Traces of a offers a unique scholarly perspective that merges interests in rhetorical and literacy studies, United States social and political theory, and African American women writers. Focusing on elite nineteenth-century African American women who formed a new class of women well positioned to use language with consequence, Royster uses interdisciplinary perspectives (literature, history, feminist studies, African American studies, psychology, art, sociology, economics) to present a well-textured rhetorical analysis of the literate practices of these women. With a shift in educational opportunity after the Civil War, African American women gained access to higher education and received formal training in rhetoric and writing. By the end of the nineteenth-century, significant numbers of African American women operated actively in many public arenas.In her study, Royster acknowledges the persistence of disempowering forces in the lives of African American women and their equal perseverance against these forces. Amid these conditions, Royster views the acquisition of literacy as a dynamic moment for African American women, not only in terms of their use of written language to satisfy their general needs for agency and authority, but also to fulfill socio-political purposes as well.Traces of a Stream is a showcase for nineteenth-century African American women, and particularly elite women, as a group of writers who are currently underrepresented in rhetorical scholarship. Royster has formulated both an analytical theory and an ideological perspective that are useful in gaining a more generative understanding of literate practices as a whole and the practices of African American women in particular. Royster tells a tale of rhetorical prowess, calling for alternative ways of seeing, reading, and rendering scholarship as she seeks to establish a more suitable place for the contributions and achievements of African American women writers.

130 RHETORICA tion. Fascicule I incorrectly refers to Peter of Blois's dictaminal treatise as an abridgement of work by Bernard of Meting (p. xxxv). An appendix contains the edition of an allegorical letter from Simon O.'s Summa dictandi which concerns the authorship of Regina sedens Rhetorica . A useful Glossary of Medieval Words and Unusual Spellings with ref­ erences to standard Medieval Latin dictionaries is followed by a list of cited manuscripts, editions of primary texts, cited secondary sources, and a full and accurate index. A copy of this book should be found in the library of every student of the ars dictaminis. Emil J. Polak Queensborough Community College, The City University ofNew York Kathleen Welch, Electric Rhetoric: Classical Rhetoric, Oralism, and a New Literacy (Cambridge MA: MIT Press, 1999) xvii + 255 pp. The dust jacket of Electric Rhetoric sports a blurb from Andrea Lunsford which praises an author who "re-theorizes (and re-races, re-genders, and re­ performs) pre-Aristotelian rhetoric and then uses it to explore posthumanist literacy and rhetoric in a range of electronic spaces. In its insistent rejection of what Welch calls the 'worst' of Enlightenment, Modernist, and Postmod­ ernist values—and in its bold program for change—this book is going to make a lot of people nervous. A must read!" I open with Lunsford's remarks because they are as illuminating for what they say as for what they do not say. Welch's book is not a "program" but a polemic for change which, by the author's own avowal, seeks to "redirect inquiry" and raise more questions than it answers (p. 9). Welch does so handily in six chapters housed in two parts, "Classical Greek Literacy and the Spoken Word" and "Logos Perform­ ers, Screen Sophism, and the Rhetorical Turn", followed by an "Appendix: Excerpt from the Origin Myth ofAcoma and Other Records". In Chapter 1, "Introduction: Screen Literacy in Rhetoric and Composi­ tion Studies", she opens with the captivating image of the television screen which, for better or for worse, is ubiquitous in "locations of power as well as of powerlessness". In addition to contrasting it effectively with the com­ puter screen which "mostly appears in locations of power" (p. 4), Professor Welch vows to rouse humanities scholars from what she condemns through­ out as their utter refusal to acknowledge and rethink the massive cultural changes which attend the universal sign system of video. Of no surprise to those familiar with her prior excellent contributions to the history and theory of rhetoric and composition, she believes that that mission can best be accomplished by returning to (and revamping considerably) Isocratic rhetoric. Simply put, Electric Rhetoric proposes a holistic approach to three fundamental principles: (1) that literacy conditions "how people articulate Reviews 131 within and around their ideas, their cultures, and themselves, including their subject positions"; (2) that "any current definition of literacy must account for changes in consciousness or mentalité"; and (3) that literacy "depends on social constructions (including [sic] gender and racial constructions) that give value to some writing and speaking activities and that devalue others" (pp. 7-8). Chapter 2, "An Isocratic Literacy Theory: An Alternative Rhetoric of Oral/Aural Articulation", provides the forum for Welch's endeavor to re­ cover Isocrates. Praising his recognition of the dependence between articu­ lation and thought and his emphasis on aptitude vs. native ability (p. 51), she simultaneously vilifies his rhetoric, which "reveals for us strikingly one of the hideous aspects of classical rhetoric: it appears to erase women or to victimize us. This erasure works hand in hand with Isocrates's agenda of imperialism, an intolerance, a dehumanizing of Others, for which he must be held accountable" (p. 49). Our job, then, as readers of Electric Rhetoric, is to hold the past accountable. The main thrust of Chapter 3, "Disciplining Isocrates", is to dismantle "the Great Man theory of history writing, with some token women thrown in the same underlying theoretical structure" (pp. 82-83). It contains some fascinating readings of the Antidosis, notably the dancing bear episode and its link to learning ability. What is not clear, however, is why "Isocrates's biggest problem lies in his and...

The cover illustration of What Is Sex? features what is in this culture an instantly recognizable image. 1 Moonlike, an ovum hangs in the center against a black background. Off to the lower left a single sperm, its curved tail suggesting movement, points its head toward the egg. This image depicts a moment of anticipation, just before the merger of egg and sperm. As part of the cover illustration this image seems to function as the answer to the question posed by the title. The juxtaposition of the title and this image implies a definition of "sex" that is necessarily linked to reproduction and a fixed dual-gender system. This image of egg and sperm, which stands in for human females and males, suggests that when it comes to answering the question "what is sex?" human beings are central to the discussion.

