Abstract When teaching in neighboring fields such as creative writing and writing studies, instructors can draw on the explicit recommendations of professional organizations and an existing scholarly consensus about threshold concepts. However, the struggle to define what exactly it is we teach when we are teaching literary studies continues. Rather than advocating for transferable skills in deference to the neoliberal marketplace, we should spend more time explaining to ourselves and to our students the particular practices, habits, and concerns that distinguish literary studies as a valuable scholarly discipline. Metacognition is essential for students to learn, and this can be facilitated more effectively by instructors able to articulate how the methods and goals of a course are informed by disciplinary norms, especially the ubiquitous and yet continually contested practice of close reading. This article reviews both recent scholarship and pedagogical resources on close reading to identify the intertwined challenges of defining and teaching this disciplinary method, making recommendations for more effective classroom practices.

Marie Pruitt Lewis, Lynn C. Pivotal Strategies: Claiming Writing Studies as Discipline. Utah State University Press, 2024. Disciplinarity has long been a concern of writing studies scholars. In an attempt to solidify the boundaries and status of the discipline, scholars have defined keywords, outlined threshold concepts, identified foundational texts, conducted large-scale quantitative analyses of books, […]

As digital technologies rapidly evolve, updating and enhancing models of digital literacy pedagogy in technical and professional communication (TPC) becomes more urgent. In this article, we use "digital life" to conceptualize the ever-changing ways of knowing and being in postinternet society. Using collaborative autoethnography, we investigate features of threshold concepts in TPC pedagogy that may support models of digital literacy that are resistant to tools-based definitions, foster student agency, and facilitate accessibility, equity, and justice.

This essay takes as its focus the everyday writing that people compose: the self-sponsored, nonobligatory texts that people write mainly outside of work and school. Through analysis of 713 survey responses and 27 interviews with accompanying writing samples, this study provides a panoramic view of the functions of self-sponsored writing and rhetorical activity for U.S. adults, ages 18 to 65+ years, from a range of geographic, cultural, and professional backgrounds. The Taxonomy of Life Writing presented in this essay demonstrates the range of ways that writing functions in people’s daily lives. It includes 19 key functions of life writing, organized into six metafunctions: Creativity and Expression, Identity and Relationships, Organization and Coordination, Preservation and Memory, Reflection and Emotion, and Teaching and Learning. Based on our findings, we affirm the important and diverse functions that life writing serves and propose expanding the threshold concepts of writing to include greater focus on nonobligatory, self-sponsored writing activity.

ABSTRACT This article invites critical inquiry into the rhetorical form of Sylvia Wynter’s thought. The author identifies the key to Wynter’s thought as charting a cartography that is intransigently committed to a vision of the intellectual imagination at its most ambitious while staying true to the grain and detail of the liminal, the lumpen, and the particular. The upshot is that Wynter wants to open up a space for the imagination and labor of Black thought, one that comes after and beyond philosophy and theory.

This article describes the importance of pedagogies of access for equity in literacy classrooms, especially for first-generation students, who are more likely to bring what sociologists call strategies of deference that have been shaped by differences in class culture. A threshold concepts approach can bring transparency to the values of college-level core literacy skills to help interrogate and address those differences.

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Anti-immigrant legal violence and grassroots organizing against it have fundamentally shaped the lives of immigrant children and families in the US. This article inquires into the intergenerational literacy, teaching, and learning practices of Latinx immigrants’ political mobilization, drawing on qualitative data from a larger yearlong practitioner inquiry study that involved observant participant field notes, artifacts, photographs, and in-depth interviews with 11 undocumented and documented Latinx immigrants with whom I, a Latina immigrant, shared an organizing practice. Through analysis grounded on literacy as critical sociocultural practice, intergenerational learning, and Chicana/Latina education in everyday life, I argue that Latinx immigrants mobilize against oppression through critical literacy practices that facilitate what I theorize as a “communal pedagogy of resistance.” This is an intergenerational pedagogy enacted in communal spaces that grows from Latinx immigrants’facultad,meaning the critical consciousness and epistemic privilege that results from living in the liminal space of theborderlands. This pedagogy views our community’s cultural, literacy, and linguistic practices as strengths and tools of resilience and resistance, and expands our definition of family and our sense of interdependence to fellow oppressed communities, teaching us to enact inclusive justice. A key takeaway is that Latinx immigrant students’ educational and literacy practices cannot be separated from those of their wider family/community, nor from their intergenerational sociopolitical struggles and expertise. Another is that intergenerational literacy and learning are bi/multidirectional. Implications include the need for educational institutions to learn from this pedagogy, and for additional literacy research into communal sociopolitical mobilization.

