Reviewed by: The Routledge Reader of African American Rhetoric: The Long Durée of Black Voices ed. by Vershawn Ashanti Young and Michelle Bachelor Robinson Mudiwa Pettus Young, Vershawn Ashanti, and Michelle Bachelor Robinson, eds., The Routledge Reader of African American Rhetoric: The Long Duree of Black Voices, New York: Routledge, 2018. 894 pp. ISBN: 9780415731065 In their preface, Vershawn Ashanti Young and Michelle Bachelor Robinson herald The Routledge Reader of African American Rhetoric: The Long Duree of Black Voices as a landmark publication in the field of rhetorical studies. The reader, they contend, is the only comprehensive rhetoric anthology to “speak directly to the artistic, cultural, economic, religious, social, and political condition of African Americans from the enslaved period in America to our present era, as well as to the Black Diaspora” (xxi). As expressed in their introduction, Young and Robinson hoped to meet two goals in undertaking their editorship of the anthology. First, they aimed to deliver a collection of “unequivocally rhetorical” texts that reveals how African Americans have sought to influence American society. Second, they intended to illustrate that African American rhetoric exists “all around us,” performed in every genre and mode of communication (xxi). In the final analysis, Young and Robinson achieved these goals marvelously. The Routledge Reader of African American Rhetoric is a singular pedagogical and reference text that presents African American rhetoric in all its contours, complexities, and, even, contradictions. Containing almost 900 pages of primary and critical works, the reader is wonderfully expansive. Interviews, autobiographical writings, folktales, speeches, social media posts, poetry, and theoretical treatises are among the genres showcased. Expertly, this wide-ranging content is organized into [End Page 237] four major units that are divided into sections based on themes. While Young and Robinson provide introductions to each of the major units, thirteen “expert editors,” a cohort of scholars culled from a wide range of disciplines, have provided introductions, selected readings, and crafted explanatory annotations for most of the reader’s subsections. Part 1, “African American Rhetoric—Definitions and Understanding,” presents readers with the contextual and theoretical framing for navigating the anthology. In the unit’s first half, Young and Robinson delineate the book’s purpose and codify the six elements of African American rhetoric: language, style, discourse, perspective, community, and suasion. The unit’s second half is composed of the work of Molefi Asante, Geneva Smitherman, and Keith Gilyard, foundational theorists of African American rhetoric who clarify the philosophical underpinnings, linguistic features, and the history of the systematic study of African American rhetoric, respectively. Part 2, “The Blackest Hours—Origins and Histories of African American Rhetoric,” includes texts that highlight the enduring imprint that African orature has left on African American expressive culture; the varied faith systems through which African Americans have theorized their lived experiences; Black epistemes of language, literacy, and education; and the diversity of African American political rhetoric. Part 3, “Discourses on Black Bodies,” centers the premise that considerations of gender and sexuality are essential to the study of African American rhetoric. The unit features readings on Black feminisms, Black masculinity, and Black queer/quare rhetorics. Part 4, “The New Blackness: Multiple Cultures, Multiple Modes,” is the book’s final and most eclectic unit. Potent readings that parse Caribbean intellectual thought, African American technoculture, the rhetorics of Hip Hop, and the self-reflexiveness of Black artistry are the focus. Indubitably, the anthology’s apparatus provides readers with a wealth of entry points into the study of African American rhetoric. Reinforcing the anthology’s intended pedagogical function, each section is followed by a bibliography and a set of discussion questions. Readers can use these paratextual resources to further process the anthology’s readings independently and/or within a group, in and outside of institutionalized classrooms. A companion website, containing links to recordings of public addresses, comedic performances, musical selections, and other artifacts that complement the anthology’s primary readings and critical introductions, has also been made available. The cumulative effect of these supplementary materials is that individuals with both an advanced and burgeoning knowledge of African American rhetoric can find their footing in the anthology’s vast terrain and that Young and Robinson’s contention that African American...

This article reports on the use of discourse maps in conjunction with genre and discourse analysis to help teach communicative practices for contract negotiation. Using one map as a baseline to understand the intertextual process of negotiating a contract in communication with business clients and counterpart lawyers, other maps can zoom in and examine the discursive features of email genres, cover letters, and different versions of the contract under negotiation. The type of discourse maps developed in this study can be utilized for task-based writing materials and role-play activities that facilitate the authentic experience of negotiating a business deal.

This snapshot describes and reflects upon two case studies of community writing projects between Emerson College and Boston Public Schools. Emerson College students were asked to tutor 10th grade BPS students for the English Language Arts portion of the state standardized assessment. Through both quantitative results and qualitative reflection, this paper suggests that approaching such standardized tests as a distinct genre of writing can not only help students to gain awareness for multiple genres, but also to recognize their own writing as an empowered and meaningful political form of social action.

Partnerships between writing across the curriculum (WAC) and civic engagement (CE) programs are not given much attention but these partnerships improve each program significantly. CE programs can borrow models from WAC for professional development and obtain support for specific kinds of writing assignments; WAC programs can find among CE instructors a willing audience for critiquing the structural oppression inherent in literacy and for valuing dialectical, linguistic, and genre diversity. This snapshot focuses on a faculty writing retreat that emerged out of a WAC/ CE partnership and demonstrates how such partnerships can open the door for critical WAC pedagogy.

We proudly present this special issue of Community Literacy Journal on "Building Engaged Infrastructure." Our vision for this collection begins with the inaugural Conference on Community Writing (CCW), which took place at the University of Colorado Boulder in October 2015 1 and attracted 350 scholars, students, activists, and community members representing forty-two states, three countries, 152 colleges and universities, and forty-eight community organizations.This large group was drawn to a vision of higher education that connects with local, national, and international communities by using writing for education, public dialogue, and social change.The overwhelming response to the conference underscored a desire by those working in community writing (a growing subfield within rhetoric and composition that includes genres such as service learning, community-based research, community literacy, community publishing, advocacy and activist writing, and more) to have opportunities to network, share best practices, and receive mentoring.This event brought together academics and community members to explore the relationships between communication, writing, and social action.According to CCW founding chair Veronica House, a conference goal was "to build a national network of people, ideas, resources, and support structures-an engaged infrastructure-to make the work we do in and about our communities more sustainable, impactful, rewarding, and rewarded." 2 In the pages that follow, we turn our attention to the scholarship and practice of community writing that emerged from, or was reflected in, presentations and conversations at CCW.We realize, and want to highlight in this special issue, the obstacles, challenges, and paradoxes of working in community writing.For one, as the astute reader will no doubt notice, definitions of community range widely.The same is true for what counts as writing.An exploration of engagement and infrastructure is no less complex.However, we believe that the inclusion of multiple viewpoints, and the deferral of a precise definition of terms, effectively identifies the fluid boundaries of this thing we call "community writing." Those who attended CCW, or previous events like the 2008 "Imagining Community Literacy" meeting in Philadelphia and the 2011 "Writing Democracy" conference in Commerce, Texas 3 , or who are energized by work that engages the ethics and populations outside of the traditionally defined borders of the university share enthusiasm for engaged work and an optimistic belief that the study and practice of writing can lead to a more just world.We also share concerns about the risks embedded in this work.In April 2016, the Conference on College Composition and Communication (CCCC) published an official "Position To this end, they hosted a conference of about 150 librarians, public historians, community leaders, and teachers and scholars from our field and beyond at Texas A&M-Commerce in March 2011 and have held pre-conference workshops at the CCCCs every year since.In July 2012, Michelle Hall Kells hosted about 25 leading scholars in community literacy in Santa Fe, New Mexico, for the Summit of the National Consortium of Writing Across Communities.Clearly, the desire to establish a collaborative unit of some kind is high.3.

