This work draws upon Hiphop feminism, studies of Black girlhood, and Black women and girls' literacies to illuminate the layered and violent narratives that shape society's treatment of Black women and girls, what these narratives look like in everyday life, how they are taken up and negotiated in different social spheres, such as an afterschool club for Black middle school girls and the platforms and artistry of women Hiphop artists and creatives. Richardson considers what activism is possible through juxtaposing Black girls as emerging creatives, celebrity corporate artist activists Nicki Minaj and Cardi B, independent activist artists such as Noname and dream hampton. Given the far-reaching representations of Black women and girls in popular culture, the art, lives and platforms of women in Hiphop are critical sites to understanding complexities, strategies and possibilities for social change.

Gautam Basu Thakur is associate professor of English and director of the critical theory minor at Boise State University, where he teaches theoretical psychoanalysis, postcoloniality and globalization studies, and literature of the British Empire. His books include Postcolonial Theory and Avatar (2015), Lacan and the Nonhuman (coedited, 2018), Postcolonial Lack (2020), and Reading Lacan's Seminar VIII (coedited, 2020).Saradindu Bhattacharya teaches at the Department of English, University of Hyderabad, India. His recent publications have been in the domains of trauma studies, young adult literature, and the pedagogy of English. He has been teaching cultural studies, Renaissance literature, and new literatures in English at the postgraduate level. Additionally, he has also taught elective courses on nation, media, and popular culture and on children's literature. He particularly enjoys teaching English poetry and reading dystopian fiction.Jolie Braun is curator of modern literature and manuscripts at The Ohio State University Libraries, where she oversees the modern literature and history collections and provides special collections-based instruction. Her research interests include women publishers and booksellers, zines, and self-publishing. Her recent work has appeared or is forthcoming in Tulsa Studies in Women's Literature, American Periodicals, and Textual Cultures: Texts, Contents, and Interpretation.Craig Carey is associate professor of English at the University of Southern Mississippi. His research and teaching focus on nineteenth-century American literature, book history, media theory, and game studies. His scholarship has appeared in journals such as American Literature, American Literary History, and Arizona Quarterly, among others. He is currently working on a manuscript that explores the relationship between authors, archives, and invention in the age of realism.Moira A. Connelly is associate professor of English at Pellissippi State Community College in Knoxville, TN. She has published in Teaching English in the Two-Year College. Her research interests include equity in collaborative writing, writing transfer, writing about writing, responding to the writing of multilingual students, community college teaching, and applying ideas from the academy to activist spaces.Jathan Day is a PhD candidate in the Joint Program in English and Education at the University of Michigan. His research explores how writing instructors’ organizational and design decisions in the Canvas LMS affect the ways their students write and learn.Cassandra Falke is professor of English literature at UiT The Arctic University of Norway, where she teaches an introduction to literature, literary theory, romanticism, and contemporary fiction. She is the author of The Phenomenology of Love and Reading (2016) and Literature by the Working Class: English Autobiography, 1820–1848 (2013) as well as articles and book chapters on literary theory, phenomenology, romanticism, working-class writing, and liberal arts education. She has edited or coedited five collections and special issues.Paul Feigenbaum is associate professor in the Department of English at Florida International University and coeditor of the Community Literacy Journal. His research, teaching, and engagement interests include community literacy, public rhetoric, and the intersections between rhetoric and psychology. His scholarship has appeared in journals including College English, Reflections, and Composition Forum. His first book, Collaborative Imagination: Earning Activism through Literacy Education, was published in 2015.Dustin Friedman is associate professor in the Department of Literature at American University in Washington, DC. His fields of research and teaching are Victorian literature and culture, aestheticism and decadence, queer theory, the history and theory of aesthetics, and global nineteenth-century writing. He is the author of Before Queer Theory: Victorian Aestheticism and the Self (2019). His writings have appeared in Studies in Walter Pater and Aestheticism (2019), the Journal of Modern Literature (2015), ELH (2013), Literature Compass (2010), and Studies in Romanticism (2009).Helena Gurfinkel is professor of English at Southern Illinois University Edwardsville, where she teaches primarily critical theory and Victorian literature and culture. She is the author of Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy (2014; paperback 2017) and is currently writing a book on the Soviet television and film adaptations of the works of Oscar Wilde. She has published extensively in pedagogy, literary and film studies, gender studies, and critical theory. She is editor of PLL: Papers on Language and Literature.Sarah Hughes is a PhD candidate in the Joint Program in English and Education at the University of Michigan, where she also teaches in the English Department Writing Program. Her research explores how women use multimodal discourse—grammatically, narratively, and visually—to navigate online gaming ecologies.Andrew Moos is a PhD student in the Joint Program in English and Education at the University of Michigan. His research focuses on how writing instructors can and are using antiracist assessment and feedback practices in writing classrooms to empower students.Julie Sievers is founding director of the Center for Teaching, Learning, and Scholarship at Southwestern University, where she also teaches. At the time of this research, she was teaching literature and writing courses at St. Edward's University, where she also directed the Center for Teaching Excellence. Previously, she taught English and composition on the tenure-track at Denison University and in graduate school at the University of Texas at Austin. She has published on literature, pedagogy, and faculty development in the William and Mary Quarterly, Early American Literature, the New England Quarterly, To Improve the Academy: A Journal of Educational Development, and the Journal of Faculty Development. She is currently studying annotation pedagogy in the context of first-year seminar courses.Danielle Sutton is a PhD candidate in English studies at Illinois State University. She works at the intersections of life writing, children's literature, and memory studies and is especially interested in comics and verse memoirs of childhood. She lives in Normal, IL.Kathryn Van Zanen is a PhD student in the Joint Program in English and Education at the University of Michigan. Her research centers on ethical negotiation in writing and writing instruction, particularly among raised-evangelicals writing back to their home communities on social media.Crystal Zanders is a poet, educator, activist, and public speaker from Tennessee. As a Rackham Merit Fellow in the Joint PhD Program in English and Education at the University of Michigan, her research focuses on Black teachers’ use of African American English in pre-integration classrooms in the South.