As women take part in the workforce in greater numbers and in higher positions, they need representation in visual images that will signify their achievements. Because portraits of women have for centuries highlighted their beauty and passivity, the poses, expressions, and props chosen in the past elicit similar readings in current professional women's photographs, readings in opposition to the typical power and authority awarded to male portraits. Women's portrait features may signify a more friendly and open personality than the formal male portrait shows and often represent women's interests and professional affiliations. Currently working women choose a wide variety of poses and props, and cultural readings of the features of portraits have begun to change. A trend towards more informal poses has allowed men's and women's portraits to use some of the same features. Communicators can help to change the conventionalized readings of women's portraits through careful document design that highlights women and their achievements.

Abstract In this essay I call critical attention to the role of physical location in rhetorical situations, naming this aspect of communication “rhetorical space.”; Rhetorical space is the geography of a communicative event, and, like all landscapes, may include both the cultural and material arrangement, whether intended or fortuitous, of a location. Drawing on the observations of novelists, philosophers, anthropologists, cultural geographers, and architectural historians, I explore the dimensions of this concept through an investigation of the pulpit, a rhetorical space that communicates a message to the audience quite apart from the sermon.

Considers how teaching John Updike’s short story “A&P” to treat issues of class and gender provides practice in reading for multiple meanings. Discusses students’ responses to the character “Sammy” and considers issues from personal response to reading the text. Notes multiple perspectives and ways of teaching “A&P.”

Mapping the Terrain of Feminist Cyberscapes, Kristine Blair and Pamela Takayoshi Map of Location I: The Body in Virtual Space Technological Fronts: Lesbian Lives On the Joanne Addison and Susan Hilligoss Postmodernist Looks at the Body Electric: Email, Female and Hijra, Sarah Sloane Re-Membering Mama: The Female Body Embodied and Disembodied Communication, Barbara Monroe Making the Map: Interview with Helen Schwartz Map of Location II: Constructions of Online Identities Our Studnets, Our Selves I, A Mestiza, Continually Walk Out of One Culture Into Another: Alba's Story, Sibylle Gruber Pedagogy, Emotion and The Protocol of Care, Shannon Wilson. Writing (Without) The Body: Gender and Power in Networked Discussion Groups, Donna LeCourt Making the Map: Interview with Gail Hawisher Map of Location III: Discourse Communities Online and in Classrooms A Virtual Locker Room in Classroom Chat Spaces: The Politics of Men as Other, Christine Boese The Use of Electronic Communication in Facilitating Feminine Modes of Discourse: An Irigaraian Heuristic, Morgan Gresham and Cecilia Hartley Over the Line, Online, Gender Lines: Email and Women in the Classroom, Dene Grigar Maps of Location IV: Virtual Coalitions and Collaborations Designing Feminist Multimedia for The United Nations Fourth World Conference on Women, Mary Hocks Voicing The Landscape: A Discourse of Their Own, Laura Julier, Paula Gillespie, And Kathleen Blake Yancey Thirteen Ways of Looking at an M-Word, Margaret Daisley and Susan Romano Making The Map: Interview With Mary Lay and Elizabeth Tebeaux Map of Location V: The Future: to be Mapped Later Feminist Research in Computers and Composition, Lisa Gerrard An Online Dialogue with the Contributors to Feminist Cyberscapes Mapping the Future: Interview with Cynthia Selfe

Ethnic and gender differences in classroom conversational styles are explored by comparing student involvement in face-to-face and computer-mediated discussions. The quantity of participation in these two environments is triangulated with student perceptions of the conversations in three undergraduate composition classrooms. White males participated more frequently than other groups in the face-to-face setting, and White women appeared to benefit more than other groups from conversations held in the computer-mediated setting. However, these gender-differentiated participation patterns did not apply to the discourse patterns of Hispanic males and females. Unlike their White female peers, the Hispanic women in this study participated frequently in the face-to-face conversations, spoke more than Hispanic males, and generally disliked the computer-mediated conversations.

Describes a class discussion in the author’s first-year composition class at a New York City community college, after students read a volume of Sappho’s poetry. Discusses issues of reading comprehension, poetry, gender-preference prejudice, and how they were all set straight by one student from Brooklyn.

Presents and describes a narrative writing assignment used by the author in a developmental writing course that helps to demonstrate to students how and why sexist language usage can limit thinking, sometimes injuriously, and that concretely illustrates how language and gender stereotyping interact causally. Describes the assignment, how it is used in class, and class discussions resulting.

Abstract Feminist research in the history of rhetoric has used traditional humanistic research techniques to recover many women rhetoricians. Nevertheless, such work has been faulted for making tendentious arguments on behalf of some women figures. These criticisms arise in part from failing to understanding that feminist researchers, although employing many traditional methods, do not seek the traditional goal of objective truth. Rather, they work for truths that are relative to the interests of specific communities. Scholars who refuse to accept their findings may be motivated in part by rejection of the emotional allegiances the relevant communities invoke. An exemplary theory to negotiate these research difficulties can be found in the work of Jacqueline Jones Royster.

Current theories of radical pedagogy stress the constant undermining, on the part of both professors and students, of fixed essential identities. This article examines the way three feminist, queer teachers of writing experience and perform their gender, class, and sexual identities. We critique both the academy’s tendency to neutralize the political aspects of identity performance and the essentialist identity politics that still inform many academic discussions.