This article discusses the successes and vulnerabilities associated with combining the pedagogical methods of Theater, Composition, and Community Literacy in the Composition classroom. It examines how the ideas of Augusto Boal’s Theatre of the Oppressed and Paulo Freire’s Pedagogy of the Oppressed can be combined to support an innovative approach to Composition teaching, one that additionally employs engaged scholarship and service learning. The essay describes how methods and cycles of story gathering, playwriting, and rhetorical analysis have been used with various community partners, including an adult day care for dementia patients, an HIV/AIDs clinic, and Public Health outreach programs that address Health Disparities. The article explains how the ready audience of community-written plays and the inherent characteristics of theatrical production enable finite and clearly definable communication moments and products—especially in the autobiography-fantasy fused genre I have termed magical memoir—while engaging and empowering the voices of students, teachers, community partners, and audience members alike. All human beings are actors (they act!) and spectators (they observe!) They are spect-actors. … Theatre is a form of knowledge; it should and can also be a means of transforming society. Theatre can help us build our future, instead of just waiting for it. –Augusto Boal, Games for Actors and Non-Actors

This article describes and reflects on a collaborative, in-class activity that asks students in a business writing course to analyze the intersection of language, values, and social justice through a rhetorical analysis of corporate mission statements. The activity looks at how mission statements, as a genre, work to construct an ethos of civic engagement targeting a specific audience. Students reflect on values embedded in mission statements and compare these values with corporate action. Students then work in groups to create their own mission statements that direct their research and teamwork for their other, collaborative course projects. I offer this activity focused on mission statements as a concrete way to discuss social justice, values, and civic engagement in a business writing course; specifically, students explore how language impacts social justice and structural (in)equality.

The American Essay and the Future of Writing Studies, Nicole B. Wallack offers a perceptive and stimulating account of what essays are, how they work conceptually and aesthetically, and why it is important for American university writing programs to adopt an essay-centered curriculum. In an age of the Common Core State Standards, the essay has been marginalized by curriculum reform that reduces literacy to "skills acquisition" and assumes student writers are simply "protean workers who need to be readied to fulfill others' goals for their thinking and writing: intellectual 'stem-cells' for the world beyond school" that can be replicated indefinitely for someone else's use (3)(4). The director of the Undergraduate Writing Program at Columbia University, Wallack argues that the essay-and a curriculum centered on having students read and write essays-promotes the values of a liberal arts education, while also establishing common ground for the fields of composition studies, literary studies, and creative writing. Interdisciplinary in its approach, this book will appeal to writing program administrators, scholars of writing and literature, creative writers and essayists, and teachers of writing across the disciplinary spectrum. Crafting Presence includes chapters on the history of the essay as a genre distinct from other forms of nonfiction writing, close readings of specific essays from The Best American Essays series, and short pedagogical reflections, informed by Wallack's twenty-plus years of teaching experience. Although the essay may have been discarded from much of today's writing curricula for its association with the tradition of belles-lettres on the one hand and well-worn "school writing" on the other, Wallack maintains that the essay not only fulfills the goals of national curricular standards but also cultivates the intellectual, creative, and ethical thinking students need in order to become "reflective citizens, " to borrow Andrew Delbanco's term, who serve their community with their education. Some readers may chafe at Wallack's appeals to the values of good, old-fashioned liberal humanism, but her book presents a timely and inspiring vision of what the writing classroom-and, by extension, the universitycould become.

The course treated film, fiction, and all matter of non-fiction as textual representations equally worthy of critical analysis. Distinctions between signifiers from domains traditionally labeled "rhetoric" and those from domains labeled "poetics" held no water. Like Linkon's syllabus from two decades ago, The Half Life of Deindustrialization assumes that all texts have the potential to reveal important insights about cultural myths and values. Her engaging study looks at texts from a wide range of genres that offer representations of deindustrialization in the United States. Linkon sees memory, nostalgia, socio-economic insecurity, community, pride, and politics through a critical lens, offering a nuanced and compelling portrait of how deindustrialization still reverberates, even decades after initial waves of plant and factory closings.

Marc Fumaroli (1932–2020)In memoriam Laurent Pernot Translated by Jameela Lares Marc Fumaroli aimait à rappeler qu’il avait fait partie du groupe de savants qui, en 1976, conçut le projet de fonder une société consacrée à l’histoire de la rhétorique, avec Anton D. Leeman, Alain Michel, James J. Murphy, Heinrich F. Plett et Brian Vickers. Cette initiative pionnière devait se concrétiser dès l’année suivante, avec la fondation de l’International Society for the History of Rhetoric (ISHR) à Zurich le 30 juin 1977. À cette époque, Marc Fumaroli, né le 10 juin 1932, était déjà un universitaire remarqué. Muni d’une solide formation, agrégé des lettres, ancien pensionnaire de la Fondation Thiers, il soutint sa thèse d’État à l’Université de Paris-Sorbonne, en 1976 précisément, et fut élu professeur dans ce même établissement. Spécialiste de la littérature française du XVIIe siècle, il s’inscrivait dans la lignée de grands maîtres comme Paul Bénichou, Raymond Picard et René Pomeau. Natif de Marseille, issu d’une famille corse, ayant passé son enfance à Fès, au Maroc, ce Parisien était un homme de la Méditerranée et de la culture latine. Passionné des arts de la scène, il « écumait les couturières et les premières », selon ses propres mots, et il donna au quotidien danois Jyllands-Posten des critiques qui furent par la suite réunies en un volume hors commerce (Orgies et féeries. Chroniques du théâtre à Paris autour de 1968, Paris, 2002). Dans la décennie qui suivit la fondation de l’ISHR, Marc Fumaroli développa et fit connaître son approche novatrice de la rhétorique, envisagée comme une composante essentielle de la littérature, de l’histoire des idées et du fonctionnement des institutions, tant séculières qu’ecclésiastiques. Il la qualifiait de « nervure » de la civilisation, à cause de son rôle de renfort, de soutien et d’arête saillante. En 1980, parut l’édition imprimée de sa thèse, L’Age de l’éloquence. Rhétorique et « res literaria » de la Renaissance au seuil de l’époque classique (Genève, Droz), puis, en 1985, l’édition commentée des Fables de La Fontaine (Paris, Imprimerie nationale), deux ouvrages qui attiraient l’attention, entre autres, sur l’héritage antique, sur l’influence des jésuites, sur le poids des genres, des topoi et des théories du style. [End Page 1] Directeur de la revue XVIIe Siècle, directeur du Centre d’étude de la langue et de la littérature françaises des XVIIe et XVIIIe siècles, Marc Fumaroli fut élu professeur au Collège de France en 1986 et donna comme intitulé à sa chaire « Rhétorique et société en Europe (XVIe – XVIIe siècles) ». En 1987, en tant que président de l’ISHR, il eut la responsabilité du VIe congrès de la Société, qui se tint à Tours et à Poitiers et fut applaudi par tous comme une grande réussite. À partir du milieu des années 80, les travaux de Marc Fumaroli changèrent d’échelle. Sans jamais oublier le cœur rhétorique et littéraire de ses préoccupations, il traça des perspectives élargies dans une série de grands livres, dont on ne peut citer ici qu’une sélection. Lecteur infatigable et pénétrant (Exercices de lecture. De Rabelais à Paul Valéry, Paris, Gallimard, 2006), il analysa les échanges feutrés des écrivains avec le pouvoir politique (Le Poète et le Roi. Jean de La Fontaine en son siècle, Paris, de Fallois, 1997 ; Chateaubriand. Poésie et Terreur, Paris, de Fallois, 2003). Il dégagea l’importance, dans l’histoire du monde occidental, du « loisir lettré » (otium literatum), de la conversation et des institutions littéraires, comme les salons ou les académies, qui permettaient le commerce des esprits et l’interaction en matière culturelle (Trois institutions littéraires, Paris, Gallimard, 1994 ; La Diplomatie de l’esprit. De Montaigne à La Fontaine, Paris, Hermann...

