Scholars of adult basic literacy curricular materials have argued that the skill-based, deficit-oriented approach of many such materials denies the interests and motivations of adult learners. Exploring why these kinds of curricular materials are prevalent in adult basic literacy education, this article focuses on the case of ProLiteracy, a nongovernmental adult basic literacy organization that grew out of missionary Frank Laubach's work in the 1930s to convert illiterate adults to Christianity and a belief in American-style capitalism. This article argues that the legacy of Laubach's evangelism continues to affect adult literacy instruction in the United States today, through the content of many of the materials in the ProLiteracy catalogue, as well as through the volunteer-based one-to-one tutoring model's positioning of low-literacy adults.

One privilege enjoyed by new-media authors is the opportunity to realize representations of Self that are rich textual worlds in themselves and also to engage the wider world, with a voice, a smile, imagery, and sound. Still, closer investigation of multimedia composition practices reveals levels of complexity with which the verbal virtuoso is unconcerned. This article argues that while technology-afforded multimedia tools make it comparatively easy to author a vivid text, it is a multiplicatively more complicated matter to vividly realize and publicize an authorial intention. Based on analysis of the digital story creation process of a youth named “Steven,” the authors attempt to demonstrate the operation of two forces upon which the successful multimodal realization of the author's intention may hinge: “fixity” and “fluidity.” The authors show how, within the process of digital self-representation, these forces can intersect to influence multimodal meaning making, and an author's life, in consequential ways.

Rhetorically challenging literature can be made to serve the purposes of first-year composition in new ways. Excerpts from the novels of Marcel Proust that focus on the author’s characteristic scrutinizing, reflexive attention to style work successfully as models for assisting writers in acquiring the habits of reading and re-reading, and of writing, revisiting, and revising, which are essential to well-written prose.

Reviews of: “Managing Literacy, Mothering America: Women’s Narratives on Reading and Writing in the Nineteenth Century” by Sarah Robbins; “Regendering Delivery: The Fifth Canon and Antebellum Women Writers” by Lindal Buchanan; “Vote and Voice: Women’s Organizations and Political Literacy, 1915–1930” by Wendy B. Sharer.

Many recent studies on computer-mediated communication (CMC) have addressed the question of orality and literacy. This article examines a relatively recent subgenre of CMC, that of written online sports commentary, that provides us with written CMC that is clearly based on firmly established oral genres, those of radio and television sports commentary. The examples analyzed are from two English, two French, and two Spanish online football (soccer) commentaries. The purpose of the study is to examine oral traits and genre mixing in online football commentaries in the three languages and carryover from the spoken genres of radio and television commentaries to this developing genre, following Ferguson. Special attention is paid to Web page design. The study reveals that form and content of online football commentaries are strongly affected by the style of the online newspaper.

In this essay I analyze the plain style as conceived of and used by the Lollards, a late fourteenth-century religious group. I argue that the same practices that set Lollard reading and writing apart from orthodox discourse were foundational to the Lollards' departures from orthodox belief, theorizing language and style in such a way that meaning was free from priestly mediation. This demonstrates the importance of the Lollard plain style as both a marker of heresy and a precursor to subsequent notions of plainness.

This essay chronicles the events that led to the ratification of TYCA.

Review Essays: Defining Dialect David Johnson American Voices: How Dialects Differ from Coast to Coast Ed. Walt Wolfram and Ben Ward Do You Speak American? Robert MacNeil and William Cran A Teachers’ Introduction to African American English: What a Writing Teacher Should Know Teresa M. Redd and Karen Schuster Webb.

Writing in personal genres, like autobiography, leads writers to public voices. Public voice is a discursive quality of a text that conveys the writer’s authority and position relative to others. To show how voice and authority depend on genre, I analyze the autobiographies of two writers who take opposing positions on the same topic. By producing texts in genres with recognizable social functions, student writers gain agency.