Review Article| August 01 2000 Short Reviews: The Beginnings of Rhetorical Theory in Classical Greece, by Edward Schiappa, Political Allegory in Late Medieval England, by Anne W. Astell, The Changing Tradition: Women in the History of Rhetoric, by Christine Mason Sutherland and Rebecca Sutcliffe and Rhetorical Figures in Science, by Jeanne Fahnestock Edward Schiappa,The Beginnings of Rhetorical Theory in Classical Greece (New Haven: Yale University Press, 1999), x + 230 pp.Anne W. Astell,Political Allegory in Late Medieval England (Ithaca: Comell University Press, 1999), xii + 218 pp.Christine Mason Sutherland and Rebecca Sutcliffe eds. The Changing Tradition: Women in the History of Rhetoric (Calgary: University of Calgary Press, 1999), vii + 279 pp.Jeanne Fahnestock,Rhetorical Figures in Science (New York: Oxford University Press, 1999), xiv + 234 pp. Janet M. Atwill, Janet M. Atwill The University of Tennessee Search for other works by this author on: This Site PubMed Google Scholar Sybil M. Jack, Sybil M. Jack University of Sydney Search for other works by this author on: This Site PubMed Google Scholar Wendy Dasler Johnson, Wendy Dasler Johnson Washington State University Search for other works by this author on: This Site PubMed Google Scholar Jean Dietz Moss Jean Dietz Moss The Catholic University of America Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (2000) 18 (3): 343–354. https://doi.org/10.1525/rh.2000.18.3.343 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Janet M. Atwill, Sybil M. Jack, Wendy Dasler Johnson, Jean Dietz Moss; Short Reviews: The Beginnings of Rhetorical Theory in Classical Greece, by Edward Schiappa, Political Allegory in Late Medieval England, by Anne W. Astell, The Changing Tradition: Women in the History of Rhetoric, by Christine Mason Sutherland and Rebecca Sutcliffe and Rhetorical Figures in Science, by Jeanne Fahnestock. Rhetorica 1 August 2000; 18 (3): 343–354. doi: https://doi.org/10.1525/rh.2000.18.3.343 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. Copyright 2000, The International Society for the History of Rhetoric2000 Article PDF first page preview Close Modal You do not currently have access to this content.

This article reports on a survey of 162 recent engineering graduates about their writing experiences during co-op. Specifically, the survey obtained data about how much time they spent writing, to what extent they engaged in collaborative writing, what kinds of documents they wrote, and the purposes and audiences for those documents, whether they believed their employers valued writing ability, and what strategies they perceived as most helpful in learning to write like engineers. Data were analyzed in terms of engineering specialty and gender. The findings are presented, along with implications for teaching and future research.

Reviews 349 different levels of spiritual understanding may be debatable. Given the likelihood that an open text can serve to stimulate reflection on all these levels, too precise an attempt at political closure may be counterproductive. Sybil M. Jack University of Sydney Christine Mason Sutherland and Rebecca Sutcliffe eds, The Changing Tradition: Women in the History of Rhetoric (Calgary: University of Calgary Press, 1999), vii + 279 pp. This new collection brings back the excitement of the 1997 Saskatchewan conference of the International Society for the History of Rhetoric, where its essays were delivered. There scholars of women's issues from such countries as Canada, France, the Netherlands, Romania, Australia, England, and the U.S. sized up others' perspectives, questioned assumptions, and pushed for clarity, but came away assured of women's place in a field that has notoriously excluded them. Restive fractiousness was not much evident in discussions about women, like the productive dissension arising for instance at the first Rhetorics and Feminisms conference later that summer, when differentials of power, economic means, and race tensions came to the fore. Differences like these are mostly missing, too, from this volume; nevertheless, Mason Sutherland and Sutcliffe's volume encourages and supports an array of scholarship about women that today still lacks ready access to print. Mason Sutherland's own essay opens the collection, a place due it as a plenary address for the gathering of international scholars, and also as "overview of the field" from the editors' stance. "Women in the History of Rhetoric: the Past and the Future" asserts that far from a margin, women have been "a matrix" for rhetoric. "[O]ur part in it has been to feed it, to support it, to enable it", says Mason Sutherland. Referring to all women's work as "maternal" has lately rankled many, but situating it as "anterior" to the rhetorical tradition can strike a resonant note (p. 10). Yet the author worries that a "world view of our own time can come between us and a clear understanding of" past women (p. 350 RHETORICA 27), and she pleads for a complexly ambivalent, but "sympathetic listening to ...voices of the past" such as Mary Astell’s (p. 14). Mason Sutherland presents Astell (1666-1731) as a rationalist and high church monarchist who nevertheless vigorously defended women's education and capacity for public service. The goal of Mason Sutherland's address and of the co-edited collection, then, is "to promote good in our present without doing the past the injustice of misunderstanding and misrepresenting it" (p. 29). The book's sixteen essays (one in both French and English) are arranged as they address ways women were (or are) excluded from, alongside, participating in, emerging into, and engaging the rhetorical tradition, five locations the editors also suggest for future studies of women in rhetoric. The first section, on exclusion, offers C. Jan Swearingen's essay, "Plato's Women: Alternative Embodiments of Rhetoric", which questions the ethics of dismissing such figures as Aspasia and Diotima by claiming that evidence for them is literary and thus suspect. "Directing the announcement selectively at studies of women in antiquity", Swearingen concludes, "is an act of pseudo­ objectivity that should not go unremarked" (p. 44). A wonderfully weird counterpoint is Jody Enders's text, "Cutting Off the Memory of Women", testifying against medieval torture that was designed explicitly to undercut and erase what were codified by the fifteenth-century Malleus Maleficarum as the notoriously unruly memories of women. These essays represent both thoughtful and provocative scholarship, and yet I wonder, looking back at the conference program, why for example Mary Garrett’s "Women and the Chinese Rhetorical Tradition" is not here. The collection focuses, as scholarship about women has, on studies that recover in rhetorical terms the work of particular women: Catherine of Sienna, Hester Ann Rogers, Lady Mary Wroth, Flora MacDonald Denison, and Gertrude Buck to name some honored here. I must confine myself here to a very few essays from this useful volume that even more broadly open up studies about women in rhetoric. One of them, from the "alongside" section, is Helene Cazes's "Verbum inuisiblile palpabitur: The Sibyls in the Second Half of...

