Theoretical explanations of learners’ poetry writing development are relatively new and, compared to other genres, rare. Neither the cognitive models of writing development, nor the descriptions of poet-practitioners or inspired experts give a fully nuanced representation of the complexity at play in poetry composition. Also missing from these models is the social context of learning to write poetry. We link Vygotsky’s work on the symbolic function of inner speech to documented accounts of poets ‘answering’ the social world to which they belong. We propose a theoretical model of development in poetry writing that takes into account learners’ fluid social contexts, and which draws on Schultz and Fecho’s survey of writing development. This fusion is a new contribution to theorisations of writing development.

This study examined the effects of an innovative comprehensive writing program in upper primary education on students’ writing performance and on teachers´ classroom practices, beliefs and skills. The program focused on the communicative nature of writing, on writing as a process, and on explicit teaching of five genre-specific writing strategies. It was implemented by 43 teachers in their regular classrooms (Grades 4 to 6, N = 1052), with three conditions: (1) a writing program condition, (2) the same program complemented by professional development sessions and coaching, and (3) a control condition in which teachers taught their usual writing lessons. Students’ writing performance was measured three times with multiple writing tasks. Data on teachers’ practices, beliefs and skills were collected through lesson observations, interviews, questionnaires, teacher logs, and a text assessment task. The comprehensive writing program had a beneficial effect on students’ writing performance and the extent to which teachers taught writing strategies. The complementary professional development and coaching had a direct effect on the number of lessons implemented, and an indirect effect on students' performance. Overall, the innovation proved to be effective for improving students’ writing performance in the upper grades of primary schools.

Review Article| October 01 2017 Teaching What We Do in Literary Studies Digging into Literature: Strategies for Reading, Analysis, and Writing. By Wolfe, Joanna and Wilder, Laura. Boston: Bedford/St. Martins, 2016. 448 pages.Rhetorical Strategies and Genre Conventions in Literary Studies: Teaching and Writing in the Disciplines. By Wilder, Laura. Carbondale: Southern Illinois University Press, 2012. 238 pages. Paul T. Corrigan Paul T. Corrigan Search for other works by this author on: This Site Google Pedagogy (2017) 17 (3): 549–556. https://doi.org/10.1215/15314200-3975671 Cite Icon Cite Share Icon Share Facebook Twitter Email Permissions Search Site Citation Paul T. Corrigan; Teaching What We Do in Literary Studies. Pedagogy 1 October 2017; 17 (3): 549–556. doi: https://doi.org/10.1215/15314200-3975671 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2017 by Duke University Press2017 Article PDF first page preview Close Modal You do not currently have access to this content.

As technical communication (TC) instructors, it is vital that we continue reimagining our curricula as the field itself is continually reimagined in light of new technologies, genres, workplace practices, and theories—theories such as those from disability studies scholarship. Here, the authors offer an approach to including disability studies in TC curricula through the inclusion of a “critical accessibility case study” (CACS). In explicating the theoretical and practical foundations that support teaching a CACS in TC courses, the authors provide an overview of how TC scholars have productively engaged with disability studies and case studies to question both our curricular content and classroom practices. They offer as an example their “New York City Evacuation CACS,” developed for and taught in TC for Health Sciences courses, which demonstrates that critical disability theory can help us better teach distribution and design of technical information and user-based approaches to TC. The conceptual framework of the CACS functions as a strategy for TC instructors to integrate disability studies and attention to disability and accessibility into TC curricula, meeting both ethical calls to do so as well as practical pedagogical goals.

Using frameworks from Ong, Turner, and Frohmann, the author analyzes excerpts from Hesiod’s Works and Days and from the Book of Exodus for technical features. These documents were found to contain technical information that was best used in face-to-face interaction. Further, the documents exhibit evidence of residual orality, an encroachment of oral register into written. These findings suggest that technical communication originates in the genres and oral registers of ancient cultures. Such details have been missed owing to a written bias of technical communication and of scholars who look upon such works only as literature. Presently, oral-based information is viewed as informal and less authoritative than written information. In the absence of writing, however, information can only be transmitted orally.

Professional and technical communication increasingly involves developing narratives that traverse multiple genres, media formats, and publishing venues. In marketing and advertising, brand stories unfold across Web sites, ad campaigns, and social media properties. A fundamental challenge in such work is multigenre coordination, leading to a key question: How do professionals manage complex ecologies of genres, media content, and interactions in ways that build and sustain narrative coherence and audience engagement? Reporting findings from a study of transmedia writers, this article argues that metageneric texts may emerge as important coordinative resources for planning, developing, and tracking uptakes within multigenre narratives. It thus contributes to professional and technical communication by describing a widening gap in scholarly approaches to metagenre; arguing for empirical examinations of metageneric constructs in tangible, flexible texts that serve situated needs in given activity systems; and demonstrating how such texts may emerge and play a formidable role in coordinating contemporary, multigenre narratives.

Engineering disciplines have focused on recruiting and retaining women, assessing factors that contribute to decisions to enter or exit the field at every level. While many studies have examined writing in engineering disciplines, few have looked at writing’s role in women’s decisions to remain in or leave engineering. Using a case study of a professional civil engineer, Katy, this study examines the role that writing played in her dissatisfaction with engineering and her ultimate decision to leave the field. The author analyzes two genres of writing, meeting minutes and a preliminary engineering report, to explore how Katy’s writing practices often ran counter to her coworkers’ or supervisors’ approaches. While a single case study makes generalization impossible, this work opens the door to future research that accounts for writing in recruiting and retaining women.

Blogs provide an open space for scholars to share information, communicate about their research, and reach a diversified audience. Posts in academic blogs are usually hybrid texts where various genres are connected and recontextualized; yet little research has examined how these genres function together to support scholars’ activity. The purpose of this article is to analyze how the affordances of new media enable the integration of different genres and different languages in research group blogs written by multilingual scholars and to explore how various genres are coordinated in these blogs to accomplish specific tasks. The study reported in this article shows that the functionalities of the digital medium allow research groups to incorporate myriad genres into their genre ecology and interconnect these genres in opportunistic ways to accomplish complex objectives: specifically, to publicize the group’s research and activities, make the work of the group members available to the disciplinary community, strengthen social links within their community and connect with the interested public, and raise social awareness. Findings from this study provide insights into the ways in which scholars write networked, multimedia, multigenre texts to support the group’s social and work activity.