In his 2007 Rhetoric Review article "Style in the Diaspora of Composition Studies," Paul Butler explains that while style seems to have vanished from the field of rhetoric and composition since the 1980s, it has actually been appropriated by areas within our discipline including genre theory, rhetorical analysis, personal writing, and even race, class, gender, and difference studies. Using Janice Lauer's metaphor of the "diaspora" of composition studies to guide his analysis, Butler examines the ways that style, like invention, has "migrated" in the field. he claims that style is both absent and ubiquitous in our scholarship. Because "style in its dispersed form is often not called style but instead is named something else within the field," it remains central to our field although its presence is masked (5). That is, while it seems as though style is simultaneously absent and present in our discipline, the concept of style has remained present and it is the name style that is now absent. Therefore, style's place within composition studies is not paradoxical at all. "Style" appears to have gradually separated from the concept with which it was associated and has taken on other names that better fit the trends and developments of our discipline.

This article shows how digital archives can enrich the humanities classroom; I trace the collaborative creation of “I Remain”: A Digital Archive of Letters, Manuscripts, and Ephemera at Lehigh University, demonstrating how the archive engaged students' different learning styles, causing them to interrogate the way history is represented and processed.

Recently, scholars of new media have been exploring the relationships between genre theory and new media. While these scholars have provided a great deal of insight into the nature of e-genres and how they function in professional contexts, few address the relationship between genre and new-media theories from a designer's perspective. This article presents the results of an ethnographic-style case study exploring the practice of a professional new-media designer. These results (a) confirm the role of dynamic rhetorical situations and hybridity during the new-media design process; (b) suggest that current genre and new-media theories underestimate the complexity of the relationships between mode, medium, genre, and rhetorical exigencies; and (c) indicate that a previously unrecognized form of hybridity exists in contemporary e-genres.

Young children are growing up in a time when literacy practices and textual productions are in flux. Yet literacy curricula, particularly for those deemed “at risk,” are tightly focused on the written language “basics.” What are the potential consequences? In this article, the author considers this question, drawing on an ethnographic study of child writing in an urban school site. Using a sociocultural and dialogic frame, she examines first graders' interpretations and negotiations of official writing practices, detailing how these (a) shaped their written language use, including use of time and space, multimodal tools, and expected voices and modeled ideologies and (b) pushed to the sidelines or left in the unofficial child world aspects of their knowledge and know-how, including a breadth of communicative practices and a diversity of graphological symbols. The author concludes with reflections on instructional links among official writing practices, children's literacy experiences, and the “basics” in contemporary times.

In the early 1990s, a small group of dedicated two-year college English faculty, led by Helon Raines, began the fight for the Two-Year College English Association (TYCA), a professional organization that would give two-year college English faculty across the nation a respected identity and voice within the National Council of Teachers of English (NCTE).

This is a written version of the address Akua Duku Anokye gave at the CCCC meeting in New York on March 24, 2007.

“Voice” is no longer a hot term in composition journals. Yet it continues to deserve scholarly attention, in part because it is still often referred to in classrooms and seems applicable to new forms of electronic communication. At the same time, we should avoid taking an either/or stand on the usefulness of “voice” as a term. This is a case where we should embrace contraries, by advocating concepts of “voice” on certain occasions and resisting the term on others.

The impersonalizing role passive voice plays in scientific discourse is well known. Analysis of the Methods sections of nine medical research articles shows that metonymy is another frequent strategy used to create anonymous authors/agents. Discourse agents were categorized into four semantic domains: familial lay, nonfamilial lay, authorial professional, and nonauthorial professional. Agents were investigated in relation to impersonalization and social identity. Results show that although possessive/causative metonyms produce generic participants and reduce most rival researchers to “previous studies,” significant health professionals are often referred to in terms of representational/locative metonyms, highlighting their authoritative social identities. Additionally, authors are either highly visible or, if they choose to disguise themselves, they do so quite drastically using impersonalization devices or agentless passives. In contrast, for other researchers and health professionals, co-occurrence of metonymy and passive voice is generally avoided; nevertheless, these agents are usually more hidden than are the present authors.

This essay reports on a university-school oral history project at an elementary school in Brooklyn, New York. It theorizes the dialectic of place and history as expressed in the voices of the school community and goes on to suggest some tenets for a public sphere pedagogy rooted in material rhetoric and economic geography.

Reviewed is The Economics of {Attention}: Style and Substance in the Age of Information by Richard A. Lanham.

