This article explores how a doctoral student in theoretical physics constructs computational simulations and reports his work within the constraints of an academic dissertation. The author specifically identifies principal elements of the work ensemble that the student deployed to complete different tasks and analyzes two dissertation chapters in order to examine the semiotic resources that the student used to warrant the outcomes of his research. The study finds that these are not instrumental procedures in which the researcher represents material objects in a mimetic sense; they are epistemic practices through which he generates digital objects that do not have an experimental counterpart and must therefore be justified through references to technical production. Based on these findings, the author argues that theorizing writing as coextensive with the practical work of science demonstrates what makes it powerful as a semiotic resource and constructive rhetorical activity.

Contemporary international migration produces a great deal of bureaucratic writing activity. This article reports on a study of one bureaucratic literacy practice—correspondence—of 25 international migrants in the United States. Contextual and practice-based analysis of data collected through literacy history interviews shows that (a) by virtue of living transnational lives, migrant writers develop correspondence practices that seem vernacular, but in fact take on the hegemonic qualities of modern bureaucracy, and (b) when composing everyday correspondence, migrant writers, rather than being subject to bureaucracy’s whims, take up bureaucratic roles that allow them to manage their own and others’ economic and geographic mobility. These findings complicate claims that migrant correspondence simply maintains relationships or fosters cultural cohesion. Migrant writers, while often corresponding to keep in touch with family and friends elsewhere, also adopt the practices of bureaucracy, becoming participants in the management of people on the move.

Given the ubiquity of images and, implicitly, the habits of looking that influence the production of those images for both representation and communication, English studies requires a theory of Design that better accounts for dominant perceptual habits that function both to constrain acts of choice making and to restrict the repertoire of available resources. This article contributes to that agenda by focusing on one perceptual habit: the racialized gaze, a dominant cultural habit for perceiving race-related visual phenomena. Employing a fascinating take on the political cartoons of the nineteenth-century artist Thomas Nast as “racialized design,” Hum uses this work to complicate the idea of both design and gaze for students and teachers of visual rhetoric today. Specifically, she argues, among other points, that “the racialized gaze as Design provides a valuable theoretical framework for visual rhetoric, exegesis, and cultural analysis by directing our attention to how designers may unwittingly sustain practices of racialization and perpetuate racially based sociocultural exclusions”

In The Rhetoric of Science rhetorical concepts can the persuasive work of scientific arguments Communicating Science the history of the scientific article as a genre, showing how it evolved in length, style through the nineteenth centuries Insight, with Harmon, communication and argues for the salience of visual modes of persuasion in scientifi illustrate Gross's mastery of different scholarly methodologies, from the theoretically and visuals, to the comparison of tactics across several works, to the compilation of large databases statistically sampled.Altogether Alan Gross's body of work, including seminal articles and significant anthologies, has established the field of the rhetoric of science and given it methods and a trajectory.No one after him has had to take this ground.The study presented here It applies classical analysis; it looks at historical practices texts as the initiating and formative precursors of later practices; and it considers visual persuasion.The particular case the renewal of botany in the sixteenth century and examined is how forms discourse arts of the time

Abstract During his first term as president, Barack Obama delivered four national eulogies at the sites of gun violence tragedies, two of which garnered considerable national attention: one delivered in Tucson, Arizona on January 12, 2011 (following the attack on Representative Gabrielle Giffords and an assembled crowd), and another in Newtown, Connecticut on December 16, 2012 (following the massacre at Sandy Hook Elementary School). The deaths of innocents, the result of a host of causes, required the president to face the issue of gun violence, help the nation work through the trauma, and create the conditions of civility necessary for policy action. At Tucson, Obama drew from the book of Job to explain that the evil in Tucson happened “for reasons that defy human understanding.” In his Newtown address, Obama replaced the more fatalistic theology of his Tucson memorial with a spirit of perseverance and renewal rooted in 2 Corinthians. In this essay, I suggest that Obama’s eulogy at Newtown serves as a counterpart to the call Obama advanced in the Tucson address. I argue that, though the messages embedded in the Tucson speech serve as a legitimate theological and epistemological check on the presumptions of reason, the Newtown address better met the aspirations of civility because it led to a consideration of policies designed to reduce gun violence.

