This article emphasizes time’s effects on student resistance. Drawing on kairos and chronos, the authors argue that when teachers perform ideological neutrality is at least as significant as whether or how they do so. They explore their own temporal approaches to two pedagogical ecologies: first-year composition and an upper-level feminist rhetorics course.

In 1924, the W. Atlee Burpee & Company® announced a contest calling for letters responding to the prompt, “What Burpee’s Seeds Have Done for Me.” By the deadline, Burpee had received thousands of letters, many written by women. Significant elements of this early twentieth-century contest influenced women’s response. These elements—the historical context, the call for letters, and the act of gardening—converged in a kairotic fashion to form a rhetorical opportunity particularly accessible for women. The contest allowed women to apply familiar rhetorical acts in risky and self-promoting ways to validate their work and publicly identify as successful gardeners.

The #MeToo movement unveiled a shifting testimonial landscape available to victims of sexual assault, one that was able to apprehend the attention of vast public audiences unlike other protests before it. Through an analysis of published #MeToo tweets and public discussion of them, this essay argues that what happened during #MeToo reveals a feminist deployment of megethos. Theorizing what I term feminist megethos through the lens of listing extends theories of magnitude beyond the idea of cultivating coherence or amounting excessive detail, toward a theory that captures how megethos can puncture pervasive yet normalized attitudes that constrain efforts for justice.

"Women physicians and professional ethos in nineteenth-century America." Technical Communication Quarterly, 28(3), pp. 290–291

Building on the scholarship of Nedra Reynolds, Dale Sullivan, and recent feminist scholars writing on ethos, this article argues that blame is a vehicle that rhetors can use to enhance their ēthē. Specifically, this article shows that blame can modify social mores when used by an ethically strong rhetor who censures another individual with a strong ethos. To make this argument, this article considers the rhetoric of a nineteenth-century French-American Catholic Sister living at the intersection of various worlds, as the article illustrates how she, when challenged by an American bishop, used a rhetoric of blame to further enhance her ethos.

Abstract The key public health officials in the United States have been criticized for their work in the Ebola outbreak of 2014–15 by citizens, public officials, and health scholars from multiple disciplines. There are numerous grounds for these complaints, but underlying many of them was the perception of “failed leadership” that is here traced in substantial part to the embodiment of a positionality based in a presumed logos-based power instead of an ethos-based relationship between public health expert and public. Because any leader’s public ethos is dependent on the cultural ethos of audiences who promote them to leadership, this essay combines the Aristotelian topoi for ethos (goodsense, goodwill, goodness) and contemporary redefinitions of ethos as cultural-level phenomena (either “dwelling places,” ideologies, or ethical and cultural codes) to conceptualize ethos as the activation, rebuilding, or maintenance of relationships among different social positions: publics and institutions. The complexities of the Ebola epidemic—with its national and international dimensions and its partially faulty scientific grounding—make visible the predisposition toward positional gaps between publics and public experts regarding interests (eunoia) and goods (arête), with concomitant difficulties for the sharing of practical wisdom (phronesis). Aristotle was correct that such gaps cannot be bridged by logos, and the pervasive insistence on more logos as corrective therefore may contribute to public mistrust of all expertise.

ABSTRACTPhilosophy consists primarily in or of texts. The implications of this very basic fact for the subject—both as a writer and as a reader—and philosophy's conception of itself as a privileged form of argumentation and for establishing the truth have, however, been largely neglected. In order to address these issues, the article reconsiders Foucault's “double reading” of Descartes's Meditations as “demonstration” and “exercise” that both affects and transforms the meditating subject. I argue that such a double reading is not only proper to the Meditations but constitutive of all philosophical texts. This leads to a revised notion of truth that derives its argumentative consistency precisely from the entanglement of demonstration and exercise.

Oral presentations are a common genre in technical and business communication courses. While it is important for students to develop a professional ethos when presenting information, in this article I argue that textbooks’ discussion of professional dress and voice privilege cisgendered bodies and erase the differences and bodily experiences that transgendered individuals face. This may cause dissonance in trans students who may come to believe that they must choose between their genders and being professional.

