Since his election in 2013, Pope Francis has attracted worldwide attention for his break with the public style of his immediate predecessors. This seeming rupture has often incited controversy, particularly between liberals and conservatives in American Catholicism. This division was exacerbated by the 2015 publication of Laudato Si’, Francis’s encyclical letter on the environment. Yet the apparent divergence of opinion masked a more fundamental agreement that popes should normally steer clear of scientific matters. The belief that science is one thing and religion another rests on what Bruno Latour has called “the Modern Constitution,” which draws sharp divisions between science and politics and relegates religion to the private sphere. Laudato Si’ rejects this framework in favor of a more holistic analysis articulated through epideictic rhetoric. I name this approach “nonmodern epideictic” and argue that it both confirms and supplements Latour’s understanding of religious rhetoric.

This article presents a case study using ethnographic and visual methods to investigate the framing activity of engineering students. Findings suggest students use the rhetorical figure of hypotyposis to produce the vivid images needed to frame engineering constraints. Data reveal students multimodally inducing collaboration between group members to construct images as ways to configure engineering constraints. The author argues for the usefulness of hypotyposis for understanding the framing of engineers, technical communicators, and other designers.

A reading of Inferno 32, Purgatorio 31, and Paradiso 31 compares a physical and interior pilgrimage, especially in the way in which the beginning and end of an interior journey are distinguished, to illuminate the concept of love that is central to the Divine Comedy.

Inferno 15 and Paradiso 15 are particularly suitable as a selected reading for a lower-level humanities class. Comparing Brunetto Latini and Cacciaguida as father figures and contrasting the images of Florence in each episode can help students develop a more complex understanding of Dante's poetic vision and social critiques.

This essay considers the importance of nonstandard English to fostering a more inclusive and incisive Shakespeare classroom. Grady focuses on his experience as the instructor of a Shakespeare course that occasionally employed African American Vernacular English in its analysis of texts. His reflection considers how taking such language seriously encourages more genuine participation from a wide range of students. While this pedagogical approach offers one manner in which the field of early modern studies might expand points of access and foster cross-cultural dialogue, it also stands to deepen the analytic possibilities of the Shakespeare classroom. Grady uses the example of African American Vernacular English to demonstrate that nonstandard English can offer particularly nuanced means through which to investigate and discuss Shakespeare's works.

This essay addresses education's paradoxical binding to disciplinary and hierarchical formulas and to social change and personal transformation, an irony uniquely extreme within the prison classroom. It juxtaposes two pedagogical models — one conventionally liberal, the other significantly more radical — to question the purpose and potential of prison education. In the process, the essay measures close reading, a textual practice that is also the hallmark of literary study, against the highest possible liberationist goals of the prison abolition movement.

This article discusses the convergence of the perspectives of literary, gender, and regional studies in the implementation of an oral history project as a service-learning requirement in an upper-level southern women's literature course, providing information about the model and examining learning outcomes as presented through the final projects and student reflections.

This article combines an adaptation of the Toulmin model of argument with a framework designed to analyze assertions of technology-related expertise in order to examine how expert witnesses fulfill the legal requirements for explaining the methodology underlying their testimony within the combative and sometimes prejudicial conditions of the courtroom environment. Its findings support previous claims about contributions technical communication scholars can make to the legal field.

As technical communication (TC) instructors, it is vital that we continue reimagining our curricula as the field itself is continually reimagined in light of new technologies, genres, workplace practices, and theories—theories such as those from disability studies scholarship. Here, the authors offer an approach to including disability studies in TC curricula through the inclusion of a “critical accessibility case study” (CACS). In explicating the theoretical and practical foundations that support teaching a CACS in TC courses, the authors provide an overview of how TC scholars have productively engaged with disability studies and case studies to question both our curricular content and classroom practices. They offer as an example their “New York City Evacuation CACS,” developed for and taught in TC for Health Sciences courses, which demonstrates that critical disability theory can help us better teach distribution and design of technical information and user-based approaches to TC. The conceptual framework of the CACS functions as a strategy for TC instructors to integrate disability studies and attention to disability and accessibility into TC curricula, meeting both ethical calls to do so as well as practical pedagogical goals.