This article theorizes the development of a hybrid literate identity—one of both reader and writer. That is, prior to the emergence of social and digital media, the act of meaning-making in models of audience and writing developed in or emerging from the social turn in composition were more heavily dependent on the writer. Based on analysis of wiki talk pages, I describe a model of writing that accounts for “readers-as-writers.” Consequently, this article builds upon audience scholarship to develop a “hypersocial-interactive model of writing” to help us to better understand possible reader and writer roles in digital writing environments.

Abstract In systems of meaning that run on a regular setting, allegory is about filling in the blanks that disclose the “other story.” In the modern setting that Walter Benjamin tracked (back to the seventeenth century), allegory must turn significance out of the blank itself, working the blank as a turning point for drawing the reading onward. The “psy-fi” genre is the hub where bona fide science fictions, documentations of psychosis (memoirs and psychiatric and psychoanalytic studies), and tracts on mass psychology or psychological warfare, meet and cross over toward the evolution of new norms. Is it possible to construe a series of references in works of the “psy-fi” genre to Zeno's paradox of a con-test involving human and animal subjects as allegory of the test situation in which blanks secure the last or new step, which ultimately is taken toward mourning, the final frontier? Yes.

AbstractThis article explores some rhetorical paths of thinking about prayer in relation to traditional humanism and its alternatives. It seeks to develop a Heideggerian rhetorical hermeneutics in relation to a nonpersonal, extrahuman model of communication between the human and the divine. Eventually, the article pivots away from God as the addressee of prayerful rhetoric and focuses instead on angels as the name for the finite, contingent conditions in which the rhetoric of prayer takes place.

AbstractThis response article argues that the question of “extrahuman relations” obtains on not just one level but two. It is not just a question of our relations to nonhuman forms of life—such as, for example, the embodiment and finitude we share with other beings. It's also a question of a second form of finitude that obtains in our prosthetic subjection to any semiotic system whatsoever that makes possible “our” concepts, “our” recognition and articulation of our “nonhuman relations” in the first place. By examining the bird poems of Wallace Stevens, I demonstrate that with the question of extrahuman relations we are always talking, in other words, not about a thematics but about a technics of address.

Abstract According to the legend from two ancient Greek texts by Hesiod, Pandora, the first woman, was artificially produced rather than naturally born. Drawing on the philological expertise of some of Hesiod's best readers, this article explores how Pandora renders the concept of the human unfamiliar and unnatural in ways that surprisingly resonate with contemporary challenges to androcentric models of life and death. As an amalgam of divine, bestial, and duplicitous qualities, Pandora simultaneously represents the category of the human and is excluded from it. Neither mere machine nor static image, Pandora is living machine. After Pandora, the human can no longer be thought in merely human or even humanizing terms: to be human is to bear a primal relation to artifice, imitation, technology, rhetoric, and death.

Benson examines three books—Experimental Writing in Composition: Aesthetics and Pedagogies, Remixing Composition: A History of Multimodal Writing Pedagogy, and Rhetorical Delivery as Technological Discourse: A Cross-Historical Study—that contribute powerfully to the scholarly conversation about the changing face of composition by illustrating how the narrative of newness associated with multimodal and experimental work hides a long saga of negotiation between the traditional and the new in the field of composition.

This essay reimagines the way that listening is taught in the multimodal composition classroom. In contrast to listening to sonic content for meaning, the listening pedagogy I introduce is based on my concept of multimodal listening—a practice that involves attending to the sensory, material, and contextual aspects that comprise and shape a sonic event. I argue that cultivating multimodal listening practices will enable students to become more savvy consumers and producers of sound in the composition classroom and in their everyday lives.

