AbstractIn the rhetoric of contemporary federal education reform, public school teachers are often blamed for and championed as solutions to educational problems. Representations of teachers as heroic and blameworthy are an integral component of a neoliberal rationality apparent in education reform since the publication of the Reagan administration’s A Nation at Risk, as they allow political actors to promote individual solutions to systemic issues that affect student achievement. After briefly exploring the rhetoric of reform, this essay focuses on the ways teachers negotiate the discourses that implicate their profession. To do so, I analyze a corpus of 18 open letters written and published online by current and former public school teachers in protest of policy and/or specific political actors. I argue that authors of these open letters leverage their professional identities to protest and articulate alternatives to seemingly pervasive neoliberal logics inherent in contemporary education reform. In turn, I maintain that analyzing vernacular exchanges, such as teachers’ protest discourse, is imperative to understanding the material consequences of education policy as well as the full discursive space of policymaking.

Those of us who work at universities are accustomed to the way diversity and inclusion initiatives become institutionalized. Internal grant applications ask how the proposed research is relevant to a university's mission in relation to diversity; required online surveys are distributed to assure that faculty and staff understand accessibility guidelines; task forces, committees, and planning groups articulate goals related to diversity and inclusion. The application of these rhetorical acts in daily academic life undulates, sometimes visible and meaningful, other times fading into the scenery, becoming background to seemingly more pressing matters. We address these questions as they relate to scholarly publishing in rhetoric and composition journals, questions that affect editors and authors as well as those who teach and study in the field. As editorial team members of Composition Studies, a biannual independent print journal, we detail strategies for creating a home for diversity in our field.

This study explores how a spokesperson’s facial expressions and verbal response strategies affect participants’ evaluations of an organization’s crisis communication responses. Using a between-subjects experiment with Taiwanese participants, the study investigates the effects of congruence and incongruence between an organization’s emotional and verbal responses on participants’ perceptions of the acceptability of its crisis response. The findings suggest that an organization’s emotional response should be congruent with its verbal response strategy in order to enhance the audience’s acceptance of its crisis response and in turn protect its reputation.

The Internet has helped to change who writes about science in the news, how news is written, and how it is taken up by different audiences. However, few studies have examined how these changes have impacted the uptake of scientific claims in online news writing. This case study explores how online news genres take up knowledge claims from a research article on climate change over a period of one year and shows how shifting boundaries between rhetorical communities affect genre uptake. The study results show that online news writers predominantly use the news report genre to cover research findings for 48 hours, after which they predominantly use the news editorial genre to engage these findings. Analysis suggests that the news report genre uses the press release and the article abstract as intermediary genres, but the news editorial uses only the abstract. I argue that the switch between genres repositions the scientist, the journalist, and the public epistemologically, a reorientation that favors uptake in news media outlets supporting action to mitigate climate change and its effects.

First-generation college students (FGCS) are a growing student population in the United States. Because of the barriers they face, these students are more likely to drop out or fall behind than are their multigenerational peers. This article presents the results of a case study on FGCS and their use of the writing center conducted at a midsized, southeastern, public university. The study analyzed the WCOnline appointment and consultation report forms of self-identified FGCS and multigeneration college students (MGCS) who used the writing center in order to learn more about the needs, perceptions, and experiences of FGCS as writers. Results indicate FGCS' appointments cover more ground, use more directive approaches, are more likely to include negative language and emotional affect, and focus on global concerns and genre/rhetorical knowledge at more frequent rates than do MGCS' appointments. Based on results, recommendations for improving writing support for FGCS and further research are made.

Extending research on the relationships between materiality and process, this article examines how writers’ preferences for particular materials—places, technologies, objects—develop over time. With a specific focus on how materials affect writers and how writers are affected by their writing tasks, this article considers how writers’ histories of turning toward and turning against materials shape their writing processes. The findings of this research show that writers’ material practices register both materially and affectively and are echoed in writers’ processes years later and shape how processes evolve as writers learn to write in new contexts.

When considering the material ecologies of the human body, we must consider the bodies within—at least five hundred known species of microbes. We propose the term gut rhetorics to highlight how our guts have become an environment to which we are exposed: a biologically active actant contributing to the physiology and psychology—the rhetorical capacities—of the human body. Gut rhetorics incorporate—bring into the body and, importantly, into the body of rhetoric—the hungry horde within human bodies. First, we trace one probiotic formulation across three scientific studies to show how bodies, affects, and microbes are being “calibrated” at the level of experiment. Second, we stress skilled probiotic experimentation and encourage scholars to play amid environments, give attention to embodiment, and pursue phenomenological inquiry (Gruber, 2018; Melonçon, 2018). Gut rhetorics consider bodies, affects, and microbiota as entangled metabolic intra-actions that affect how the world appears to the body and the body to the world.

This article considers how rhetoricians might access rhetoricity, that which precedes and pervades meaning. The three pieces of minimalist music I examine—Steve Reich’s It’s Gonna Rain, Alvin Lucier’s I Am Sitting in a Room, and Philip Glass’s Einstein on the Beach—experiment with speech, peeling back the meaning-filled dimension of language in order to expose how affect and material move people. This peeling back of meaning, my analysis suggests, is achieved through refrain and rhythm, two forceful sonic rhetorical phenomena that rhetoricians might both study and deploy.

This article is the third in a series that represents the author's multiple phases of teaching Eliza Haywood's eighteenth-century story “Fantomina” in the first-year English classroom at a women's college. The article characterizes the most recent phase as epitomized by the problem of trigger warnings in the college classroom, specifically in relation to “Fantomina.” It first defines trigger warnings and explains the ongoing arguments for and against them. It then describes the author's initial confusion and ambivalence about student requests for trigger warnings. Finally, the article explains how and why the author's feelings about trigger warnings have evolved over time and how this might eventually affect her teaching.

This study aims to explore the process of reading during writing. More specifically, it investigates whether a combination of keystroke logging data and eye tracking data yields a better understanding of cognitive processes underlying fluent and nonfluent text production. First, a technical procedure describes how writing process data from the keystroke logging program Inputlog are merged with reading process data from the Tobii TX300 eye tracker. Next, a theoretical schema on reading during writing is presented, which served as a basis for the observation context we created for our experiment. This schema was tested by observing 24 university students in professional communication (skilled writers) who typed short sentences that were manipulated to elicit fluent or nonfluent writing. The experimental sentences were organized into four different conditions, aiming at (a) fluent writing, (b) reflection about correct spelling of homophone verbs, (c) local revision, and (d) global revision. Results showed that it is possible to manipulate degrees of nonfluent writing in terms of time on task and percentage of nonfluent key transitions. However, reading behavior was affected only for the conditions that explicitly required revision. This suggests that nonfluent writing does not always affect the reading behavior, supporting the parallel and cascading processing hypothesis.

This study investigates the influences of interest and choice on the production of second language (L2) journal entries by first-year students (N = 88, 55 female, 33 male) at a university in western Japan. Between treatment groups and a neutral group, several aspects of writing were examined: total words, words per sentence, grammatical accuracy, and lexical sophistication (K1, K2, and AWL words). Further enquiry into students' preferred choice conditions was conducted with a post-treatment questionnaire. The results suggest that the provision of choice and interestingness of a topic affect some of the variables but not others. Pedagogical implications and suggested future research are discussed.

Writing about historical change involves advancing causal explanations that show how events impact people and how their emotions contribute to historical outcomes such as wars and revolutions. This study uses Martin and White's (2005) Appraisal framework to examine how the language of emotion (Affect), an overlooked feature of historical discourse, is used by L2 writers of an under-examined genre, the Factorial Explanation. The study was conducted in a content-based, politicalhistory course for 63 upper-intermediate learners of English at a Japanese university. Results show that while writers made extensive use of the Affect categories Positive Inclination and Negative Satisfaction, which were often realized as adjectives and verbs, nominal formulations for building cohesion were infrequent. Writers also tended to intensify Affect resources by construing feelings as static attributes rather than destabilizing forces of change. The paper makes recommendations for teaching genre-specific language features to aid learners in construing the emotion of history.

This article explores how assemblage and affect theories can enable research into the formation of a collective working-class identity, inclusive of written, print, publication, and organizational literacies through the origins of the Federation of Worker Writer and Community Publishers, an organization that expanded its collectivity as new heritages, ethnicities, and immigrant identities altered the organization’s membership and “class” identity.

The purpose of the present study was to examine students’ metaknowledge of Procedural Knowledge (effective writing procedures) and Declarative Knowledge (knowledge of the characteristics of effective writing) with community college students through two open-response questions. Additionally, we examined common patterns of writing metaknowledge among responses to determine how these impacted their writing, utilizing the results from Coh-Metrix analyses of their writing samples. A total of 249 students from a large community college in Southwestern United States participated in the study.Analysis of their results showed participants reported commonly acknowledged ideas regarding metaknoweldge of effective writing in terms of Procedural and Declarative knowledge. Students focused on goal setting/planning, establishing purpose, writing, and revising when discussing Procedural Knowledge of writing and clarity, audience, grammar, and spelling when discussing Declarative Knowledge. A Latent Class Analysis (LCA) of a smaller group, consisting of 146 L1 English students, showed that students’ responses regarding Procedural and Declarative Knowledge did not significantly affect written performance, leading us to question students’ consistent application or understanding of writing metaknowledge. Instructional implications include encouraging students to examine their metaknowledge of writing and how it directly relates to the written product, to identify misuse or misconceptions and focus instruction.