This article presents a close reading of one chapter of the only guidebook written for physicians about the clinical management of breastfeeding. The medical discussion of the psychological aspects of breastfeeding articulates conflicting ideological views of women and their place in society, demonstrating how medicine reflects and contributes to a cultural context that is ambivalent about women's changing roles and the transformation of their practices as mothers. At stake is medicine's role in regulating maternal behavior.

Plato on Rhetoric and Language by Jean Nienkamp. Mahwah, NJ: Lawrence Erlbaum Associates for Hermagoras Press, 1999. 220 + ix pp. Beyond the Great Story: History as Text and Discourse by Robert F. Berkhofer, Jr. Cambridge: The Belknap Press of Harvard University Press, 1997. 381 + xii pp. Voices of the Nation: Women and Public Speech in Nineteenth‐Century American Literature and Culture by Caroline Field Levander. Cambridge: Cambridge University Press, 1998. 186 pp. The Evolution of English Prose 1700–1800: Style, Politeness, and Print Culture by Carey McIntosh. Cambridge: Cambridge University Press, 1998. 276 + xi pp.

This article asserts that personal essays by black feminist writers such as June Jordan might be used to teach first-year and advanced student writers how to connect their personal and social identities in ways that will enhance the rhetorical impact of their writing while transcending mere “confession” or self-indulgence.

Studying corporate documents provides clues to the larger philosophy of the organization. This article explores a sales document redesign that indicates a subtle shift in ideology for a women's clothing company. The corporation uses direct sales to market clothes to a variety of women. In one season, the documents change from relatively outdated designs to more updated, professional layouts. However, the content of the documents changes very little. The author contends that the document redesign indicates a move to a more feminist outlook for the company and uses the concept of ethos to describe how the document design represents a slowly changing ethos for the corporation. A specific content shift towards feminism is, however, less apparent.

This article describes how disability studies can be used in a medical and science writing class to critically examine the assumptions of scientific discourse. An emerging, interdisciplinary field, disability studies draws on feminist, postmodern, and post‐colonial theory and extends their critiques to the medicalization of disability. Deconstructing the medical model of disability helps students understand how science is socially constructed. After conceptualizing disability studies, this essay discusses sample disability‐related classroom activities, readings, and writing assignments.

I value Gypsy Academics and the compassionate way in which Schell combines a feminist and materialist analysis of the historical and economic conditions that have led to the exploitation of adjunct faculty, the majority of whom are women. - College EnglishFully two-thirds of all part-time teachers in English studies are women, many with no permanent faculty standing, no benefits, no job security, and little or no chance for promotion. How does the feminization of writing programs affect the newly formed discipline of rhetoric and composition? Gypsy Academics and Mother-Teachers illuminates the complex gendered ideologies that surround writing instruction--drawing on feminist theories of women's work, Marxist theories of class and labor, sociological and economic studies of part-time academic employment, and personal interviews with part-time women writing faculty. Eileen Schell contends that part-time faculty members' interests and contributions have been underrepresented in our research narratives and professional histories in rhetoric and composition. Her book attempts to revalue practitioner knowledge and to reclaim the voices and perspectives of part-time women writing instructors as a vital part of the history and growth of rhetoric and composition as a discipline. Both a theoretical and practical study, Gypsy Academics and Mother-Teachers not only theorizes the structures of gender and labor in writing programs; it also offers administrators, theorists, and practitioners ideas for improving the working conditions and professional status of part-time writing instructors.