This article makes a case for the value of literary field studies as a way both to reframe familiar narratives about texts and to open up regions and sites to the analytic mode of close reading. The authors describe their experiences teaching a seminar and week-long field study exploring the literature and culture of the American South.

Review Article| October 01 2014 The Multimodal Turn in Higher Education: On Teaching, Assessing, Valuing Multiliteracies Multimodal Literacies and Emerging Genres. Edited by Bowen, Tracey and Whithaus, Carl. Pittsburgh, PA: University of Pittsburgh Press, 2013. Lauri Bohanan Goodling Lauri Bohanan Goodling Search for other works by this author on: This Site Google Pedagogy (2014) 14 (3): 561–568. https://doi.org/10.1215/15314200-2715859 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Lauri Bohanan Goodling; The Multimodal Turn in Higher Education: On Teaching, Assessing, Valuing Multiliteracies. Pedagogy 1 October 2014; 14 (3): 561–568. doi: https://doi.org/10.1215/15314200-2715859 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2014 by Lauri Bohanan Goodling2014 Article PDF first page preview Close Modal Issue Section: Reviews You do not currently have access to this content.

Visual sign systems have become an essential means of communication in places where large numbers of people of different nationalities gather, such as at international airports and the Olympic Games. That they can effectively increase accessibility among users not necessarily sharing a common language speaks to their potential usefulness in other situations. A homeless shelter in a western North Carolina community received funding to build a new facility. With the clientele's widely diverse communication abilities, including those who are illiterate or have limited reading skills, those who are non-native speakers knowing little to no English, and those who are coming from different cultural contexts, a visual sign system was designed to facilitate navigation for all visitors. Using Peirce's theory of signs, Neurath's ISOTYPE, and the least action principle borrowed from physics as a framework, this case study shows how the signs were designed and usability tested to ensure increased accessibility.

This study gauges workers’ degree of openness to significant changes in the organization, style, and design of a written report by analyzing metaphors that emerge from their talk about their report-reading and decision-making tasks. Workers at two work sites—in Maryland and in Washington DC—responded to two typical work reports: one written in the style currently in use and another in a fundamentally different style exhibiting features that make documents easy to read and understand. The dominant metaphor that the Maryland workers used was “the whole-man” approach, which represented the workers’ flexible approach toward work tasks that resulted in their willingness to accept the fundamentally different report. In contrast, Washington DC workers used the metaphors “paint by the numbers” and “stay within the lines” when describing their work. These metaphors suggest the workers’ adherence to organizational routines and uncomfortableness with change that caused them not only to reject the new reports but also to have strong emotional reactions toward them. These results indicate that assessing organizational talk, particularly the metaphors people use, is a useful tool in gauging workers’ perceptions about and degree of openness toward communication change.

Previous research in technical communication indicates service-learning pedagogies can help prepare students for the workplace. The field, however, has only recently and tentatively extended these pedagogies into online environments and has not yet demonstrated how and whether such service-eLearning could as effectively bridge the gap between the classroom and workplace. In this article, the author discusses one such extension and offers a framework and model.

Theorists of multiliteracies, social semiotics, and the New Literacy Studies have drawn attention to the potential changing nature of writing and literacy in the context of networked communications. This article reports findings from a design-based research project in Year 4 classrooms (students aged 8.5-10 years) in a low socioeconomic status school. A new writing program taught students how to design multimodal and digital texts across a range of genres and text types, such as web pages, online comics, video documentaries, and blogs. The authors use Bernstein’s theory of the pedagogic device to theorize the pedagogic struggles and resolutions in remaking English through the specialization of time, space, and text. The changes created an ideological struggle as new writing practices were adapted from broader societal fields to meet the instructional and regulative discourses of a conventional writing curriculum.