This article uses storytelling, rhetorical analysis, and critical historicization to critique the color-blindness of the writing studies movement’s two key texts, Elizabeth Wardle and Douglas Down’sWriting about Writingreader and Linda Adler-Kassner and Wardle’s edited collectionNaming What We Know. Juxtaposing the writing studies movement with contemporary translingual and hip-hop theory as well as the history of the Students’ Right to Their Own language resolution and CUNY’s Open Admissions period, the author argues that the writing studies movement’s pivot toward neoliberalizing higher education excludes multilingual and diverse writers from its pedagogical audience as well as its conception of writing expertise. The author calls for a broader conception of writing studies that can theorize literacy in all its complex global instantiations.

In our analysis of seventy-five FYC writing assignment prompts, we identify common elements and offer pedagogical suggestions so faculty can use assignment sheets as rhetorical tools to introduce students to writing studies’ threshold concepts.

In many ways, the transformative character of developing critical consciousness reflects the dynamics of acquiring threshold concepts. Drawing from research into threshold concept acquisition, the author argues that critical first-year composition instruction can more effectively scaffold students into critical perspectives by linking critical pedagogy more closely with efforts to develop students’ rhetorical meta-awareness of writing.

This article makes two arguments. First, the article argues that threshold concepts provide a useful lens for thinking about how faculty learn service-learning pedagogy. Second, the article illustrates how particular kinds of support can help faculty learn the pedagogy’s threshold concepts by helping them make sense of the challenges they face in teaching through service-learning.&hellip; Continue reading Transforming Failures into Threshold Moments: Supporting Faculty through the Challenges of Service-Learning by Jaclyn M. Wells

This personal essay addresses the intersections of my experiences as a HOH (Hard of Hearing) person and my teaching.

Threshold concept theory can identify transformative concepts in disciplinary communities of practice, making it a useful framework pedagogically for scholars of academic literacies. Although researchers have studied how to teach thres hold concepts and how students have taken up theseconcepts in learning to write, few have looked at two aspects that are particularly important for students placed into basic writing: threshold concepts of reading and questions of learning transfer.Taking an epistemological approach to disciplinary literacies, I used case study research to trace the changing reading and writing practices of Bruce, a basic writing and first-generation college student, during his first year of college as he moved from a basic reading course into biochemis-try. Bruce leveraged audience awareness to write rhetorically and to comprehend difficult texts written for professional biochemistry researchers. Findings show that audience awareness is a threshold concept of reading, one that transforms academic literacy practices and that furthersidentity in disciplinary communities of practice. These findings support the teaching of audience awareness in secondary and postsecondary classrooms, but they also demand that we recognize the additional work basic writing students, like Bruce, must do to establish agency in a system that has labeled them underprepared.

The publication of the ACRL Framework for Information Literacy has led scholars and teachers of writing and information literacy to identify ways of connecting threshold concepts of both disciplines to help students more easily and effectively acquire the transformed perspectives on research and writing. We argue that the practice of addressing writer exigence connects the concepts of IL and WS under a single literate practice. As the motivating matter of discourse, the perception of a particular exigence leads writers to identify a useful audience to address that exigence. Noting that audiences have their own exigencies for reading as well, we explain that writers must construct their texts in ways that signal a text’s exigency for readers, an effort that includes selecting the performances of evidence and writer legitimacy through information literacy. By teaching writing and researching as the literate practice of resolving the writer’s exigence by constructing exigency for particular readers, instructors can effectively link the six Frames of the ACRL Framework and Writing Studies threshold concepts and explain why concepts of both are essential and inextricable.

This article presents findings from a multisite case study of dual enrollment instructors and administrators in high school–college partnerships, identifying key challenges to teachers’ academic freedom while also exploring the possibilities presented by their liminal institutional positionality

This article describes how a first-year learning community combining library, archival, and digital literacies facilitated students’ grasp of threshold concepts of academic research and writing. It argues that critical-rhetorical processes and pedagogies can help counteract neoliberal educational trends that interpellate students as consumers rather than learners.

Books reviewed: Naming What We Know:Threshold Concepts of Writing Studies First-Year Composition: From Theory to Practice

Pulling data from a year-long case study into a Division II men’s basketball team, this article suggests how threshold concepts as currently conceptualized and implemented in first-year composition pedagogy and curriculum could more directly consider unique forms of literacies student-athletes bring into the classroom.