In the field of rhetorical studies, and more often than not in broader traditions of the humanities, nonhuman animals (NHAs) are remanded to epistemological margins in terms of both theory and case. Scholars of rhetoric tend to invoke animalism only when focusing on a human agent’s use of animal metaphors and parasitic tropes as a linguistic act or discursive tactic, or in movement studies, when constituting NHAs as objects of other-directed human activism. Sometimes, NHAs appear as negative foils, as in the illustration of Kenneth Burke’s distinction between human action and animalistic motion, or in the numerous examples of how logos punctuates humans’ rhetorical supremacy and singularity. Philosophically, scholars typically cipher NHAs as “cases in point” to discuss more expansive ethical dimensions of sentience in the service of arguing for the human condition. Technologically, in studies of media culture, NHAs perform as memes or serve as darling accoutrement in YouTube videos designed for human consumptive pleasure. In the end, what we find in the lion’s share (no pun) of humanities scholarship is the de-agentized NHA as a voiceless, silent, inactive, dispassionate, non-communicative, and ancillary object of humans’ rhetorical discourse and material action. (There are exceptions to this treatment in the field of communication studies [see Almiron, Cole, and Freeman, Critical Animal and Media Studies Communication; and the collected essays in Goodale and Black, Arguments about Animal Ethics].)Debra Hawhee’s book, Rhetoric in Tooth and Claw, responsibly cuts against the tradition of metonymically reducing NHAs to footnotes. Therein, she reanimates the positionality of NHAs as instructive actors in rhetorical theory and rhetorical education. Engaging in pan-historiographical methods, Hawhee brings a new perspective to the NHA-human relationship by centering the ways NHAs have circulated within and among ancient and modern texts not just as complements, but rather as charged inventional resources unto themselves. She explores rhetorical treatises ranging from those by Aristotle and Demetrius to Longinus, Erasmus, and new translations by Lucian and Psellos (among others) to locate how NHAs appear active as zoostylistic teachers.Hawhee does not make the argument that NHAs do rhetoric; instead, her larger claim is that NHAs’ influences outstrip verbal language and compel us to contemplate extra-lingual dimensions of rhetorical energy. In sum, she grounds sensation as a common point between humans and NHAs. The rhetorical history Hawhee traces does not presume, “as most histories of rhetoric do, the centrality of logos as both reason and speech” (11). Rather, her study “stresses energy, bodies, sensation, feeling, and imagination” (11).NHAs have been a part of human existence, and particularly human narratology, since time immemorial. Indeed, as Hawhee deftly points out, in the context of rhetorical theory and rhetorical education, many of us have likely encountered the ways that Aristotle’s dog in the Rhetoric (2.3.138oa.24–26) emblemizes how humans and NHAs assess each other’s dispositions and modulate their responses and how Herodotus’ and Libanius’ encomia on NHAs (crocodile in Histories; peacock in Progymnasmata, respectively) represent models for human epideictic genres. Perhaps we have wondered about the theriomorphic fashion in which Demetrius’s nightingale charms and delights, just as rhetorical handbooks suggest a rhetor ought to when considering the sensory touchstones of one’s discursive choices (On Style). Moreover, many of us may have contemplated Aesop’s fables and why animals stand as sentries over cautionary tales that become analogs for our public lives in the civis. Even Rhetorica from Giarda’s 1628 Bibliothecae Alexandrinae Icones Symbolicae holds at her left side a leashed, three-headed beast and in her right hand a snake-wound scepter. What does the presence of such NHAs mean for the study of rhetorical theory and the instructional ways it is actuated in the handbook tradition?Hawhee’s high water mark treatment of NHAs in some of Western culture’s most treasured rhetorical treatises adds to our field the importance of sensation. In fact, she argues that sensation “matters the most” and provides a vocabulary of logos and alogos to emphasize how the latter remains key to progymnasmata, or the system of exercises used to prepare one for rhetorical study. What began for Hawhee as a book about animals and rhetorical theory blossomed into a project that values and locates sensation and imagination in well-worn artifacts that have heretofore seemed locked into unidimensional interpretation. At a time in the humanities when affect is discussed and debated more and more, and when we are witnessing the return of pathos as a sine qua non rhetorical proof, Hawhee’s book gets us closer to the roots of aesthesis and pathe. Concomitantly, the project celebrates alogos, or those rhetorical movements not associated with traditional rationality. In the offing, the sensory emerges not as passive or attendant, but as central to rhetorical education. As Hawhee writes, “Sensation, feeling, and emotion, then, have emerged as the positive counterparts to rationality and reason—positive, that is, in comparison with the term nonrational” (7).Hawhee contends that NHAs keep sensation alive in rhetorical theory, whether by modeling sound, countenance, and efficiency in post-Aristotelian theory (chapter two) and providing deliberative rhetorical grounds through fables (chapter three), or by inculcating encomia and visual inquiry (chapter four), teaching memory in medieval rhetorical theory (chapter five), or considering accumulatio in Erasmus’s De Copia (chapter six). Every chapter, with its multiple case studies, enlivens this new interpretation of rhetorical history, scaffolding how NHAs intersect with our senses of sensation over time. Written convincingly and argued expertly, Hawhee’s book is a gem among new genealogical studies that help us reconsider the superstructures of rhetoric as art and craft.The audiences for Rhetoric in Tooth and Claw are plural, to say the least. Certainly, scholars interested in ancient and modern rhetorical theory will gain fresh insight into the way emotion and sensation unfolded in the rhetorical tradition vis-à-vis NHAs. Classicists and philosophers would also benefit from a study that centers alogos as both fundamental to the human communicative condition and endemically primeval to animal (human and NHA) sentience and ontology overall. One of the genuinely admirable qualities of Hawhee’s work is the way she merges rhetorical studies with animal studies. Animal studies largely claims roots in philosophy and animal sciences, mostly through the study of the ethical treatment of animals by way of human intervention into NHA lives and ethos (i.e., using animals for food, clothing, experimentation, and entertainment). Since the publication of Peter Singer’s watershed Animal Liberation (1975), animal studies has grown into its own discipline in many ways (made emblematic by programs such as Tufts University’s Center for Animals and Public Policy, and book series found at the University of Chicago Press [Animal Lives series] and Routledge [Human-Animal series]). Rhetoric in Tooth and Claw connects rhetorical studies (from classical approaches to critical-cultural spaces) to animal studies, what Richard Ryder calls the study of “the changing relationships between human and nonhuman animals over time” (Animal Revolution). Clearly, animal-studies scholars would be intensely attuned to Hawhee’s arguments about the sensory overlap present in NHA-human rhetorical connections.In the end, Hawhee is to be applauded for envisioning and presenting a volume that reenergizes the study of extra-lingual features in rhetorical theory (principally, sensation) and that advances the vivification of NHAs as voice-full, resonant, active, passionate, communicative, and primary subjects in their own right.

Review of Genre and the Performance of Publics by editors Mary Jo Reiff and Anis Bawarshi.