Reviewed are: Collaborative Learning and Writing: Essays on Using Small Groups in Teaching English and Composition, edited by Kathleen M. Hunzer, Reviewed by Signee Lynch Remixing Composition: A History of Multimodal Writing Pedagogy, by Jason Palmeri, Reviewed by Stephanie Vie Communal Modernisms: Teaching Twentieth-Century Literature in the Twenty-First Century Classroom, edited by Emily M. Hinnov, Laurel Harris, and Lauren M. Rosenblum, Reviewed by Mike Piero Understanding Rhetoric: A Graphic Guide to Writing, by Elizabeth Losh, Jonathan Alexander, Kevin Cannon, and Zander Cannon, Reviewed by Kristen Welch

This history explores the early growth of composition faculty between 1960 and 1990, arguing that composition has historically functioned as a site of flexible expertise. As archives of the Modern Language Association’s Job Information List attest, early job advertisements for composition “specialists” defined the work of composition in terms antithetical to specialization, expecting a compositionist to perform a variety of administrative work and to teach comfortably in multiple areas. The flexible identity of the field’s faculty aided its growth during a period when tenure-track faculty waned; composition thrived because faculty could serve multiple institutional roles. This essay calls readers to investigate the ways that composition’s flexibility has impacted and continues to impact the field’s identity and labor structures.

Abstract This article revisits stasis theory, the rhetorical tool that outlines the strategic options of a defendant in a moral or legal accusation. By analyzing the burden of proof of an accuser and deducing a comprehensive model for a modern theory of stasis from the resulting obligations, it develops a system of ten vital staseis (key issues), each of which is by itself sufficient for a defense in front of a reasonable audience. The resulting modern theory of stasis can be a useful heuristic tool for the rhetorical defense against moral and legal accusations as well as for the systematic analysis of judicial speeches and debates.

Professional identity is oft explored in the field, but such identities usually reside institutionally and may exclude women who engage in professional communication from the workplace of the home. One instantiation of this extra-institutional professionalism is mom blogs, the authors of which create content, find sponsors, and address issues important to mothers. Yet the women lack legitimacy as professionals because of the title “mommy blogger” and because of the notion that blogging is a hobby. My qualitative study explores how mom bloggers claim a professional space in communication. I interviewed 22 mom bloggers, using Faber's (2002, [18]) theory of professionalism and Durack's (1997, [17]) ideas of redefining terms, such as “workplace,” to include women. My findings show that mom bloggers engage in the characteristics of professional communicators, model egalitarian professionalism, employ an ethic of care that combats elitism, and challenge the field to include their work, from the home and through new media, as professional.

Roughly 1 out of 10 students in our classrooms has some form of disability, and now that a growing number of technical and professional communication (TPC) courses and programs are offered online, scholars need to adequately address accessibility in online course design. Calling on the field to “pay attention” to this issue, the authors report the results of a national survey of online writing instructors and use Selfe’s landmark essay as a way to theoretically frame the results. They conclude by offering strategies for TPC instructors to design more accessible online courses.

This article considers how technical communication practitioners and teachers can approach Donald Schön’s notion of problem setting as rhetorical and reflective work that offers us a richer, more precise language for articulating the technologies, narratives, and values from which problems appear as problems in the first place. The author posits that problem setting, when foregrounded in our work, adds value to the knowledge we make in practice rather than the knowledge we gain from stepping back and abstracting. After briefly describing problem setting as a significant yet invisible practice already underlying technical communication, he then describes a vignette from a digital marketing and design firm to foreground problem setting as creative, on-the-spot reflective work that we often use to invent, rather than discern, problems in unstable situations. The larger goal of this article is to further investigate Schön’s past construction in order to examine how the practice of problem setting affects our ability to act within the instability of digital, divergent, and knowledge-intensive settings—the kinds of settings we regularly face in the workplace and the classroom.