This article proposes that writing instructors can present genre innovation as a strategy for asserting class (and other) identities within academic discourses. Drawing on sample student innovations of integrating emotions, expanding modes, and reconstructing audiences, this pedagogical approach seeks to value varied class identities and increase multivocality in academe.

This article explored a community-engaged, first-year writing course that partnered students with student activist groups on campus at Northeastern University in Boston. Their placement with peers connected them with the campus network and illuminated the ways that they could advocate for social justice in their new community. Students wrote in multiple genres as they attended the meetings and events of different groups involved with environmentalism, food justice, adjunct rights, and more. As students connected their social-change work to the classroom, they learned more about different genres of writing, from scholarly inquiries to multi-modal “deliverables” supporting their student groups. These final “deliverables” included posters, videos, prezis, banners, and even original music to be played at meetings or events. The fact that student worked with peers alleviated some common challenges of community-engaged learning, such as a sense of saviorhood. Instead, students felt a sense of civic investment and developed rhetorical flexibility that they implemented in the classroom and with their groups. Students found the course meaningful and valued the opportunity to get involved with campus activism. As they developed as activists and writers, students felt that the classroom and community spheres overlapped and informed each other.

Many expected federal public health agencies to provide timely and accurate information about the COVID-19 pandemic. That did not happen. In response, physicians and epidemiologists have explored new ways to educate the public about COVID-19 and protect against misinformation. One genre that has received significant uptake is the tweetorial, threaded tweets that educate followers on technical matters. This article builds on prior genre studies of the tweetorial to explore how #MedTwitter and #EpiTwitter communities have refashioned the emerging conventions of the tweetorial as part of efforts to protect the public from COVID-19 misinformation.

Although companies have long used email to correspond directly with consumers in times of crisis (George & Pratt, 2012), the Covid-19 pandemic has incited an unprecedented flood of emails to our inboxes from companies reassuring us that “we’re all in this together.” As composition scholars begin to investigate how organizations have responded to this pandemic, this article explores the rise of the “we’re here for you” email, a rapidly developing genre that reveals an unsettling relationship with the voice behind our consumer products and also a paradigm shift in how organizations connect with consumers during times of crisis.

This article employs cross-cultural communication approaches to teaching instructional design in the times of COVID-19 pandemic. Focusing on instructions from France, India, Spain, and the United States for making protective masks, the authors highlight how the writers and designers of these four documents from each culture approach their audiences, organize their DIY instructions, make language choices, employ images and other illustration devices, and culturally persuade users. While acknowledging cultural differences, the authors urge students to identify and adopt design strengths from diverse cultures in their own ideas about composing instructions.

Although community colleges are important entry points into higher education for many American students, few studies have investigated how community college students engage with different genres or develop genre knowledge. Even fewer have connected students’ genre knowledge to their academic performance. The present article discusses how 104 ethnically, culturally, and linguistically diverse students reported on classroom genre experiences and wrote stories about college across three narrative genres (Letter, Best Experience, Worst Experience). Findings suggest that students’ engagement with classroom genres in community college helped them develop rhetorical reading and writing skills. When students wrote about their college lives across narrative genres, they reflected on higher education in varied ways to achieve differing sociocultural goals with distinct audiences. Finally, students’ experience with classroom and narrative genres predicted their GPA, implying that students’ genre knowledge signals and influences their academic success. These findings demonstrate how diverse students attending community college can use genres as resources to further their social and academic development.

Within a framework of democratization policies, universities in Argentina are confronted with the challenge of offering educational support to all students, traditional and nontraditional, to help them enculturate in chosen disciplines and graduate from college. In this collaboratively authored article, we describe some of the conditions and processes that led higher education institutions to acknowledge the strategic role that teaching reading, writing, and oral communication play, to foster not only the students' learning process, but also inclusion and quality for the democratization of higher education. We also describe initiatives carried out by five Argentinean universities to address the development of academic literacies in Spanish-medium curricula, including the establishment of writing programs and/or writing centers on our campuses. We refer to tutoring practices, culturally specific genres and pedagogies, teaching and research initiatives, power dynamics within the different organizational and institutional contexts, and the paramount role of collaboration in shaping future initiatives. Finally, we identify similarities and differences between the five institutional experiences.

In September 2005, I found myself, in late middle age and more than two decades into my career, feeling like a student upon first studying abroad: general culture shock enhanced by academic culture shock. Coming from a writing center and writing program steeped in decades of US theory and pedagogy, I entered a space that, while partially informed by that theory and pedagogy, necessarily reflected a centuries-old British academic tradition and existed within a highly charged

This case study of students enrolled in a composition course at a large public university examines multilingual students’ application of multimodal composition practices to writing assignments that emphasize delivery and circulation. Assignments in which students remediate or translate a text in one genre or medium into another are widely used to foster transfer of writing knowledge from classrooms to public discourse. Remixing may be especially useful for multilingual writers by allowing them to draw on translingual meaning-making strategies. However, such assignments must be framed in ways that make explicit the rhetorical implications of how remediated or translated texts are taken up and circulated within larger ecologies and suggest how uptake can be measured and assessed to be useful. This article draws on Rhetorical Genre Studies and Translingualism to address this issue in Multimodal Composition by outlining a pedagogical approach that emphasizes delivery and measuring uptake.