Online learning modes can provide convenience and flexibility to students. But communicating the value of online education in technical and professional communication should not end there. Program directors should rearticulate the narrative about the value of online graduate education beyond flexibility and convenience by reevaluating the ways that program assessment is designed and implemented. This pilot study suggests that a community of inquiry framework can help to communicate the value of the online learning environment to a variety of stakeholders, including prospective and current students, administrators, instructors, and potential employers.

Under the rapid advances of digital technology, traditional paper-based forms of reading and writing are steadily giving way to digital-based literacies, in theory as well as in application. Drawing on a study of literacy in a medical workplace context, this article examines critically the shift toward computer-mediated textual practices. While a considerable body of research has investigated benefits and issues associated with digital literacy tools in medicine, we consider the affordances of paper-based practices. Our analysis of verbal interaction and textual artifacts drawn from a qualitative study of oncology visits indicates that the uses of pen and paper are advantageous for both doctor and patient. Specifically, they allow doctors to process and package information in ways that are favorable to their personal modus operandi, and they enable patients to participate in the medical visit and take an active role in managing their medical treatment. Understanding the affordances of paper-based literacy provides insights for refining digital tools as well as for motivating the design of possible hybrid forms and digital-analog intersections that can best support medical practices.

Blogs provide an open space for scholars to share information, communicate about their research, and reach a diversified audience. Posts in academic blogs are usually hybrid texts where various genres are connected and recontextualized; yet little research has examined how these genres function together to support scholars’ activity. The purpose of this article is to analyze how the affordances of new media enable the integration of different genres and different languages in research group blogs written by multilingual scholars and to explore how various genres are coordinated in these blogs to accomplish specific tasks. The study reported in this article shows that the functionalities of the digital medium allow research groups to incorporate myriad genres into their genre ecology and interconnect these genres in opportunistic ways to accomplish complex objectives: specifically, to publicize the group’s research and activities, make the work of the group members available to the disciplinary community, strengthen social links within their community and connect with the interested public, and raise social awareness. Findings from this study provide insights into the ways in which scholars write networked, multimedia, multigenre texts to support the group’s social and work activity.

This study examines the composing process and authorial agency of a college ESL writer as she remediated an argumentative essay into a multimodal digital video. Employing principles of sociosemiotic ethnography, and drawing on the concepts of resemiotization and recontextualization, the study investigated multiple types of data, including an argumentative paper, video transcript, multimedia video, interview transcripts, and observation notes. Data analysis shows that her choice and orchestration of modal resources were shaped by her textual identity construction work, efforts to accommodate perceived audiences, and previous experience with the medium. Remediation with multimedia offered the student more semiotic resources to expand authorship, but the contextual forces of audience and medium bounded her authorial expression. The student’s multimodal writing illustrated discursive processes of negotiating and performing authorial positions for rhetorical goals with awareness of the linguistic, social, and cultural contexts of text production. This investigation ultimately aims to expand aspects of multimodal writing and literacy practice by examining the discursive nature of the design process in linguistically and culturally diverse contexts.

Abstract In this project, I argue that J. Edgar Hoover’s style of political realism should be studied by critics because it long preceded that of President Harry S. Truman. The style belonged to a stockpile of anti-Communist imagery that helped to shape how the Truman Doctrine speech was drafted and how audiences interpreted its meanings in more local domestic politics. When Truman finally announced that the Soviet Union had challenged international protocol, I argue that he confirmed the vision that his Federal Bureau of Investigation (FBI) director and other detractors had developed throughout the New Deal to discredit reformers who challenged issues of race, labor, and police technique. In this way, anti-Communist containment rhetoric limited the president’s ability to control the domestic security and economic agendas. The stockpile of anti-Communist discourse belonged to, I also argue, a relative of political realism—literary realism and its spinoff, literary naturalism. My final argument is that the FBI director refurbished key tropes in the stockpile, which helped Truman’s congressional opponents invoke Hoover’s authority within the executive branch and thereby displace the president’s credibility as commander in chief. Combined, Hoover and his allies in Congress and elsewhere used rhetorical realism to communicate a deterministic philosophy about human nature through a diffuse mythic narrative, coordinated between Congress, Hollywood, the press, and official FBI discourse.