Book Review| March 01 2019 Rethinking Ethos: A Feminist Ecological Approach to Rhetoric Rethinking Ethos: A Feminist Ecological Approach to Rhetoric. Edited by Kathleen J. Ryan, Nancy Myers, and Rebecca Jones. Carbondale: Southern Illinois University Press, 2016; pp. vii + 304. $45.00 paper. Brittany Knutson Brittany Knutson University of Minnesota—Twin Cities Search for other works by this author on: This Site Google Rhetoric and Public Affairs (2019) 22 (1): 164–167. https://doi.org/10.14321/rhetpublaffa.22.1.0164 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Brittany Knutson; Rethinking Ethos: A Feminist Ecological Approach to Rhetoric. Rhetoric and Public Affairs 1 March 2019; 22 (1): 164–167. doi: https://doi.org/10.14321/rhetpublaffa.22.1.0164 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectiveMichigan State University PressRhetoric and Public Affairs Search Advanced Search The text of this article is only available as a PDF. © 2019 Michigan State University Board of Trustees2019 Article PDF first page preview Close Modal You do not currently have access to this content.

This essay examines the work of Genevieve Stebbins (1857-1934), an author, teacher, and proponent of the ideas of French acting and vocal instructor François Delsarte. Specifically, I examine Stebbins’s concept of “artistic” statue posing, a practice fraught with contradictory arguments and tensions among late nineteenth-century commentators and other elocutionists who discussed appropriate forms of female embodied display. This study asserts that Stebbins drew on the rhetorical strategy of contradiction to perform an ethos of complexity and boundary innovation in advocating for female embodied rhetorical performance. Her work reveals the conflicts women have attempted to negotiate in considering rhetoric as embodied practice.

In their production and uptake, memoirs grapple with the status of the self and subjectivity as evidentiary fodder for social, cultural, and political concerns. The concept of ethos illuminates memoir’s rhetorical potency and its dubious ethics. Personal experience that subtends memoir serves as a form of persuasion, but it can also be used to overly personalize issues in need of systemic critique. We argue that attending to a memoir’s uptake is one way to contend with the ethical challenges this genre poses. This approach places a memoirist’s ethos—her vision, language, modes of rationality, and ideology—as well as memoir’s varied functions, within larger social, cultural, and political debates. It thereby traces memoirs’ rhetorical power while also enabling critique of their ethical grounding in the “self.” Two case studies illustrate our findings: J. D. Vance’s Hillbilly Elegy and Ta-Nehisi Coates’s Between the World and Me.

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Abstract This essay examines the transvaginal ultrasound (TVU) debate that was ignited in the spring of 2012 by a Virginia law mandating the procedure as a prerequisite for first-trimester abortions. This debate represents a recent intensification of historical arguments grounded in how the abortion debate intersects with medical practice. By following the debate as it unfolded on pro-choice and pro-life blogs, this analysis uncovers three overarching topoi in the discourse mirrored on both sides: the medical necessity (or lack thereof) of the procedure; the importance of informed consent; and comparisons to rape. Using Foucault’s concept of the medical gaze, this essay argues that across all three topoi, both pro-choice and pro-life activists’ rhetoric relied heavily upon implicit assumptions of the superiority and necessity of medical science. The TVU debate demonstrates an argumentation strategy that both strips the issue of its political, legal, moral, and personal contexts and rhetorically positions pro-choice groups disadvantageously by obfuscating any discussion of women’s rights.

This essay draws on letters, bulletins, photographs, and newspaper articles to give an account of the Hull House Settlement in Chicago in the 1890s and examines the rhetoric it engendered. The space of Hull House, I argue, communicated its founders’ Jane Addams’s and Ellen Gates Starr’s femininity, wealth, and knowledge of the wider world. Through an extended example of a garment workers’ labor meeting that took place in Hull House, I show how Hull House’s cosmopolitan aesthetic offered women and men from varying class, ethnic, and national backgrounds rhetorical resources for constructing ethos, and also provided constraints to communicating across differences.