As WPAs at a research institution without a WAC program, we embarked on this project to learn about the types of writing prompts faculty across the disciplines assign and their expectations for student writing. Although our first-year composition program is genre-based and focuses on teaching for transfer, we did not know what genres other faculty assigned nor which writing skills they hoped students could apply to their assignments. We also wanted to understand how they crafted writing assignment prompts and how they perceived students’ abilities to meet their expectations. We conducted semi-structured interviews with 10 faculty members from a range of disciplines about their writing assignments in courses in the major. We found that faculty (1) want or even expect students to take on certain disciplinary roles as writers in their assignments; (2) but they are not routinely making these expectations clear to students in their writing assignment prompts. To address these impediments to transfer, we present a three-part rhetorical framework for faculty that relies on genre to clarify expectations and allows for cuing to promote transfer for students in disciplinary writing contexts.

Over the past two decades, reflective writing has occupied an increasingly prominent position in composition theory, pedagogy, and assessment as researchers have described the value of reflection and reflective writing in college students’ development of higher-order writing skills, such as genre conventions (Yancey, Reflection ; White). One assumption about the value of reflection has been that skill in reflective writing also has a positive connection with lower-order writing skills, such as sentence-level conventions of academic discourse. However, evidence to confirm this assumption has been limited to small qualitative studies or deferred to future longitudinal research (Downs and Wardle). In the mixed methods assessment study presented here, we first investigated this assumption empirically by measuring the relationship between evaluative skills embedded in the genre of reflective writing and lower-order writing skills that follow sentence-level conventions of academic discourse. We found a high-positive correlation between reflection and writing assessment scores. We then used qualitative methods to describe key features of higher- and lower-scored reflective essays.

We report on a survey of students and alumni, examining their “rhetorical training”—their writing knowledge and experiences across multiple courses, campus employment, and workplace contexts. The survey asked participants to identify their most often written genres and their most valued type of writing, the rhetorical situations in which they compose their most valued genre, and the writing processes they have developed. We examined the multiple sources of rhetorical training that participants believe prepared them to write their most valued genre. Multiple rhetorical training experiences prepare writers for the writing they value, and both students and alumni describe robust writing processes and appreciate feedback from others. Yet alumni continue to express challenges adapting writing for new audiences and genres.

This study explores the use of digital technologies in the writing of an academic assignment. Fine-grained studies on student writing processes are scarce in previous research. In relation to the increasing demands on students’ writing, as well as the debate on students’ poor writing (Malmström, 2017), these issues are important to address. In this study, screen captures of five students’ essay processes are analyzed. The results show that students handle text at different levels: they make use of one or more word processors, arrange texts spatially on screens and use resources to operate directly in texts. Above all these actions seem to meet the need to move and navigate within one’s own text, an aspect that could be especially important in relation to the academic genre and for handling texts as artifacts in activity (Castelló & Iñesta, 2012; Prior, 2006). The results of the study point to the importance of making digital writing practices visible, especially those that could create possibilities to intertwine digital texts, thereby enhancing potentials for academic writing and meaning-making.

Collaborating between Writing and STEM: Teaching Disciplinary Genres, Researching Disciplinary Interventions, and Engaging Science Audiences This poster describes a multi-pronged effort to build a writing curriculum in Physics and other STEM fields at the George Washington University, USA. These efforts include curricular collaboration, a research study conducted by the Physicists and Writing Scholars, and external funding initiatives. This project first began as a curricular collaboration through our Writing in the Disciplines (WID) curriculum, initiated by observations among Physics faculty that undergraduate students lack Physics specific writing skills. Writing faculty responded to this observation by introducing Physics faculty to the idea that writing can and must be taught, that the genres of Physics can be taught by Physics faculty, and that a focus on the writing process can improve student writing. Our curricular goal was to demonstrate to faculty who are unfamiliar with writing studies that writing is a means to learn in Physics (Anderson et al., 2017). The first phase of our effort was to persuade Physics faculty that writing contributes to learning in Physics; we describe a collaboration between Physics and Writing faculty that developed assignments and made curricular interventions. This collaboration built upon scholarship in writing studies that argues genre instruction develops capacities and skills for student writing (Swales, 1990; Winsor, 1996). While genre is not a new concept in Writing Studies, for many Physics faculty the idea that they can teach – and have students learn – how to write in disciplinary genres is novel. Collaboration around curricular revisions enabled Writing and Physics faculty to teach students that learning how to write in a new genre is a skill that can be practiced (Ericsson, 2006; Kellogg & Whiteford, 2009). We developed a process for students to follow when faced with types of writing common to Physics, but potentially new to them, such as the abstract (written), lab research notebook (written), article summary (oral), letter to colleague (written), cover letter and resumé (written), elevator pitch (oral), proposal (written and oral), presentation on issues of ethics and equity in STEM (oral), research presentation (oral), poster (written), poster presentation (oral), final research report (written), and Symposium presentation (oral). The collaboration thus created pedagogical exchange between faculty as well as scholarly synergy between the disciplines of Physics and Writing Studies. Physics faculty have observed that the curricular collaboration has had measurable results for students. Physics student participation in the campus research day has increased dramatically. We attribute this rise partly to the increased, explicit attention in classroom settings to how to engage with Physics genres of writing, especially abstracts and research posters. While the collaboration successfully brought together a small but solid group of Writing and Physics faculty, it also raised questions about how to persuade a broader range of Physics faculty, and other science faculty, that teaching disciplinary genres can improve student writing, and that writing is a means of learning. Given that faculty in STEM disciplines find empirical research persuasive, our next step was to undertake a collaborative research project to measure the impact of the teaching of writing in Physics. The new curricular focus on genre asked students to conceptualize themselves as scientific writers in relation to specific Physics or STEM audiences. The collaborative research therefore investigates if teaching Physics genres improves writing and enables students to conceptualize themselves as emerging scientists engaged in professional communication (Poe et al., 2010; Winsor, 1996). Our longitudinal analysis of student writing in Physics evaluates writing from three sequenced courses, the first before faculty-developed genre assignments, and then after genre assignments. We developed a rubric that evaluates general outcomes – audience, genre, structure, style – and a rubric that evaluates specialized learning outcomes – acknowledgement of past scholarship, working with models, incorporating scholarship, articulation of research questions, working with graphs, and articulation of methods. Preliminary research analysis shows that explicitly teaching Physics genres increases student’s abilities to write successfully in Physics, enabling students to understand how knowledge is communicated persuasively to audiences. Our goal with this research is to show STEM faculty through research by Physicists and Writing Studies scholars that teaching writing socializes students into the discipline of Physics, leading them to identify as professional scientists (Allie et al, 2010; Gere et al., 2019). This increase is exemplified by the large number of students volunteering to present a poster during the University wide research day, giving them experience presenting to an educated audience outside of Physics. Thus, a combination of strategies – curricular collaboration and intervention, collaborative research from within the discipline of Physics, and successful external funding – are what demonstrate to scientists that teaching genre and teaching writing are central to science education. Based on this experience, our contribution is that shared pedagogical and research collaborations, and funding, are what make the knowledge of Writing Studies persuasive to scientists. We have seen success with these efforts. At George Washington, other STEM faculty have observed successes in the Physics curriculum, and have joined efforts to bring writing more explicitly into their curriculum. This year, we began a Writing in STEM symposium that has grown to include faculty in Chemistry, Systems Engineering, Mathematics, Geography, Mechanical Engineering, and other fields. We have also seen an uptick in STEM courses in the WID curriculum. The Physics and Writing research collaboration has led to a National Science Foundation (NSF) submission on genre, and an NSF award for a study of writing and engineering judgement, being conducted by Writing faculty and Systems Engineering faculty. References Allie, S., Armien, M.N., Burgoyne, N, Case, J.M., Collier-Reed, B.I, Craig, T.S., Deacon, A, Fraser, D.M.,Geyer, Z, Jacobs, C., Jawitz, J., Kloot, B., Kotta, L., Langdon, G., le Roux, K., Marshall, D, Mogashana,D., Shaw,C., Sheridan, G., & Wolmarans, N. (2009). Learning as acquiring a discursive identity through participation in a community: improving student learning in engineering education. European Journal of Engineering Education, 34(4), 359-367. https://doi.org/10.1080/03043790902989457 Anderson, P., Anson, C. M., Fish, T., Gonyea, R. M., Marshall, M., Menefee-Libey, W Charles Paine, C., Palucki Blake, L. & Weaver, S. (2017). How writing contributes to learning: new findings from a national study and their local application. Peer Review, 19(1), 4. Ericsson, K. A. (2009). The Influence of experience and deliberate practice on the development of superior expert performance. In K. A. Ericsson, R. R. Hoffman, A. Kozbelt & A. M Williams (Eds.), The Cambridge handbook of expertise and expert performance (pp 685–705). Cambridge University Press. Gere, A. R., Limlamai, N., Wilson, E., Saylor, K., & Pugh, R. (2019). Writing and conceptual learning in science: an analysis of assignments. Written communication, 36(1), 99–135. https://doi.org/10.1177/0741088318804820 Kellogg, R., & Whiteford, A. (2009). Training advanced writing skills: the case for deliberate practice. Educational psychologist, 44(4), 250–266. https://doi.org/10.1080/00461520903213600 Poe, M., Lerner, N., & Craig, J. (2010). Learning to communicate in science and engineering: Case studies from MIT. MIT Press. Swales, J. (1990). Discourse analysis in professional contexts. Annual review of applied linguistics, 11, 103–114. Winsor, D. A.(1996) Writing like an engineer: A rhetorical education. Mahwah, NJ: Lawrence Erlbaum Associates.