Source-based writing is a common but difficult task in history and philosophy. Students are usually taught how to write a good text in language classes. However, it is also important to address discipline-specificity in writing, a topic likely to be taught by content teachers. In order to design discipline-specific writing instruction, research needs to identify which reading and writing activities during the source-based writing process affect students’ thought process quality and text quality, as assessed by content teachers. We conducted a think-aloud study with 15 (11th grade) students who performed two source-based writing assignments, each representative of its discipline. From the data, we derived 11 activities, which we analyzed for duration, frequency, and time of occurrence. Results showed that the disciplines required different approaches to writing. For philosophy, the writing process was dominant and influenced quality, leading us to conclude that philosophical thinking and writing are intertwined. For history, the planning process appeared to be paramount, but it influenced text quality only and not the quality of the thought process. In other words, historical thinking and writing appear to be separate processes. Our findings can be used to develop strategy instruction that reinforces better writing, adapted to discipline-specific writing processes.

Within literacy, rhetoric, and composition (LRC) studies, composing practices have been studied as an embedded feature of life, one that manifests histories, imagination, and identities through acts of writing. Likewise, in queer LRC studies, the capacity to write with queer rhetorical agency or to recognize the impossibility of composing queer subjectivity has been tied to the living. Scholars have yet to consider with adequacy, however, the ways in which writing is equally bound up with the dead, with ghosts, histories, and ancestors that animate the imagination and attendant composing practices. Tracing the historically rooted speculative composing practices (HRSCPs) of an inquiry group of nine queer composers, this article spotlights queer ancestors as speculative resources for imagining and then composing alternative rhetorics of queer futurity. Specifically, this article details how three queer composers, Coyote (they/them), Helen (she/her), and Margarita (they/them), restory the imagination, happiness, and reality with the ancestors, doing so to challenge the trope of queer unhappy endings attached to realist genres. This article concludes by inviting LRC studies to explore how HRSCPs might be integrated into future research and pedagogy and thereby pursue healing for communities long marginalized within the field.

In response to the numerous ethical issues involving big data, this article positions the infrastructural dynamics of big data storage and circulation as a concern for social and environmental justice. After identifying how big data accumulate in place-based ecologies that are made vulnerable to sustain ever-increasing quantities of data, the author explains how most, if not all, digital writing practices are relationally tethered to often distant places. In response, the author argues for developing and sustaining critical infrastructure literacies where big data infrastructures are not perceived as ethereal, cloud-like entities, but as materialities with relations to place, land, water, history, climate, culture, nation, and much else. Attending to infrastructure with a cultural rhetorics orientation attentive to relationality, accountability, and story, the article details four critical practices that place digital citizens within relational matrices where they are asked to account for how data practices affect a constellation of people, places, and environments.