The present study experimentally manipulated the gender of an email sender, closing salutation, and sending mode (i.e., email sent via desktop computer/laptop as compared with email sent via a mobile device) to determine if these specific cues influence first impressions of the sender’s competence, professionalism, positive affect, and negative affect. Although no effect of sending mode was found, closing salutation influenced perceptions; females were viewed as less professional when using “Thanks!” as opposed to using “Best,” “Thank you,” or no salutation. However, in general, females were viewed as more professional than males, and “Thanks!” elicited perceptions of positive affect.

During the past 30 years, genre conceptualized as social action has been a generative framework for scholars, teachers, and rhetors alike. As a mid-level, mediating concept, genre balances stability and innovation, connecting theory and practice, agency and structure, form and substance. Genre is multimodal, providing an analytical and explanatory framework across semiotic modes and media and thus across communication technologies; multidisciplinary, of interest across traditions of rhetoric, as well as many other disciplines; multidimensional, incorporating many perspectives on situated, mediated, motivated communicative interaction; and multimethodological, yielding to multiple empirical and interpretive approaches. Because genre both shapes and is shaped by its communities, it provides insight into both ideological conformity and resistance, lends itself to multiple pedagogical agendas, and provokes questions about media, materiality, ethics, circulation, affect, and comparison.

From its outset in antiquity, rhetorical energy has been a protean concept: energeia concerning the vitality of speech, and the related enargeia referring to vivid description. Recent interest in affect, the Anthropocene, new materialism, and the more-than-human has only made “energy” more salient, yet more promiscuously evoked than ever. Notwithstanding the concept’s centrality to some major works of contemporary scholarship, the importance of energy to rhetoric has remained widely underexplored. This essay traces some of the quiet history that energy has played in the rhetorical tradition and charts some points of its ongoing importance.

ABSTRACT This article studies Trumponomics as a brand that derives its economic and political purchase from the patterns of affective circulation opened up by the contemporary political economy. Because neoliberalism enables branding to both extract surplus wealth and appropriate surplus affect directly from consumers, it changes the rhetorical terrain. In this new landscape, Trump’s incoherent economic policies fade into the background as the production of his economic brand occupies the foreground. My argument theorizes affect within the labor theory of value, analyzes the Trump brand within that framework, and explores the implications of including affective value within the rhetorical toolbox.

Collaborative writing is one of the twenty-first century writing competencies critical for college and career success. Technology-enhanced writing platforms, such as Google Docs, can serve as effective media for written collaboration. Although cloudbased tools such as Google Docs are increasingly used in secondary schools, little is known about how students collaboratively write in these environments, including how feedback sources and types of tasks affect collaborative writing patterns. This study examined the content of feedback and revision in 424 Google Docs written by 145 sixth grade students to understand the variations in feedback and revision patterns across key contextual factors: the source of feedback (i.e., teacher vs. peer) and assigned task type (i.e., argumentative, narrative, report). We conducted a qualitative content analysis of feedback and revision, followed by Chi-square and ANCOVA analyses. With regards to variations across feedback sources, we found that teacher feedback addressed more macro-level features (e.g., content, organization) whereas student feedback focused more on micro-level features (e.g., mechanics, conventions), and neither teacher nor peer feedback led to subsequent revisions. With regards to variations across task types, we found that among the three writing genres, the narrative genre had the greatest number of coauthors and feedback activities, and most of these activities consisted of affective feedback or direct edits. In contrast, in the report genre, the feedback activities tended to focus on content and organization, and the language functions of both feedback (e.g., advice, explanation) and revision (e.g., acknowledging, clarifying) were most evident in the report genre. We discuss the implications of these findings for the design and implementation of technology-based collaborative writing tasks in academic settings, as well as the limitations and directions for future studies.

The introduction explores some of the reasons that teaching Landon’s poetry has historically posed difficulties for scholars seeking to present Landon to students and shows how these very difficulties can help teachers confront myriad interesting questions in the classroom, including periodicity, the recovery of women’s writing, affect, narratives of influence, lyricism, and such topics as globalism, through five innovative approaches to her work.

This study examined adolescents’ perspectives on their multimodal composing goals and designs when creating digital projects in the context of an English Language Arts class. Sociocultural and social semiotics theoretical frameworks were integrated to understand six 12th grade students’ viewpoints when composing three multimodal products—a website, hypertext literary analysis, and podcast—in response to a well-known literary text. Data sources included screen capture and video observations, design interviews, written reflections, and multimodal products. Findings revealed how adolescents concurrently composed for multiple purposes and audiences during the literature analysis unit. In particular, students viewed projects as a platform to emotionally affect and entertain a broader audience, as well as a conduit through which they could represent themselves as composers. Emphasis was placed on creating cohesive compositions—ranging from close modal matching to building meaning at a thematic level and creating a multisensory experience indicative of the novel’s narrative world. These findings contribute a multidimensional understanding of adolescents’ various and interacting multimodal composing goals and have implications for leveraging modal affordances in the classroom.

Shannon Walters’ Rhetorical Touch stretches the consideration of embodied rhetorics to embrace the sense of touch through both classical rhetoric and contemporary disability studies. Key to Walters’ project is a rereading of Aristotle’s pisteis—logos, pathos, and ethos—through the sense of touch. To examine the productions of a variety of disabled rhetors, she draws upon rhetoricians from Empedocles to Burke, on phenomenologists such as Merleau-Ponty, and on disability-studies scholars such as Cynthia Lewiecki-Wilson and Brenda Brueggemann. This broad, disciplinary-crossing quality of her scholarship makes sense because she situates touch as “a sense that transcends bodily boundaries; it demands an approach that also transcends boundaries” (8). Though her project is solidly within the realm of disability studies, it can and should affect how we do scholarship in rhetoric.Through an understanding of Empedocles’ sense of logos, Walters argues that touch is the broadest means of persuasion, and, furthermore, that it is the sense that ties all humans together, those who are disabled as well as those who are temporarily able-bodied. In so doing, Walters calls for a radical repositioning of all rhetorical appeals as fundamentally rooted in the sense of touch. This is the most radical and fascinating claim of the book, and it holds up for both individual rhetors as well as amorphous rhetors who are harder to identify. Walters not only uses this understanding of rhetoric to guide examination of Helen Keller, Temple Grandin, and Nancy Mairs, but also in her examination of the birth of the Disability Rights Movement in the 1950s and 1960s through the 1977 demonstrations for the enforcement of Section 504 of the Rehabilitation Act of 1973. At times, her broad historical and theoretical approach weaves together unevenly, but the overarching argument’s contribution to reimagining pisteis is solid and perhaps even groundbreaking.The first chapter examines the tactile experience of Helen Keller’s rhetorical productions through a careful consideration of her texts, the context in which they were produced, and the theoretical implications of her practice. A facet of this chapter that I found particularly relevant and insightful was Walter’s examination of the doubt of authenticity and individual authorship that accompanied all of Keller’s writings. Walters reads the accusations of plagiarism against Keller as stemming directly from Keller’s relationship to communication as tactile and inherently collaborative. Though Keller is an exceptional example of these facets of rhetorical production, we all draw on sources we have absorbed unknowingly, on collaboration with present and distant others, and on a tactile experience. Walters argues we thus must reshape rhetoric to account for this dynamic. To do so, she literally redraws the traditional rhetorical triangle into a doubled triangle, forming either a diamond with an entire side “touching,” representing both traditional ethos and her reinterpretation through mêtis, or an angular and precarious hourglass, intersecting at the point of two interpretations of logos—Aristotle’s and Empedocles’.Chapter two examines the demonstrations by disability activists demanding enforcement of Section 504, simultaneously continuing Walters’ theoretical underpinnings, which rest on an understanding of rhetorical identification largely dependent on Burke, but shaped through theories of touch by Merleau-Ponty, Nancy, and Deleuze. Walters identifies a key problem with rhetorical models of identification: they “do not accommodate the identities of people with disabilities or identifications made possible by the lived experience of disability” (62). Walters’ retheorization seeks to accommodate identification: “Specifically, identification via sensation and touch possesses the potential to reform and reshape the process of identification” (64). Walters suggests Deleuze’s concept of the “fold” as a model of Burkean identification that includes division. Though I find this chapter fascinating and ambitious, I’m left wondering why we must accommodate identification at all. This seems a retrofitting strategy and potentially less radical than an outright dismissal, or even a redefinition, as Walters does so well in her reimagining of pisteis.In the next three chapters, Walters molds the rhetorical triangle into something radically different from what our first-year composition textbooks taught us in order to be inclusive of touch and thus of disabled rhetors. Instead of Aristotle’s autonomous, rational logos, in chapter three, Walters puts forward Empedocles’ felt sense of logos, which is touch-based and enables a facilitated model of rhetoric. She finds this extralinguistic approach to logos more appropriate for rhetors with psychological disabilities and suggests that, “Empedocles’ sense of logos, felt in the heart as much as exhibited by one’s cognition, is physical, psychological, and embodied” (98). Walters then applies this reading of felt logos to online support forums for schizophrenia and depression, in which participants explicitly discuss touch and the lack of it in their lives. This reading is innovative, though perhaps limited in this online form.In the following chapter, Walters pushes her readers to reexamine how we presume an ethos that is neurotypical. She suggests, “Simply put, autistic people are seen as ethos-less when viewed through a narrowly medical or pathological lens” (113). This pathological lens casts autists as unable to identify and connect with others and therefore unable to construct ethos. In this chapter, Walters is doing her most expansive work to develop lines of thought already established in considerations of disability and of bodily knowing within our discipline, such as those developed by Debra Hawhee and Jay Dolmage, who both look to mêtis as an alternative knowledge production within rhetoric that is also based in bodily adaptation. Walters builds directly on this scholarship in order to suggest an approach to ethos that is neuro-diverse: “I redefine mêtis as a tactile relationship of embodied cognition between people and their environments that supports a method of character formation not based on traditional notions of ability and neurotypicality” (118). In this chapter, Walters makes a significant contribution to disability rhetoric as a field by showing how mêtis can accommodate those who use facilitated communication as well as those who are neuro-divergent and may use touch in nontypical ways to build trust and character.In the next chapter, Walters articulates how facility with kairos can make new forms of pathos possible: “I redefine kairos though special attention to the sense of touch, showing how kairos operates tactilely to create new emotional and physical connections among bodies in close proximity and contact” (145). Walters uses the term “redefine” in this chapter and the last in ways that may lead a reader to think she has no regard for rhetorical history. Quite to the contrary, Walters is changing perspective and illuminating a connection to touch that has always been related to the terms she is deploying. For instance, Walters notes that in the first uses of the term kairos, in Homer and Hesiod, the term is “nearly synonymous with ‘disability,’ indicating places of bodily vulnerability and impairment that are penetrable tactilely” (153). Here, Walters traces an etymology that classically may have worked to further disadvantage those who are impaired, but that in current rhetorical scholarship can call attention to the tactile and kairotic ways of employing pathos, which disabled rhetors, such as Nancy Mairs, Harriet McBryde Johnson, and John Hockenberry, have opened as rhetorical possibilities.Her final two chapters work to conclude her reexamination of rhetoric through the sense of touch. Chapter six explores the possibilities of teaching with haptic technologies. Far from an afterthought, this chapter remains deeply theoretical, engaged in historiography, and pulls together her shape-shifting pisteis within the classroom. Walters leads the reader as she leads her students through a critical investigation of haptic technologies, showing the ableist assumptions embedded within them. Not only is this investigation pertinent to disability studies, but it also models the kind of deep critical analysis we should all be guiding our students toward. Walters’ conclusion reminds us that we are all embedded in haptic technologies and the future of communication technology will only embed us further. As we critically engage technology, we need a lens through which to understand touch, which Walters has provided.Rhetorical Touch is an important contribution to the historiography of rhetoric, to rhetorical theory, to disability studies, and to composition rhetoric. I look forward to seeing how other scholars take up this reshaping of the traditional rhetorical triangle. The only disappointment I can manage to find in the book is the continued adherence to identification. However, Walters provides analytical insight and new perspectives on the tradition that are radical and inclusive of diverse bodies and minds. That is what this book offers to the world of rhetoric.