Contributing to the literature on translingual pedagogies outside the US or Canada, this article discusses the design of a hybrid instructional format for advanced multilingual doctoral students and post-doctoral researchers offered by a bilingual writing center at a mid-sized university in Germany. Meant to prepare for future careers in academia and professional demands in different national, cultural, and linguistic environments, this format gives participants the opportunity to explore academic genres that tend to receive less attention in graduate education than journal articles, book chapters, or others needed to complete degree requirements. By the end of the course, participants will have a submission-ready portfolio including an academic CV, a job letter, a (sample) letter of recommendation, and teaching and diversity statements. To achieve these specific outcomes and to develop the advanced professional academic writing competencies needed in multicultural and multilingual contexts, participants will have to draw on their diverse linguistic backgrounds and prior experiences in these kinds of settings. Informed also by other recent theoretical and empirical work on translingualism and translingual pedagogies in global contexts, this format adopts the use of translation proposed by Horner (2017) to move beyond the monolingual and, to a lesser extent, the multilingual paradigms. While it has yet to be tested empirically, the design represents an alternative to more traditional (and usually monolingual) modes of instruction. This article concludes by discussing limitations and implications of the approach to translingual pedagogies taken here.

Supporting Academic Writing and Publication Practice: PhD Students in Engineering and their Supervisors This poster documents the bottom-up efforts leading to the establishment of an academic writing support program for doctoral students at an engineering university in the Czech Republic (CR). To defend their dissertation, by law Czech doctoral students have to have published their research. Moreover, many faculties require their doctoral students to publish in prestigious English-medium journals, which is a challenge even for the students’ supervisors. Although publication requirements prior to dissertation defence are becoming common in many countries (Kamler and Thompson, 2014; Kelly, 2017), Czech students often face a challenge of writing in the absence of any prior writing support, where insufficient knowledge of English only adds an extra hurdle to the already difficult task of argumentation absent in Czech schooling. CR has a comparatively high number of doctoral students, but also alarmingly high drop-out rates with more than 50% students not finishing their studies (Beneš et al., 2017). In part, this is due to the students’ difficulties to publish (National Training Fund, 2019). This challenge could be addressed with systematic writing development, but Czech educators and dissertation supervisors are not commonly aware of composition being teachable as we learned from our preliminary study on writing support in doctoral programs in several Czech universities (Rosolová & Kasparkova, in press). While supervisors and university leaders tended to see writing development as a responsibility of the students, the doctoral students were calling for systematic support.  We strive to bring attention to the complexity of writing development and introduce a discourse on academic writing that conceives of academic writing as a bundle of analytical and critical thinking skills coupled with knowledge of rhetorical structures and different academic genres. We show how these skills can be taught through a course drawing on the results from a needs analysis survey among engineering doctoral students, the target population for this course (for more information on the survey, see Kasparkova & Rosolová, 2020). In the survey, students expressed a strong interest in a blended-learning format of the course, which we base on a model of a unique academic writing course developed for researchers at the Czech Academy of Sciences, but not common in Czech universities. Our course is work in progress and combines writing development with library modules that frame the whole writing process as a publication journey ranging from library searches, to a selection of a target journal and communication with reviewers. Because we are well aware that a course alone will not trigger a discourse on writing development in Czech higher education, we also plan on involving a broader academic community through workshops for supervisors and a handbook on teaching academic writing and publishing skills for future course instructors. Colleagues at EATAW 2019 conference commented on the poster sharing their difficulties from the engineering context and for instance suggested a computer game to engage engineers. This resonated with our plan to invite our engineers into the course through a geo-caching game – for more, see Kasparkova & Rosolová (2020). References Beneš, J., Kohoutek, J., & Šmídová, M. (2017). Doktorské studium v ČR [Doctoral studies in the CR].  Centre for Higher Education Studies. https://www.csvs.cz/wp-content/uploads/2018/10/Doktorandi_final_2018.pdf Rosolová, K. E., & Kasparkova, A. (in press). How do I cook an Impact Factor article if you do not show me what the ingredients are? Educare. https://ojs.mau.se/index.php/educare Kamler, B., & Thomson, P. (2014). Helping Doctoral Students Write (2nd edition). Routledge. Kasparkova, A., & Rosolová, K. (2020). A geo-caching game ‘Meet your Editor’ as a teaser for writing courses. 2020 IEEE International Professional Communication Conference (ProComm), Kennesaw, GA, USA, 2020, pp. 87-91. https://doi.org/10.1109/ProComm48883.2020.00019 Kelly, F. J. (2017). The idea of the PhD: The doctorate in the twenty-first-century imagination. Routledge. National Training Fund. (2019). Complex study of doctoral studies at Charles University and recommendations to improve the conditions and results. Report for the Charles University Management. Prague.