This article is the first of a two-part thematic analysis of interviews reporting on the professional identity enactment of developmental literacy practitioners; we argue for intentional, explicit inclusion of developmental literacy disciplinary perspectives as essential for further expanding the two-year college English community of practice.

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Despite a recent interest in thinking writing studies alongside disability, there has yet to be much conversation about disability’s relationship to reading. I argue, however, that experiences of disability and neurodivergence in particular can expand our field’s understanding of what constitutes literacy and of who can be literate.

This essay explores the implications ofThe Elements of Styleas a universally received narrative about literacy. I recontextualize the book as a product of 20th-century histories of literacy as normative middle class desires, and as a response to Cold War era ideologies of a white national language.

I set out in this article to address the question of whether it is possible to be creative and agentive when the written content involves information of a factual, statistical, or empirical nature. In examining the matter of creativity and agentivity in such writing, I seek to locate my understanding of both areas in the realm of the situated, subjective, and the reflexive, and the expression of creativity as an enactment and enablement of these three qualitative dimensions through(out) the fluidity and contingency of the composing process and experience. My discussion first provides an account of my own reflexive positioning as a writing teacher. This section is followed by a review of relevant literature in the area of academic literacies and the way knowledge and disciplinarity as they are captured and naturalized in written text may be challenged for their supposed representation of static and depersonalized views of meaning. Thereafter I consider PW308 – a course in scientific project report writing – and feedback from a group of third-year chemistry students with respect to the situatedness of their individual experiences as they went about composing their project report.

Research conceptualization is challenging for doctoral and master’s writers, particularly multilingual students engaging in thesis writing or writing for publication. In doctoral and master’s student writing, research conceptualization appears in three genres: problem statements, research proposals and introduction sections or chapters. Swale’s (1990; Feak and Swales, 2011) CARS model is most often used to analyze conceptualization in these genres. While very useful as an analytical tool, the CARS model does not translate well to pedagogy. I argue that Merriam’s (2009) problem/purpose statement and questions (PPS&Q) format provides a flexible and accessible technique to make the process of research conceptualization visible and to help students focus their research throughout the writing process. Navigating problem formulation and gap spotting requires highly complex literacies and Merriam’s method allows students to begin simply and build complexity. While genre visibility provides a way for doctoral and master’s students to access high-level literacies demands, it can also be formulaic and constraining and needs to be taught with critical awareness.

Informed by writer-identity theory explaining links between emotion and identity, this study explores college STEM students’ feelings of comfort pertaining to math literacy, quantitative literacy, writing in STEM, and writing in general. Survey data from STEM majors (N = 134) was analyzed with Spearman rho tests of association. Results indicated that feelings of comfort working with numbers was significantly associated with comfort writing about numbers (rs = .504, p < .001); comfort writing about numbers was significantly associated with comfort writing in STEM (rs = .265, p = .002); and comfort writing in STEM was significantly associated with comfort writing in general (rs = .558, p < .001). This study suggests links between positive emotional experiences, which are implicated in identity performances, of quantitative writing, disciplinary writing, and writing in general. Future research on emotional experience and writer identity across the curriculum and in the disciplines is called for.