Background: This study examines the generic structure of corporate social responsibility (CSR) reports, which are becoming standard practice for corporate communication of social and environmental performance beyond financial disclosure. Literature review: Genre theories provide a framework for exploring genres contextualized in different cultures. Based on the English for Specific Purposes approach of genre analysis, this study compares the move structure of CSR reports in Italian, Chinese, and English from a corpus-based perspective. Research questions: 1. What are the main moves used in CSR reports? 2. Are there any cross-cultural similarities or variations in terms of generic features? Methodology: Combining genre theories with concepts from Systemic Functional Linguistics, we designed an observational framework for move identification. Based on a 15-move scheme, we annotated 18 CSR reports for comparative analysis. Results and conclusions: The CSR report is characterized by rhetorical recursivity and hybridity of speech acts: beyond “reporting” and “presenting,” it is also “demonstrating,” “evaluating,” and “committing.”As a globally established genre, it presents noticeable generic similarity in different languages, suggesting that the communicative purposes of CSR reports are recognized by different cultures. The top six moves in the Performance-reporting section of the CSR reports present identical trends in terms of extensiveness ranking in all three languages. Cross-cultural variations mainly involve the use of optional moves, such as the dominant use of the move “Presenting individual cases” in the Chinese sample. The observational framework for move identification may also be transferable to other genres. The limitations of this study include the sample size and the absence of an author survey. Future research could investigate the CSR report from a diachronic perspective, to explore how its genre structure has developed over time.

Research problem: The purpose of the study was to fill gaps in our knowledge about technical editors' work practices and perceptions, knowledge that might be useful for teachers and practitioners, as well as current and prospective students. Research questions: (1) What work activities do technical editors engage in? (2) How do people become and progress in careers as technical editors? (3) What do technical editors perceive about the complexity of their work and its value to themselves and others? Literature review: The literature review focuses on previous surveys of technical editors, which have tended to focus on technology-related issues and been largely limited to samples obtained from the Society for Technical Communication.Methodology: A link to an online survey was sent to 32 professional organizations for technical and other professional, nonliterary, and nonjournalism editors. The leadership of each organization was asked to forward the link to its members; 12 complied, with a resulting 253 respondents. Responses to closed-ended questions were tabulated, while responses to the open-ended questions were analyzed thematically.Results and conclusions:The results revealed a broad range of job titles, disciplinary and professional fields, genres and media, editing-related tasks, and extent and type of collaboration. Respondents perceived as useful several forms of academic preparation, personality traits, and attitudes. About half the respondents had become editors through deliberate preparation during college (direct route) and half had not (indirect route). Thus, one implication of the results is that college students majoring in the sciences and other technical fields (indirect route) might be attracted to complementary minors and certificate programs in technical communication/editing. The sample was obtained from among a broader range of technical editors than samples used in previous surveys but was relatively small and, therefore, nongeneralizable. Future surveys should strive for a larger sample size and include questions about a wide range of demographic variables that can be correlated with the independent variables.

TETYC’s Instructional Note genre has evolved and begun to contribute to an ongoing scholarly conversation by contributing new knowledge, not merely passing along teaching lore.

This article, integrating different lines of sociocultural and critical research, sets out to analyze argumentative writing in a 6th grade Cypriot Greek elementary classroom. Attention is directed to specific strategies used, such as repetition and paraphrase of each other’s words and of text meanings. These strategies are revisited as voicing tools, arising out of students’ engagement with a nexus of reading and writing events and with the ideological positions constituted through them. The analysis traces the bi-directional processes at work in this polyvocal community. Classroom activities, rather than seen as neutral, are redefined as constituents of a deeply dialogic universe, which privileges specific texts and voices and projects various identity positions onto speakers and writers. At the same time, this universe gives rise to specific scaffolds which help students in the appropriation of advanced generic resources. Students’ argumentative texts are shown to arise out of the integration of various dialogically-emergent strategies. Analysis illustrates how students, while drawing from prior texts, and acknowledging genre-related scaffolds, rework and contest social meanings and generic resources as part of their attempt to assert their voice vis-à-vis those populating their classroom community.

We argue for a course in which students analyze writing about a common topic—in this case World War I—from multiple genres (e.g., poetry and technical manuals). We address the divide between instruction in pragmatic and literary writing and calls to bridge that gap. Students working in disparate areas of English learn the strengths and the limitations of their fields, and how text represents and promotes different interpretations of reality. Such written representations do not neatly line up along a utilitarian-literary binary but are more closely interwoven in the presence of a profound subject such as war.

This study focuses on start-up entrepreneurs on the move—in coordination with an array of other actors—as they weave and are woven into transnational networks. Central to this study is a shift from activity to mobility systems. Building on technical communication scholarship, the frame integrates actor networks and activity theory knotworks. Disrupting workplace and national container models (methodological nationalism), the analysis is grounded in a study of Israeli start-up entrepreneurs. Dubbed the Start-Up Nation, Israel contains more start-ups per capita than any other country in the world, with its high-tech industry made up of a dense ecosystem of conferences, accelerators, meetups, social media, and coworking spaces. Tracing actants’ trajectories across this social field, the author argues for a conceptualization of entrepreneurs as knotworkers who mobilize genres, modes, languages, and spaces.

Drawing on fieldwork, this article examines nursing students’ design and use of a patient health record during clinical simulations, where small teams of students provide nursing care for a robotic patient. The student-designed patient health record provides a compelling example of how simulation genres can both authentically coordinate action within a classroom simulation and support professional genre uptake. First, the range of rhetorical choices available to students in designing their simulation health records are discussed. Then, the article draws on an extended example of how student uptake of the patient health record within a clinical simulation emphasized its intertextual relationship to other genres, its role mediating social interactions with the patient and other providers, and its coordination of embodied actions. Connections to students’ experiences with professional genres are addressed throughout. The article concludes by considering initial implications of this research for disciplinary and professional writing courses.

Research problem: Business-to-business contracts are complex communication artifacts, often considered “legal stuff” and the exclusive domain of lawyers. However, many other stakeholders without a legal background are involved in the negotiation, drafting, approval, and implementation of contracts, and their contributions are essential for successful business relationships. How can we ensure that all stakeholders in the global business context-whatever their native language or professional background-easily and accurately understand contract documents? This study suggests that integrating diagrams in contracts can result in faster and more accurate comprehension, for both native and non-native speakers of English. Literature review: We focused on the following research topics: (1) ways to integrate text and visuals to create more effective instructions, since we conceptualize contracts as a type of business instructions; (2) cognitive load theory, as it may help explain why contracts are so hard to understand and why text-visuals integration may ameliorate their understandability; (3) cognitive styles, as individual differences may affect how individuals process verbal and visual information, thus allowing us to explore the limitations of our suggested approach; (4) the English lingua franca spoken by business professionals in international settings, their needs and challenges, and the fact that pragmatic approaches are needed to ensure successful communication. Methodology: We conducted an experiment with 122 contract experts from 24 countries. The research participants were asked to complete a series of comprehension tasks regarding a contract, which was provided in either a traditional, text-only version or in a version that included diagrams as complements to the text. In addition to measuring answering speed and accuracy, we asked the participants to provide information about their educational background, mother tongue, and perceived mental effort in task completion, and to complete an object-spatial imagery and verbal questionnaire to assess their cognitive style. Conclusions: We found that integrating diagrams into contracts supports faster and more accurate comprehension; unexpectedly, legal background and different cognitive styles do not interact with this main effect. We also discovered that both native and non-native speakers of English benefit from the presence of diagrams in terms of accuracy, but that this effect is particularly strong for non-native speakers. The implication of this study is that adding diagrams to contracts can help global communicators to understand such documents more quickly and accurately. The need for well-designed contracts may open new opportunities for professional writers and information designers. Future research may also go beyond experimental evaluations: by observing this new genre of contracts in vivo, it would be possible to shed light on how contract visualizations would be perceived and interpreted in a global communication environment.