It can be a challenge for a university teacher to arrange the teaching of written tasks so that weak foreign language students with differing disciplinary backgrounds can develop their written communication skills. The difficulty is to avoid the focus from becoming just language proficiency. In one course at a technical university in Sweden, three written summaries are scaffolded to address such a challenge. The purpose of this teaching practice paper is to show how employing a specific strategy of repetition facilitates the writing skill development in low-level English language multidisciplinary students. The repeated features are the genre of the task, the writing process used and the occurrences of teacher response. They are organised along a specific learning path so as to encourage the students to build on the knowledge gained in each iteration, between tasks and potentially beyond the course. The paper describes the journey the students take writing the three summaries, working on fulfilling criteria concerned with aspects such as content organisation, coherence and cohesion, and limited grammar errors. A brief analysis of excerpts from one case student’s first and third summaries is included. It is suggested that while the scaffolding can remain the same, the material could be replaced to suit other skills and language level needs.

For most MA programs, it is common to enroll students with different BA degrees. The MA students who have changed their discipline are required to adopt a new disciplinary discourse and learn to write academic texts in line with appropriate genres and conventions. This study exemplifies an attempt to redesign the academic writing course for MA History programs at the Ural Federal University in order to ease the difficulties faced by students with non-history backgrounds. The essence of the redesign was to enhance the traditional teaching by demonstrating fundamental dissimilarities between history and other disciplines in terms of writing conventions. Teaching academic writing in that manner was supposed to facilitate students with both a history and non-history backgrounds to master the effective conventional writing of history texts. The efficiency of the redesigned course was estimated on the basis of students’ performance and feedback. This teaching practice can be of use for academic writing instructors who seek to help students from different backgrounds develop skills and competences that are necessary for a specific professional community.

Background: As all sorts of communications have substantially moved to the internet, volumes of literature on internet-mediated communication have emerged in professional and technical communication in different research paradigms, including studies on internet-mediated genres, which often have generic features beyond traditional conception and thus require updated understanding. This study systematically explores the emerging body of internet-mediated genre studies and identifies the specific genres that researchers have studied, the analytical components and research methods used, and conclusions reached to characterize the current state of the research. Research questions: 1. Which internet-mediated genres have been studied in existing literature (2005-2019)? 2. What affordances have been considered in existing studies on internet-mediated genres? 3. Which research methods have been used to study internet-mediated genres? Literature review: Major issues affecting prior studies of internet-mediated genres include inconsistent terminology used by researchers, the ways that affordances are considered, and the inadequacies of current genre analysis methods to explain features arising from those affordances. Methodology: Employing an integrative literature review, we conducted a systematic search resulting in 35 qualified studies published in journals indexed in the Social Sciences Citation Index between 2005 and 2019. Each was systematically analyzed to identify the genre addressed, communicative goal, medium, affordances addressed, and research methods used. Results/discussion: Three main types of internet-mediated genres-including email, website, and social media, and several subtypes-were identified, each distinguished by their medium and communicative goal. The affordances were either treated monomodally, mentioned as contextual information, or integrated into the analytical framework. Researchers relied on a variety of methods to study internet-mediated genres, with mixed methods most commonly used. Conclusions and further research: The data show that both the genres of interest and methods used to study them vary with time, suggesting that this area of research continues to evolve. Future studies could probe into a larger variety of internet-mediated genres with more diverse analytical components and methods.

Celem niniejszego artykułu jest analiza retoryczna współczesnego teatru improwizowanego. Oś, wokół której osadzone są rozważania, to elementy charakterystyczne dla tradycyjnej budowy mowy oratorskiej oraz dla strategii jej wygłaszania. Badanie opiera się na opracowanej przez Agnieszkę Budzyńską-Dacę metodzie, na którą składa się opis czterech wymiarów gatunku. Podstawowe założenie współczesnych retorycznych studiów genologicznych (ang. Rhetorical Genre Studies, RGS), czyli uznanie gatunku za działanie społeczne, umożliwia spojrzenie na improwizację jako na dwupodmiotowe zdarzenie, wewnątrz którego tworzony jest kod o określonych celach. Krytyka oparta jest więc na kluczowych aspektach: celu, audytorium i działania. W tej perspektywie analiza gatunkowa skupia się na sytuacji retorycznej oraz jej kontekście. Materiał badawczy stanowią dwa przedstawienia w formacie reprezentatywnym dla impro – Haroldzie.

Building connections with professionals in subject matter disciplines—practitioners and/or academics—is a growing area of interest for many scholars working in the rhetoric of health and medicine (RHM). However, strategies for creating and building meaningful, productive interdisciplinary relationships has not been a central theme in RHM-focused scholarship. This entry endeavors to address this gap by using RHM’s emerging version of the “dialogue” genre to describe the author’s experience co-chairing the communications track for an international public health conference. The author weaves in commentary from contributors who participated in the conference and discusses and reflects upon two key challenges that emerged: 1) differences in language choice/terminology, and 2) epistemic conflict. Through this reflective discussion, this dialogue proposes several strategies that RHM scholars might draw from in building their own interdisciplinary relationships moving forward: 1) negotiate shared meanings and goals, 2) find commonalities, and 3) normalize rhetorical inquiry.  Featured Contributors: Nicholas Bustamante, MFA; Alina Deshpande, PhD; Amy Ising, MS; Jamie Newman, PhD; Kirk St.Amant, PhD

Theoretical models of early writing support the importance of discourse knowledge to writing (Bereiter & Scardamalia, 1987; Berninger & Winn, 2006). However, there is limited research on the relationship between discourse knowledge and writing among beginning writers. This study explored whether fall, spring, and change in discourse knowledge predicted first-graders' end-of-year writing. Three hundred eighty first-graders were given a discourse knowledge interview in the fall and spring assessing knowledge of writing production procedures, substantive processes, story elements, and writing motivation. Additional fall assessments included handwriting fluency, spelling, reading, and vocabulary. Students' narrative and descriptive writing was assessed at the end of the year. Hierarchical linear modeling showed that fall discourse knowledge and knowledge gain variables were not consistent predictors for writing outcomes. However, a more consistent relation was found between spring discourse knowledge and writing achievement, where production procedures predicted writing in both genres while substantive processes and story elements only predicted narrative writing. This study extended findings from earlier research by examining the discourse knowledge and writing achievement of young students.