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Reviewed by: Indecorous Thinking: Figures of Speech in Early Modern Poetics by Colleen Ruth Rosenfeld William P. Weaver Colleen Ruth Rosenfeld, Indecorous Thinking: Figures of Speech in Early Modern Poetics. New York: Fordham University Press, 2018. 312 pp. ISBN: 9780823277926 The figures of speech are the subject of a reevaluation in literary scholarship of the Renaissance era. Their importance has never been entirely out of view—they are hard to ignore. Early printed editions of the classics sometimes note figures in the margins, and this was a practice emulated by one “E.K.,” the annotator of Edmund Spenser’s The Shepheardes Calender who noted, among other figures, “a pretty epanorthosis” here and “an excellent and lively description” there. Evidently the figures contributed to basic literacy in academic contexts, and it is hard to imagine that all that training was confined to the schools and universities. In recent interpretative scholarship on English poetry, a productive approach has been to place one figure of speech in focus, and compare its uses in order to discover its latent meanings. The effectiveness of this approach is amply illustrated, for example, by essays collected in a 2007 publication entitled The Renaissance Figures of Speech, covering twelve figures.1 Elsewhere, groupings of figures, subject as they were to classifying instincts of humanist writers and teachers, have proven meaningful instruments for literary interpretation. In a 2012 book, Jenny C. Mann considered various unruly figures under the heading of hyperbaton, in order to trace the difficulties of translating classical rhetoric and poetics into English vernacular practices.2 In Indecorous Thinking: Figures of Speech in Early Modern Poetics, Colleen Ruth Rosenfeld takes the latter approach, collecting and examining a group of figures under the heading of the “indecorous,” namely figures that flaunt their artistry, transgress modesty, and eschew generally the gold standard of Renaissance wit: sprezzatura, the dissembling or disguising of effort and study. Three figures—simile, antithesis, and periphrasis—were selected and compared to illustrate Rosenfeld’s thesis that ostentatious figures offered a distinctive means of thinking as well as of embellishing. It is a persuasive and coherent selection. Comparing, contrasting, and “talking about” or renaming something—these are logical as well as rhetorical operations. Together, they represent a promising start on Rosenfeld’s ambitious aim: “to understand how figures of speech established the imaginative domains of early modem poetry” (13). In three chapters of Part One, Rosenfeld describes an intellectual and pedagogical landscape that gave rise to “indecorous thinking,” that is, the practices and patterns of thought afforded by ostentatious figures of speech. It’s a contentious landscape drawn along lines of Ramus’ reforms in rhetoric [End Page 350] and dialectic, as these were filtered into English discourse by means of handbooks of the figures. Rosenfeld relies on the best-known and oft-rehearsed aspect of these reforms, filling out her account with some original scholarship on reading and composition practices. In a nutshell, Ramus’ attempt to simplify rhetoric instruction by reserving inventio and dispositio for dialectic (or logic) instruction resulted in a truncated presentation of rhetoric as consisting of just elocutio and actio, or style and performance. Although it could not have been Ramus’ or his followers’ intent to imply an autonomous field of discourse, some English vernacular handbooks of rhetorical poetics, such as Abraham Fraunce’s The Arcadian Rhetorike (1588), nonetheless give the impression that rhetoric might be studied independently of logic and reduced to the study of elocutio, which itself might be reduced to the study of schemes and tropes. It is in that imagined domain of an autonomous and mutilated rhetoric that Rosenfeld argues a counter-humanist movement in English poetics of the late sixteenth-and early seventeenth-centuries. The argument for indecorum (the weaker argument) sometimes feels ponderous in Part One, but the pace picks up in Part Two. In three chapters, Rosenfeld convincingly shows the figures’ vitality and potential to structure and organize fictional thought, narrative, and speech. These are fine examples of rhetorical criticism and English literary scholarship. In Chapter 4, taking as a starting point Spenser’s portrayal of Braggadochio in The Faerie Queene, book 2, Rosenfeld compares some competing qualities of the figure simile and shows that it...

“Language scholars long ago denied that the myth of a standard American dialect has any validity. The claim that any one dialect is unacceptable amounts to an attempt of one social group to exert its dominance over another. Such a claim leads to false advice for speakers and writers, and immoral advice for humans.” –(1974 Students’ Right to Their Own Language position statement; emphasis added)

In the words of Etta James, “At Last.”April Baker-Bell’s Linguistic Justice: Black Language, Literacy, Identity, and Pedagogy is, indeed, the book that many of us have been waiting for—not just in ...

Informed by Bakhtin's theorization of voice as well as cross-disciplinary studies of scaling, the authors explore how a group of young filmmakers rendered one focal immigrant student's familial history by centering speakers addressing the topic of immigration from multiple levels, thereby connecting multiple social and spatiotemporal contexts in their multimodal storytelling to illustrate the costs of dehumanizing policies. In this case study, drawing from classroom observations, student work, and interviews with both students and teachers, the authors also highlight the importance of teacher agency in creating opportunities for refugee-background students to interactively engage in the language arts classroom. Drawing from interviews, observations, and analysis of student writing, the authors construct a detailed case study of how one student writer negotiated her stance toward the discourse of literary analysis based on her own writerly identity as a creative writer, illuminating the importance of critically attending to the ideological implications of teaching discipline-specific writing.