Reviews 111 Shirley Wilson Logan, "We Are Coming": The Persuasive Discourse of Nineteenth-Century Black Women (Carbondale, IL: Southern Illinois University Press, 1999), 255 pp. Shirley Wilson Logan introduces "We Are Coming": The Persuasive Discourse of Nineteenth-Century Black Women by stating, "This book examines the public persuasive discourse of nineteenth-century black women intellectuals" (p. xi). She continues in the Preface to talk more specifically about the nature of the historical era of the analysis, constraints on the availability of texts, the nature of both public discourse and persuasive discourse, and the rhetorical theories and strategies that shape her analysis. Near the end of the Preface she says, "My hope is that these discussions might also add to a clearer understanding of nineteenth-century culture and of the ways in which the persuasive discourse of nineteenth-century black women adapted itself to its multiple audiences and multilayered exigences" (p. xvi). By this process, Logan makes the reader immediately aware of the extent to which the participation of African American women in public discourse during the nineteenth century signals complexity, rather than simplicity, and a need for contemporary researchers to account for patterns in rhetorical practices at the same time that we resist reducing those patterns to simplistic and monolithic notions of a "Black women's rhetoric". First of all, in focusing attention on specific rhetors, Logan re­ inscribes the historical record with the names of women who actively charted new pathways for rhetorical engagement during an era of remarkable social, political, and economic change. She brings texture to what we have come to know about the rhetorical performances of Maria Miller Stewart, Frances Watkins Harper, Ida Wells Barnett, Fannie Barrier Williams, Anna Julia Cooper, Victoria Earle Matthews, Mary Shadd Cary, Josephine St. Pierre Ruffin, and others who in recent years have been brought to the attention particularly of teachers and scholars in women's studies, ethnic studies, and literary studies. To this list, however, she adds the names of women whose accomplishments are much less familiar: Rosetta Douglass-Sprague, Alice Woodby McKane, Lucy 112 RHETORICA Wilmot Smith, Mary Cook, Edmonia Highgate, Georgia Swift King and others. She reminds us that to date we have only scratched the surface of the history of African American women's intellectual work as she places the subjects of her study more visibly onto the rhetorical landscape. Using five themes that are symbolized by quotations from the texts of die rhetors, Logan explains in systematic ways how the rhetorical actions of this group were shaped and performed amid various systems and forces of the social environment. She raises for critical viewing points of inquiry that help us to envision these women both individually and collectively, interrogating, for example: the importance of allusions to an African past in the gamering of rhetorical power; their commitment to forging alliances across various communities of interest; the directing of their energies toward critical issues within the African American community; the use of specific strategies in the art of persuasion; their creation of their own arenas for rhetorical engagement; and the ways and means of rhetorical action in the particular arena of the Black Clubwomen's Movement, that is, their shaping of the discourse of racial uplift. Logan suggests that individually these women illustrate a breadth of rhetorical responses to a continuity of exigencies and that collectively they were quite astute at finding ways to invoke lively connections between themselves and their audiences; to invent themselves anew within their performative arenas; and to respond provocatively to the exigencies of multiply constrained rhetorical situations. The effect of Logan's approach is to underscore a critical point that she makes in her statement of purpose, that is, her assertion that these women are intellectuals. In attending to individual practices, common exigencies, and thematic points of inquiry, Logan makes visible that the case to be made ultimately with this analysis is not simply that African American women engaged persuasively in rhetorical practices in public arenas during this era, but that their doing so demonstrates the liveliness of their intellectual engagement and their ethical commitments. Logan's choice in making this case is to lead us analytically through a textual display, making conditions...

RHETORICA 108 General Prologue and three serious tales. Much of the comedic and fantastic is left unexplored; indeed, he writes, "I hope others will extend the discussion...I have only initiated" (p. 212). Although Russell, at times, claims rather brashly to know what Chaucer thought or didn't think, what he read or didn't read without much qualification, the edginess of his prose provokes response. His work confidently negotiates contemporary Chaucerian scholarship, solidly convincing readers that the trivium can serve as an important lens through which we can read medieval literary texts. ANNE LASKAYA University of Oregon Lynne Magnusson, Shakespeare and Social Dialogue: Dramatic Language and Elizabethan Letters (Cambridge: Cambridge University Press, 1999), x + 221 pp. In Shakespeare and Social Dialogue, Lynne Magnusson accepts poststructural questioning of the unity and autonomy of the literary text and the independence of its "author" and characters but argues that this critique of formalism has unnecessarily dismissed close reading of language. She seeks to restore it by applying concepts from discourse analysis to a comparison of Renaissance correspondence and Shakespeare's dialogue. Her assumption that letters and plays come close to recording actual conversation seems a little naive, and I am not always sure whether her goal is to recover Elizabethan speech or to illuminate Shakespeare, but she largely achieves both. In place of the Aristotelian categories applied to Elizabethan letters by Frank Whigham, she builds on theories of Mikhail Bakhtin and Pierre Bourdieu, and especially the empirical research of cultural anthropologists Penelope Brown and Stephen C. Levinson. Their model describes attempts to manage risk and save face in conversation through strategies of positive politeness (identifying participants) and negative politeness (dissociating them) that take into account their social Reviews 109 distance, their relative power, and the culture-specific ranking of impositions. As an historian of rhetoric skeptical of imposing our own theories on Renaissance texts, I am startled by how well this approach explains Elizabethan language. Magnusson's study has three parts. Part One demonstrates that gender as well as class influences social dialogue. In Henry VIII, Norfolk employs positive strategies to advise Buckingham; Katherine and Wolsey address King Henry with negative strategies of deference and indirection. The correspondence of Edmund Molyneux, Sidney family secretary, reveals the complexities of Elizabethan relationships. Philip and Robert Sidney command him, while he responds to Philip's criticisms primarily with negative strategies. Lady Mary Sidney tempers her authority over Edmund with positive strategies. Shakespeare's Sonnet 58 and others deferring to his patron are best understood in the context of these conventions. Part Two focuses on letter-writing manuals and administrative correspondence, applying its examples to Shakespeare's plays. Magnusson contrasts Desiderius Erasmus' reform of the horizontal, homosocial relations of scholars in De conscribendis epistolis with Angel Day's reproduction of Elizabethan social hierarchies in The English Secretary, which nevertheless facilitates upward mobility. William Fulwood's The Enimie of Idlenesse, a translation of a French treatise, could have unwittingly supplied hints for the linguistic pretensions of Love's Labour's Lost and A Midsummer Night's Dream. In the former play, the lords' linguistic excesses respond to imitation of their style by upstarts, while in the latter, Theseus appreciates his subjects' incompetence because bumbling shows deference. Elizabethan business depends on personal relationship: thus recommendations ignore job qualifications and requests for favors cement friendship. The Marchants Avizo of Bristol merchant John Browne advises the apprentice to seek aid from fellow merchants, adapting the courtly "pleasuring style" to the commerce. The Merchant of Venice shows the same patterns in the Christian community, but Shylock's speech challenges them, and in Timon of Athens they break down. In the personal letters by which Sir Henry Sidney, Sir William Cecil, and other courtiers administer 110 RHETORICA the Elizabethan regime, negative politeness to equals hints that the intended audience is the Queen, while expressions of "trouble­ taking" and regrets for "trouble-making" to superiors may excuse independent decisions. Positive strategies of identification present weighty requests as trivial. 1 Henry IV contrasts Hal's mastery of this social language and Hotspur's impatience with it. Part Three explores language as theme in three plays. Greenblatt's concept of self-fashioning cannot adequately explain...