Johnstone and Graff’s contribution to what they term the “archaeology” of Greek rhetoric is original and significant. By describing the visual and acoustic characteristics of bouleutêrion interiors, they help us to imagine the experiences of both speaker and audience in these spaces. Speeches before boulai could have been performative tours de force. Orators could have taken advantage of the settings to enhance their words’ persuasive force, to present themselves in competition as confident, powerful men, and, perhaps, to generate particular aesthetic effects. Johnstone and Graff’s approach reflects the contemporary trend of trying to situate ancient performance texts within the physical locations for which they were composed. Probably the most successful example of this is Bissera Pentcheva’s work on Hagia Sophia. Pentcheva and her colleagues have demonstrated how the acoustic properties of Hagia Sophia, particularly its reverberation time, would have affected the experiences of hearing and performing hymns, psalms, and the sung sermons known as kontakia during the Justinianic liturgy of the sixth century CE. Hagia Sophia lends itself to this kind of research, since the complete building survives, as does a large and varied corpus of texts written about it or for performance within it. Johnstone and Graff’s project faces the opposite situation. None of the dozens of known bouleutêria survives as anything approaching a complete building, and we have limited specific evidence of what went on within them. This essay considers Johnstone and Graff’s analysis in light of these two challenges.All the bouleutêria Johnstone and Graff discuss are in more-or-less ruined condition. Sufficient remains of the foundations of the Old and New Bouleuteria in Athens survive for us to reconstruct the buildings’ dimensions and floor plans, but we have limited evidence about the heights and materials of the walls and roof and the materials of interior surfaces. It is not even clear whether there were wooden benches for the bouleutai to sit on. Other buildings are better preserved. For the bouleutêrion of Miletus, for instance, we know that the seats and walls were of marble and limestone, and we can reconstruct the exterior walls’ height with reasonable accuracy. Even for the best preserved bouleutêria, fundamental architectural details, including the presence of windows and the materials and pitch of the roof, are matters of speculation. The state of the buildings has important consequences for acoustic analysis, as the example of reverberation time will show.Reverberation time is a measure of how long it takes a sound to die away. Some materials, such as cloth, absorb sound and hasten its decay. Other materials, such as brick or solid wood, reflect sound and prolong its reverberation. To calculate the reverberation time of any room, therefore, we need to know the materials and surface area of every surface that sound could encounter within it, including the walls, floor, ceiling, and furniture. We also need to know the volume of the room. This poses a challenge for bouleutêria. The Old Bouleuterion in Athens is a representative example. Since we do not know the height of the Old Bouleuterion, we cannot calculate with certainty its volume or the surface area of its walls and roof. Chips of yellow poros suggest that the walls were of this material, but neither the walls themselves nor traces of any of the interior furniture survive (Thompson 129–132). Accordingly, Johnstone and Graff have to make inferences about the height and the material of interior surfaces in order to calculate reverberation time. They estimate a wall height of 6 m and a roof peak height of 9.3 m. Different heights would change both the volume and surface areas, and so would result in different reverberation times. In Appendix A, Table 1, Johnstone and Graff base their calculations on “absorption coefficients that most closely resemble the building materials used.” As with the height, if we posit different materials, the reverberation times would change. Other measures, including speech intelligibility, also depend on height and materials. The presence or absence of windows can affect acoustic conditions as well. Georgios Karadedos, Vasilios Zafranas, and Panagiotis Karampatzakis, who have calculated the reverberation times of some Greek bouleutêria and ôdeia, although with very different results from Johnstone and Graff, note that open windows in their reconstruction of the Odeion of Aphrodisias would reduce reverberation time by 20 percent. When Johnstone and Graff praise the acoustics of the Old Bouleuterion, therefore, their conclusion is a possibility rather than a certainty. They are referring to their reconstruction of the building rather than the building itself. The same holds for other bouleutêria. For the bouleutêrion at Messene, for instance, Johnstone and Graff’s calculations depend on a reconstructed wall height of 17 m and a roof peak height of 20.3 m. All of Johnstone and Graff’s assumptions are reasonable, but results based on information that we do not know must always be used with caution.Even though Johnstone and Graff’s results may be uncertain in particulars, they point to conclusions that are generally correct. Greek bouleutêria, especially those whose shapes resemble the Old or New Bouleuterion in Athens, were effective performance spaces for both visual and acoustic reasons. The Greeks themselves seem to have appreciated the functionality of the Old and New Bouleuteria, since, of all the monumental civic and religious buildings of fifth- and fourth-century Athens, their architecture was the most consistently imitated. This contrasts with another Athenian building that hosted oratorical performances, the Odeion of Pericles. Modeled after Xerxes’ tent, it did not become the model for later ôdeia (Camp 347), perhaps because its many columns and sloping, peaked roof impeded visibility and resulted in poor acoustics, especially compared to the simple box-like shapes of the Old and New Bouleuteria.Research on bouleutêria faces a second central challenge besides the scanty archaeological remains. While we know these buildings housed councils of various sorts throughout the Greek world from the archaic through late antique periods, we have little idea of how these councils actually conducted their business. This is particularly true of Hellenistic cities, but it is also true of Classical Athens. We know much about the Athenian boulê’s responsibilities and procedures, but we do not know what the bouleutai did in the buildings we call the Old and New Bouleuteria and what they did elsewhere. The boulê met almost every day. Its published agendas always included the location of the meeting (Arist. [Ath. Pol.] 43.3), and that location may have changed often. As Johnstone and Graff note, inscriptions and literary references attest to the Athenian boulê meeting in various places. Similarly, according to Xenophon’s Hellenica 5.2.29, the Theban boulê would meet in a stoa when its usual meeting place on the hill known as the Cadmea was being used for another purpose, and Christopher P. Dickenson (115) infers from two accounts of the same event in Plutarch’s Life of Aratus 40.2–3 and Life of Cleomenes 19.1 that the Corinthian boulê could meet in the Temple of Apollo, even though there was a bouleutêrion in Corinth (Diodorus Siculus 16.65.6).We need to be cautious about references to bouleutêria in ancient sources, since bouleutêrion is both a general and specific term. In Athens, it can refer to the particular buildings that we call the Old and New Bouleuteria, but any other place that any boulê meets is also a bouleutêrion. Hence, there was a bouleutêrion on the Areopagus for the boulê of the Areopagus (Lalonde). Any building where a boulê was meeting could probably be designated a temporary bouleutêrion, just as a stoa could become a dikastêrion while it was being used for trials. Along the same lines, at least some of the buildings designated as bouleutêria would have hosted events besides meetings of the boulê, since, as a general rule, Greek buildings were designed for multiple purposes. As Johnstone and Graff point out, the Old Bouleuterion may have simultaneously housed both the boulê and Athens’ archives. This affects how we think of bouleutêria as venues for oratorical performances. While there can be no question that they did host oratory, we cannot be sure of what else they were used for or how often speeches took place within them, as opposed to alternative meeting places of boulai.By emphasizing oratorical performances in bouleutêria, Johnstone and Graff’s analysis leaves questions about boulê procedure and the buildings’ other purposes unanswered. How often would speakers who were capable of the kind of performances that Johnstone and Graff envision have had the opportunity to speak in bouleutêria? How would the architectural characteristics that made bouleutêria excellent spaces for oratory have affected the other activities that occurred within them, such as subcommittee meetings or debates like the one in Lysias 22, Against the Graindealers, that Johnstone and Graff mention? What was more central to bouleutêria’s roles, their acoustics or the unimpeded sight lines from almost anywhere inside them? In the rest of this essay, I consider Johnstone and Graff’s analysis from the broad perspective of these questions. I will not offer answers, which is probably impossible based on our evidence, but I will show that reconstructions of bouleutêria need to account for other activities just as prominently as for deliberative oratory. Even though Johnstone and Graff do not specifically address other activities, their study points to how bouleutêria would have been more than simply venues for speechmaking. I will focus particularly on Athens, since