There has been much interest recently in researching the changes editors, supervisors, and other language brokers make to the writing of L2 researchers who are attempting to publish in English. However, studies focused on the presubmission proofreading of students’ university essays are rarer. In this study of student proofreading, 14 UK university proofreaders all proofread the same authentic, low-quality master’s essay written by an L2 speaker of English to enable a comparison of interventions. Proofreaders explained their interventions by means of a talk aloud while proofreading and at a post-proofreading interview. Quantitative and qualitative analysis of the data reveals evidence of widely differing practices and beliefs, with the number of interventions ranging from 113 to 472. Some proofreaders intervened at the level of content, making lengthy suggestions to improve the writer’s essay structure and argumentation, while others were reluctant to do more than focus on the language. Disturbingly, some proofreaders introduced errors into the text while leaving the writer’s errors uncorrected. I conclude that the results are cause for deep concern for universities striving to formulate ethical proofreading policies.

Abstract In 1937, Franklin Roosevelt’s New Deal hung on the whims of a deeply divided Supreme Court. His ninth fireside chat argued for legislation that would grant FDR enough new justices to shift the Court in favor of the New Deal. Facing entrenched opposition to his unpopular plan, Roosevelt presented the president as a constitutional authority who must act in response to the crisis of the Great Depression to drive the three-horse team of government toward recovery. Throughout the text, Roosevelt worked to create a sense of urgency and asked the nation to see this moment as the time for decisive action. This study examines the flow of kairos in the speech, tracing timeliness in Roosevelt’s argument for swift action targeting the Court to safeguard economic recovery. Although Roosevelt did not expand the Court, his language lives on as a model for subsequent executives and part of our public constitutional discourse.

Abstract This essay situates Abraham Lincoln’s Second Annual Message within the context of previous discourse on African colonization to illuminate the significance of the text as public policy rhetoric. I argue that Lincoln’s proposal for compensated emancipation and colonization in the Second Annual Message was the apotheosis of colonization advocacy. Lincoln’s argumentation navigated the complicated context to make a final, but failed, case for a compromise between North and South before the Final Emancipation Proclamation took effect.

This article offers a genealogy of the deliberative policymaking of the WPA Outcomes Statement 3.0 Revision Task Force. Interviews with Task Force members reveal that the revised statement presents composing, technology, and genre as “boundary objects,” in order to preserve the document’s kairos for as long as possible.

ABSTRACT This article asks if soundscapes are reasonable by inquiring if they can be designed to enhance the capacity for reasoned judgment. Using a normative pragmatic approach to argumentation theory, I demonstrate that soundscapes can be strategically designed to amplify or attenuate obligations, increase or weaken conviction, and create or mask argumentative context. I use the paradigm case of the 2012 casserole protests in Quebec to identify how arguers can use soundscapes to compel a response, increase the desire for advocacy, and create a public context. This expands the multimodal argumentation literature to incorporate sound. This article also intervenes into sound studies by supplying critical norms of reasonableness to assess soundscapes.

ABSTRACTBy way of generative critique, this article considers the premises, potential, and consequences of object-oriented ontology (OOO) and object-oriented rhetoric (OOR). To do this, it moves through four progressive and accumulative sections: first, the primacy and necessity of meaning-formation (signification) in any meaningful ontology, and thus the rhetorical exigency of any ontology in the first place; second, the potential and pitfalls of any specifically object-oriented rhetoric; third, the function of doxa (and episteme / logos) as means to recalibrate OOO and bridge it to a proper OOR; and fourth, extending from such a doxical approach, the ethical and political consequences of OOO/OOR, which we mark as a “dark politics” for two reasons—(1) the appropriately withdrawn, but nonetheless actual, politics of OOO/OOR, and (2) how such an ontological politics, whether intended or not, has “dark” (destructive) potential for bodies and lives.

This essay expands Perelman and Olbrechts-Tyteca’s concept of argumentation by model to bring more attention to the persuasive effects of using the self as a model. To illuminate this technique, I analyze the personal narratives of popular health coaches, who are championing a holistic health movement toward what I refer to as “do-it-yourself healthcare.” This case involves arguments regarding the efficacy of methods in evidence-based medicine and “alternative” or holistic health, as popular health coaches predicate their ability to heal themselves and others on abandoning traditional medicine. In brief, the purpose of this article is twofold: first, to characterize the rhetoric of the movement toward alternative or holistic health, and, second, to extend Perelman and Olbrechts-Tyteca’s concept of argumentation by model and address the implications of this expansion.