Reviews 113 are able to do so with a useful vocabulary, specific examples, and an assessment of the landscape of rhetorical practice that sets a new pace. Her title, then, "We Are Coming", gains increasing significance. Indeed, African American women are coming onto the rhetorical scene, and this analysis contributes greatly to our ability to take into account in interesting ways what their presence means. JACQUELINE JONES ROYSTER The Ohio State University Lynette Hunter, Critiques of Knowing: Situated Textualities in Science, Computing, and the Arts (London and New York: Routledge, 1999), vi + 239 pp. Critiques of Knowing is a disarmingly accurate title for Lynette Hunter's most recent book, a study of the relevance of rhetoric to critical theories of language in several fields. Standpoint theory, Hunter proposes, integrated with rhetorical understandings of ethos, topos, and audience, can both illuminate, and exemplify the need for a rhetorical critique of "critical and aesthetic discourses for talking about communication, textuality, and the arts" (p. 7). The discussion moves patiently and informatively through discourses about ideology and the nation state, agency, the subject, recent studies of artificial intelligence and computing, hypertext models of literary texts, "scientific" discourse studies and linguistic poetics, feminist critiques of science, and feminist aesthetics. Hunter weaves rhetoric into the methods and languages of these disciplines with subtlety and common sense; readers will find in each chapter an up to date review of current critical theory in the fields reviewed. Another major accomplishment of the study as a whole is a collateral appraisal of the languages and epistemologies, stated and unstated, that each field employs. The comparison is no easy task, particularly since the fields under scrutiny have been prominent advocates of critiquing knowledge, understood as comprehension of the "real" 114 RHETORICA by subjects capable of knowing, and of representing their knowledge in representational, informative texts. This relentless critique of knowledge and language in recent theory, Hunter asserts, has resulted in a barrage of pluralisms and relativisms, each with its own canonical ideology. Hunter teases out different versions of an "essentialist-relativist" standoff that has emerged again and again among recent ideological constructions of plurality (pp. 6-7). In characterizing many of these problems Hunter is not alone; she will find readers welcoming her positions. What makes her discussion original and especially valuable is the way in which she brings to this impasse several richly drawn definitions of rhetoric. Because of its historical and conceptual self awareness as "inexorably different to the real world" in any literal or scientific sense, rhetoric can help construct an analysis of stance which will position the discourses of the disciplines historically, politically, and socially (p. 6). The prospect that rhetoric may be able to integrate and amplify a number of critical discourses about language that are currently bogged down in confessing their own impossibility and meaninglessness is a welcome vision. Hunter's exposition of the ethical and epistemological adjustments rhetoric could provide to contemporary critical discourses is also an anatomy of the past and present wealth that resides in rhetorical studies that continue to be marginalized by so many fields. The chapters are arranged by discipline: contemporary studies of the ideologies of nation-states, studies of artificial intelligence and computing applications within the humanities, hypertext methodologies, feminist critiques of science, and feminist critiques of aesthetics. Hunter's analysis establishes an important parallelism: a lack of rhetorical self awareness has hampered the discussion of the subject and of agency, of intelligence and knowledge, of the ethics of critical discourses visa -vis their contexts and audiences. Hunter defines her overall goal as "a critique of critical and aesthetic discourses for talking about communication, textuality, and the arts" (p. 7). The essentialistrelativist standoff that Hunter seeks to redress has locked many branches of discourse studies, including linguistics, artificial intelligence, computing, rhetoric and poetics, into methodologies that, somewhat oddly, base social and political tolerance for all Reviews 115 discursive practices upon scientific models of neutral description and quantitative analysis. Somehow, according to many of these models, discourses are produced by "the culture" or by "language". Alternatively, we find accusations of "essentialism" or "enlightenment humanism" hurled at any and all references to the subject, to agency, to an ethnic...

The syntactic aspect of semiotic theory, especially its “aesthetic principle,” is very influential in document design theories and practices. It has its roots in Burke's and Lessing's gender-related theories of images. Thus, it is laden with ideologies: it embodies our patriarchal attitudes and our iconophobia. Employing the semiotic theory in document design, we are making choices to reinforce the gender-related ideology in Burke's and Lessing's theories. It is time for us to re-conceive the “aesthetic principle” by de-emphasizing it and to adopt the reconciliation approach to design effective documents targeted at various rhetorical situations.

Teaching business communication in Russia involves operating in a high-context, oral culture where few documents are created. However, this article analyzes two Russian teaching contracts, rhetorically comparing purpose and audience, culture, gender, and the role of the individual versus the state. For historical, political, and economic reasons, less documentation is used in business transactions in Russia than is used in the United States. Subsequently, communication scholars have been afforded little opportunity to analyze Russian business documents. This study uses anecdotal episodes as a framework for examining Russian culture and analyzing university teaching contracts, concluding that the contracts are not only brief and factual but also reflect a more oral, less litigious environment than Western countries like the United States.