we know more about the Athenian boulê than the boulai of other cities.Plato’s Gorgias, who surely has Athens in mind, defines rhêtorikê as “the ability to persuade with words dikastai in a dikastêrion, bouleutai in a bouleutêrion, and ekklêsiastai in an ekklêsia, as well as in any other type of political meeting” (452e, my trans.). The Athenian boulê acted as a kind of gatekeeper for the ekklêsia, setting the agenda of topics for each meeting. An item placed on the ekklêsia’s agenda was called a “preliminary resolution,” or probouleuma. Speakers could influence Athenian policy by successfully persuading the bouleutai to pass probouleumata recommending their pet causes. Since the ekklêsia appears to have approved the boulê’s recommendations without changes about half the time (Rhodes 79), a politician who was skilled at manipulating the boulê could wield considerable influence over the policies of Athens. Debates over probouleumata probably attracted the kinds of trained orators that Johnstone and Graff envision taking advantage of the acoustic conditions of the Old and New Bouleuteria. In the Sausage Seller’s description of a chaotic meeting of the boulê in Aristophanes’ Knights, we hear that Paphlagon was “booming with words that struck like thunderbolts” and “hurling mountain crags” at the bouleutai (626–629, my trans.). Although exaggerated for comic effect, this gives us a taste of the kind of oratory that politicians such as Cleon would have practiced before the boulê in the 420s BCE.There were other opportunities for oratorical performance before the boulê besides debates over probouleumata. The boulê had the power to conduct certain types of judicial hearings, most importantly dokimasiai, or “examinations,” of magistrates who were about to take office, as well as of invalids seeking public support. Dokimasiai took the form of trials. The people objecting to the appointment spoke first, and then the prospective officials defended themselves. Of the five surviving speeches that were delivered before the Athenian boulê, four come from dokimasiai (Lys. 16, 24, 26, 31) and one from another type of judicial hearing (Dem. 51). Dokimasiai would have been ideal occasions for what Johnstone and Graff term the “performance of masculine virtue and virtuosity in a competitive culture that prized honor and reputation.” Prospective magistrates and bouleutai had to justify not only their qualifications but also their lifestyles and habits. For instance, in Lysias 16, For Mantitheus, Mantitheus defends his appearance and reputation as an orator and responds to the charge that he served in the cavalry under the Thirty Tyrants.We should not exaggerate the importance of oratory in dokimasiai. Most of the hundreds of hearings the boulê had to conduct each year must have been resolved with rapid approvals or rejections and minimal speechmaking. Furthermore, whenever the boulê acted as a court, we do not know whether it even met in the Old or New Bouleuterion. Pollux 8.86 says that the dokimasiai of archons took place in the Stoa Basileos (Rhodes 36), and the manuscripts of Lysias 31.1 refer to a dikastêrion rather than a bouleutêrion. While the Old and New Bouleuteria in Athens, therefore, seem to have served as venues for oratorical performances during discussions of probouleumata, the boulê seems to have been convened in other places on at least some occasions that may have featured competitive oratory.Even during political debates, prominent politicians could not address the boulê whenever they wished, since only the bouleutai themselves had an absolute right to speak (Rhodes 42–43). As a result, politicians sometimes pursued policy goals through behind-the-scenes maneuvering. Demosthenes (23.9,14), Aeschines (3.125), and the pseudo-Aristotelian Athênainôn Politeia (29.1–3) all describe politicians advancing policies through personal relationships (Rhodes 57). As Josiah Ober has argued, the boulê of the fifth and fourth centuries functioned through a series of interlocking social networks that recognized and relied on individuals’ connections and expertise (142–155). Ober calls this process “knowledge aggregation.” The aggregated knowledge of the boulê and its constituent social networks would have served as a check on the power of rhetoric. When bouleutai voted, their decisions were informed both by the speeches they had heard and by the informed opinions of their expert colleagues. Both the Old and New Bouleuteria, as Johnstone and Graff have reconstructed them, would have facilitated this kind of informed voting. By sitting, or perhaps standing, in what Ober (199–205) calls “inward facing circles,” the bouleutai could have observed each other as they listened to speeches and so reached judgments informed by the reactions of their colleagues. The open space that facilitated oratory would also have encouraged visual communication among listeners and so prevented orators from having too much power.The boulê oversaw many Athenian officials, especially those concerned with finances and the navy. One of the boulê’s most important roles was to supervise monetary transactions. For instance, in the fifth century the boulê observed the presentation of tribute from the allies (Meiggs and Lewis 46), and in the fourth century they watched in the bouleutêrion as the debts of individuals who had paid the money they owed to the state were formally erased from the written record (Arist. [Ath. Pol.] 48.1). Duties such as these required seeing as much as hearing, which again indicates that visibility would have been as important as audibility to the design of Athenian bouleutêria. The open space of the Old and New Bouleuteria probably encouraged small meetings of subcommittees as well as mass viewing, especially if there were movable wooden benches. By the fourth century, the boulê conducted much of its supervisory business through subcommittees (Rhodes 143).The Old and New Bouleuteria in Athens were multipurpose buildings whose design facilitated a range of activities besides oratory. We know much less about the business conducted in bouleutêria outside Athens, but they also seem to have hosted both political oratory and other events, some of which had nothing to do with speaking or governing.Inscriptions and literary references make clear that boulai throughout the Greek-speaking world played an active role in political decisions, sometimes through listening to speeches. Polybius, for instance, describes a debate that took place in 226 or 225 BCE in the koinon, here “shared” or “federal,” bouleutêrion of the Achaean League, which was probably in Aegium, on the Gulf of Corinth. At this meeting, envoys of the Megalopolitans read a letter from the Macedonian king Antigonus Doson and urged the representatives of the league to make an alliance with him, but the general Aratus responded “at length,” urging them to continue acting on their own for the time being. The “crowd applauded” Aratus’ speech and accepted his recommendation (2.50.10–51.1). Polybius also paraphrases a speech of the general Philopoemen given in what was probably the same bouleutêrion in 208 or 207 BCE (11.9.1–9), which criticizes the soldiers of the Achaean League for neglecting their armor and weaponry in favor of fancy dress.By the imperial period, bouleutêria hosted performances besides political oratory, including epideictic oratory and musical concerts. Libanius describes the enthusiastic reception that greeted him when he spoke in the bouleutêrion in his hometown of Antioch in 353 CE (Autobiography 87–89), and Dio of Prusa (19.2–3) describes the performance of a lyre player in the bouleutêrion in Cyzicus sometime between 85 and 95 CE. While Libanius and other epideictic speakers probably benefited from the same architectural conditions that Johnstone and Graff show favored deliberative speakers, a focus on oratory alone does not address whether bouleuêtria would also have been effective performance spaces for singers and instrumentalists. Did the buildings host concerts because their acoustics were good for music as well as speech or simply because they were available?Some bouleutêria accommodated events unrelated to government or to individual performances. To take one example, Josephus tells us that the same building in Tiberias was used both for formal political meetings of the Tiberian boulê, complete with oratory and debates, and as a proseukhê, “prayer-house” or “synagogue” (Life 276–298, Rocca 296–300). Other synagogues of the late Second Temple period seem to have been modeled after Hellenistic bouleutêria such as the ones at Priene and Miletus that Johnstone and Graff discuss (Ma‘oz 41, Rocca 305–310). This suggests that the architectural characteristics that Johnstone and Graff associate primarily with oratory would also have been appropriate for the non-oratorical activities in synagogues, the of the the of the and outside and, especially after public while Johnstone and Graff’s specific results need to be used with their analysis of the performance conditions of bouleutêria how skilled orators could have used these buildings to their in the that a At the same time, Johnstone and Graff’s focus on oratory the of their every speech before a boulê would have been delivered in a bouleutêrion, bouleutai had many responsibilities that did not call for and bouleutêria were used for besides boulê The physical characteristics of bouleutêria in Athens and throughout the Greek-speaking world that Johnstone and Graff would have accommodated a range of besides oratorical including visual small musical performances, and religious based on Johnstone and Graff’s may us how the architecture of bouleutêria would have facilitated or these at the of well late because they were multipurpose buildings to many of civic to and whose an of this essay, and to who my to ancient