Argumentation schema theory guided four experiments on the processing of plausible and implausible reasons and warrant statements testing the hypothesis that most reasons produce greater agreement with claims than when claims are presented without support. Another hypothesis was that leaving warrants unstated often produces greater agreement than when the warrant is made explicit. In Study 1, American participants were more likely to agree with claims after they read arguments than beforehand—even those with implausible reasons and warrants. In Study 2, American history and environmental science majors read brief arguments and agreed more with implausible arguments than claims alone. Study 3, with Chinese participants, replicated some but not all earlier results. In Study 4, with Chinese participants, blatantly false claims supported by bogus reasons yielded marginally greater agreement than unsupported claims. These findings suggest that many people have uncritical argumentation schemata with low support thresholds, making them vulnerable to weak and bogus arguments.

In this study, I present a qualitative analysis of 11 writing portfolios drawn from a yearlong instructional program designed to apprentice students into the practices of argumentative writing typical of early-college coursework in the United States. The students’ formal and informal writings were parsed into utterances and coded along two developmental dimensions: reciprocity, or the extent to which each utterance answered to the immediate context in which it was generated; and indexicality, or the extent to which each utterance evidenced modes of reasoning that reflect the conventions of academic argumentation. My analysis found that although students’ writing evidenced a high degree of reciprocity, they frequently employed nonacademic modes of reasoning. Focusing on a subset of utterances, I show how their tacit orientations toward the concepts of fact and opinion limited the extent to which their reasoning satisfied the evidentiary expectations of formal academic discourse. This discovery suggests that students’ development as writers of academic arguments is closely linked to their formal instruction in argumentative writing as well as to their tacit understandings of concepts fundamental to argumentation. Moreover, these findings highlight important distinctions between formal and informal reasoning and how those distinctions may be implicated in both curriculum and instruction.

Abstract During the World War II era, a time of civilizational uncertainty, globalism emerged as a rhetorical alternative both to the isolationism predominant before the war and to the Cold War bipolarity that would replace it. A primary advocate for globalism was Wendell Willkie, the failed 1940 Republican presidential candidate who went on to cooperate with President Franklin D. Roosevelt, serving as his former rival’s proxy and personal representative in two famous overseas trips. While scholarship in rhetorical studies has accounted for the Roosevelt presidency and other forces shaping public discourse during the war and early Cold War, it has generally overlooked the importance of Willkie’s globalism in providing a bipartisan vocabulary with which Americans could describe a postwar peace sustained by interpersonal economics of free trade, global human rights, and burgeoning domestic civil rights. Using Willkie’s 1943 book One World as well as materials from his archives at Indiana University, this essay reads a popular figure and his influential ideas back into our historical narrative, demonstrating how he established what Kenneth Burke termed identification through the use of the related rhetorical strategies of proximity, presence, and ethos, inviting ordinary Americans to imagine a globally interdependent postwar peace.

Abstract Treatises on rhetoric since antiquity have illustrated how to amplify passages but give scant attention to strategies for when or why. Dealing mostly with isolated passages, they ignore the effect of amplification on amplitude, the proportions of units that give a text its overall shape. This article considers the relationship between length and importance, sets criteria for a method of mapping amplitude, and applies the method to the Gettysburg addresses of Abraham Lincoln and Edward Everett. Though their shapes differ, each address balances crucial sections against each other. In Lincoln’s case, a more symmetrical shape emerged by accident as he delivered the speech. Then, when editing the official version, he decided to preserve the new shape. Everett’s address is shown to have better proportions than critics assume. Mapping amplitude sheds light on authors’ strategies for dealing with their kairos.

ABSTRACTThis article analyzes Heidegger's rhetoric in his most famous political address, the Rektoratsrede, which he delivered at the University of Freiburg on 27 May 1933. After I set out the political and philosophical kairos of the Rektoratsrede by drawing on Heidegger's contemporary lectures, letters, and Ponderings, in part 2 I use classical rhetorical resources and Heidegger's philosophy of temporality in Sein und Zeit (1927) to analyze the arrangement of his speech. In part 3, I examine two key National Socialist terms in the speech's climax. In part 4, I consider Heidegger's elocutio—his artful use of charged figures of speech and thought in the Rektoratsrede—in more detail. Concluding remarks reflect on the value and limits of the analysis in the context of debates about Heidegger's politics and its imbrication with his thought.