This article extends current thinking about the rhetoric of technology by making a preliminary inquiry into what a feminist rhetoric of technology might look like. On the basis of feminist critiques of technology in various disciplines, the author suggests three ways in which feminist approaches to building a rhetoric of technology might differ from current nonfeminist approaches to this task. First, feminist scholars should adopt a more expansive definition of technology than that which informs current rhetoric of technology research. Second, feminist scholars should ask research questions different from those being asked by current rhetoric of technology researchers. Third, feminist scholars should move beyond the design and development phases of technology, which most of the current research on the rhetoric of technology emphasizes.

Preview this article: Comment: Rhetoric and Feminism: Together Again, Page 1 of 1 < Previous page | Next page > /docserver/preview/fulltext/ce/62/3/collegeenglish1172-1.gif

Presents a critical review of the three historical studies of Aspasia written by feminist historians. Asks how historians and scholars can write radically alternative histories of rhetoric without compromising their credibility.

Preview this article: Comment: Truth, Lies, and Method: Revisiting Feminist Historiography, Page 1 of 1 < Previous page | Next page > /docserver/preview/fulltext/ce/62/3/collegeenglish1176-1.gif

In short, Cheryl Glenn’s Rhetoric Retold asks nothing less than that we consider what the history of rhetoric is and (more importantly) what it ought to be.

This article examines the work of Marian Wharton, a socialist and feminist who helped shape the English curriculum at the People’s College in Fort Scott, Kansas, from 1914 to 1917. While other historical projects on writing instruction have focused on women working at or in alliance with elite eastern colleges, Wharton operated outside the traditional academy at a site where the empowerment of the working class was the explicit goal of writing and language instruction. By exploring tensions in Wharton’s work, I hope to develop a rich, historically-situated conception of how the rhetorical activities of women and other marginalized people are a complex interweaving of alliance and antagonism, of free choice and restricted options, of accomplishment and failure.

This conceptual article presents a critical review of gender-difference and gender-sameness theory and research. The focus is upon gender workplace communication, a topic often debated in the popular and organizational literature. A contextually-based integrated paradigm is proposed which represents a shift from a gender-difference foundation to a more integrated approach that includes the interaction of gender with Standpoint Theory, culture, organizational climate, and structure and task context. The network of shared meanings concept is introduced as having a major impact on gender communication orientation. Research using an example of communication to create a contextual meaning for social support is highlighted. Implications and conclusions for organizations, researchers, and educators are discussed.

(1999). Constructing essences: Ethos and the postmodern subject of feminism. Rhetoric Review: Vol. 18, No. 1, pp. 82-91.

Composition (at its best) and feminism work against the grain of conventional institutional practices. Both challenge assumptions and seek to transform ways of thinking, teaching, and learning. Both are complex, containing different agendas and different voices. Feminism and Composition Studies: In Other Words is a feminist project that boldly places at its center differences among women. Topics discussed include American history, politics, language, racism, pedagogy, contingent labor in the teaching of writing, e-mail behavior, and the need for educational and institutional reform. Teachers, graduate students, program administrators, and feminists will find valuable the critiques, theoretical as well as personal, contained in this unusually honest and thought-provoking volume.

Placed within the context of the academic environment, this multi-focused book identifies students as active contributors and learners; faculty as researchers, teachers, and learners; and administrators as a synthesis of all three modes of collaboration. While focusing on the mutuality of educational enterprises, Common Ground raises provocative questions about the dynamics of gender and cooperation at various levels of academia. It reveals the transformative power of collaboration by challenging traditional notions of single authorship and beliefs about knowledge as individually owned and acquired. By offering different perspectives on feminism and collaboration, this book establishes the basis for re-thinking Romantic notions about creativity, re-conceptualizing conventional ideas regarding competition, and re-reading traditional hierarchies and authoritarian relationships.

Molly Abel Travis unites theory with an analysis historical conditions various cultural contexts this discussion reading reception twentieth-century literature United States. Travis moves beyond such provisional conclusions as the produces reader or the produces text considers ways twentieth-century readers texts attempt to constitute appropriate each other at particular cultural moments according to specific psychosocial exigencies. She uses overarching concept in and out of both to differentiate implied by from actual to discuss such in-and-out movements that occur process reading as alternation between immersion interactivity between role playing unmasking. Unlike most theorists, Travis is concerned with agency reader. Her conception agency reading is informed by performance, psychoanalytic, feminist theories. This agency involves compulsive, reiterative performance which readers attempt to find themselves by going outside selfengaging literary role playing hope finally fully identifying self through self-differentiation. Furthermore, readers never escape a social context; they are both constructed actively constructing that they read as part interpretive communities are involved collaborative creativity or what Kendall Walton calls collective imagining.