Using a narrative–semiotic approach, this article explores the decisions, plans, and actions involved in dealing with organizational risks and crises. It describes a model, or methodological framework, for crisis analysis as well as for organizational learning aimed at crisis management and prevention. The model is based on the interrelational positioning of the relevant agents (project managers, project team members, and stakeholders), the discourses produced by these agents, and their actions. This model is valuable for understanding the situations, goals, motivations, and anxieties that underlie the risk assessment and actions taken during crises. To illustrate the theoretical discussion, the article analyzes the Columbia Space Shuttle accident of 2003.

Over the past two decades, scientific editors have attempted to correct “mistaken” assumptions about scientific images and to curb unethical image-manipulation practices. Reactions to the advent and abuse of image-adjustment software (such as Adobe Photoshop) reveal the complex relations among visual representations, scientific credibility, and epistemic rhetoric. Perelman and Olbrechts-Tyteca's model of argumentation provides a flexible system for understanding these relations and for teaching students to use scientific images ethically and effectively.

We investigated changes across grades in the cognitive demands associated with the organizing subprocess of writing. A total of 85 fifth (age M = 10.8), 88 seventh (age M = 12.9), and 79 ninth (age M = 14.6) graders composed either a procedural text or an expository description on a digital tablet, on the basis of a “scrambled ideas” paradigm. The demands of organizing were measured in terms of time management (the time spent pausing and transcribing during text production). Our results suggest a developmental change in the on-line management of the organizing subprocess. Findings indicate that only pupils from ninth grade onward adapt their writing behavior to match the task demands. Results are discussed in light of Berninger and Swanson’s developmental model of writing.

“Sinners Welcome” explores the relationship between current community partnership models and the political rhetoric that often surrounds them. Taking up the frequent invocation of Cornel West’s “prophetic pragmatism” in such partnerships, this article investigates what it might mean to understand this term as a call to work for actual systemic justice for those most oppressed by the current political moment. To make this concrete, the article discusses a community partnership project that resulted in an activist organization being created by local residents in response to a large-scale redevelopment effort in the neighborhood. Once created, this organization became the site of a concerted countereffort to defund and discredit such partnership work. It is this tension between community partnerships and activism, between prophetic pragmatism’s theoretical goals and its actual practice, that represents a fundamental choice within English studies. Ultimately, the article poses the question of how far our field is willing to go in the name of a “transformative politics.”

Reviewed are: Multimodal Literacies and Emerging Genres Tracey Bowen and Carl Whithaus, eds. Redesigning Composition for Multilingual Realities Jay Jordan First Semester: Graduate Students, Teaching Writing, and the Challenge of Middle Ground Jessica Restaino

Through sharing results of an analysis of design language use in several writing studies journals, this article explores why we invoke design in published scholarship. After defining the approach to composing known as design thinking, it then moves to a comparison of design thinking and the writing process and looks at an example application of design thinking in the field. I argue that design thinking not only offers a useful approach for tackling multimodal/multimedia composing tasks, but also situates the goal of writing studies as textual action and asks us to reconsider writing’s home in the university.

ABSTRACTThis article argues that in his second speech of the Phaedrus (the “palinode”), Socrates gives an intentionally fallacious argument. He gives this argument, starting “all/every soul is immortal” (245c6–246a2), to show his speech-loving friend Phaedrus how—rather than simply to tell him that—analytic as much as imagistic speech can persuade without deserving conviction. This argument joins four others that recent Phaedrus scholarship has shown to be deliberately misconstructed. The entire dialogue has Socrates demonstrating to Phaedrus that the proper attitude to speech is active and critical scrutiny. “Philosophy”—toward which Socrates wants to turn Phaedrus—is not the rhetorical mode “speaking in sequential inferences” but is instead a kind of shared listening and conversation, an association committed to “making a person most thoughtful.” Yet inducting someone into philosophy still depends on some rhetorical mode: the kind that reveals a person's need for a commitment to investigation.

Using visual rhetoric as a mode of instruction in two-year college composition can have a positive and powerful impact on teaching and learning.