Although scholars have advocated for new technologies for responding to student work, there has been little study of how commenting style varies across types of technologies. Using a combination of artifact analysis and interviews, this study shows how the comments of five writing instructors varied between hard-copy and iPad-collected papers. Comments were coded for focus and mode based on previous work by Straub and Lunsford (1995). The overall focus, mode, and length of comments remained consistent across types of technology. In addition, the genre of the end comment (Smith, 1997) remained consistent and appeared unaffected by technology use. However, participants made more imperative marginal comments using the iPad. Interviews showed a difference in comfort and tactile experiences with the iPad that may account for this difference. Ultimately, the use of different technologies may affect teachers’ emotions and embodied experiences, which may have a more significant effect on mode of comments than the technology itself. Future studies should further examine the connections between the material use of technology, the emotions of the users, and changes in commenting style.

Aim:  The use of validated measures of writing motivation is imperative to improving our understanding and development of interventions to improve student writing utilizing motivation as a mechanism.  One of the most important malleable factors involved in improving student writing is motivation, particularly for secondary school students.  This research note systematically examines the measures of writing motivation for students in grades 4–12 used by researchers over the last ten years and summarizes their psychometric and measurement properties to the extent provided in the underlying literature. This collection of measures and their properties and features is designed to make researchers more aware of the various options and to point out the need for additional measures. Problem Formation:  Writing is crucial to college and career readiness, but adolescents are inadequately prepared to be proficient writers.  Grades 4–12, once students have generally learned the basics of writing, are when students begin to develop more fluent and sophisticated writing abilities.  They turn from learning to write to writing to learn, and writing is increasingly done across content areas and in multiple genres.  Unfortunately, writing is a difficult skill to master, and students in middle and high school suffer from declining motivation.  The ability to measure changes in writing motivation at this developmental stage will allow researchers to more effectively design and assess writing interventions.  What are the current, validated measures of writing motivation available for researchers working with adolescents?  Motivation research has grown significantly in the last ten years, and a variety of motivation constructs (e.g., self-efficacy, expectancy-value) and related measures are used across the field. In addition to the variety of motivation constructs used in research today, researchers require domain- or context-specific measures of motivation (e.g., science motivation) to enable an accurate understanding of the role of motivation in achievement. Despite increased developments in both motivation and writing research over the past few decades, the intersection of these two fields remains relatively unexplored (Boscolo & Hidi, 2007; Troia, Harbaugh, Shankland, Wolbers, & Lawrence, 2013).Information Collection:  A thorough literature search was done to find measures of writing motivation used for this age group within the last 10 years.  Psychometric properties, to the extent available in the underlying articles, of each measure are described.Conclusions:  Ultimately, seven discrete measures of adolescent writing motivation were found, but only limited psychometric details were available for many of the measures.  No “gold standard” measure was found; indeed, the measures utilized varied motivational constructs and rarely reported more than the Cronbach’s alpha of the underlying instrument. Researchers need to carefully parse through the related motivation literature to understand the most likely constructs to be implicated in their intervention. They need to consider factors specifically related to their study, such as how stable the construct being targeted is developmentally, whether the term and type of intervention will be sufficient to make an impact on the students’ motivation as suggested by the underlying motivational literature, and what the target of the intervention is. Appropriate motivational constructs to be measured will vary depending on the intervention and its anticipated theory of change.Directions for Further Research: Several underlying motivation constructs have been used in the measures described in this review, particularly self-efficacy. However, a number of important motivation constructs, such as interest and self-determination theory, were not captured by the measures found.  This review of currently available measures will give researchers options when wanting to include validated measures of writing motivation in their studies and suggests that additional, validated measures are needed to adequately cover the relevant motivational constructs.

This study investigates the direct and/or indirect effects of some cognitive (working memory capacity) and affective (writing anxiety and writing self-efficacy) variables on the complexity, accuracy, and fluency (CAF) of second language (L2) learners’ writings. To achieve this goal, 232 upper-intermediate English learners performed an automated version of a working memory capacity task (A-OSPAN) and a timed narrative writing task in L2. Furthermore, participants were asked to complete two self-report questionnaires. The proposed path model adequately fitted the data, and results of path analyses indicated the following: All three measures of L2 writing were directly predicted by learners’ writing self-efficacy; writing self-efficacy affected CAF indirectly through writing anxiety; the direct paths from writing anxiety to all measures of L2 writing were negatively significant; higher working memory spans directly predicted higher L2 writing scores regarding complexity and fluency, but negatively affected learners’ accuracy scores. Based on these findings, the author discusses techniques for enhancing learners’ writing self-efficacy, reducing their anxiety, and helping them make efficient use of working memory resources.

This piece examines the Writing Studies job market from a perspective not addressed in previous literature: accessibility. I draw on work in the field of disability studies to argue that accessibility does not only affect those people who identify as having a disability; rather, it is a concept that speaks to how well all candidates are able to participate in the procedures and expectations for a tenure-track job search. Focusing on interview formats, this article ultimately argues for more generous interview practices that take into account the various ways in which candidates might be disadvantaged by rigid structures.

This article argues that fake news is only one instantiation of a shift that literacy studies will need to reckon with to understand how people encounter texts on an everyday basis. It argues that looking at the information ecologies in which fake news circulates reveals a shift to the reliance on computational and automated writing systems to circulate texts and amplify their distribution. The article critically synthesizes existing literature and provides key examples of how algorithms and bots were deployed strategically to pollute the media ecology with fake news in the time immediately preceding the 2016 Presidential election in the United States. The argument ultimately raises a series of questions that literacy studies will need to confront given the influence of computation in contemporary information environments, including asking: how can people engage in responsible discourse in the face of rapidly evolving and exploitable technologies?

Background: In policy and law contexts, plain-language practice and research tend to focus on the benefits of plain language for specific nonexpert or public audiences. However, as plain-language use has proliferated, documents targeted for revision increasingly include those with insider and expert primary audiences. This study investigates the effects of plain-language revision on insider audiences following the adoption of a revised city charter in a Midwestern US city. Research questions: 1. How does plain-language revision affect the way that insider city-government users make sense of the city charter? 2. How does plain-language revision affect the way that insider city-government users act on the city charter? Literature review: Plain language-a strategy that writers use to make texts more effective for users-is historically and ideologically associated with helping public or vulnerable audiences to access complex information. This core priority toward public or nonexpert audiences is important; however, it has also resulted in a limited understanding of the full scope of plain-language audiences, especially in contexts where insider and expert audiences are primary users. Methodology: This study, informed by genre theory, is a qualitative case study in which textual artifacts and interview data were collected and analyzed using a two-cycle qualitative coding process. Results: The analysis showed many effects, nearly all positive, for insiders and experts. Conclusions: This article focuses on two areas of impact: charter authority and user practices. I explore these areas, which include improved navigation, organization, and processes, through the concept of interplay between the unrevised and revised charters.