Drawing from recent work in the areas of economics and sociology, this article applies theories of precarity and the precariat, terms that denote the marginalized status of contingent workers, to the composition classroom. Reviewing the economic and social conditions precipitating workforce casualization, the article argues that theories of precarity support the efforts of scholars in composition studies thinking beyond the concept of social class and toward models of solidarity. Building upon the work of these scholars, the article advocates attention to the shared precarity of students and proposes methods of enhancing solidarity at the university.

At a historical moment when both violence and its mass mediation proliferate, this essay takes as its exigence the reinforcing and troubling relationships uniting violence, image, and vision. It offers rhetorical looking as a pedagogical strategy designed to undermine violence through visual engagement, and it focuses on the atrocity image—a photographic depiction of human-on-human violence—as both a site of violence and a site for intervening in violence. Comprising four interlocking and reciprocal tactics that operate nonlinearly, rhetorical looking performs slow looking, a mode of perception that moves beyond reception and critique to attend to a photograph’s image content and to the perceptual habits by which that content is evoked. By reflecting on its own processes—revealing agency and answerability in looking—rhetorically looking potentially fosters actions that respond to rather than dismiss violence.

Tracing the literacy practices of an Israeli soldier, this case study examines how his engagement in multilingual and multimodal (MML) composing affects his ways of thinking about and doing literacy. It specifically attends to how MML practices dispose writers to certain orientations to reading, writing, speaking, and design.

In this article, I analyze the debate between Raimond Gaita and Christopher Hamilton on the rhetorical practices appropriate to achieving lucidity (full attention to moral reality). I concentrate on the deployment of untimely terms (taking “soul” as my central example) as a means by which both Gaita and Hamilton attempt to provoke lucidity in the reader. In the final sections of the article, I use this case study of the moral term “soul” to set out a theoretical model for the process of becoming lucid in order to (partially) defend Gaita's philosophical style against Hamilton's criticisms. At stake is the possibility of other forms of rigor, other forms of clarity, and other forms of cogency than analytic philosophizing typically presumes.

This article asks that we take seriously (and suggests that we have not yet taken seriously enough) Steven B. Katz's point that nonhuman rhetoric is “supplanting and replacing the physical human body” as the main site for rhetorical agency. Discussing Ian Bogost's carpentry and James J. Brown Jr. and Nathaniel Rivers's adaptation of it as rhetorical carpentry as an example of nonhuman rhetoric that does not go far enough, I suggest that Joanna Zylinska's concept of “scalar derangement”—the pathological need to put all things on a human scale—is a major impasse for a nonhuman rhetoric founded on representational methods. Instead, I offer a model of rhetorical invocation and suggest that skotison, Richard Lanham's term for deliberately obfuscatory style, provides a rhetorical practice for addressing the nonhuman at nonhuman scales. Instead of a nonhuman rhetoric of things, I maintain that in the age of climate change we should begin to consider an inhuman rhetoric.

In this article, I reexamine quality and rhetoric in Robert M. Pirsig's Zen and the Art of Motorcycle Maintenance through Julia Kristeva's semiotic chora. To that end, I review three analyses of Pirsig's novel, reinscribe quality as a prediscursive experience of undifferentiated wholeness, argue that regression back into Kristeva's chora is one way to recover this prediscursive experience, and hypothesize that the rhetoric of Zen is an unstable discourse in which prediscursive energies from the chora disrupt and realign the meanings of signifiers. I conclude by generalizing my work beyond Pirsig's novel to three concepts in rhetorical scholarship.

This article explores the epideictic nature of online discourse, or what might be considered a digital version of social knowledge. In particular, it draws from Vilém Flusser's concept of the technical image, the image projected as singular but that is, in fact, layered with many other meanings. Working from two primary examples—the resignation of University of Missouri president Tim Wolfe and the reporting of Israeli flooding of a Gazan valley—the article theorizes how a consensus is constructed as a technical image and thus problematizes the nature of consensus in specific rhetorical moments.