In Ancient times and in the contemporary moment, kairos has operated as a keyword for theorizing rhetoric and its potential. Aligning ourselves with these endeavors we take stock of varying iterations of the kairotic not to artificially force a singular conception of the term, but to hold such resolutions at bay. We assess efforts to realign kairos with challenges to the ontological priority of rhetorical actors and trace recent theoretical articulations that further decenter human agency by relocating the kairotic in ecological/contextual forces. We assert the need to maintain invention and eventfulness as crucial elements of the kairotic so as to insist that rhetoric be understood as a practice that exceeds socio-anthropological “adaptation” to those conditions. Through a series of propositions we hold hope for an inventive and evental kairotic stance that likewise avoids naïve conceptions of sovereign subjectivity.

&#8220;Mr. Robot speaks to the increasing complex constructions of ethos in a multimodal media ecology. That there is no position of pure and absolute sincerity, that we are all imbricated in the brutalities of capitalism, is not a novel idea; however, Mr. Robot as content seeks to agitate against the very forms of power that enable it&#8221;

&#8220;Yik Yak was simply too open, too democratic, too anonymous, and too ephemeral to survive in the monetization-driven world of social media platforms today. Unlike Snapchat, which we use as counterpoint in this article, Yik Yak appears to have been incompatible at the structural level with what we call corporate kairos.&#8221;

This essay uses rhetorical analysis to defend the population geneticist Richard Lewontin from accusations made by E. O. Wilson and others that his Marxist social philosophy distorts his empirical science. I suggest that Lewontin’s appeal to his own authority as an experimental evolutionary biologist supports his claim that racism has no biological justification and that it is his opponents whose assumptions about society distort their scientific arguments.

This essay examines the work of Louise Clappe (1819–1906), specifically The Shirley Letters from the California Mines, 1851–1852. Clappe’s Shirley Letters are significant because she uses the epistolary genre in the form of private letters to her sister to reach public audiences, a strategy practiced by few other American pioneer women who have been studied. Furthermore, although her location in the mining camps is extremely limiting in a material and social sense, Clappe creatively details her deprivations to highlight her distinctiveness and ingenuity in adapting to California’s challenging frontier.

ABSTRACTSome arguments that are delivered in a dialectical exchange are never again recalled. Others are repeated again and again across argumentative situations and settle in a community's shared cognitive environment, thus demonstrating a memetic quality along lines that have become popular with several cultural theorists as a way of describing the evolution of culture. Moreover, some arguments may themselves act as memes. If memes “are replicators and tend to increase in number whenever they have the chance” (Blackmore 1999, 37), then they should be of interest to rhetoricians and argumentation theorists. I explore the relationship between arguments and memes, considering the nature of the meme and its argumentative potential. While controversial, meme theory promises to shed new light on how persuasion works in our mutual cognitive environments, and the attention it gives to how reasons move from mind to mind encourages the effort of the exploration.

This article combines an adaptation of the Toulmin model of argument with a framework designed to analyze assertions of technology-related expertise in order to examine how expert witnesses fulfill the legal requirements for explaining the methodology underlying their testimony within the combative and sometimes prejudicial conditions of the courtroom environment. Its findings support previous claims about contributions technical communication scholars can make to the legal field.

Since the publication of Wendy Bishop’s Released into Language (1990), the disciplinary boundaries of composition and creative writing have been in question. More recently, as Douglas Hesse’s “The Place of Creative Writing in Composition Studies” (2010) suggests, creative writing has been assumed to exist as a subdiscipline of composition despite efforts during the past decade to develop a new discipline, Creative Writing Studies. The research reported on and analyzed here argues for creative writing’s disciplinary status by using Toulmin’s (1972) definition of disciplinarity as a basis for claiming writers’ aesthetic documents as data and reporting those data in an aesthetic form. In our study, 57 students in first-year composition were asked to write a creative piece concerning how they came to the present place in their lives. Students produced 57 artifacts, including 55 poems, one script, and one visual narrative. These data were subsequently represented in fiction—that is, we used a novel to present our findings in an effort to assert the differences between the ways findings might be rendered in composition as opposed to creative writing. This paper examines what each subject area views as evidence and how that evidence might be most profitably analyzed and discussed in an aesthetic document. We suggest that the process of writing the novel is a method, a mode of analysis, with the novel itself as the articulation of the researchers’ analysis of the original data. Using this method, we studied creative writing aesthetically as creative writing and offer a justification for doing so.