Corpus linguistic methods can provide detailed and statistically robust information about how children's written language develops as they progress through their education. Such data can inform both models of written language development and curricular policies and practices. To this end, the current paper focuses on subordination as a key site of syntactic complexity. Using a corpus of 240 texts written by children aged 6 to 16 in England as part of their regular school work, it quantifies how the most common type of subordinate clause (the adverbial clause) varies across year groups and genres in terms of frequency, internal complexity and semantic function. A complex developmental picture emerges with length and frequency of finite vs. non-finite clauses changing in distinct ways across primary vs. secondary education. These patterns are found to be closely related to discipline- and genre-specific developments in the main functions for which adverbial clauses are used.

The case analysis, a prominent genre within business and information systems (IS) programs, is challenging for students because there are competing demands to perform both academic/learner and professional/mock-consultant roles. Drawing on design-based research data from four different IS courses at our institution, in this paper we aim to map a pedagogical to professional case analysis genre continuum. We examine the expectations for student roles in these four different courses, where and how the case analysis assignments in these courses fit into the continuum, and whether they facilitate an effective developmental trajectory as a whole. Our analysis shows that our institution's trajectory is mostly effective in moving students from pedagogical to professional roles, but could be enhanced with extra support for case analysis writing that falls in the middle of the continuum. We offer recommendations for how academic programs could leverage the value of the developmental trajectory to create a cohesive sequence across the four-year student experience.

This article examines how faculty at one college respond to student writing, how students interpret that feedback, and how through collective self-evaluation and community-building workshops some faculty paved a path toward more productive response. The first part of the findings resonate with what scholars in the 1980s discovered: that teachers’ feedback strategies often operate at cross-purposes with students’ motivations and understandings. Asking why, after forty years of scholarship, such counterproductive strategies still prevail, the study suggests burdensome workloads, lack of training, rigid applications of rubrics and genres, and isolation from peers are to blame. It then profiles three teachers who, despite these obstacles, provide deep-reaching feedback. Although their pedagogies and backgrounds differ, they share common bonds, teaching authentically from who they are, an approach that is open to all teachers once they feel freed to adopt it.

This article reports on a revised move analysis of a video abstract (VA) repository curated by Cell Press. The analysis reveals that the VA displays several distinct core moves, optional moves, and move units. The analysis suggests that albeit evidence being inconclusive due to the sample size, the VA is in effect an emerging genre whose implications for further research and practice are worth discussing. The article also questions the assumed analytic pertinence of move analysis to researching multimodal genres and cautions against the uncritical use of the VAs curated by leading academic publishers and journals in professional training.

In this article, I argue that technical reporting and documentation processes function to mitigate uncertainty and enable complex systems in the endeavor of big science. The argument draws on two years of field research investigating technical reporting and documentation processes at a federally funded supercomputing center dedicated to scientific research. A central question the study sought to answer was, “How does one build a new supercomputer?” One of the answers that emerged is that supercomputers are built by the genre assemblages of documents that mitigate financial, political, and technological uncertainties, and their attendant risks, that are inherent to technoscientific cutting-edge enterprises. Given their centrality, these genre assemblages function as essential infrastructure for the U.S. national laboratory system and for big science endeavors in general. In conclusion, this article argues that documentation that mitigates uncertainty serves an important infrastructural function for organizational life more generally.

This essay reflects on a three-part assignment in which students plan, design, and reflect on a text-based videogame. Created originally for a composition course focused on rhetoric and videogames, the assignment lends itself to teaching about the writing process, especially invention and revision, teaching procedural rhetorics, and teaching technical communication concepts such as iterative design and usability. This essay is coauthored by the instructor with two students who took the course in different semesters, highlighting the collaborative nature of even solo-authored game design, as well as how making games can help students take up rhetorical concerns in other genres.

Background: The cognitive load involved in research article (RA) reading can be overwhelming for L2 novice readers. RA section headings can be used as signals to help novices focus on essential information related to their learning goals to reduce extraneous cognitive processing. There is a need to examine RA macrostructures to inform RA reading instruction. Literature review: RAs do not always follow the Introduction-Methods-Results-Discussion (IMRD) model. Previous research has examined the macrostructure of articles in disciplines such as computer science, applied linguistics, and pure mathematics, but few have investigated the macrostructure of economics RAs. Research questions: 1. Are there any sections frequently used in economics articles apart from the conventional sections? 2. If yes, what are the views of expert economics RA readers on the communicative functions and propositional content of the newly identified sections of economics RAs? Research methods: Eighty RAs were collected from five economics journals using stratified random sampling. Following Yang and Allison's macrostructure analysis method, we conducted an analysis of the overall structure of the RAs based on section headings and the function and content of each section. Results: Compared with the IMRD model, we found six new section types: Background, Theoretical Model, Econometric Model, Robustness, Mechanisms, and Application. Interviews were conducted to explore expert RA readers' genre knowledge on the newly identified sections. Conclusion: The findings can be useful for RA reading and writing instruction and future research on part-genres of economics articles.

Background: Environmental reporting is an indispensable part of the corporate social responsibility (CSR) report, which has become a main genre of nonfinancial disclosure for corporations. The present study explores how companies use metaphors to construct their role in the relationship with the environment. Literature review: Previous studies tend to focus on environmental metaphors in genres such as newspapers, blogs, and scientific discourse, but rarely attend to the genre of corporate environmental reporting. Research questions: 1. What metaphors are used by banking and energy companies to represent their role in the relationship with the environment? Are there similarities or differences across cultures? 2. What are their representations in terms of the corporate role, and what impacts do they have on the environment from an ecolinguistic perspective? 3. Why are these metaphors used for environmental communication? Research methodology: The study investigates a corpus of 180 CSR reports published by Chinese, US, and Italian companies with the framework of critical metaphor analysis combined with genre analysis, so as to approach metaphor use from a cross-cultural perspective. Results and conclusions: The study highlights both universal metaphors (manager, protector, and traveler) and culture-specific metaphors (the bee metaphor in Chinese, the steward metaphor in English, and the fighter metaphor in Italian) across three languages, which are used to represent the company's good intentions, caring attitude, and responsible behavior, contributing to building an environmentally responsible corporate image. Some of the metaphors seem useful in inspiring eco-constructive behavior, while others may bear eco-destructive connotations.

Through the genre of musical theatre, Writing Center, The Musical (WCTM) examines how peer-to-peer writing centers can help bridge the divide for marginalized students. It also explores the tension that manifests when new writing center theory is not supported by an institution. When writing centers do not get buy-in from the institution, for this type of work, it can create backlash towards the writing center and student writers.