368 RHETORIC A La bibliografía (pp. 315-340) conclude questo lavoro che si qualifica per la capacité di mettere a fuoco le problematiche delle due declamazioni, nella loro dialettica tra retorica e diritto, e per la possibile apertura di nuove ipotesi di lettura che permettano di ampliare la portata delle modalité retoriche attestate in testi del genere. Sergio Audano, Centro di Studi sulla Fortuna dell'Antico "Emanuele Narducci" - Sestri Levante Tarez Samra Graban, Women's Irony: Rewriting Feminist Rhetorical Histories. Studies in Rhetorics and Feminisms Series. Carbondale: Southern Illinois University Press, 2015. 258 pp. ISBN 978-0-8093-3418-6 Graban contributes to the field of feminist rhetorical studies by devel­ oping irony as a critical paradigm to read archives, revisit histories, and reconsider the role of the feminist historian. In her analysis chapters, Graban examines three famous archives of rhetorical agitators: Anne Askew (Renaissance rhetoric), Anne Hutchinson (colonial American rhetoric), and Helen Gougar (American suffragist rhetoric). In her introduction, Graban presents irony as a critical paradigm by differentiating it from previous work that associates it with intention, humor, lying, and evasion. Next, she develops a theory to explore women's ironic, political discourse, which she does by tracing the incompatibilities inside archival documents to facilitate discursive activism and critical disrup­ tion (p 2). She outlines the scholarly contours of irony as a critical paradigm described as a "reading practice . . . [which allows readers to] question our sense of normative categories" (p. 174). In this chapter, Graban also presents a methodology for employing irony as a critical paradigm. This methodol­ ogy involves three steps: 1) asking "what consciousness is being raised?," 2) considering "how irony works to reveal other logics," and 3) accounting for the extralinguistic locations of rhetors, audiences, and topoi (pp. 171-72). Graban highlights ironic instances and their potential using three specific methodological advances: interstitial witnessing (chapter one), panhistorical agency (chapter two), and a typology of discursive attitudes (chapter three and four). In the first chapter, Graban posits interstitial witnessing as a method for analyzing ironic discourse because it involves "looking between" or "finding gaps in historical processes" (p. 42). Graban strategically employs interstitial witnessing to locate historical "residue," textual and metadiscursive evidence, to argue that Anne Askew's irony functions as agential. Askew was one of four female martyrs burned by King Henry the VIII and her Examinations chronicle her trial and persecution for heresy. Here, Graban describes Askew's Examinations and her refusal to cooperate during her trial as Reviews 369 undermining public examinations and thereby, ironically, "elid[ing] expec­ ted outcomes" (p. 25). Askew's performance blurs the genre of "questioning a witness by evading questions and her structure of the Examinations blends genres, specifically dialogues, polemics, and pamphlets. Graban advances Askew s discourse as ironic, because it plays off of incompatible genre expec­ tations, and agential as it is defined by "the function, uses, purposes, and practices in which they [the discourses] occur and from which they result" (p. 50). In her second chapter, Graban re-reads interpretations of Anne Hutchinson's archive, specifically her responses during her trial that led to her expulsion from the Massachusetts Bay Colony. Here, Graban develops another concept, drawing from Debra Hawhee's "pan-historiography."1 Graban maintains that this chronologically and kairotically expansive approach, the pan-historical approach, as she calls it, allows for critics to under­ stand rhetorical theory7 as synchronic and diachronic because it involves selecting archives from different times based on their content and therefore sets a precedent to move outside of periodization, or portraying certain figu­ res as "representative entities of particular stances, positions," or identities (p. 9). Also Hutchinson's performance elides gender expectations, as she is a woman expected to keep her experiences silent and private, yet she is per­ mitted to participate in intellectual debate, thereby performing as masculine in public. This performance blends spheres as public language articulates pri­ vate experience and through this blending, Hutchinson's trial performance expands women's civic and ecclesiastical duties. In her third and fourth chapters, Graban advances through two centuries to analyze the extensive archive of Helen Gougar, American Suffragist from the state of Indiana. Instead of examining how irony works...

In recent years, embedding writing into subject teaching through genre-based writing instruction (GBWI) has been advocated in tertiary education. However, little is known about how this approach can be shaped and implemented in this context. In a design-based research study in Dutch higher professional education, we aimed to explore how GBWI can be used to scaffold students’ writing within the subject of Event Organization and to what extent students learned to use the typical features of the genre ‘event proposal’. A 5-week subject-specific writing intervention was designed and subsequently enacted by a subject lecturer in a first-year class involving 13 students. Using a coding scheme for interactional scaffolding strategies, five interaction fragments were analyzed against the background of designed scaffolding and learning goals. The fragments indicated that the interplay of designed scaffolding (instructional materials and activities) and interactional scaffolding (teacher-student interactions) promoted students’ writing performance over time. Comparison of students’ pre- and posttests by means of an analytic scoring scheme pointed to statistically significant growth in the use of typical genre features (d=1.41). Together, the results of this design-based research study indicate the potential of GBWI for scaffolding and promoting tertiary students’ writing.

Book Review| June 01 2017 Rhetoric in American Anthropology: Gender, Genre, and Science Rhetoric in American Anthropology: Gender, Genre, and Science. By Risa Applegarth. Pittsburgh, PA: University of Pittsburgh Press, 2014; pp. x + 267. $27.95 paper. Ann George Ann George Texas Christian University Search for other works by this author on: This Site Google Rhetoric and Public Affairs (2017) 20 (2): 376–384. https://doi.org/10.14321/rhetpublaffa.20.2.0376 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Ann George; Rhetoric in American Anthropology: Gender, Genre, and Science. Rhetoric and Public Affairs 1 June 2017; 20 (2): 376–384. doi: https://doi.org/10.14321/rhetpublaffa.20.2.0376 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveMichigan State University PressRhetoric and Public Affairs Search Advanced Search The text of this article is only available as a PDF. © 2017 Michigan State University Board of Trustees. All rights reserved.2017 Article PDF first page preview Close Modal You do not currently have access to this content.