A common aphorism in the halls of education is that the writing skills of Americans decline over time. Compared to the “golden age of letters,” so the argument goes, each subsequent generation of writers is worse than the last. Although contemporary readers and educators commiserate over encounters with bad writing, a fair comparison of 18th century American exemplars to modern American exemplars reveals a significant advance in clarity, an advance that technical communicators can be proud of. To demonstrate the advances in expository writing over the past two centuries, the author compares what the authors of the U.S. Constitution did with their limited resources to what modern professional communicators do with their abundance of resources. Many of the communication problems that were pervasive when the U.S. Constitution was created have since been remedied by insights emerging from the fields of linguistics, human factors, and cognitive psychology, among others.

This article presents a rhetorical analysis of a Mexican woman's oral narrative performance using a discourse studies and interactional sociolinguistics framework. The results of the analysis suggest that the discursive practice of the oral narrative and that of academic discourse share certain rhetorical features. These features are (a) the fashioning of an authoritative voice, (b) the presentation of evidence for support of a claim, (c) the allusion to authorities for support of claims, and (d) the reaching of a general statement concerning the significance of the account. Given the parallels drawn out between this particular nonmainstream oral performance and the discourse of the academy, the assumptions concerning the link between form of expression and cognition must be reassessed to better understand the nature of constrative rhetorics, especially as this affects students of nonmainstream linguistic backgrounds in mainstream writing classrooms.

“Crash” has value insofar as it dives into the muck and dirt of racial and ethnic tensions. But the film de-voices African Americans in the face of white privilege, and it papers over significant social tensions by ultimately emphasizing love and redemption.

Margaret Himley and Christine Farris respond to Phillip Marzluf ’s article, “Diversity Writing: Natural Languages, Authentic Voices,” in the February 2006 issue of CCC. Phillip Marzluf responds to them, with his original article readily available through the CCC Online Archive (formerly CCC Online): http://inventio.us/ccc.

Americans contribute $240 billion dollars to charities each year, raised in part by writing letters to potential donors. While it is debatable what the reasons are for donors to give so much money, most donors seem to be moved to contribute by pathos, particularly pity. The concept of pathos as a rhetorical appeal has become more complex over the years, growing from a simple strategy to a complicated set of parameters requiring careful delineation. Beginning with the Greeks, particularly Aristotle, pathos was defined with greater clarity (especially the concept of enargia), with Aristotle's formal definitions of the emotions, and with the use of an image upon which to direct the audience's pity. Cicero adds to the theory by calling for the use of pathos in the peroration and reinforcing Aristotle's emphasis on careful audience analysis. St. Augustine and those who follow, including Renaissance, 18th-century rhetoricians, and 20th-century scholars like Kenneth Burke, argue that style can also be an effective persuasive strategy for a pathetic appeal. Accordingly, the charity letters examined illustrate not only Aristotle's and Cicero's tenets but also show that elements of style, particularly rhetorical figures and schemes, are common rhetorical strategies used in these charity letters. While at first the rhetoric of charity letters seems simple and straight-forward, to raise billions of dollars every year charity letters use sophisticated appeals to pity that have a long and interesting history.

Preeminent scholar David Olson opens this symposium with a reflection on the decades-long debate concerning the relationship between written and oral discourse. His essay is followed by a series of responses by leading literacy researchers, including David Bloome, Anne Haas Dyson, James Paul Gee, Martin Nystrand, Victoria Purcell-Gates, and Gordon Wells. The symposium concludes with a further essay by Professor Olson, in which he offers his reflections on these scholars’ comments and looks to the continuing conversation.

In this article, I examine a historical information graphic—Charles Booth's maps of London poverty (1889–1902)—to analyze the cultural basis of ideas of transparency and clarity in information graphics. I argue that Booth's maps derive their rhetorical power from contemporary visual culture as much as from their scientific authority. The visual rhetoric of the maps depended upon an ironic inversion of visual culture to make poverty seem a problem that could be addressed, rather than an insurmountable crisis. This visual rhetoric led directly to significant features of and concepts in western societies, including the poverty line and universal old-age pensions (social security).

One way to resolve some of the conflict in English studies and technical communication over their diminishing cultural capital is to recognize the place of instrumental discourse in communication studies. Instrumental discourse is individually verified social agreements to coordinate and control physical actions. One purpose of literary works is to voice new concerns about social inequities. A purpose of rhetoric is to persuade others of the validity of those concerns. Instrumental discourse registers agreements about those concerns and brings them to temporary closure in laws, instructions, contracts, and constitutions. Instrumental discourse is the culmination of a process that often begins with a literary monolog, is continued in many rhetorical dialogs, and ends, for a while, in a chorus of approval. Each phase of this communication process—monolog, dialog, and chorus—has a place in English studies. If more English studies faculty would recognize the need to study the communications that promote dissensus and consensus, then they might contribute more to global discussions about social justice, cooperation, and sustainability, and they might gain more cultural capital and social influence.