In the field of rhetorical studies, and more often than not in broader traditions of the humanities, nonhuman animals (NHAs) are remanded to epistemological margins in terms of both theory and case. Scholars of rhetoric tend to invoke animalism only when focusing on a human agent’s use of animal metaphors and parasitic tropes as a linguistic act or discursive tactic, or in movement studies, when constituting NHAs as objects of other-directed human activism. Sometimes, NHAs appear as negative foils, as in the illustration of Kenneth Burke’s distinction between human action and animalistic motion, or in the numerous examples of how logos punctuates humans’ rhetorical supremacy and singularity. Philosophically, scholars typically cipher NHAs as “cases in point” to discuss more expansive ethical dimensions of sentience in the service of arguing for the human condition. Technologically, in studies of media culture, NHAs perform as memes or serve as darling accoutrement in YouTube videos designed for human consumptive pleasure. In the end, what we find in the lion’s share (no pun) of humanities scholarship is the de-agentized NHA as a voiceless, silent, inactive, dispassionate, non-communicative, and ancillary object of humans’ rhetorical discourse and material action. (There are exceptions to this treatment in the field of communication studies [see Almiron, Cole, and Freeman, Critical Animal and Media Studies Communication; and the collected essays in Goodale and Black, Arguments about Animal Ethics].)Debra Hawhee’s book, Rhetoric in Tooth and Claw, responsibly cuts against the tradition of metonymically reducing NHAs to footnotes. Therein, she reanimates the positionality of NHAs as instructive actors in rhetorical theory and rhetorical education. Engaging in pan-historiographical methods, Hawhee brings a new perspective to the NHA-human relationship by centering the ways NHAs have circulated within and among ancient and modern texts not just as complements, but rather as charged inventional resources unto themselves. She explores rhetorical treatises ranging from those by Aristotle and Demetrius to Longinus, Erasmus, and new translations by Lucian and Psellos (among others) to locate how NHAs appear active as zoostylistic teachers.Hawhee does not make the argument that NHAs do rhetoric; instead, her larger claim is that NHAs’ influences outstrip verbal language and compel us to contemplate extra-lingual dimensions of rhetorical energy. In sum, she grounds sensation as a common point between humans and NHAs. The rhetorical history Hawhee traces does not presume, “as most histories of rhetoric do, the centrality of logos as both reason and speech” (11). Rather, her study “stresses energy, bodies, sensation, feeling, and imagination” (11).NHAs have been a part of human existence, and particularly human narratology, since time immemorial. Indeed, as Hawhee deftly points out, in the context of rhetorical theory and rhetorical education, many of us have likely encountered the ways that Aristotle’s dog in the Rhetoric (2.3.138oa.24–26) emblemizes how humans and NHAs assess each other’s dispositions and modulate their responses and how Herodotus’ and Libanius’ encomia on NHAs (crocodile in Histories; peacock in Progymnasmata, respectively) represent models for human epideictic genres. Perhaps we have wondered about the theriomorphic fashion in which Demetrius’s nightingale charms and delights, just as rhetorical handbooks suggest a rhetor ought to when considering the sensory touchstones of one’s discursive choices (On Style). Moreover, many of us may have contemplated Aesop’s fables and why animals stand as sentries over cautionary tales that become analogs for our public lives in the civis. Even Rhetorica from Giarda’s 1628 Bibliothecae Alexandrinae Icones Symbolicae holds at her left side a leashed, three-headed beast and in her right hand a snake-wound scepter. What does the presence of such NHAs mean for the study of rhetorical theory and the instructional ways it is actuated in the handbook tradition?Hawhee’s high water mark treatment of NHAs in some of Western culture’s most treasured rhetorical treatises adds to our field the importance of sensation. In fact, she argues that sensation “matters the most” and provides a vocabulary of logos and alogos to emphasize how the latter remains key to progymnasmata, or the system of exercises used to prepare one for rhetorical study. What began for Hawhee as a book about animals and rhetorical theory blossomed into a project that values and locates sensation and imagination in well-worn artifacts that have heretofore seemed locked into unidimensional interpretation. At a time in the humanities when affect is discussed and debated more and more, and when we are witnessing the return of pathos as a sine qua non rhetorical proof, Hawhee’s book gets us closer to the roots of aesthesis and pathe. Concomitantly, the project celebrates alogos, or those rhetorical movements not associated with traditional rationality. In the offing, the sensory emerges not as passive or attendant, but as central to rhetorical education. As Hawhee writes, “Sensation, feeling, and emotion, then, have emerged as the positive counterparts to rationality and reason—positive, that is, in comparison with the term nonrational” (7).Hawhee contends that NHAs keep sensation alive in rhetorical theory, whether by modeling sound, countenance, and efficiency in post-Aristotelian theory (chapter two) and providing deliberative rhetorical grounds through fables (chapter three), or by inculcating encomia and visual inquiry (chapter four), teaching memory in medieval rhetorical theory (chapter five), or considering accumulatio in Erasmus’s De Copia (chapter six). Every chapter, with its multiple case studies, enlivens this new interpretation of rhetorical history, scaffolding how NHAs intersect with our senses of sensation over time. Written convincingly and argued expertly, Hawhee’s book is a gem among new genealogical studies that help us reconsider the superstructures of rhetoric as art and craft.The audiences for Rhetoric in Tooth and Claw are plural, to say the least. Certainly, scholars interested in ancient and modern rhetorical theory will gain fresh insight into the way emotion and sensation unfolded in the rhetorical tradition vis-à-vis NHAs. Classicists and philosophers would also benefit from a study that centers alogos as both fundamental to the human communicative condition and endemically primeval to animal (human and NHA) sentience and ontology overall. One of the genuinely admirable qualities of Hawhee’s work is the way she merges rhetorical studies with animal studies. Animal studies largely claims roots in philosophy and animal sciences, mostly through the study of the ethical treatment of animals by way of human intervention into NHA lives and ethos (i.e., using animals for food, clothing, experimentation, and entertainment). Since the publication of Peter Singer’s watershed Animal Liberation (1975), animal studies has grown into its own discipline in many ways (made emblematic by programs such as Tufts University’s Center for Animals and Public Policy, and book series found at the University of Chicago Press [Animal Lives series] and Routledge [Human-Animal series]). Rhetoric in Tooth and Claw connects rhetorical studies (from classical approaches to critical-cultural spaces) to animal studies, what Richard Ryder calls the study of “the changing relationships between human and nonhuman animals over time” (Animal Revolution). Clearly, animal-studies scholars would be intensely attuned to Hawhee’s arguments about the sensory overlap present in NHA-human rhetorical connections.In the end, Hawhee is to be applauded for envisioning and presenting a volume that reenergizes the study of extra-lingual features in rhetorical theory (principally, sensation) and that advances the vivification of NHAs as voice-full, resonant, active, passionate, communicative, and primary subjects in their own right.

The concept of usability is often connected to the setting - or context - in which individuals perform an activity. International settings complicate such relationships by introducing new variables that affect usability in different locations. In international health and medical communication, this situation can create problems that affect the health and wellness of patients in other nations and cultures. International patient experience design (I-PXD) presents a heuristic for addressing this situation. I-PXD helps individuals identify variables affecting usability in different international contexts. Persons working in health and medical communication can use this I-PXD heuristic to address usability expectations in various international contexts.

“Using Michael Warner and Christian Lundberg as a frame, I argue the best Kickstarters mobilize their publics’ affect via meaningful tropes baked into their project’s pitch while using synecdoche to offer that same public the chance to help create the text that binds them together.”

Chinese people have actively engaged in transnational and cross-cultural business activities in recent decades. Some Chinese people have moved their business activities to overseas countries, in particular, to developed countries. Some of them have migrated and settled down in a host space. About the case: This study aims to examine the identity work-in particular, the construction of a hybrid identity-and the business communication of a Chinese-Australian migrant, Jack, from the perspective of Chinese researchers. Situating the case: The communication characteristics of Chinese people are reviewed, and some factors related to identity work are examined. These interrelated strands provide a foundation for analyzing Jack's business communication and identity work in a host context. Research questions: (1) As an immigrant, how has Jack managed his identities in his business communication with self and Others during his life experience of more than 20 years in Australia? (2) Has Jack achieved a hybrid identity that enables him to switch his identities as he confronts the communication challenges of business situations? (3) What forces affect Jack's everyday business communication and identity work as a Chinese-Australian migrant in Australia? Methodology: Theories are applied to analyze anecdotes relating to the business communication and identity work of the migrant chosen for this case study. The first author is positioned as a cultural insider and ethnographer, observing, experiencing, and reflecting on some episodes in Jack's everyday business communication and identity work. The second author's informed input as an outsider to the case study provides interpretation of data and adds balance and a measure of objectivity. Results: Jack's communication with self and cultural Others is presented and analyzed to examine his complicated identity work in a host business arena. His shifting hybrid identity helps him to cross the border of his host culture and obtain privileges in business competition. These stories reveal that Jack's identity is continually changed and reconstructed as he builds social and cultural capital in his new business arena. Conclusions: This study captures characteristics of the transnational and cross-cultural business communication practices of Chinese migrants from the inside looking out, and it suggests that identity work is an ongoing and complex project, and that stereotypes should be avoided in transnational and cross-cultural business communication practices.

Research problem: Business-to-business contracts are complex communication artifacts, often considered “legal stuff” and the exclusive domain of lawyers. However, many other stakeholders without a legal background are involved in the negotiation, drafting, approval, and implementation of contracts, and their contributions are essential for successful business relationships. How can we ensure that all stakeholders in the global business context-whatever their native language or professional background-easily and accurately understand contract documents? This study suggests that integrating diagrams in contracts can result in faster and more accurate comprehension, for both native and non-native speakers of English. Literature review: We focused on the following research topics: (1) ways to integrate text and visuals to create more effective instructions, since we conceptualize contracts as a type of business instructions; (2) cognitive load theory, as it may help explain why contracts are so hard to understand and why text-visuals integration may ameliorate their understandability; (3) cognitive styles, as individual differences may affect how individuals process verbal and visual information, thus allowing us to explore the limitations of our suggested approach; (4) the English lingua franca spoken by business professionals in international settings, their needs and challenges, and the fact that pragmatic approaches are needed to ensure successful communication. Methodology: We conducted an experiment with 122 contract experts from 24 countries. The research participants were asked to complete a series of comprehension tasks regarding a contract, which was provided in either a traditional, text-only version or in a version that included diagrams as complements to the text. In addition to measuring answering speed and accuracy, we asked the participants to provide information about their educational background, mother tongue, and perceived mental effort in task completion, and to complete an object-spatial imagery and verbal questionnaire to assess their cognitive style. Conclusions: We found that integrating diagrams into contracts supports faster and more accurate comprehension; unexpectedly, legal background and different cognitive styles do not interact with this main effect. We also discovered that both native and non-native speakers of English benefit from the presence of diagrams in terms of accuracy, but that this effect is particularly strong for non-native speakers. The implication of this study is that adding diagrams to contracts can help global communicators to understand such documents more quickly and accurately. The need for well-designed contracts may open new opportunities for professional writers and information designers. Future research may also go beyond experimental evaluations: by observing this new genre of contracts in vivo, it would be possible to shed light on how contract visualizations would be perceived and interpreted in a global communication environment.