For the literary translator, the question arises as to how she might approach the delicate task of migrating texts that resort largely to “a purely intensive usage of language,” while acknowledging that such texts share a mode of expression that transcends historical or critical periodization. If one is to focus on fidelity or equivalence, the aim should not be the production of a text that translates some underlying meaning or sense where signification and representation are fixed. Rather, the aim should be the meticulous rendering of its surface expression so that the text’s performative capacity can be realized anew in the target language and culture. The focus on what “might be” in language invites a parallel with Hans-Thies Lehmann’s postdramatic genre in theatre and a rhetoric of translation that reflects the aporia of the source expression, in stark contrast to the centrality of the logos to traditional Western rhetoric. While ultimately unattainable, an approach to text as a Deleuzean “map” would seem an appropriate means for the translator to remain true the “intentio” of postdramatic texts.

This article traces the reception of a “science comic book” by various audiences including readers and reviewers after publication as well as grant application review committees vetting the proposed project in its conceptual stage. Specifically, the work is a biology textbook containing comics-style visual explanations couched in the form of an imaginative story interwoven with and supplementing traditional text-based explanations of the same ideas. The analysis uses Genette’s concept of “paratexts” (i.e., a class of speech genres comprising those supplementary texts that contextualize and inform readers’ interpretations of the primary text that they accompany) to examine the rhetoric of the visual in the discourse of science education. This analysis observes that the stigmatization of comics as a medium played some role in how readers, critics, and reviewers responded to the text. The implications of this stigma for cultural conceptions of science and their relationships to other knowledge domains, including the arts and humanities, raise a concern for the mediation of public impressions of science as an institution.

Crowdfunding is a novel mechanism for garnering monetary support from the online public, and increasingly it is being used to fund science. This article reports a small-scale study examining science-focused crowdfunding proposals from Kickstarter.com. By exploring the rhetoric of these proposals with respect to traditional grant funding proposals in the sciences, this study aims to understand how the language of science may be imported into this popular genre.

This article informs educators about the importance and challenges of teaching digital reading practices. In positioning reading as a design-oriented activity and readers as text designers, instructors can teach genre awareness as a way to help students strongly engage with and comprehend digital texts.

This article examines the teaching of a multimodal pedagogy in an online technical communication classroom. Based on the results of an e-portfolio assessment, the authors argue that multimodality can be taught successfully in the online environment if the instructor carefully plans and scaffolds each assignment. Specifically, they argue for an increased emphasis within the technical communication classroom on teaching the e-portfolio as a genre that not only exemplifies students’ multimodal literacies but also establishes their identities as technical communicators in the 21st century. This article provides a model for teaching multimodal composition in the online technical communication classroom and calls for more scholarship on teaching the e-portfolio in the digital environment.

Neuro-realism is a widely cited concept describing a textual phenomenon in popular science news wherein brain research uncritically validates or invalidates the “realness” of particular beliefs or practices. Currently, no research on neuro-realism examines the variable rhetorical roles of such statements, that is, how they support specialized arguments or enhance social functions across genres of public communication. This article details the nuances of neuro-realism, arguing that neuro-realism is much more than a singular textual phenomenon but a flexible rhetorical vehicle manifesting in at least three forms: commonsense, judicial, and rational. Each form serves a larger argumentative purpose, and each can be consistently linked to a popular news subgenre, illuminating how neuro-realism’s stunning lack of criticality proves permissible and reproducible in popular science publications.

As the healthcare system in the United States becomes more complex, so does the information needed for administrators and clinicians to keep apprised of new regulatory and systemic changes. In this article, I use a review and analysis of an online resource project to identify effective practices to educate and support healthcare safety net organizations, or those clinics that serve low-income populations. The project team consisted primarily of healthcare researchers who used a systematic review of the scholarly literature to develop online systems for transmitting information about healthcare payment and service delivery reform to those serving low income populations. As the technical communicator working on this project, the author advocated incorporating concepts of user research and user-centered design to the project team. This research included a survey of provider-users. The analysis of this project revealed that, in the health and medical community, evidence-based medicine and the genre of systematic literature review may be privileged such that provider-user needs for information seeking are not taken into account when designing online communication based on these reviews. Communication designers may need to work with and adapt the work of translation science and knowledge-to-action to develop more user-centered online content for provider education.

Technical support, a traditional practice of technical communication, is rapidly changing due to the ubiquitous use of digital technologies (Spinuzzi, 2007). In fact, many technology companies now have dedicated Twitter accounts specifically for providing technical support to end users. In response to this changing technical support landscape, we conducted an empirical study of Twitter-based interactions among six companies and their customers in order to examine the nature of the emerging technical support genre on Twitter. Among other findings, we discovered technical support was widely sought among the customers of the companies studied (Comcast, Verizon, AT&T, Samsung, Hewlett Packard, and Dell) with nearly 200,000 tweets recorded in just a 38-day timespan. We also found a majority of individuals used Twitter to complain about a brand as opposed to seeking support for a specific technical problem. In our entry, we discuss the implications of these and other findings for technical communication practitioners and researchers who design for technical documentation in social media contexts.

Research problem: The enhancement of communication skills among engineering students has been a focus within the engineering curriculum for many years. Despite this emphasis, continual published reports document that engineering graduates are not well versed in the areas of written and oral communication when they graduate and transition into industrial-based positions. This study focuses on examining whether game-based pedagogy could serve as a potential tool for enhancing the written and oral communication skills of engineering undergraduates. Research questions: (1) What is the relationship between communication game exposure and oral and written communication skills achievement in engineering students? (2) Do engineering students' perceptions of their oral and written communication skills development associated with participation in communication games align with their achievement in these areas? Literature review: This study examines the ability of games to enhance engineering student communication skills by using the lens of activity theory. This communication theory was chosen because it describes how the creation of a piece of communication goes beyond traditional features such as grammar and syntax to include grappling with the objective or goal of the work, the system within which the product must be completed, and the methods selected to subdivide the work. These same constraints were imposed on the students within this study, in which they were assigned a technical design report and infomercial (or elevator pitch) to assess their oral and written communication skills. Methodology: Three groups of a sophomore-level Introduction to Chemical Product Design course compared non-games, games, and games-plus instructional methods. Student design reports and infomercials were scored by two analysts using reliable and validated rubrics. Team-based performance scores for each of the three sections were compared to determine whether any resulting differences in communication achievement were associated with the incorporation of game-based activities within the classroom. Students' perceptions of their communication skill development were measured through survey instruments and focus groups. The focus group data were content-analyzed by the same two analysts using a coding scheme developed from an emergent qualitative analysis of the focus group data. Results and conclusion: We found that the use of game-based pedagogy within engineering classes can enhance oral and written communication skills even though this method of instruction is not always perceived by students as relevant to their achievement in these areas.