The authors argue for a critically reflective model of service-learning by detailing the features of a project in which an ESL reading and developmental writing class interviewed Holocaust survivors for the Kupferberg Holocaust Resource Center and Archives.

While grand claims have been made for the power of literature, there is a dearth of experimental research in English education examining the effects of reading literature—and specifically young adult literature—on students’ attitudes and moral development. Little work of any kind has been done on the efficacy of literary interventions in reducing adolescents’ rape myth acceptance. In response, this study examined the capacity of a dialogically organized, reader response–based literary unit focused on the young adult novel Speak to reduce adolescents’ rape myth acceptance. An experimental design was used with eighth-grade English language arts students in seven classes that were randomly assigned to treatment or control. Rape myth acceptance was measured using the Rape Myth Acceptance Scale (Burt, 1980) and a researcher-created scale, the Adolescent Rape Myth Scale (ARMS). Results revealed that girls had significantly lower levels of pretest rape myth acceptance than boys, that intervention significantly lowered participants’ rape myth acceptance, and that there was no backlash to treatment. Factor analysis revealed a two-component solution for the ARMS representing common rape myths; further analysis found that treatment was more effective in reducing the component She Wanted It than the component She Lied. The results demonstrate the instructional value of young adult literature, support the use of reader response–based dialogic instruction, and show it is possible to effectively address topics such as rape at the middle school level. I argue that future research should examine whether similar literary units can affect attitudinal constructs such as homophobia, tolerance of bullying, and attitudes toward disabilities. The potential marginalization of this type of literary instruction due to current educational reforms is also discussed.

English educators are contending with the proliferation of mobile devices in students’ lives, and with the imminent integration of mobile devices into classrooms. Concurrently, literacy researchers using social semiotic theories of multimodality to investigate adolescents’ digital composing have focused on screens, paying scant attention to the bodies moving with them. Responding to recent critiques of multimodality that have centered on a lack of attention to embodiment and affect, this article leverages the concept of real virtualities to avoid artificially bifurcating screen and body, and to contribute a beginning theorization of the embodied experience of composing with mobile devices, which includes feeling-histories, affective atmospheres, and the felt experience of time. The data analyzed in this article come from a 12-week enrichment course in which five adolescents composed digital narratives with iPods. The overarching analysis describes all literacy practices with mobile devices in the course, and the microanalysis, using multimodal interaction analysis, compares two students with contrasting histories of mobile device use. Findings show these students’ literacies as more body-centered than techno-centered, and evince tensions between institutionalized learning environments and adolescents’ affective, cultural histories of being mobile while engaged in literacy. Further, findings describe how the feeling of tools and semiotic material influenced the trajectories of students’ bodies and narratives. Theories of digital composition should continue expanding to account for connections between mobility and affect, and the pedagogical importance of motility. The changing nature of literacy in the milieu of mobile computing compels researchers to consider the role of the moving, feeling body in literacy with more scrutiny.

Reform efforts undertaken in the name of the college- and career-readiness agenda reflect a different understanding of a balance between liberal learning, professional training, and disciplinarity that has long existed in general education programs. This article examines the different interpretations of this balance in general education and contemporary reform efforts, considering the implications of these reforms by examining their possible effects on writing education. It concludes by positing that “remodeling” (not restructuring) general education through a framework that draws on the idea of “communities of practice” (Etienne Wenger, Communities of Practice, Cambridge, Cambridge University Press, 1998) might represent a strategy for rethinking the balance between liberal learning, professional training, and disciplinarity.

Present Tense would like to congratulate Rochelle Gregory for being accepted into The Best of the Independent Rhetoric & Composition Journals, 2013 (Parlor Press). Rochelle’s article, “A Womb With a View: Identifying the Culturally Iconic Fetal Image in Prenatal Ultrasound Provisions” was featured in our special Medical Rhetorics Issue.