For some time, writing teachers have used audio feedback to assess students' work. But previous methods using audiocassettes are now dated or impractical for online or distance classrooms. Voice commentary can still be used to evaluate students' writing, however, using Microsoft Word's commenting feature for embedding voice comments. This article explains why this method of commentary is used; discusses students' reactions to the method, tracked over a 2-year period; and provides detailed instructions for using the software.

Three approaches—engaging first-year writers in naming strengths and weaker areas, determining descriptors that fit their various compositions, and applying a rubric that details all the grade-determinant components—serve to give students the vocabulary they need to wrap their voices around words and to describe their learning.

In an ESL first-year composition classroom, cooperative learning assists English language learners in developing their ideas, voice, organization, and sense of writing conventions, while simultaneously enhancing their production and comprehension of English.

A well-staged career research paper project can help students develop their voices and better integrate personal experiences with researched sources.

Against the backdrop of the passionate and conflicting assessments of Jacques Derrida that followed his 2004 death, this article reviews rhetoric and composition’s scholarly appropriation of deconstruction during the 1980s and early 1990s. Contending that the field primarily used deconstruction in the service of refutation, this article positions deconstruction as a style of inheritance that could allow for a more productive encounter with theory.

Drawing on data from a multi-year digital storytelling project, this comparative case study offers portraits of two emerging authors”one a child and the other a young adult”who used multiple media and modes to articulate pivotal moments in their lives and reflect on life trajectories. The conceptual framework blends recent scholarship on narrative, identity, and performance, with an eye towards fostering agency. These cases demonstrate how digital storytelling, in combination with supportive social relationships and opportunities for participation in a community based organization, provided powerful means and motivation for forming and giving voice to agentive selves.

Previous research has indicated that engineering faculty do not follow best practices when commenting on students' technical writing. However, it is unclear whether the faculty prefer to comment in these ineffective ways, or whether they prefer more effective practices but simply do not enact them. This study adapts a well known study of response in composition to ask whether engineering faculty prefer authoritative, form-focused comments, or whether they may prefer to write different sorts of comments. We asked ten civil engineering faculty to comment on a sample paper and then rank their preferences for provided versions of comments on the same paper. One provided version emphasized comments on content, one emphasized comments on form, and one was balanced. Comparisons of the respondents' preferences and practices suggest that the engineering faculty recognize and value content-focused, non-authoritative responses, but generally do not write comments that conform to these values. We consider the implication of these findings for research on response to technical writing as well as for technical writing faculty in their own course. While recognizing the need for more research, we also discuss ways in which writing professionals, including WAC administrators and technical writing professors, can encourage engineering faculty to enact their preferences for response styles that reflect best practices.

The online IPJ (Interactive Portfolio Journal), open to the individual student and the teacher but not to the whole class, allows online discussion to draw from both public and private voices, and productively uses the traditional focus on collective critical exchange in tandem with private reflection

A brochure that had been revised on the basis of feedback from readers using the plus-minus evaluation method was evaluated again using the same method. This article compares the results of these two successive evaluation studies to examine the dynamics of evaluating and revising using a troubleshooting method based on verbal self-reports. The findings show that the plus-minus method does not necessarily lead to a decrease in the number of problems readers find in a revised document. But the types of problems readers find are significantly different. For example, after the brochure was revised, it had fewer clarity and structural problems, and readers could focus more on credibility issues.

Although the rhetoric of expertise stemming from the hard and social sciences has been well researched, the scholarship has not tended to focus on acts of public expertise by scholars from the humanities. This article reports a case study in the rhetorical practices of a theologian, acting as a public expert, first attempting to affect decision making in the Waco conflict in 1993 and then attempting to participate in and shape the public debates that followed it. To compare the practices of this humanities scholar to expectations from research on the rhetoric of expertise, a rhetorical analysis was conducted on the context, style, genre, and argument in the scholar’s public writings. This article discusses (a) the role of kairos in the policy cycle in determining the scholar’s bids for acceptance as an expert, (b) the use of narrative as a generic hybrid of intra- and interdisciplinary practice, and (c) the role of “understanding” asa special topic.