Background: This paper examines creativity in content management (CM) by presenting a case study analysis of an original, open-source, Web-based learning-management system (LMS). It explores existing literature and suggests new ideas about creativity and CM. Research questions: How can we conceptualize creativity in relation to CM? How can creativity be operationalized into specific design practices within CM? What dimensions of creativity should be considered when designing or evaluating creative CM systems?Situating the case: Theoretical research in content-management systems (CMSs) and LMSs has revealed a gap in our field's current understanding of how creativity relates to CM. Research studies related to the measurement of creativity have provided insight into characteristics and methodologies that could be adopted and adapted to evaluate creativity in CM. Studies from the learning sciences have investigated where LMSs fall short and suggested where new opportunities exist to better facilitate the informational needs of users. These works have pointed to a need for research on integrating creativity and CM, both in content and in the systems that manage content, and have laid the groundwork for this study. Methodology: This research investigates theories of creativity as they relate to CM by conducting a case study analysis of unique instructional software designed to deliver content to students enrolled in a university course. The primary evidence is taken from notes about the design and evaluation of the software and from survey data illustrating students' user experiences. About the case: We developed a classification strategy for exploring creativity along three dimensions-importance, novelty, and affect-and then used this strategy to explore a unique system's approach to deal with content challenges in each of those areas. User experience impressions provide evidence of successes and failures of experimental CM in these domains. Conclusions: The study finds that this original LMS design did contain features that exhibited novelty, importance, and affect, and that such features can be used to identify creativity in product design as well as to assess the design of complex software systems such as CMSs and LMSs. This detailed analysis of an original design for an LMS suggests new ideas for implementing and using CMSs and LMSs in technical communication. The study concludes by presenting a rubric for evaluating creativity in CMSs and LMSs, or for designing such systems with creativity in mind.

In the work of transnational feminist scholars, there is a share interest in investigating the colonial practices that affect women’s lives around the globe. In “Under Western Eyes: Feminist Scholarship and Colonial Discourses” (1986) Mohanty claims that scholars in the field should “detect (…) colonialist move(s) in the case of a hegemonic first-third world connection in scholarship” (349) in order to recognize the peculiarities of the cultures whose discourses are being created and thus, avoid the universalization and “homogenization of class, race, religious, cultural and historical specificities of the lives of women” (348). In this regard, Dingo touches upon the vital role of translations in the transcoding of arguments: “the way policy makers and development experts <strong>translate</strong> the term gender mainstreaming into policy documents should be <strong>a crucial concern for feminist rhetoritians</strong> because this act of translation demonstrates how arguments shift and change due to economic and geopolitical contexts and thus <strong>shows how power informs rhetorics</strong>” (2012: 31). Dingo´s conceptualization of the term “translation” is ambiguous, sometimes used to refer to “transcoding” (resituate a taken-for-granted term within the same language in order to fit certain ideologies, 31) and other times as the transfer of words from the source language to the target language (104). In this article, I aim to investigate the “transcoding” of the concept "women empowerment" as it is translated from English to Spanish and vice versa with the attempt to “make visible the ways in which all of our knowledge is mediated” (Queen 2008: 486) from the perspective of a post-colonial theory of translation.

ABSTRACTThe spread of mobile technologies and social media have contributed to making snapshot photography an ordinary part of everyday life. As snapshots become more omnipresent, asking why we take so many photos becomes less exigent than asking what might stop us from doing so. Drawing on insights from affect theory, new materialism, and studies of visual rhetoric, this article argues that deterrents to snapping pictures arise not only from the range of human rhetorics or “laws” that influence our actions or inactions, but also from a dynamic tangle of extrahuman factors, ineffable though this influence may be. Speculating about the implications of these extrahuman deterrents for how we understand rhetoric, I suggest that the ineffable enchantment of certain encounters exhibits a worldly rhetoricity in itself, one that conditions the possibility of—and sometimes prevents—the anthropogenic symbolic actions we are more accustomed to recognizing as rhetorical.

This essay discusses the affordances of using an affect-based approach to 9/11 discourses that facilitates teaching civic engagement. Representations and rhetoric about 9/11 are found in a range of modes—film, documentary, literature, news coverage, and official government documents. Asking students to analyze these representations using a variety of rhetorical strategies highlights the way that various sources of (competing) knowledge about the national tragedy disrupt the notion that there is an accepted, uniform way of understanding this event. Furthermore, this approach demonstrates how varied sources of meaning making construct our public sphere.

This study extends previous research on observational learning in writing. It was our objective to enhance students’ motivation and learning in an academic writing course on research synthesis writing. Participants were 162 first-year college students who had no experience with the writing task. Based on Bandura’s Social Cognitive Theory we developed two videos. In the first video a manager (prestige model) elaborated on how synthesizing information is important in professional life. In the second video a peer model demonstrated a five-step writing strategy for writing up a research synthesis. We compared two versions of this video. In the explicit-strategy-instruction-video we added visual cues to channel learners’ attention to critical features of the demonstrated task using an acronym in which each letter represented a step of the model’s strategy. In the implicit-strategy-instruction-video these cues were absent. The effects of the videos were tested using a 2x2 factorial between-subjects design with video of the prestige model (yes/no) and type of instructional video (implicit versus explicit strategy instruction) as factors. Four post-test measures were obtained: task value, self-efficacy beliefs, task knowledge and writing performances. Path analyses revealed that the prestige model did not affect students’ task value. Peer-mediated explicit strategy instruction had no effect on self-efficacy, but a strong effect on task knowledge. Task knowledge – in turn – was found to be predictive of writing performance.

Writing Partners projects have been instituted as ways of providing student writers with audiences other than their classmates and instructors. These projects may take various forms: e.g. high school students are paired with students at another school or with college students, etc. This article outlines a new approach to Writing Partners projects that utilized trained peer review and pairing of students from two successive academic programs related to writing: the English for Academic Purposes Program and the Writing Program. This project was piloted at Deree – The American College of Greece in Spring 2014. The aim of the project was to investigate whether this practice would have an impact on the participants’ writing abilities and attitudes towards writing.The findings of the project suggest that extending a community of writers “beyond classroom walls” (Gillis 1994: 64) and across academic program boundaries, and utilizing trained peer review, may enhance students’ writing skills and positively affect their attitude towards writing. This has been shown through qualitative and quantitative analysis of the students’ revised writing and an examination of their written reflections. The article proposes that similar Writing Partners projects be implemented at different institutions to enhance student writers’ skills.

Aim: The screencast (SC), a 21st century analytics tool, enables the simultaneous recording of audio and video feedback on any digital document, image, or website, and may be used to enhance feedback systems in many educational settings. Although previous findings show that students and teachers have had positive experiences with recorded commentary, this method is still rarely used by teachers in composition classrooms. There are many possible reasons for this, some of which include the accelerated pace at which classroom technology has changed over the past decade, concerns over privacy when new technologies are integrated into the classroom, and the general unease instructors may feel when asked to integrate a new technology system into their established composition pedagogy and response routine. The aim of this study was to replicate previous findings in favor of SC feedback and expand that body of research beyond instructor-to-student SC interactions and into the realm of SC-mediated peer review. Thus, this study seeks to improve on the widespread written peer review practices most common among writing instruction today, practices that tend to produce mediocre learning outcomes and fail to capitalize on 21st century technological innovations to enhance student learning. This research note demonstrates the validity of SC as a valuable writing analytics research tool that has the potential to collect and measure student learning. It also seeks to inspire those who have been reluctant to adopt SC in both digital learning and face-to-face educational environments by providing pragmatic guidance for doing so in ways that simultaneously increase student learning and facilitate a more rigorous and discursive peer-to-peer review process. Problem Formation: While research suggests positive student perceptions related to screencast instructor response, results in peer-to-peer screencast response are mixed. After several successful years of experience in instructor-to-student SC feedback, the author wondered what would happen if she asked students to use screencast technology to mediate peer review. How might students’ attitudes and perceptions impact the use of peer-to-peer screencast technology in the composition classroom? In order to address these questions, the author developed a survey measuring the user reliability of this new SC technology and the student affect and revision initiative it produces. Information Collection: This study extends Anson’s (2016) research and insights by reporting findings from a study of 138 writing students. Survey data was collected during the 2015-2016 academic year at three institutions. At High Point University, the author of this research note asked freshmen composition students in a traditional face-to-face lecture course to conduct a series of peer review sessions (including both traditional written comments and SC comments) over a 16-week semester. Students were surveyed after each peer review experience, and the results form the foundation of this research note’s conclusions. In addition to survey responses, researchers also collected the screencasts exchanged among peer-to-peer interactions within each educational setting. Conclusions: The author provides an in-depth analysis of students’ experiences, perceptions, and attitudes toward giving and receiving screencast feedback, focusing on the impact of this method on student revision initiative in comparison to that of a traditional written feedback system. Some conclusions are also drawn regarding the user reliability and effectiveness of the screencast technology, specifically the free software program known as Jing, a product available through Techsmith.com that enables a streamlined and user-friendly SC interface and cloud storage of all SC recordings through individualized hyperlinks, thereby alleviating concerns regarding student privacy. Directions for Further Research: While this research note provides compelling evidence to support the use of SC in composition classrooms, there are also many opportunities for continued study, particularly within the emerging field of writing analytics. While the actual student-to-student screencasts were collected in this study, they were not analyzed as a qualitative data set, and the researchers relied on self-reported survey data to assess the degree of revision initiative among the students surveyed. The screencasts themselves offer a treasure trove of data, should the researcher have the capability to code that data set or utilize automated natural language processing programs in the future. Perhaps this peer-to-peer SC feedback could be compared to similar corpus analyses of instructor-to-student feedback gathered by other writing analytics scholars. In addition, further research in this area could also collect the student writing itself and track revisions made by students after receiving SC feedback and traditional written feedback from their peers. In this way, researchers would be able to make comparisons between the actual changes made by the student writers, the extent of those changes (surface-level or higher-order revisions), and the student’s perceived degree of revision initiative reported in the survey. To facilitate future research in this area, the author has included teaching resources for those new to screencast technology and analytics.