This study builds on research of multimodal storytelling in educational settings by presenting a study of a youth-produced documentary on immigration. Drawing from a video documentary project in a high school class, we examine students’ representational processes of scaling in documentary storytelling, and the kinds of resources they use to construct multiple spatiotemporal contexts for understanding their experience of immigration and immigration policy. Our theoretical framework relates the concept of scale to the Bakhtinian concept of voice to consider the semiotic resources that are used to index and connect multiple social and spatiotemporal contexts in storytelling. Focusing on a documentary produced by some students in the class, we analyze how the young filmmakers used particular speaker voices (characters) and their social positioning to invoke and construct relevant scales for understanding the problem of deportation. Our analysis extends the study of scaling to multimodal texts, and the strategies that people use to represent and configure relationships among different socially stratified spaces. By conceptualizing the relations between voice and scale, this work aims to contribute to literacy learning and teaching that support young people in bringing their knowledge, experiences, and narrative resources to engage with societal structures.

Student agency is an important construct for all students, especially those marginalized because of their linguistic, ethnic, racial, religious, or migratory identities. Refugee-background students may experience marginalization according to many and sometimes all of these factors; agency is thus critical to understanding their negotiation of schooling in general and literacy tasks in particular. While many studies have explored various dimensions of agency, we know little about how agency can be enacted and developed by minoritized students within instructional contexts. This qualitative case study addresses this gap by asking: How do two adolescent refugee-background students display evidence of agency when engaging in literacy tasks? What teacher practices contribute to facilitating or inhibiting student agency? Data sources include classroom observations, student work samples, and interviews with students and teachers. Data analysis was conducted using a combined inductive/deductive approach. Findings reveal three agentive practices through which students engaged in literacy tasks: agentive resistance leading to disaffection, agentive resistance of imposed identities, and interactive negotiated engagement. While the first practice led to disengagement, the latter two led to opportunities for students to agentively reshape dehumanizing narratives of multilingual refugee-background students. Teacher agency in curriculum planning and implementation was essential in guiding students to either engage in or resist literacy tasks. Since the forced displacement that refugee-background and some immigrant students experience is contrary to the concept of self-determination, we argue that engaging them in an agentive manner has the potential to help students reclaim that sense of agency within classrooms and challenge deficit perceptions.

Martinez et al talk about solidarity within and across their respective racial and ethnic communities and how solidarity must be centralized in literacy research, practices, and scholarship. They provide a layered understanding of what solidarity can mean when working with children, youth, teachers, teacher educators, and our own families. By sharing their own varied experiences, they seek to highlight everyday moments of ingenuity in learning spaces that can be leveraged to bolster solidarity within and across BIPOC communities.

This paper examines whether use of computer-mediated communication (CMC) and non-standard informal written language therein harms youths' literacy skills.An experiment was conducted with 500 Dutch youths of different educational levels and age groups to assess if social media use affects their school writings.It was measured if chatting via WhatsApp directly impacts youths' performance on a narrative writing task, in terms of writing quality and spelling, or their ability to detect and correct deviations from the standard language in a grammaticality judgement task.WhatsApp use had a direct effect on the story writing task, but only on participants' spelling: adolescents who were primed with WhatsApp immediately beforehand produced significantly fewer misspellings in their narratives.The present study thus gives no cause for concern about negative transfer from social media to school writing: if anything, CMC use may provide youths with greater orthographic awareness and positively affect their spelling performance.

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As a Latinx writer who has attended and taught at Hispanic-Serving Institutions (HSIs) in South Texas, I have been disappointed to find that much existing scholarship assumes sameness among us, oft...

T he Community Literacy Journal is an interdisciplinary journal that publishes both scholarly work that contributes to theories, methodologies, and research agendas and work by literacy workers, practitioners, and community literacy program staff.We are especially committed to presenting work done in collaboration between academics and community members, organizers, activists, teachers, and artists.We understand "community literacy" as including multiple domains for literacy work extending beyond mainstream educational and work institutions.It can be found in programs devoted to adult education, early childhood education, reading initiatives, or work with marginalized populations.It can also be found in more informal, ad hoc projects, including creative writing, graffiti art, protest songwriting, and social media campaigns.For us, literacy is defined as the realm where attention is paid not just to content or to knowledge but to the symbolic means by which it is represented and used.Thus, literacy makes reference not just to letters and to text but to other multimodal, technological, and embodied representations, as well.Community literacy is interdisciplinary and intersectional in nature, drawing from rhetoric and composition, communication, literacy studies, English studies, gender studies, race and ethnic studies, environmental studies, critical theory, linguistics, cultural studies, education, and more.

ust as musical codas persist beyond the end of musical work, Coda-a new sec- tion of the Community Literacy Journal devoted to creative writing-offers space for the representation of the lingering effects of community engagement, public engagement, and activism. Beginning with this, our inaugural effort, Coda will publish creative writing in a range of genres and voices in a move to expand conversations about writing studies, to document and preserve the work of community writing, and to encourage more creative writing. We invite readers and writers who are eager to create knowledge in new ways to join us in enacting writing as a form of communion.