This article explores the rhetoric of medieval rabbi and philosopher Saadya Gaon, arguing that Saadya typifies what LuMing Mao calls the “interconnectivity” of rhetorical cultures (Mao 46). Suggesting that Saadya makes use of argumentative techniques from Greek-inspired, rationalist Islamic theologians, I show how his rhetoric challenges dominant works of rhetorical historiography by participating in three interconnected cultures: Greek, Jewish, and Islamic. Taking into account recent scholarship on Jewish rhetoric, I argue that Saadya’s amalgamation of Jewish rhetorical genres alongside Greco-Islamic genres demonstrates how Jewish and Islamic rhetoric were closely connected in the Middle Ages. Specifically, the article analyzes the rhetorical significance of Saadya’s most famous treatise on Jewish philosophy, The Book of Doctrines and Beliefs, which I argue utilizes Greco-Islamic rhetorical strategies in a polemical defense of rabbinical authority. As a tenth-century writer who worked across multiple rhetorical traditions and genres, Saadya challenges the monocultural, Latin-language histories of medieval rhetoric, demonstrating the importance of investigating Arabic-language and Jewish rhetorics of the Middle Ages.

This paper focuses on the use of the “exemplum” of Alexander in seven Imperial speeches by Libanius (4th c. AD). These are studied and analysed under both a macro- and a micro-perspective: in the first case, the analysis highlights the individual historical examples, their rhetorical function and their literary form. These aspects are subsequently discussed with respect to the specific literary genre, the position of exempla within the speech structure, as well as their aims and impact. Of special interest are the different ways in which Libanius uses the sometimes positive and sometimes negative image of Alexander in order to reinforce his argumentation and to guide his rhetorical strategy in specific pathways.

Inspired by studies on transfer of learning that have provided helpful insight into metacognition and reflection, this instructional note describes an activity that asks students to reflect on skills learned and simultaneously think forward to future writing situations.

In the early twentieth century, students produced and used a variety of texts to commemorate their school experiences and foster a sense of community among themselves. Through the compositional practices and values associated with these texts“particularly those of school literary annuals and memory books”the genre of the modern school yearbook emerged. This article draws on primary sources to trace the emergence of the yearbook as a form and practice at one Louisville high school for girls, where yearbooks both reflected and shaped the experience of high school for students who manifest complex genre knowledge and identity work in their compilations and inscriptions.

Grounded in a multimodal turn in composition studies, this article reports findings from a quantitative taxonomy analysis of four visual rhetoric and multimodal composition textbooks. This analysis reveals that while theories privilege the production of visual and multimodal compositions, the practices encapsulated in these textbooks promote the consumption of such compositions more so than production. As a result, instructors will have to be mindful about their uptake of visual and multimodal textbooks if they want to teach in ways that are theoretically grounded and rhetorically rich.

Established roles for praxis beyond teaching are often missing from discussions of RSTEM engagement with the science community. Although it is important to ground engagement in identifiable roles, it may be that these roles are still being conceived or need to be re-created contextually for every engagement situation. This paper grounds RSTEM engagement in one identifiable field of practice: scientific community management. RSTEM's specialized attention to and understanding of how science communities and genre systems interact can provide insight into the forming of these communities and their management.

Scientific research demonstrates that monosodium glutamate (MSG) is neither solely found in Chinese food nor a cause for health panics. Nonetheless, such a narrative still persists in the public sphere. I conduct a rhetorical analysis of the original debate on MSG to illuminate how the process of genre uptake – the process of information selection and translation from medical discussion to popular news – facilitated this prejudiced understanding. In the original debate about MSG’s effects, doctors trivialized this issue via satire that was based on latent stereotypes of Chinese identity. Although performed as insider humor, these responses were sufficiently aligned to genre expectations so as to appear to outside readers as unquestionable medical fact. As this knowledge was taken up and disseminated in the public sphere, the markers of humor disappeared, but the prejudicial views remained. This case demonstrates how the process of genre uptake can perpetuate prejudiced ideological narratives even in the absence of overt discrimination.

Book Review| February 01 2017 Review: The Genres of Rhetorical Speeches in Greek and Roman Antiquity Cristina Pepe, The Genres of Rhetorical Speeches in Greek and Roman Antiquity. International Studies in the History of Rhetoric 5. Leiden and Boston: Brill, 2013. xviii + 618 pp., ISBN: 978-90-04-24984-4 Mike Edwards Mike Edwards Mike Edwards Department of Humanities University of Roehampton Erasmus House Roehampton Ln, London SW15 5PU United Kingdom Mike.Edwards@roehampton.ac.uk Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (2017) 35 (1): 110–112. https://doi.org/10.1525/rh.2017.35.1.110 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Cite Icon Cite Search Site Citation Mike Edwards; Review: The Genres of Rhetorical Speeches in Greek and Roman Antiquity. Rhetorica 1 February 2017; 35 (1): 110–112. doi: https://doi.org/10.1525/rh.2017.35.1.110 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. © 2017 by The International Society for the History of Rhetoric. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.2017 Article PDF first page preview Close Modal You do not currently have access to this content.

This study investigates the move-step structures of Japanese and English introductory chapters of literature Ph.D. theses and perceptions of Ph.D. supervisors in the Japanese and UK higher education contexts. In this study, 51 Japanese and 48 English introductory chapters of literature Ph.D. theses written by first language writers of Japanese or English were collected from three Japanese and three British universities. Genre analysis of 99 introductory chapters was conducted using a revised “Create a Research Space” (CARS) model (Swales, 1990, 2004). Semi-structured interviews were also carried out with seven Japanese supervisors and ten British supervisors. The findings showed that the introductory chapters of literature Ph.D. theses had 13 move-specific steps and five move-independent steps, each of which presented different cyclical patterns, indicating cross-cultural similarities and differences between the two language groups. The perceptions of supervisors varied in terms of the importance and the sequence of individual steps in the introductory chapters. Based on the textual and interview analyses, a discipline-oriented Open-CARS model is proposed for pedagogical purposes of teaching and writing about this genre in Japanese or English in the field of literature and related fields.

As recent transnational literacy scholarship has shown, acculturation theories homogenize migrant experiences with literacy, often placing young writers on a developmental continuum that implies distancing from homeland practices and communities. Absent more complex theories, the relation between homeland practices, transnational experiences, and local literacies remains difficult to determine. This conundrum prompts this study’s guiding question: How does the transnational inhere in and motivate local literacies? Drawing from lifespan interviews and collected texts of one adult transnational writer (“Clara”), I examine how situated practice coordinates the “here” and “there” within transnational social fields. I find that orientations to and purposes for literacy inherited and made in Clara’s childhood, particularly her and her family’s experience of transnational migration, persisted as sets of patterned social actions that she self-assigned to diverse types of local writing; findings show her building up genre from an emic perspective over time. While Clara’s genre infrastructure persisted at the level of social action, linguistic achievement of those genres was more precarious. I call this set of self-generated, patterned social actions Clara’s genre repertoire from below, and argue that it guided and governed her movement across texts encountered and produced in home, school, and work contexts to ultimately become a bridge across difference in her work as a bilingual educator. This grounded study contributes the construct of genre repertoires from below and its method of genre mapping to make visible how extracurricular and in-school literacy grow together in response to and in support of transnational writers’ everyday experiences.