Background: While it is commonly recognized that almost every work and research discipline utilize their own taxonomy, the language used within a specific discipline may also vary depending on numerous factors, including the desired effect of the information being communicated and the intended audience. Different audiences are reached through publication of information, including research results, in different types of publication outlets such as newspapers, newsletters, magazines, websites, and journals. Prior research has shown that students, both undergraduate and graduate, as well as faculty may have a difficult time locating information in different publication outlet types (e.g., magazines, newspapers, journals). The type of publication may affect the ease of understanding and also the confidence placed in the acquired information. A text analytics tool for classifying the source of research as a newsletter (used as a substitute for newspaper articles), a magazine, or an academic journal article has been developed to assist students, faculty, and researchers in identifying the likely source type of information and classifying their own writings with respect to these possible publication outlet types.  Literature Review: Literature on information literacy is discussed as this forms the motivation for the reported research. Additionally, prior research on using text mining and text analytics is examined to better understand the methodology employed, including a review of the original Scale of Theoretical and Applied Research system, adapted for the current research. Research Questions: The primary research question is: Can a text mining and text analytics approach accurately determine the most probable publication source type with respect to being from a newsletter, magazine, or journal? Methodology: A text mining and text analytics algorithm, STAR’ (System for Text Analytics-based Ranking), was developed from a previously researched text mining tool, STAR (Scale of Theoretical and Applied Research), that was used to classify the research type of articles between theoretical and applied research. The new text mining method, STAR’, analyzes the language used in manuscripts to determine the type of publication. This method first mines all words from corresponding publication source types to determine a keyword corpus. The corpus is then used in a text analytics process to classify full newsletters, magazine articles, and journal articles with respect to their publication source. All newsletters, magazine articles, and journal articles are from the library and information sciences (LIS) domain. Results: The STAR’ text analytics method was evaluated as a proof of concept on a specific LIS organizational newsletter, as well as articles from a single LIS magazine and a single LIS journal. STAR’ was able to classify the newsletters, magazine articles, and journal articles with 100% accuracy. Random samples from another similar LIS newsletter and a different LIS journal were also evaluated to examine the robustness of the STAR’ method in the initial proof of concept. Following the positive results of the proof of concept, additional journal, magazine, and newsletter articles were used to evaluate the generalizability of STAR’. The second-round results were very positive for differentiating journals and newsletters from other publication types, but revealed potential issues for distinguishing magazine articles from other types of publications. Discussion: STAR’ demonstrates that the language used for transferring information within a specific discipline does differ significantly depending on the intended recipients of the research knowledge. Further work is needed to examine language usage specific to magazine articles. Conclusions: The STAR’ method may be used by students and faculty to identify the likely source of research or discipline-specific information. This may improve trust in the reliability of information due to different levels of rigor applied to different types of publications. Additionally, the STAR’ classifications may be used by students, faculty, or researchers to determine the most appropriate type of outlet and correspondingly the most appropriate type of audience for the reported information in their own manuscripts, thereby improving the chance for successful sharing of information to appropriate audiences who will deem the information to be reliable, through publication in the most relevant outlet type.

This study provides a new framework for thinking about the value of writing center work by illuminating how tutors define and negotiate their various and emergent identities as students and as professionals. We build on conversations about tutor identity to argue that tutors’ multiple roles affect the dynamics of the writing center as a whole. From interviews with graduate and undergraduate tutors about professionalization and the writing center, we reveal that the tutors’ level of resistance to or acceptance of writing center work impacts the extent to which they see themselves as burgeoning professionals within that space and, concomitantly, affects the sense of community in the writing center. At our site of study, undergraduate tutors who self-selected into writing center employment generally had much more positive associations with their writing center experiences than their graduate student counterparts, who were often compelled to work in the center as part of their assistantships. We argue then that while writing centers can be valuable in building the professional identities of both undergraduate and graduate tutors, the ways in which these different populations affect our centers is significant. As such, writing center professionals at all levels should work to acknowledge different identities and foster community among tutors who come to us with multiple backgrounds, purposes, and agendas.

This article provides insight into the role of students’ writing motivation in a writing centre setting. Based on my personal experiences as a peer tutor at a writing centre, the article highlights the importance of the Self-Determination Theory (SDT) for the evaluation of students’ motivational levels. It thus shows that the distinction between the motivational concepts of intrinsic and extrinsic motivation as well as between ‘amotivation’ vs. ‘demotivation’ provides a basis for tutors and instructors who endeavour to foster students’ motivation. Furthermore, the evaluation of different motivational strategies indicates that both peer tutors and instructors can make a valuable contribution to the development of students’ writing motivation by giving informative feedback, setting clear goals, creating relaxed atmosphere and enhancing students’ positive image as writers.

“This issue features a range of topics, but despite their diversity, the articles share a common thread of embodiment and affect, two areas toward which much current rhetorical scholarship is directed. While theories of embodiment and affect frame just a few of these essays, all of them reflect the centrality of bodies and emotion in discourse.”

This essay extends efforts to facilitate emotional–material frameworks of rhetoric informed by strides in rhetorical and biological studies respectively. Specifically, I examine Edwin Black’s theory of exhortation in light of neurological theories of affect, emotion contagion, and embodiment. I argue Black’s theory offers a prescient precursor to emotional–material rhetoric but also demands revision in light of recent advances in neuroscience. I present two claims. First, I argue emotionally grounded rhetoric can exhort emotional–discursive connections and preference judgments absent the need to convert emotional experiences into formal beliefs. Second, I argue physiological indicators are at least as important as verbal discourse in facilitating emotional exhortation. Finally, I conclude with some theoretical implications for the emotional–material study of rhetoric.

This article explores rhetorical implications of extending the audience of written physician notes in hospital settings to include patients and/or family members (the OpenNotes program). Interviews of participating hospital patients and family members (n = 16) underscored the need for more complex understandings of audience beyond “universal” and “particular” explanations. Interviews were organized around the aspects of comprehension, affect/emotion, and likes/dislikes about receiving notes. Results from these interviews indicated that participants understood the notes overall but had questions about abbreviations and technical terms. Many participants felt reassured about the care they were receiving, and many liked having the notes as a reference and springboard for further discussion with health care staff. A more detailed content analysis of the interview data yielded themes of document use, readability, involvement, and physician care. Findings from this study reveal an expansion of audience in this case to include both universal and particular audiences. Also, findings point to the possibility of audience involvement among patients and family members through activities such as asking questions about the physician notes. This study has implications for other forms of written communication that may extend readership in novel ways.

Research problem: Partially distributed teams (PDTs) are virtual teams that consist of at least two distinct geographically dispersed subgroups that communicate mainly through information and communication technology (ICT). As such teams become increasingly prevalent, it is important to understand how to manage them to maximize team effectiveness. The perceptions of effectiveness of PDTs may be significantly decreased when they are characterized by ingroup dynamics, consisting of preferential attitudes and actions toward collocated members, with accompanying conflict and lack of trust in regard to the distant subteam(s). Research questions: Do ingroup dynamics negatively impact perceptions of effectiveness in PDTs and, if so, how strongly? What factors can lessen ingroup dynamics-specifically, can training or reliable ICT support decrease ingroup dynamics? Does organizational context affect these relationships? Does whether or not the PDT is international affect these relationships? Does the number of subgroups in a PDT affect these relationships? Literature review: Social identity theory suggests how ingroup dynamics may emerge and create fault lines between subteams in a PDT. Effectiveness is defined in terms of process performance, which refers to how well the teamwork process has been undertaken. Prior research suggests that ICT reliability and training for work in distributed teams may decrease ingroup dynamics and improve effectiveness. International members, the specific organizational context, and the number of subteams per team might moderate these relationships. Methodology: An online survey of professionals with experience in PDTs was conducted, with two subsamples-one from a single large telecommunications company and one from a mix of organizations. Partial least squares regression was used to build and test a model of the relationships among the variables measured. Results: Ingroup dynamics have a strong negative relationship with perceived effectiveness. Overall, technology reliability and training significantly reduce ingroup dynamics. In the telecommunications company, training increased ingroup dynamics; thus, training may not always be beneficial, depending on organizational culture and the modes and types of training provided by a specific organization. Neither international membership on the team nor the number of subgroups per team was a significant multigroup moderator on any path in our model. Conclusions: These results help to extend social identity theory into this domain as they elucidate specifically that ICT reliability and training promote effectiveness of PDTs and that ingroup dynamics affect the perceptions of effectiveness in such teams. The results give managers guidance on what issues of PDTs to focus on to promote the effectiveness of PDTs.

Situated learning theory postulates that the environment in which learning occurs is foundational to understanding the outcomes of that learning. Taking classes in a nontraditional classroom, therefore, might have a noticeable effect on learning outcomes. This study examines three structures of the same general education course to understand the potential impact of mediated learning on students’ public speaking and writing apprehension and self-efficacy. Although situated learning theory suggests that the three structures (face-to-face, partially face-to-face, and fully online) should demonstrate differences, the results of this study are mixed, suggesting a complicated picture for situated learning’s ability to speak to differences based on technology use while highlighting the differences in how such technology might affect oral skills versus written skills. The application of situated learning principles to technologically mediated courses demonstrates the need to consider the interplay between environment and content.