In the era of a global pandemic, this article claims that community literacy scholars are well poised to support challenges currently facing healthcare providers. To demonstrate this, I offer one example drawing on my work with The ART of Infertility and explain how I repurposed patient art and stories to curate emotional literacy amongst healthcare professionals. I argue that "rhetorical curation" is an innovative method that can support public engagement around stigmatized or underrepresented health experiences. I end with an invitation for community literacy scholars to build upon their expertise and design innovative public projects that contribute to improvements in healthcare.

The author shares the challenges of facilitating a writing group in a temporary emergency shelter in the early months of the COVID-19 pandemic. She shows how within this constantly changing environment and its safety protocols, community literacy was as difficult to establish as it was vital to make available. Exploring some of the best practices in community literacy, including reciprocity (Miller et al.), fruitful forms of conflict (Westbrook), "meaningful acts of public rhetoric" (Mathieu and George), and flow (Feigenbaum), the author proposes that this challenging environment made possible new shapes for each of these concepts. This experience suggests that while best practices can guide creation of a writing group during an emergency, an emergency, in turn, can generate innovation with these best practices.

Exploring literacy practices of home cooks, this article analyzes how cookbooks are remixed by users (with writings, clippings and other ephemera added to the text throughout its use).The practice of remixing the text with further editing by its user/audience illustrates the multilayered literacies at work in establishing authorship within the domestic space.The article builds its argument around one remixed cookbook as a case study, describing the remix-literate practices of the user, as the woman who used this cookbook remixed the text and genre to fit her needs and interests.This literacy practice is argued as a remix, which results in a transformation of the text itself and of the authority of the user.Both the original authorship (the act of compiling recipes from the church community) and the remixed authorship (the added ephemera and handwritten editing done by the user of this particular copy) are analyzed in tandem.

A Critical Field Scan of Theory and History, Practice and Place. " Our idea for this issue was a simple one. As the title suggests, we hoped to generate a "field scan, " illustrating the ways in which community literacy programs draw upon theory, along with their respective regional geographies, past practices, and collective histories, to create community-engaged writing and literacy centers.

This case study demonstrates how a community-based literacy program, HELP, took up Black literate traditions, endarkened transnational feminism, and anticolonial practices to construct emancipatory literacy experiences for Haitian and Haitian American middle schoolers in Miami, Florida. Overall, the institutional practices of HELP worked to destigmatize the discourses of Haiti, center Black Haitian women's stories, and develop spiritual consciousness. Furthermore, this article discusses the "COVID-19 scramble" and its ability to detract from building socially just futures for Black transnational students. Lastly, the article ends with questions for consideration when confronting the cyclical violence of white supremacy in literacy programs.

T his book is rare in that it focusses on an area of literacy studies that at first glance seems familiar, but which in fact has been remarkably under researched. Addressing this gap was thus one of the starting points of Oral Literacies: When Adults Read Aloud, according to its author, Sam Duncan, an adult education specialist, and literacy across the lifespan researcher, at

As a consortium of individuals, programs, and agencies that embrace the power of collaboration, the Washtenaw County Literacy Network works to shift conversations and practices surrounding literacy and literacy inequities. Using an emergent strategy lens, the authors describe the partnerships at the center of the network and the collaborative work that has emerged from these partnerships. The authors also analyze the adaptations recent events have generated in terms of the relationships and interactions that center the work, and they explore ways to rethink the idea of assessment for community literacy initiatives. Ultimately, the authors posit that emergent strategy helps networks like the WCLN navigate change in thoughtful and sustainable ways.

