgibbons, a composition professor and a medieval literature professor, describe how a multimodal, digital research project—the Graphic Narrative Database—gives students an authentic context in which to develop writing, literary analysis, and information literacy skills. Second, Laci Mattison and Rachel Tait-Ripperdan, a literature professor and an academic librarian, share their work in the digital archives with the Journals of Queen Victoria. By working with this archive, students deepened both their knowledge of Victorian culture and their primary research skills, including the skills needed to navigate an extensive digital archive. And finally, Michael Gutierrez and Sarah Singer argue for the value of primary and secondary research in the creative writing classroom, demonstrating how an autoethnography assignment is deepened with attention to information literacy. At Pedagogy, we hope this cluster provides readers with examples of innovative, course-based undergraduate research projects that can be adapted to multiple contexts and that promote information literacy in the undergraduate English curriculum.

Ilana M. Blumberg is professor of English literature at Bar Ilan University in Israel and author, most recently, of the memoir Open Your Hand: Teaching as a Jew, Teaching as an American (2018). She has won teaching awards from University of Pennsylvania and Michigan State University and is currently a recipient of an Israel Science Foundation grant entitled Postsecular George Eliot.Rosalind Buckton-Tucker studied at King's College, London, and the University of Leicester, UK, and holds a PhD in American literature. Her main research interests are twentieth-century British and American literature, travel literature, and the pedagogy of literature and creative writing, and she has published a variety of articles and book chapters in these fields as well as presenting numerous papers at international conferences. She has taught in universities in Kuwait, Oman, Cyprus, the United Arab Emirates, and Iran, and has also worked as a freelance journalist and editor in the UAE and Oman. She enjoys writing fiction, memoirs, and travel articles.Elizabeth Effinger is associate professor of English at the University of New Brunswick, where she teaches British Romanticism with special interests in William Blake, the intersections of Romantic science and literature, the Anthropocene, and human-animal studies. She coedited (with Chris Bundock) William Blake's Gothic Imagination: Bodies of Horror (2018). She was principal investigator of Erasing Frankenstein, a SSHRC (Social Sciences and Humanities Research Council)-funded public humanities outreach activity that transformed Shelley's 1818 novel into a book-length erasure poem in collaboration with incarcerated and nonincarcerated citizens. For more on the project, visit erasingfrankenstein.org.Moira Fitzgibbons is professor of English at Marist College. Her most recent work includes an edition of “The Merchant's Tale” in The Medieval Disability Sourcebook (2020).Michael Keenan Gutierrez is teaching associate professor in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill. He is the author of The Trench Angel (2015) and his work appears in the Guardian, the Delmarva Review, the Collagist, Scarab, the Pisgah Review, Untoward, the Boiler, Crossborder, and Public Books.Angela Laflen teaches digital rhetoric and professional writing at California State University, Sacramento. Her work has appeared in Computers and Composition and Assessing Writing, among other venues.Laci Mattison is assistant professor at Florida Gulf Coast University in the Department of Language and Literature, where she teaches courses on twentieth-century, Victorian, and contemporary literature. She is one of the general editors for Bloomsbury's Understanding Philosophy, Understanding Modernism series. For this series, she has coedited volumes on Henri Bergson and Gilles Deleuze. Alongside Derek Ryan, she has also coedited a special issue of Deleuze Studies titled Deleuze, Virginia Woolf, and Modernism (2013) and has published articles and book chapters on Virginia Woolf, Elizabeth Bowen, H. D., Mulk Raj Anand, and Vladimir Nabokov.Kelly Neil is professor of English at Spartanburg Methodist College, a small liberal arts institution located in the upstate of South Carolina. She received her PhD in English literature from the University of California, Davis, where she studied early modern literature and gender. She has published in such journals as Journal of Early Modern Cultural Studies and This Rough Magic. She is currently coediting a collection of essays on teaching Shakespeare to nonmajors.Sarah Ann Singer is assistant professor in the Department of English at University of Central Florida. Her work appears in College English, Technical Communication Quarterly, Journal of Medical Humanities, and Peitho.Rachel Tait-Ripperdan is associate librarian at Florida Gulf Coast University. She received her master's degree in library science from Florida State University and her master's degree in history from Florida Gulf Coast University. She serves as library liaison to the Departments of Language and Literature, History, Communication, Philosophy, and Religion. Her research interests include information literacy instruction, collection development, and graphic novels and manga in the academic classroom.Theresa Tinkle (she/her/hers) is a medievalist by training, a teacher committed to supporting students’ development and ambitions, and a disability studies scholar. Her most recent book is Gender and Power in Medieval Exegesis (2010). She has published widely on medieval English and Latin literature, gender, religion, and manuscript culture. She is currently director of the Gayle Morris Sweetland Center for Writing at the University of Michigan, Ann Arbor, and is engaged in antiracist work, writing to learn, writing in the disciplines, and writing program assessment.