A s a field of professional inquiry intertwined with the practice and teaching of its own subject, composition studies has enjoyed the steady pace of its own recent evolution.Few composition scholars twenty years ago would have imagined the rate at which the field is now developing, exploding beyond its boundaries, creating new alliances, and locating new sites for inquiry and knowledge production.These current transformations owe in part to the inevitable burgeoning of a theoretically interdisciplinary field with a strong orientation toward self-reflection.They also owe to unprecedented changes underway in higher education, changes pressured by shifts in the politics and economics of university administration, the advent of new technologies, population changes that affect student demographics, and the creation of alternative structures and contexts for teaching and learning.Composition, in seeking a disciplinary identity, is questioning the ways it creates and mediates knowledge and the ways in which that knowledge informs and is informed by various contexts for research and practice.This collection focuses on the ways in which composition reconsiders established dichotomies, examines new connections among areas of inquiry, and suggests avenues for inquiry that have transformative consequences for the sites of theory, research, and teaching.When we first proposed this volume of essays, we sought submissions that reconsidered the relationship among theory, research and practice, expecting that our focus would primarily be on the changing face of composition research.Our open call and invitation to individual scholars, however, resulted in very few reports of research studies, but rather in contributions that reflect the extent to which the theory/research/practice relationship now occupies our disciplinary thinking.Since the publication of Stephen North's The Making of Knowledge in Composition: Portrait of an Emerging Field (1987), the past decade has seen attention to research methodology largely displaced by conflict between theory and practice.This conflict, still rooted, one might argue, in the desire for a unified theory, often centers on the extent to which any theory employed by compositionists must grow, if not from research, then from practice, or at least edgment of "what is contradictory, and perhaps unknowable" (9).Many of the authors in this volume (Rose and Lauer; Chiang; Grimm, et al.; Okawa) build into their essays acknowledgement of their positions as scholars and researchers and examine their "findings" as cultural and ideological products.At that same time, some of them are quick to point out the limits and consequences of new theories and methodologies for composition as a disciplinary community (Seitz; MacDonald; Neff; Ray and Barton).Increasingly, compositionists have more confidence in the recognition that teaching makes knowledge, and that practice, overdetermined as it is, continually calls into question the traditional purpose of theory-to explain unaccounted-for phenomena and solve new problems.Lore, as North distinguishes it from traditional disciplinary knowledge production, can, Harkin argues, be thought of as postdisciplinary theory, because it allows for practitioners' often contradictory attempts to solve writing problems with more than one cause, rather than using theory in the traditional way to contain situations (134).Beth Daniell has argued that while composition theories may lack the authority to dictate pedagogy, as rhetoric, they are what persuade us to teach writing in the ways that we do (130).At the same time that theories may contain the discipline by "serving the interests of . . .groups within that discipline" (131), they are what enable us, she says, to "create a community in which we can figure out what we, individually and collectively, believe about our work" (135).In that rhetorical and political sense, theory is practice.But, as several of the authors in this volume (Ferry; Vandenberg; Howard) ask, whose "work" and whose interests define us and remain at the center of composition as a discipline?Can theory, research, and practice in ever new relationships intersect and hold an expanding community together or drive it apart into separate communities whose power and authority may be in jeopardy?Composition's calling into question its knowledge comes at a time when the authority of that expert knowledge may be at risk.In the wake of shrinking graduate programs and the responsibility-centered-management of academic departments in the new corporate universities, the literature components of some English departments are beginning to reclaim an expertise in the teaching of writing or, in some instances, to efface that expertise, deeming it no longer necessary, politically appropriate, or cost-effective.Much composition scholarship in fact contributes to this withering away of the more public conception of composition.Our growing understanding of complex context-specific literacy practices runs counter to institutional conditions that assume composition is an essential set of transparent skills to be conveyed one-time-only to first year students by exploited instructors.If retooled writing courses do result from the disciplinary boundary crossing of compositionists into deconstruction, feminist, multicultural, and cultural studies, what in the experiences of teachers and students justifies or interrogates these theories in practice?How does interdisciplinary inquiry expand avenues and change how and what we research and teach?What locates theorists, courses, teachers, and programs that might grow from this research within "composition"?Several of the authors in this volume locate their concerns about composition's "identity crisis" in a disjuncture between theory and pedagogy, whether questioning composition's attempts to achieve more disciplinary status (Ferry; Vandenberg; Howard) or its failure to focus more attention on knowledgebuilding inside the field (MacDonald; Neff).

This article calls for a rhetorical perspective on the relationship of gender, communication, and power in the workplace. In doing so, the author uses narrative in two ways. First, narratives gathered in an ethnographic study of an actual workplace, a plastics manufacturer, are used as a primary source of data, and second, the findings of this study are presented by telling the story of two women in this workplace. Arguing that gender in the workplace, like all social identities, is locally constructed through the micro practices of everyday life, the author questions some of the prevailing assumptions about gender at work and cautions professional communication teachers, researchers, and practitioners against unintentionally perpetuating global, decontextualized assumptions about gender and language, and their relationship to the distribution and exercise of power at work.

Preview this article: Feminism in Composition: Inclusion, Metonymy, and Disruption, Page 1 of 1 < Previous page | Next page > /docserver/preview/fulltext/ccc/50/4/collegecompositioncommunication1349-1.gif

Argues that literature by Caribbean women writers of the 20th century offers two-year college students models for surmounting obstacles, resisting oppression, and holding life in fragile equilibrium. Discusses various Caribbean women authors and the influences upon them. Describes numerous ways that specific Caribbean works could be used in the two-year-college curriculum.

Argues that a carefully designed and skillfully moderated asynchronous Internet classroom environment can help minimize problems related to gender in traditional classrooms. Discusses class “climate” and class discussion in the traditional classroom and in the online classroom. Notes research related to gender and the online classroom. Outlines course design and teaching strategies. Offers a policy for online class conduct.

Presents a methodology based on the concept of “material rhetoric” that can help scholars avoid problems as they reclaim women’s historical texts. Defines material rhetoric and positions it theoretically in relation to other methodologies, including bibliographical studies, reception theory, and established feminist methodologies. Illustrates feminist use of material rhetoric through a study of “The Account of Hester Ann Rogers.”

Preview this article: Reviews: Gender and the Teaching Underclass, Page 1 of 1 < Previous page | Next page > /docserver/preview/fulltext/ce/61/5/collegeenglish1143-1.gif