Events following a display of archival photographs depicting a Navajo Civil Rights march that was sponsored by One Book/One Community of San Juan College illuminated racial tensions and competing injustices in the community of Farmington, New Mexico.These events are analyzed through a paradigm, indigenous-sustaining literacy, which could benefit common reading programs that conduct literacy work in communities with populations of indigenous people or border Native American reservations and are seeking to decolonize community literacy practices O ne late November afternoon, five members of the One Book/One Community (OBOC) committee hung archival photos of the 1974 Civil Rights Protests in Farmington, New Mexico, in a gallery space on the campus of San Juan College, located in Farmington.Several students stopped to look the 26 poster-sized photos selected by the committee from the Bob Fitch Photography Archive Movements of Change.The display was part of the OBOC programming associated with the committee's selection of the graphic memoir March (Lewis et al.), a retelling of Congressman John Lewis's civil rights activism.The committee recognized that March could provide an interesting connection to the 1974 Civil Rights protests in Farmington that resulted from the minimal sentencing of three white teenagers who had murdered three Navajo men and provide an opportunity for students and community members to explore this legacy and their situatedness in the community.The photos were compelling.One photo showed protestors marching down Farmington's main street.Another depicted a Navajo man holding a cardboard sign that read "veteran WWII.Holder Purple Heart.My son was kill [sic] by a white boy on the reservation." Three of the photos depicted protestors holding upside down American flags.Other photos showed groups of Native Americans facing off with law enforcement.Onlookers identified relatives in the photos and expressed their gratitude for showcasing an important moment in local history.Others stated they had no idea that there had been civil rights protests in Farmington and were glad to learn about them through the display.One onlooker, though, was not supportive.He said that the committee should not hang any photos near the glass display located in the gallery that is dedicated to veterans.Committee members agreed with the man, citing the need to be respectful.Still, displeased, he asked why the committee was displaying the photos.(Danielle), the director of the OBOC committee, explained the historical nature of the photos and the connection to the OBOC selection.She also explained

he Community Literacy Journal is an interdisciplinary journal that publishes both scholarly work that contributes to theories, methodologies, and research agendas and work by literacy workers, practitioners, and community literacy program staff.We are especially committed to presenting work done in collaboration between academics and community members, organizers, activists, teachers, and artists.We understand "community literacy" as including multiple domains for literacy work extending beyond mainstream educational and work institutions.It can be found in programs devoted to adult education, early childhood education, reading initiatives, or work with marginalized populations.It can also be found in more informal, ad hoc projects, including creative writing, graffiti art, protest songwriting, and social media campaigns.For us, literacy is defined as the realm where attention is paid not just to content or to knowledge but to the symbolic means by which it is represented and used.Thus, literacy makes reference not just to letters and to text but to other multimodal, technological, and embodied representations, as well.Community literacy is interdisciplinary and intersectional in nature, drawing from rhetoric and composition, communication, literacy studies, English studies, gender studies, race and ethnic studies, environmental studies, critical theory, linguistics, cultural studies, education, and more.

In this article, we share our experiences with the ongoing language and literacy practices and pedagogies of a bilingual, community-based writing center located in South Philadelphia's Italian Market. This writing center -one in a network of sites across Philadelphia and southern New Jersey -targeted bilingual, Latinx children from ages seven to eighteen. For the past four years, we have partnered with the center to create a translanguaging space. Here, we reflect on the experience of offering translanguaging writing workshops.

This article highlights how contemporary structural forces-the intertwined systems of racism, xenophobia, gentrification, and capitalism-have material consequences for the nature of community literacy education.As a case study, I interrogate the rhetoric and infrastructure of a San Francisco K-12 literacy nonprofit in the context of tech-boom gentrification, triggering the mass displacement of Latinx residents.I locate the nonprofit in longer histories of settler colonialism and migration in the Bay Area to analyze how the organization's rhetoric-the founder's TED talk, its website, the mural on the building's façade-are structured by racist logics that devalue and homogenize the literacy and agency of the local community, perpetuating white "possessive investments" (Lipsitz) in land, literacy, and education.Drawing on abolitionist and decolonial education theory, I prose a praxis encouraging literacy scholar-practitioners to question and ultimately divest from institutional rhetorics and funding sources that continue to forward racism, xenophobia, imperialism, and raciolinguistic supremacy built upon them.