“Media support particular modalities over others, and formally shape and ideologically infuse products based on their affordances. Hence, students must be able to analyze rhetorical contexts while problematizing simplistic definitions of access and efficacy. The concept of a “multimodal home place” provides a tool to help students become more mindful about technology use.”

“The editors and authors of the chapters included in Multimodal Composing in Classrooms: Learning and Teaching for the Digital World show how multimodal composing has become an indispensible new literacy.”

Two disabled researchers draw from their experiences conducting an interview study with a population of self-identified disabled faculty members to question some long-held commonplaces about qualitative interviewing. They use the phrase centering disability to emphasize disability as a critical lens and form of embodied experience that has theoretical and methodological implications for qualitative interviewing research design, implementation, and analysis.

Since the publication of Wendy Bishop’s Released into Language (1990), the disciplinary boundaries of composition and creative writing have been in question. More recently, as Douglas Hesse’s “The Place of Creative Writing in Composition Studies” (2010) suggests, creative writing has been assumed to exist as a subdiscipline of composition despite efforts during the past decade to develop a new discipline, Creative Writing Studies. The research reported on and analyzed here argues for creative writing’s disciplinary status by using Toulmin’s (1972) definition of disciplinarity as a basis for claiming writers’ aesthetic documents as data and reporting those data in an aesthetic form. In our study, 57 students in first-year composition were asked to write a creative piece concerning how they came to the present place in their lives. Students produced 57 artifacts, including 55 poems, one script, and one visual narrative. These data were subsequently represented in fiction—that is, we used a novel to present our findings in an effort to assert the differences between the ways findings might be rendered in composition as opposed to creative writing. This paper examines what each subject area views as evidence and how that evidence might be most profitably analyzed and discussed in an aesthetic document. We suggest that the process of writing the novel is a method, a mode of analysis, with the novel itself as the articulation of the researchers’ analysis of the original data. Using this method, we studied creative writing aesthetically as creative writing and offer a justification for doing so.

Design has come to be understood as an essential aspect of the work that technical communicators claim. As a result, research in the field of technical communication has approached studies of design in numerous ways. This article showcases how technical communication researchers assume the roles of observers, testers, critics, creators, and consultants in their handling of design artifacts. Such a model regarding these roles may help us to better understand the design relationships researchers presume as they further knowledge of design within our field. This article offers a framework to leverage into a comprehensive and integrated model for explaining our work on design to others outside of technical communication.

Facebook (FB) is a popular communication medium and community building tool for health outreach, promotion, and support groups for patients with chronic and rare conditions. Medical writers and health communication specialists are often tasked to write the content and support community interactions in health-related FB interventions. However, studies have reported mixed results at sustaining patient participation and engagement in FB interventions. Questions remain about the relationship between health behavior and FB usage and best strategies for evaluating health-related FB interventions. Furthermore, few studies examine health-related FB usage of people not designated as patients, which might help identify native activities that can sustain participants’ interest in and engagement with FB interventions. This study examines offline and online health-related activities of FB to identify characteristics shared by people who use FB for health-related purposes. The data from 455 users indicate that offline social health activities do not transfer online; privacy issues, interaction preferences, and differences between FB and offline networks may be barriers. FB campaigns and interventions should have modest and focused goals, such as supplementing offline activities and increasing preexisting FB activity. Designing FB interventions for networks and social groups with preexisting emotional ties and trust would be ideal.

This study focuses on start-up entrepreneurs on the move—in coordination with an array of other actors—as they weave and are woven into transnational networks. Central to this study is a shift from activity to mobility systems. Building on technical communication scholarship, the frame integrates actor networks and activity theory knotworks. Disrupting workplace and national container models (methodological nationalism), the analysis is grounded in a study of Israeli start-up entrepreneurs. Dubbed the Start-Up Nation, Israel contains more start-ups per capita than any other country in the world, with its high-tech industry made up of a dense ecosystem of conferences, accelerators, meetups, social media, and coworking spaces. Tracing actants’ trajectories across this social field, the author argues for a conceptualization of entrepreneurs as knotworkers who mobilize genres, modes, languages, and spaces.