The article compares the formats of the final presidential debates in the latest elections in Poland between Andrzej Duda and Bronisław Komorowski (2015) and in the Czech Republic between Jiří Drahoš and Miloš Zeman (2018). The purpose of this comparison based on rhetorical genre criticism was to check whether and how the analyzed media events fit into the genre pattern of the debate. The Polish and the Czech formats were compared with respect to the interaction rules, elements of time and space, as well as the way of moderating and asking questions during the debate. The result of this comparison was the indication of the direction of genre hybridization of pre-election television debates in the last elections in Poland and the Czech Republic.

Increased attention to genre in writing studies has brought a proliferation of new terms and concepts for capturing the complexity of writers’ knowledge about genres, including genre knowledge, genre awareness, recontextualization, conditional knowledge, and metacognition. Definitions of these concepts have at times conflicted, and their interrelationships are often unclear. Furthermore, scholarship has tended to overlook the role of multiple languages in writers’ genre knowledge. In this article, we first trace the use of related terminology and demonstrate the need for theoretical clarity. We then propose a theoretical framework that articulates key layers of genre knowledge and their interrelations, presuming a multilingual writer. Finally, we share examples of how this proposed framework may be used in teaching and researching genre knowledge. Ultimately, we aim to contribute to ongoing theoretical, empirical, and pedagogical explorations and applications of knowing and learning genres.

The creeping dominance of Anglophone-center journals as the most viable publication venues worldwide has resulted in the ubiquity of English as “the language” for academic publishing as well as the preeminence of Western forms of genre and research conventions. Citing 2004 data from Ulrich’s Periodical Directory, Lillis and Curry note that 74% of the periodicals listed that year were published in English. Drawing from the Institute for Scientific Information, they cite that 90% of social science articles were published in English (“Interactions with Literacy Brokers” 4). Clearly, academics who write outside of the centralized Anglophone center, which includes the United States, the United Kingdom, and Australia, have experienced increasing pressure to publish in English (Canagarajah, Geopolitics, “‘Nondiscursive’ Requirements”; Horner et al.; Lillis and Curry, Academic Writing, “Interactions with Literacy Brokers”; Tardy). Such increased pressure is exacerbated through ties to increased rewards, as publishing in English can yield higher salaries and/or increased research funding because economic and disciplinary mobility are often tightly linked with English language publications. Thus, functioning like an economy of English, this “academic marketplace” (Lillis and Curry, Academic Writing 1) of “academic capitalism” (Slaughter and Leslie), privileges an Anglophone center over multilingual peripheries as scholars perform the ongoing intellectual work of literacy brokers to succeed (Lillis and Curry, “Interactions with Literacy Brokers” 5). These sets of conditions have implications for both the particular topic of Anglophone publishing regimes as well as the changing nature of academic literacy in the churn of globalization. In this article, we turn to Ukraine as an exemplar case for how literacy is changing for research writers in what we are terming global “edge” countries who are driven to join the Anglophone publishing center. This drive is sometimes personal but more often political and economic as writers’ livelihoods are tethered to the outcomes of publishing in English, and research universities’ funding is tied to large-scale output in pre-defined Anglophone publication venues. We define “edge” countries as those operating within a transitional, liminal, and often contradictory set of regulations, expectations, and norms around (a) the local use and politics of mono and multilingualism and the increasing ubiquity of an expectation of English fluency for job candidates in the workforce; (b) educational mandates that seek to drive a local knowledge economy to an Anglophone center; (c) de facto if not de jure participation in larger economic and political entities such as the EU or other forms of regional, Anglophone consolidation; and (d) internal economic volatility that delimits a writer’s even access to literacy’s social practices and technical skills.

Background: The ability to create a context is essential in writing the introduction of a research article (RA). This study explores the experience of engineering Ph.D. students in Australia, for whom English is an Additional Language (EAL), in using a problem-solution-based writing model to develop context-creating skills in writing RA introductions. Research question: What is the experience of engineering Ph.D. students in creating contexts through explicit learning of a problem-solution-based model for writing RA introductions? Literature review: Genre-based teaching is a common approach in the second language classroom. Recently, a genre-based approach for writing the introduction of engineering RAs has been proposed. The descriptive values of the model, PSP-CaRS, have been shown in corpus studies of published engineering RAs. However, its applicability has not been explored pedagogically. Methodology: Twenty-nine Ph.D. students were asked to respond to a questionnaire nine months after learning the model and reflect on their experience using it. The findings were then corroborated with data obtained from interviews, researcher observation, and writing samples. Results: The findings showed that the participants perceived PSP-CaRS to be useful and they continued using it after nine months despite some difficulties encountered in the writing process. Participants' responses showed that explicit teaching of PSP-CaRS formed the foundation upon which more competent skills to create contexts were developed through practice and integration of subject knowledge. Discussion: Explicit teaching using a model can impart the basics of genre awareness to students. Once students gained an in-depth understanding of the model by working through their difficulties, they developed better genre awareness, and used the model adaptively to visualize and write their RA introductions. Conclusion: The results confirm the usefulness of the proposed model and reveal how a continuing process of learning and practicing using the model helps students develop their skills to create contexts and enhance their genre awareness.

Teaching the craft of written science communication is an arduous task that requires familiarity with disciplinary writing conventions. With the burgeoning of technological advancements, practitioners preparing novice research writers can begin to augment teaching and learning with activities in digital writing environments attuned to the conventions of scientific writing in the disciplines. The Research Writing Tutor (RWT) is one such technology. Grounded in an integrative theoretical framework, it was designed to help students acquire knowledge about the research article genre and develop research writing competence. One of its modules was designed to facilitate revision by providing different forms of automated feedback and scaffolding that are genre-based and discipline-specific. This study explores whether and how the features of the RWT may impact revision while using this module of the tool. Drawing from cognitive writing modeling, this study investigates the behaviors of a multidisciplinary group of 11 graduate-student writers by exploring how they interacted with the RWT's features and how this interaction may create conditions for enhanced revision processes and text modifications. Findings demonstrate promising potential for the use of this automated feedback tool in fostering writers' metacognitive processing during revision. This research adds to theory on cognitive writing models by acknowledging the evolving role of digital environments in writing practices and offering insights into future development of automated tools for genre-based writing instruction.

Nearly every business communication textbook includes an explanation of “hard” and “soft” skills. Indeed, most business professionals understand the importance of honing interpersonal competencies as well as technical proficiencies. However, measuring the importance of soft skills and how they are used in an organization is often a difficult task. Therefore, the focus of this article is on rethinking the conversation by applying front-stage and back-stage communication theory to the genres in the case study example of Samsung surrounding its Galaxy Note 7 recall.

Part of learning a discipline’s genres is learning how one’s work must be presented. Students confronting this economy of genre sometimes chafe at its restrictions, and their apprehension reveals unsuspected stakes for technical communication. In interviews, students discuss how their final presentations fail to capture the sophistication and the nuances of their designs, suggesting that learning genres is not just about participation but also about letting go of competing ways of conceiving practice.