Abstract Drawing on stasis theory, this essay explores how the debate frame functions within U.S. journalism. Using the news coverage of Marissa Mayer’s coinciding pregnancy and promotion to Yahoo! CEO and the reportage of Hillary Clinton’s upcoming grandchild during the 2016 precampaign as case studies, I develop a two-part argument. First, by analyzing the rhetorical mechanisms within this media debate, I demonstrate how the debate frame makes facts themselves infinitely debatable, thereby stagnating this public debate at the stasis of fact. This ultimately perpetuates the “having it all” debate—and its sexist assumptions. Second, I consider the escape routes out of this dominant discourse, analyzing how arguments maneuver beyond the stasis of fact to consider policy reforms regarding women in the workplace.

Abstract This essay examines Martin Luther King Jr.’s 1967 speech “Where Do We Go from Here?” Delivered at the 11th annual convention of the Southern Christian Leadership Conference (SCLC), the speech addressed the contentious racial politics that permeated the post–Voting Rights landscape. I argue that the speech constituted King’s call for the SCLC to reinvent its ethos—both its “character” and its “dwelling place.” In issuing this call, King cultivated new possibilities for the conceptualization and practice of social justice activism.

ABSTRACT This article gives an account of the nature and purpose of Kant's poetic rhetoric in Dreams of a Spirit-Seer Elucidated by Dreams of Metaphysics. I argue that Kant employs a poetic mode of rhetoric in order to provoke a passionate, enthusiastic response in his audience. I go on to show that Kant became increasingly skeptical of poetic rhetoric's pathetic power after publishing Dreams. Ultimately, I demonstrate that Kant's confrontation with the Sturm und Drang led him to formulate a moral critique of poetic rhetoric and its tendency to undermine its audience's rational autonomy. I conclude by highlighting the significance of this critique in and for the development of Kant's mature rhetorical theory.

ABSTRACTThe Aristotelian concept of magnitude (megethos) can expand our understanding of how abundant information accumulates in ways that expand beyond epistemic registers, creating a sense of coherence. This sense of coherence, in turn, is more of an aesthetic effect than the result of epistemic validity drawn from that evidentiary abundance. In this article, I explore two different examples of archival magnitude: one is the fine-grained enormity of conspiracy discourse and the second is the large-scale quantities that power big data. These examples of archival magnitude are simply two narratives through which to explore the aesthetic and rhetorical operation of megethos. By redefining discourses that call on magnitude—the power of more—as aesthetic discourse, we may also find that the most fitting response is likewise an aesthetic one.

Rethinking Ethos extends feminist scholarship on ethos by reflecting the development in feminist philosophy from locational toward relational thinking. While the introduction extensively outlines L...

This article explores the struggle to transport an ethos of white antiracism across different racial climates within two university contexts. The author analyzes the influence that students' home rhetorics of racism and their conceptualizations about “progressive” white identity have in (de)constructing a teacher's credibility to discuss racial identity and racisms in the classroom.

This article features pushback as a rhetorical and ethical pedagogical posture for engaging whiteness in the tight space of the university elevator. In addition, it outlines how the racialized space of the historically white institutions renders the ways faculty women of color such as myself exercise pedagogical care and teacherly ethos.

An instructional note on foregrounding rhetoric across the curriculum to convey the rigor of professional and technical writing and assist instructors in claiming pedagogical ethos in a course that spans many disciplines.

AbstractThis article examines Rancière's account of politics from a performative perspective. It brings insight about linguistic performativity to bear on key examples of political subjectification in order to illuminate the value and limits of a Rancièrean account of politics. It argues that Rancière's account of eighteenth- and nineteenth-century political activism helps shed light on how language produces the political subjects of dissensual politics and illuminates the important role citationality plays in that production. Nonetheless, a performative analysis reveals that Rancière's account, with its emphasis on the momentary character of politics and its briefly detailed and decontextualized examples, glosses over the necessity of citational repetition to the intelligibility and disruptiveness of an act of resistance. Without an account of politics more attuned to these iterative dimensions we may be unable to cultivate the ethos required by the conditions of our age or the terms of Rancière's own account.