Drawing on fieldwork, this article examines nursing students’ design and use of a patient health record during clinical simulations, where small teams of students provide nursing care for a robotic patient. The student-designed patient health record provides a compelling example of how simulation genres can both authentically coordinate action within a classroom simulation and support professional genre uptake. First, the range of rhetorical choices available to students in designing their simulation health records are discussed. Then, the article draws on an extended example of how student uptake of the patient health record within a clinical simulation emphasized its intertextual relationship to other genres, its role mediating social interactions with the patient and other providers, and its coordination of embodied actions. Connections to students’ experiences with professional genres are addressed throughout. The article concludes by considering initial implications of this research for disciplinary and professional writing courses.

It is established that transcription skills (handwriting and spelling) constrain children’s writing. Yet, little is known about the mechanism underlying this relationship. This study examined the mediating role of bursts and pauses on the link between transcription skills and writing fluency or text quality. For that, 174 second graders did the alphabet task and wrote a story using HandSpy. Path analyses indicated that writing fluency and text quality models were excellent descriptions of the data, with 80% and 46% of explained variance, respectively. Results showed that handwriting and spelling influenced writing fluency only indirectly via burst length and short pauses duration (full mediation); and that whereas only handwriting contributed to text quality directly, both handwriting and spelling contributed to text quality indirectly, via burst length (partial mediation). These findings suggest that better transcription skills allow students to write more words without pausing, which in turn results in more fluent and better writing.

Abstract In 1961, the American Medical Association (AMA) funded a persuasive campaign called Operation Coffeecup. The campaign, which was designed to defeat Medicare, featured a speech by a young Ronald Reagan outlining the dangers of “socialized medicine.” The speech was recorded on a long-play record and distributed to the Women’s Auxiliary of the AMA, a group primarily composed of the wives of doctors who were instructed to write seemingly spontaneous letters to Congress detailing their opposition to the program. This essay investigates Operation Coffeecup mainly through a rhetorical analysis of Reagan’s speech. I argue that “socialized medicine” drew upon a problematic articulation of American culture that privileges the individual at the expense of the larger community. I conclude by discussing the thread of individualism that has persisted in the United States from the pre-Depression era mythos of rugged individualism to neoliberal discourses that shape debates about health policy today.

Abstract The South China Sea is the world’s busiest and most important waterway, serving as the crossroads of global capitalism and the connective tissue of Southeast Asia. With shipping routes, underwater resources, and hundreds of small islands claimed by Japan, South Korea, Taiwan, China, Indonesia, the Philippines, Brunei, Malaysia, Singapore, Vietnam, and others, the area stands among the world’s most contested regions. Since 1945, the United States Navy has dominated the area, but that hegemony is now in question as the People’s Republic of China (PRC) becomes more assertive as a rising power. In efforts to justify their clashing claims over the region, the United States and the PRC have launched campaigns against each other, producing a rhetorical crisis that may foreshadow war. To try to make sense of the rhetoric driving this crisis, the first part of this essay unpacks some of the colorful history of the South China Sea—its legacy of rogues, pirates, opium wars, and so on—to argue that it has always been less of a governed and ordered place and more of a transitory and heterodox space crisscrossed by overlapping intentions, designs, and dreams. From this perspective, any nation’s claims to sovereignty are fictions that aspire to be constitutive, albeit by erasing the constitutive claims of others. The second section of the essay then addresses the PRC’s use of “traumatized nationalism” to advocate for its rights in the South China Sea, while the third section tackles the United States’ use of “belligerent humanitarianism” to justify its actions. The essay concludes with an appeal for a postnational version of shared governance, called for in the name of defending the global commons from the militarized encroachments of nation-states.

Abstract This essay examines President Barack Obama’s March 28, 2011 address on the war in Libya to theorize a shift in twenty-first-century war rhetoric in which violence is insulated from critique through the numbing of public sensation. In contrast to traditional persuasive appeals aimed at securing collective participation and approval for war, Obama’s oratory is characteristic of “light war,” a mode of conflict that flows more freely by placing few demands on thought, feeling, and attention. I argue that Obama’s rhetoric limits the potential for audiences to sense the material consequences of war through a set of kairotic justifications in which violence is considered “just” in the dual sense that it just ended, and that it is just war, or merely a banal and quotidian version of conflict. After unpacking the anesthetizing features of Obama’s discourse, I conclude by addressing the prospects of resistance given the compressed interval for public thought and feeling to interrupt violent practices.