This article takes up an area of central concern for educators in an era of global connectivity: howto account for the mobility of people, texts, and practices while simultaneously addressing persistent educational inequalities. In attending to the ways people participate in unequal globalized contexts,even educational contexts constructed to bring students and teachers together, we examine how resources such as time, space, materials, national identity, genre, and language are all unequally distributed and unequally ordered in various hierarchies. We propose the notion of scale to offer literacy researchers a flexible conceptual tool with which to examine educational inequities by capturing how movement and mobility are not simple processes of relocation; rather, literacies and texts are always dynamically constructed in relation to hierarchical orders of varying spatial and temporal dimensions. Through multisited ethnography, we engage in a scalar analysis of teachers’ cross-cultural collaborations to illustrate how they produced various categories of space and time (e.g., local, national, global) through routine literacy engagements. In explaining how different scales are invoked, implicated, and constructed in interaction, we find that participants engaged in six scalar moves-upscaling, downscaling, aligning, contesting, anchoring, and embedding-and offer these in response to the pressing need to develop sensitive analytical toolsthat can bring to the surface the ways inequalities are inscribed in literacy practices and texts.Implications of conceptualizing scaling as literacy activity include disrupting smooth narratives of global connectedness in educational collaborations and highlighting the multiscalar nature of all literacy practice.

This article uses rhetorical genre theory to discuss methods for writing studies research in light of increasing participation of Indigenous scholars and students in disciplines throughout the academy. Like genres, research methods are embedded in systems of interaction that create subject positions and social relations. Using rhetorical genre theory to understand methods as the cultural tools of research communities, we argue that methods can be enacted as flexible resources in the interest of advancing ethical knowledge. In the context of Indigenous epistemological activism, researchers can then take a contingent stance toward method, a stance we name “principled uncertainty.”

A decade ago, I was struck by the realization that almost all of the scholarship in our field focuses on the technical communication that happens within organizations, or that is produced by organizations to engage with their members, constituents, or customers (Kimball, 2006).In our scholarship, pedagogy, and practice, we regularly assume that the basic unit for consideration, the scope, is some sort of formal organization: a corporation, a government agency, or an institution.This organizational assumption has come under increasing scrutiny by others, as well.For example, Clay Spinuzzi's influential work has gradually expanded the frame beyond the organization to more flexible and temporary alliances.In Tracing Genres through Organizations: A Sociocultural Approach to Information Design (Spinuzzi, 2003) and its more applied follow-on volume, Topsight: A Guide to Studying, Diagnosing, and Fixing Information Flow in Organizations (Spinuzzi, 2013), Spinuzzi focused primarily on communication networks and conventions within organizations.But, more recently, in All Edge: Inside the New Workplace Networks (Spinuzzi, 2015), Spinuzzi broadens his focus beyond the organization, ironically by looking at something smaller: the projectbased team.In other words, Spinuzzi's work seems to have begun with assuming the organization as the proper unit of study but has shifted to consider more contingent and nimble arrangements that cross-organizational boundaries.Of course, the organization is still an important unit of scope.Yet the organizational assumption obscures a larger view of the technical communication performed by millions of people each day on their own, working outside of, between, and even counter to organizations.This kind of technical communication existed long before the organizational assumption, but it has grown tremendously with the opportunities afforded by the Internet for people to share technical information for their own purposes, rather than on behalf of institutions.In effect, everyone who enjoys access to the Internet is now a potential technical communicator, sharing what they know about technology with the entire world.With services like YouTube, Instructables, and web forums, anyone with only a small investment in money or technology can share with users across the world the kind of information that has traditionally been the product of professional technical writers employed by corporations or government agencies.(For a more detailed discussion of this trend, please see Kimball, 2016.)These new technical communicators find a ready audience in the many people interested in knowing "how to do" something, but not "how to become" something.Examples abound, but here's a personal one.The bearings of our washing machine burned out.As it loudly tried to shake itself apart, my wife and I cast about for what to do.In previous decades, our options would have been slim.We could take the machine apart and try to diagnose and repair the problem ourselves.Naturally, our ignorance made us reluctant to take that route.We could hire a repairperson, but likely at great expense.We could simply buy a new washer, at even greater expense.Finally, we could seek formal training and become appliance repairpersons.However, such training is difficult to come by, even more costly, and slow.We would likely run out of clean clothes before we learned enough to fix the machine.And, ironically, we would likely have to learn a lot of information about fixing other kinds of machines, as well as the professional values and standards that would allow us to participate

The genre of technical description is seeing a resurgence, particularly in online locations, where new, hybrid versions have emerged. The technical explanation, one such hybrid, proliferates on the social message board site Reddit and the message board “Explain Like I’m Five,” in which answers to complex questions are crowdsourced. This study examines 233 such questions and their answers, identifying the effort needed to generate technical explanations as distributed and coordinative technical communication work.

Scholars have paid relatively little attention to material symbolic communication in analyzing rhetoric of the body, focusing primarily on the linguistic or on nonsymbolic materiality. Yet the body communicates via a range of material symbolic practices. Delivery offers an analytical framework for understanding the ways that performing bodies communicate in multiple symbolic codes. Through analysis of neo-burlesque, the essay argues that delivery as a critical method for embodied rhetoric highlights the complex interplay between spaces and bodies and audiences that construct particular genres, providing a wider rhetorical vocabulary to critiques of neo-burlesque and other contested sites of women’s erotic performance.

Writing academic texts in one’s native language (L1) and – even more – in a foreign language (FL) places high cognitive demands on students. In order to cope with these demands, writers should learn to adapt their writing methods flexibly to their tasks, depending on the language and the genre they are writing in. Crucial aspects here are the methods of revising because the need for linguistic revision will be higher in the FL text than in the L1 text; at the same time, it should not be the main or only focus of the revision process. In order to analyse the differences in L1 and FL revision, a study was set up in which ten L1 German students wrote academic essays in German and in English. The production process was protocolled with the help of keylogging, so that the revising processes could be analysed. The results show that the participants revised similarly in both the L1 and the FL. They focussed on the same aspects (content, typing mistakes, and language errors that were not L1 related). At the same time, there are differences in finer grades. These differences in revision do not seem to be a conscious decision, however, but are rather the result of the higher cognitive demands in FL academic writing and the lower degree of language knowledge. Additionally, the analysis of the final FL texts showed that most of the errors that were not corrected were L1 induced. When one looks at the revisions, however, one sees that hardly any revisions were made in these aspects: the L1 influence went more or less unnoticed. For writing pedagogy, this means that one has to put a higher focus on revision strategies during teaching, in order to give students the tools to write successfully in L1 and in FL, and to motivate them in enhancing their papers.