Dianne Fallon responds to Blaauw-Hara’s article in this issue.

This essay provides a brief overview of transfer theory and threshold concepts and discusses how they can be applied to general-education writing courses.

Our purpose in this paper is to foreground contextual issues in studies of situated writing practices. During a year-long case study in a rural Kenyan secondary school, we applied a number of ethnographic techniques to document how 32 girls (aged 14-18 years) used local cultural and digital resources (i.e., donated digital cameras, voice recorders, and laptops with connectivity)within the context of their after-school journalism club. We take inspiration broadly from the concept of liminal spaces, which we bring together with notions of placed resources, New Literacy Studies (NLS), multiliteracies, multimodality, and identity work. We argue that the learning space of the journalism club, including its mediating digital tools, affords identities of empowerment to students’ writing and experimentation. On close examination of the transitional space of the journalism club, we see the foundational practices of situated rehearsal, appropriation, and performance of the roles and linguistic repertoires that the learners associated with competent journalists. We conclude that the club as a learning space, including its “props” and digital resources, fostered new degrees of freedom, community, equality, and creativity. We are left with questions about the characteristics of transitional learning spaces and how these might serve as fertile ground for growing competent writers in a range of educational contexts.

This article argues that prevailing approaches to research instruction in introductory composition courses, as represented in print and digital instructional materials, reflect outdated theoretical views and may damage students’ researcher identity. Teaching research as a closed, linear, universal process prevents students from leaving the liminal space of the composition classroom.

&#8220;Each of these essays explores the overlaps and tensions of disability and mothering in the context of subject positions and liminal spaces, the complex and often confusing space where the personal and social collide.&#8221;

Research Article| October 01 2007 Crossing Liminal Spaces: Teaching the Postcolonial Gothic Gina Wisker Gina Wisker Search for other works by this author on: This Site Google Pedagogy (2007) 7 (3): 401–425. https://doi.org/10.1215/15314200-2007-007 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Gina Wisker; Crossing Liminal Spaces: Teaching the Postcolonial Gothic. Pedagogy 1 October 2007; 7 (3): 401–425. doi: https://doi.org/10.1215/15314200-2007-007 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2007 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.

Subject matter experts, under the influence of modernist notions of authorship, often view technical writers as mere grammar and punctuation specialists and marginalize them as their ignorant “other. ” Technical writers, on the other hand, as rhetoricians occupying a liminal space between different disciplines, can understand different disciplinary rhetorics. If subject matter experts, instead of marginalizing technical writers, would view them as liminal subjects who are knowledgeable in different disciplinary rhetorics, then technical writers, through liminal practice, may be able to use their knowledge of audience and rhetoric to improve the quality of documentation.

That anyone should want to use critical reading in analysis of advertising should be surprising if one accepts a broad conception of letters as including anything in print that worth studying. My idea of English studies supports point of view that our concern in English departments ought to be with critical reading and writing of all kinds of texts, just imaginative literature. In other words, we ought to be concerned as much with rhetorical inquiries as with aesthetic inquiries. In its own right, advertising provides a kind of distinctive knowledge about society. To some critics, advertising fills a genuine need by creating markets for new and valuable products and by expanding and strengthening economy. Advertising also reveals how techniques of science can contribute to better living. In addition, it informs people about available goods and services and invites them to secure good things of life-material comforts, entertainment, travel, and so forth. To some critics, however, advertising creates false values. These critics contend that since some products are basically alike, all too often advertisers appeal to people's baser instincts and emotions to sell their products. To stimulate demand for a product, they attach psychological values such as acquisitiveness, power, sexual pleasure, attractiveness, social approval, and competitive success, none of which are in product. To attain these values, all consumer needs to do to buy appropriate product. In brief, advertising an exercise in a special kind of persuasion. As if these criticisms were enough, advertisers have been accused of manipulating people without their consent at some deeper level of consciousness, of selling to id, as one critic put it (Seldin 442-43). A number of critics have commented on use of techniques in advertising. Vance Packard calls them hidden persuaders(3). Marshall McLuhan refers to them as subliminal pills for subconscious in order to exercise an hypnotic spell (228). They are not meant for conscious consumption. Their mere existence, asserts McLuhan, is a testimony to somnambulistic state of a tired metropolis (229). There evidence to suggest that some of these criticisms are justified. As early as 1934, James Rorty, in his book Our Master's Voice:Advertising, noted that the advertising man is, in fact, a journeyman psychologist (241). He