Books reviewed: Still Life with Rhetoric: A New Materialist Approach for Visual Rhetorics by Laurie E. Gries. Logan: Utah State UP, 2015. 324 pp. Dialectical Rhetoric by Bruce McComiskey. Logan: Utah State UP, 2015. 228 pp. Hospitality and Authoring: An Essay for the English Profession by Richard Haswell and Janis Haswell. Logan: Utah State UP, 2015. 232 pp.

ABSTRACTThe spread of mobile technologies and social media have contributed to making snapshot photography an ordinary part of everyday life. As snapshots become more omnipresent, asking why we take so many photos becomes less exigent than asking what might stop us from doing so. Drawing on insights from affect theory, new materialism, and studies of visual rhetoric, this article argues that deterrents to snapping pictures arise not only from the range of human rhetorics or “laws” that influence our actions or inactions, but also from a dynamic tangle of extrahuman factors, ineffable though this influence may be. Speculating about the implications of these extrahuman deterrents for how we understand rhetoric, I suggest that the ineffable enchantment of certain encounters exhibits a worldly rhetoricity in itself, one that conditions the possibility of—and sometimes prevents—the anthropogenic symbolic actions we are more accustomed to recognizing as rhetorical.

The notion of translingual practice has gained much currency within college composition and sociolinguistics over the last few years. Translingual practices challenge structuralist conceptualizations of language as discrete, bounded, impermeable, autonomous systems, conceptualizations that unfortunately (1) privilege linguistic codes over nonlinguistic ones, and (2) contribute to the hierarchization and separation of languages, leading some languages and their corresponding users to be valued more than others. To counter such a stance, we advocate the use of translingual pedagogy, which values the fluid communicative practices of learners who mobilize multiple semiotic resources to facilitate communication. By sharing examples from our own classrooms,we also underscore the need for teachers to recognize and expand the communicative repertoires of their students. This pedagogical shift, as we illustrate, is accompanied by an instructional commitment to develop students’ metalinguistic awareness and cultural sensitivities in order to create inclusive and equitable learning environments.

Complexity leadership theory provides a perspective on leadership that values, rather than avoids, the realities of a complex environment. As we are now fully part of an age of networks, facilitating leadership toward collective action means embracing a distributed model reliant on multiple modes of communication distributed over multiple nodes in complex networks. A complexity theory of leadership that is practiced within the context of multimodal authorship favors collective action over individual action, collaboration over centralization, and connectivity over isolation. It is in the power of multiple networks interacting and becoming a complex adaptive system that collective action leads to positive change.

This article foregrounds story as a rhetorical mode of Indigenous leadership to argue for the value of local scholars working in place. Utilizing recent scholarship in Native rhetorics, educational leadership, decolonial theory, I offer my own experience as a Cherokee citizen and Indigenous researcher to illustrate the value of local cultural knowledge to the field and the academy. I suggest the reconsideration of cosmopolitan values and institutional practices that alienate Indigenous scholars from their communities.

In the sixteenth and seventeenth centuries, the visual precepts of rhetoric’s fourth canon found themselves at odds with the iconoclasm of England’s Protestant elite. Under this negative influence, mnemonic imagery disappeared from rhetorical theory. Interest in the fourth canon declined, replaced with a Ramist conception of memory grounded in abstract (and imageless) order. A general outline of this history has been offered by several scholars—most notably, Frances Yates—but new bibliographic data along with recently digitized archives can verify its accuracy. Print, written culture, or “modernist” ideologies alone cannot explain the historical marginalization of the canon of memory.

The essay argues that there is an institutional role—and obligation—to teach students to appreciate poetry. In contrast to vertical and intensive models of analysis that treat individual poems or authors as the primary unit of pedagogical value, aesthetic appreciation requires a lateral, extensive, and comparative mode of encounter.