Although writing centers in Germany are among the oldest and fastest growing outside of North America, scholarship produced within them remains largely unknown outside national borders due to challenges inherent in translingual research. This article helps remedy this gap by rendering accessible debates in ‘writing studies’ (‘Schreibwissenschaft’) in German-speaking countries, where a number of projects are underway to define the field at this moment of its maturation. By focusing on one such initiative in Germany, Stephanie Dreyfürst and Nadja Sennewald’s edited collection Schreiben: Grundlagentexte zur Theorie, Didaktik und Beratung (Writing: Foundational Texts on Theory, Pedagogy, and Consultations) (2014), I use the monograph as a case study for investigating larger scholarly conversations about the state of writing studies in the region. In doing so, I propose a new genre for transnational research—the translingual review. More thickly descriptive than the book review, the translingual review situates the edited or authored monograph within local disciplinary and institutional contexts. This particular translingual review adopts a comparative framework, examining how German-language scholarship extends Anglo-American research in innovative ways, particularly in its uses of writing process research.

Aim: This research note narrates existing and continuing potential crossover between the digital humanities and writing studies. I identify synergies between the two fields’ methodologies and categorize current research in terms of four permutations, or “valences,” of the phrase “writing analytics.” These valences include analytics of writing , writing of analytics , writing as analytics , and analytics as writing . I bring recent work in the two fields together under these common labels, with the goal of building strategic alliances between them rather than to delimit or be comprehensive. I offer the valences as one heuristic for establishing connections and distinctions between two fields engaged in complementary work without firm or definitive discursive borders. Writing analytics might provide a disciplinary ground that incorporates and coheres work from these different domains. I further hope to locate the areas in which my current research in digital humanities, grounded in archival studies, might most shape writing analytics. Problem Formation: Digital humanities and writing studies are two fields in which scholars are performing massive data analysis research projects, including those in which data are writing or metadata that accompanies writing. There is an emerging environment in the Modern Language Association friendly to crossover between the humanities and writing studies, especially in work that involves digital methods and media. Writing analytics accordingly hopes to find common disciplinary ground with digital humanities, with the goal of benefitting from and contributing to conversations about the ethical application of digital methods to its research questions. Recent work to bridge digital humanities and writing studies more broadly has unfortunately focused more on territorial and usability concerns than on identifying resonances between the fields’ methodological and ethical commitments. Information Collection: I draw from a history of meta-academic literature in digital humanities and writing studies to review their shared methodological commitments, particularly in literature that recognizes and responds to pushback against the fields’ ostensible use of extra-disciplinary methods. I then turn to current research in both fields that uses and critiques computational techniques, which is most relevant to writing analytics’ articulated focus on massive data analysis. I provide a more detailed explanation, drawing from my categorization of this work, of the conversations in digital humanities surrounding the digital archives that enable data analysis. Conclusions: A review of past and current research in digital humanities and writing studies reveals shared attention to techniques for tokenizing texts at different scales for analysis, which is made possible by the curation of large corpora. Both fields are writing new genres to compose this analysis. In these genres, both fields emphasize process in their provisional work, which is sociocognitively repurposed in different rhetorical contexts. Finally, both fields recognize that the analytical methods they employ are themselves modes of composition and argumentation. An ethics of data transformation present in digital humanities, however, is largely absent from writing studies. This ethics comes to digital humanities from the influence of textual studies and archival studies. Further research in writing analytics might benefit from reframing writing corpora as archives—what Paul Fyfe (2017) calls a shift from “data mining” to “data archaeology”—in its analyses. This is especially true for analyses of text, which in particular foreground writing and analysis of writing as acts of transformation. Directions for Further Research: I recommend that future efforts to find crossover between digital humanities and writing studies do so by identifying their common values rather than trying to co-opt language and spaces or engaging in broad definitional work. I further provide a set of guiding principles that writing analytics might follow in order to pursue research that draws upon and contributes to both digital humanities and writing studies. These research projects might consider and account for the silences of writing corpora—unseen versions of documents, and documents’ elements not described in structured data—while attending to the silences that these efforts might in turn (re)produce.

Background: Contemporary research in composition studies emphasizes the constitutive power of genres. It also highlights the prevalence of the most common genre in students’ transition into advanced college writing, the argumentative essay. Consistent with most research in composition, and therefore most studies of general, first-year college writing, such research has primarily emphasized genre context. Other research, in international applied linguistics research and particularly English for Academic Purposes (EAP), has focused less on first-year writers but has likewise shown the frequent use of argumentative essays in undergraduate writing. Together, these studies suggest that the argumentative essay is represented more than other genres in early college writing development, and that any given genre favors particular discourse features in contrast with other genres students might write. A productive next step, but one not yet realized, is to bring these discussions together, in research that uses context-informed corpus analysis that investigates students’ assignment contexts and analyzes the discourse that characterizes the tasks and genres students write. This study offers an exploratory, context-informed analysis of argumentative and explanatory writing by first-year college writers. Based on the corpus findings, the article underscores discourse as an integral part of the sociocognitive practices embedded in genres, and accordingly considers new ways to conceptualize student writing genres and to inform instruction and assignment design. Research questions: Four questions guided the inquiry: What are the key discursive practices associated with annotated bibliographies and argumentative essays written by the same students in the same course? What are the key discursive practices associated with visual analyses and argumentative essays written by the same students in the same course? What are the key discursive practices associated with the two argumentative tasks in comparison with the two explanatory tasks? Finally, how might corpus-based findings inform the design of particular assignment tasks and genres in light of a range of writing goals? Methodology: The article outlines a context-informed corpus analysis of lexical and grammatical keywords in part-of-speech tagged writing by first-year college students across courses at a U.S. institution. Using information from assignment descriptions and rubrics, the study considers four projects that also represent two macro-genres: an annotated bibliography and a visual analysis, both part of the explanatory macro-genre, and two argumentative essays, both part of the argumentative macro-genre. Results: The corpus analysis identifies lexical and grammatical keywords in each of the four tasks as well as in the macro-genres of argumentative versus explanatory writing. These include generalized, interpersonal, and persuasive discourse in argumentative essays versus more specified, informational, and elaborated discourse in explanatory writing, regardless of course or task. Based on these findings, the article discusses the discursive practices prioritized in each task and each macro-genre. Conclusions: The findings, based on key discourse patterns in tasks within the same course and in macro-genres across courses, pose important questions regarding writing task design and students’ adaptation to different genres. The macro-genre keywords specifically inform exploratory sociocognitive “profiles” of argumentative and explanatory tasks, offered in the final section. These argument and explanation profiles strive to account for discourse patterns, genre networks, and purposes and processes—in other words, multiple aspects of habituated thinking and writing practices entailed in each one relative to the other. As discussed in the conclusion, the profiles aim to (1) underscore discourse patterns as integral to the work of genres, (2) highlight adaptive discourse strategies as part of students’ meta-language for writing, and (3) identify multiple, macro-level (e.g., audience), meso-level (paragraph- and section-level), and micro-level (e.g., discourse patterns) aspects of genres to help instructors identify and specify multiple goals for writing assignments.