Though diversity serves as a valuable source for rhetorical inquiry, expressivist instructors who privilege diversity writing may also overemphasize the essential authenticity of their students’ vernaculars. This romantic and salvationist impulse reveals the troubling implications of eighteenth-century Natural Language Theory and may, consequently, lead to exoticizing and stereotyping students’ linguistic performances.

Research Article| January 01 2006 Ethical Representation of Working-Class Lives: Multiple Genres, Voices, and Identities Nancy Mack Nancy Mack Search for other works by this author on: This Site Google Pedagogy (2006) 6 (1): 53–78. https://doi.org/10.1215/15314200-6-1-53 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Nancy Mack; Ethical Representation of Working-Class Lives: Multiple Genres, Voices, and Identities. Pedagogy 1 January 2006; 6 (1): 53–78. doi: https://doi.org/10.1215/15314200-6-1-53 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2006 Duke University Press2006 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.

Book Review| January 01 2006 For More than One Voice: Toward a Philosophy of Vocal Expression For More than One Voice: Toward a Philosophy of Vocal ExpressionCavarero, Adriana; Kottman, Paul A. Sara Burgess; Sara Burgess Search for other works by this author on: This Site Google Sarah K. Burgess; Sarah K. Burgess Search for other works by this author on: This Site Google Stuart J. Murray Stuart J. Murray Search for other works by this author on: This Site Google Philosophy & Rhetoric (2006) 39 (2): 166–169. https://doi.org/10.2307/20697145 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Sara Burgess, Sarah K. Burgess, Stuart J. Murray; For More than One Voice: Toward a Philosophy of Vocal Expression. Philosophy & Rhetoric 1 January 2006; 39 (2): 166–169. doi: https://doi.org/10.2307/20697145 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressPhilosophy & Rhetoric Search Advanced Search The text of this article is only available as a PDF. Copyright © 2006 The Pennsylvania State University2006The Pennsylvania State University Article PDF first page preview Close Modal You do not currently have access to this content.

This article investigates how Confucianism inspires an indirect style in professional communication in China. Particularly, the author examines two major philosophical principles of Confucianism, Li (rituals/rules) and Ren (love/benevolence), and discusses how they encourage individuals to establish proper human relationships, to humble themselves, and to shun pure personal profits. Dictated by Confucianism, Chinese writers often focus on interpersonal relationships, humble themselves, and avoid personal profits before discussing pertinent business issues. As a result, Chinese writers are indirect in their style. They often employ the indirect style to accommodate two pragmatic acts: (a) establishing their ethos that helps create a strong bond between individuals at a more personal level and (b) building a harmonious social structure at a more societal level. Such a style is conducive to successful business transactions. So, it should not be explained as ineffective or as mere digressions.

This article examines the influence of genre and gender on comments written by 108 sixth-grade teachers in response to two narrative and two persuasive papers. There were significant genre differences. Process, conventions, artistic style, and format were the focus of significantly greater numbers of comments directed to narrative writing. In contrast, meaning, organization, effort, and ideology were emphasized to a greater degree when teachers responded to persuasive writing. Teachers tended to indicate and make greater numbers of corrections and to provide more criticisms and lessons, explanations, and suggestions when the work was attributed to a male writer. Female teachers generally wrote greater numbers of comments and tended to indicate and make more corrections. Generally, teachers were reluctant to engage with the ideologies in students’ writing. There was a correlation between convention errors and the number and types of comments.

The study examines the development of the registers of academic writing by African American college-level students through style and grammar: indirection inherent in the oral culture of the African American community and the paratactic functions of because. Discourse analysis of 74 samples of academic writing by 20 African American undergraduate students and of 61 samples by a control group showed that first, only African American subjects used indirection; second, paratactic functions of because were significantly more prevalent among African American students than in the control group; and third, among African American students, those from low-income families showed statistically significant higher frequencies of the use of both indirection and paratactic because. A relationship of hierarchy in the uses of indirection and paratactic because was also evident in the data.

The application of Edward P. J. Corbett’s prose style chart to three exemplary first–year essays reveals that there is an identifiable, hence teachable, exemplary first-year writing style.