This essay discusses the affordances of using an affect-based approach to 9/11 discourses that facilitates teaching civic engagement. Representations and rhetoric about 9/11 are found in a range of modes—film, documentary, literature, news coverage, and official government documents. Asking students to analyze these representations using a variety of rhetorical strategies highlights the way that various sources of (competing) knowledge about the national tragedy disrupt the notion that there is an accepted, uniform way of understanding this event. Furthermore, this approach demonstrates how varied sources of meaning making construct our public sphere.

This article informs educators about the importance and challenges of teaching digital reading practices. In positioning reading as a design-oriented activity and readers as text designers, instructors can teach genre awareness as a way to help students strongly engage with and comprehend digital texts.

This article describes graduate mentorship experiences at the Writing, Information, and Digital Experience (WIDE) research center at Michigan State University and offers a stance on graduate student mentorship. It describes WIDE’s mentorship model as feminist and inclusive and as a means to invite researchers with different backgrounds to engage in knowledge-making activities and collaborate on projects. Additionally, the article explains how WIDE enables growth for its researchers, teachers, and leaders. To illustrate these ideas, the authors provide multiple perspectives across faculty mentors, former graduate students, and current graduate students in order to discuss how WIDE researchers practice mentorship and how this mentorship prepares students for future work as scholars and researchers. Finally, the article suggests ways other research centers can adapt WIDE’s approach to their own institutional context.

This article examines the teaching of a multimodal pedagogy in an online technical communication classroom. Based on the results of an e-portfolio assessment, the authors argue that multimodality can be taught successfully in the online environment if the instructor carefully plans and scaffolds each assignment. Specifically, they argue for an increased emphasis within the technical communication classroom on teaching the e-portfolio as a genre that not only exemplifies students’ multimodal literacies but also establishes their identities as technical communicators in the 21st century. This article provides a model for teaching multimodal composition in the online technical communication classroom and calls for more scholarship on teaching the e-portfolio in the digital environment.

Nonprofit organizations have long used the personal experience narratives of clients, staff, and stakeholders in their communications. This study explores digital-age practices with this text form, analyzing 82 collections of digital personal experience narratives (DPENs) housed at or linked to Web sites of nonprofit organizations. Results are reported on the variety and frequency of the modes, featured constituencies, narrative perspectives, and digital interface features in the sample. Overall, the nonprofit DPEN collections sampled showed limited use of new digital production and distribution possibilities. Practice, however, differed notably between two segments of nonprofits: networks and service organizations. To explore these results, the article discusses key examples of DPEN collections from each segment.

This article examines multimodal texts created by a cohort of academically marginalized secondary school students in Singapore as part of a language arts unit on persuasive composition. Using an interpretivist qualitative approach, we examine students’ multimodal designs to highlight opportunities taken up for expanding literacy practices traditionally not available to lower tracked students. Findings examine the authorial stances and rhetorical force that students enacted in their multimodal designs, despite lack of regular opportunities to author complex texts and a schooling history of low expectations. We extend arguments for the importance of providing all students with opportunities to take positions as designers and creators while acknowledging systematic barriers to such opportunities for academically marginalized students. This study thus counters deficit views of academically marginalized students’ literacy practices by demonstrating their authoritative stance taking and enacting of layered positionalities through multimodal designs in which they renegotiated ways of knowing and doing in their classroom.

This study describes how members of a transnational social network of Mexican bilinguals living in Chicago manipulate their language on online social media to facilitate and maintain close connections across borders. Using a discourse-centered online ethnographic approach, I examine conversations posted on members’ Facebook walls and the contexts in which the discourses are formed. I argue that members of this transnational social network engage in the use of deterritorialized discourse to create chronotopes; that is, through discourse, members connect temporal and spatial relationships and form them into a single constructed context. These chronotopes help members recontextualize Facebook as a unique transnational social place that connects families and allows for the continuation of cultural practices that maintain their transnationalism. This study sheds light on the use of linguistic resources and modes of communication to examine how individuals construct imagined experiences within a real intimate community in the deterritorialized space of online social media.

At some point and somewhere in autumn 1862, poet Emily Dickinson saw a parade. The parade was a send-off for soldiers. One can imagine the scene: waving flags, hats, and handkerchiefs; gay explosio...