AbstractThis article describes the implementation of and assessment findings for a digital archival assignment in the 3000-level Victorian Literature and Culture course at Florida Gulf Coast University. The assignment utilized ProQuest's database, Queen Victoria's Journals, which comprises the extant journals of Queen Victoria, and demonstrated the value of primary historical research and digital archives in enhancing student content knowledge, information literacy, and critical thinking.

Because bisexuality, even within queer spaces, is often made invisible and erased, here I argue that bisexual literacy practices are also often similarly invisible and erased. Additionally, I ask that we consider bisexual survival and literacy in terms of age and sexual fluidity. Creating space for people to identify as queer throughout their lives—and to recognize sexual fluidity as an embodied literacy practice that challenges normativity—is, I argue, also necessary for survival. Yet as I tried to read myself queer later in life, the literacy practices that had once sustained me were no longer life-affirming. When even queer texts fail to sustain us, what options do we have for survival? How do we teach, how do we live, when we know that literacy and composition practices are often simultaneously a means of both survival and risk? In this essay, I interrogate how bisexual and later-in-life literacies challenge normative reading practices and contribute to queer literacies and possibilities for survival. I argue that we need more possibilities for bisexual and later-in-life reading and writing practices, both to affirm who we are and to help navigate the binaries that insist we deny part of our identities.

This article explicates trade as a fierce literacy by critically engaging with literacy narratives of Black queer people who meet with heterosexual men for sexual encounters. I focus on the “trade” knowledges and ways of knowing of Black gay men and transwomen at Harlem Pride 2017. Informed by the literacy work of Eric Darnell Pritchard, I argue that the participants deliberately engaged in corrective literacy practices that speak back to dominant sexual pathologies about straight Black men (and men in general). It is this ability to read and share against dominant scripts that I see as a fierce literacy. Their responses and narratives complicate heteronormative understandings of sexuality based on orientation. Trade is a term used in the larger gay culture that has existed since the late 1800s (predating down low, which I touch on below) but has particular traction in the Black queer community. Building on the works of other scholars (Johnson “Snap!”; McCune; Bailey), I found that my participants’ responses were in line with a larger discussion in the Black queer community about straight Black men who engage in queer sexual acts. Specifically, the participants told stories or literacy narratives to offer a queer-counter narrative, or an on-the-spot oppositional read of heterosexual men and heterosexuality more largely. I critically engage three ideas: (1) trade as a literacy, (2) “the truth about straight men,” and (3) “sex is more than tops and bottoms.”

The Borders of AIDS: Race, Quarantine & Resistance is a critical contribution to the field of rhetoric and composition. Chvez's book demonstrates queer coalitional work as it examines heteronormative cistems of oppression that have disempowered and marginalized migrant bodies and folks of color since the early AIDS epidemic. 1 However, before engaging with Chvez's work, it is important to note that Ryan Mitchell, Assistant Professor of English at Lafayette College, has also written a review about this book. In his review, Mitchell provides a strong account about the parallels to current events, as well as articulating Chvez's ability to add to archival histories by "shifting focus from the work accomplished by mostly white, mostly middle class, cosmopolitan AIDS activist groups . . . . [and] draw[ing] from queer of color, migrant, and feminist traditions to recover an alternative history of AIDS, one that is attuned to how the epidemic affected (and continues to affect) those on the borders of civic and national belonging. " As Mitchell illuminates, Chvez's work adds to archival work by amplifying a historical perspective that captures racialized migrant bodies and moves away from centering White bodies, organizations, and perspectives. Building from Mitchell, I also see this book queering heteronormative institutionalized cistems of oppression to signify white supremacy's dominance and its violence against marginalized, disempowered, and ignored bodies. 2 As my review suggests, this text argumentatively informs readers about perspectives, identities, and literacies that are not often discussed in dominant heteronormative educational and archival scholarship.