Beyond growing and selling food, women farmers perform literacy work to establish and maintain legitimacy. As part of a larger interview-based dataset, this article analyzes the literacy practices that one woman farmer, Lauren, undertakes in relation to her legitimacy as a farmer. Informed by literacy studies research and feminist rhetoric scholarship, as well as interdisciplinary studies on women in agriculture, the analysis here illustrates how Lauren performs specific literacy practices. Audiences' gendered expectations necessitate such practices, which Lauren performs in order to be understood as a farmer in a masculine, patriarchal landscape shaped by her family, customers, and broader farming community. These literacy practices include crafting an image visually, interacting intentionally through verbal conversations, adapting to audience assumptions, and taking on community leadership roles.

Abstract As online content has rapidly proliferated in recent years, college teachers may find teaching students how to navigate their way to reputable sources both more challenging and more crucial. When we integrate reading the news into our curricula, we can engage our students, cultivate their critical reading and writing skills, harness digital tools and sources, and teach students how to transfer those skills to academic writing and other endeavors. To fight fake news, students must learn to interrogate sources and writing in the news, thereby empowering them to read, discuss, and engage with contemporary and real-world problems with compassion, complexity, and nuance.

Research Article| April 01 2021 Developing Critical Readers in the Age of Literacy Acceleration Joanne Baird Giordano; Joanne Baird Giordano Joanne Baird Giordano previous collaborative work on two-year college readers and writers has been published in edited collections and in Teaching English in the Two-Year College, College Composition and Communication, Pedagogy, and College English. Their work has received the 2010 Mark Reynolds Teaching English in the Two-Year College Best Article Award and the 2017 Council of Writing Program Administrators' Outstanding Scholarship award. Giordano teaches at Salt Lake Community College; Hassel is professor of English at North Dakota State University. Search for other works by this author on: This Site Google Holly Hassel Holly Hassel Holly Hassel's previous collaborative work on two-year college readers and writers has been published in edited collections and in Teaching English in the Two-Year College, College Composition and Communication, Pedagogy, and College English. Their work has received the 2010 Mark Reynolds Teaching English in the Two-Year College Best Article Award and the 2017 Council of Writing Program Administrators' Outstanding Scholarship award. Giordano teaches at Salt Lake Community College; Hassel is professor of English at North Dakota State University. Search for other works by this author on: This Site Google Pedagogy (2021) 21 (2): 241–258. https://doi.org/10.1215/15314200-8811432 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Joanne Baird Giordano, Holly Hassel; Developing Critical Readers in the Age of Literacy Acceleration. Pedagogy 1 April 2021; 21 (2): 241–258. doi: https://doi.org/10.1215/15314200-8811432 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter Books & JournalsAll JournalsPedagogy Search Advanced Search critical reading, two-year colleges, information literacy, first-year writing Copyright © 2021 by Duke University Press2021 Issue Section: Articles You do not currently have access to this content.

Abstract Graduate students must learn to read as professionals who move their reading work into spoken and written discourse. This study borrows Deborah Brandt and Katie Clinton's description of transcontextualizing moves to examine how graduate students use social annotation to develop as readers. Specifically, the study examines graduate reading practices through think-aloud protocols and archived annotations of three readers enrolled in a doctoral literacy seminar. Findings suggest that graduate readers may benefit from opportunities to reflect on how the technologies of annotation contribute to the transcontextualization of their reading across time and space.

AbstractAlthough much has been written about the history of commonplacing, there is a lack of evidence-based research to show the extent to which this historical practice may still be valuable today as a pedagogy that educates citizens in critical reading for democracy. This article describes an institutional-review-board-approved, experimental study to answer this question. Three sections of the same first-year reading and writing course were compared: one section did not use commonplace books, a second section used commonplace books that included quotations only, and a third section used commonplace books with reflective writing. We expected to find that students who used commonplace books would perform better in end-of-study assessments than those who did not. Instead, we were surprised to find that many of the students who were not required to use commonplace books created their own note-taking methods that performed a similar function. In essence, they developed their own commonplace book culture and methodology using Google Docs and other social reading practices. Their performance was as strong as the students who used commonplace books.

AbstractAn important step in teaching critical reading for online civic reasoning is building teachers’ own acceptance of and comfort with screen literacies, understanding them not as alternative to gold-standard book literacies but as normative. To do so, teachers must better understand how web-based texts, and the reading of them, differ from the “classical” critical reading most teachers are used to. This article examines the “quantum” nature of web-based texts—their fundamental instability, their reader constructedness, and their nature as processes rather than objects—and relates these features to hyper-reading and other reading strategies that research shows allow engaged readers to screen-read critically.