This paper offers a description and analysis of a genre-informed intervention that supported elementary-grade ELs to write arguments in response to narrative text. Instruction engaged students with the target genre's purpose, structure, and some key language features. The analysis offers an examination of the classroom discourse and materials, as well as the students' written responses. The paper offers evidence that lessons often supported students to actively engage in classroom conversations that highlighted some of the natural constraints and choices consistent with the target genre. The student writing samples provide evidence that young students are capable of writing analytical responses to literature with support. Students were able to write in ways that served the purpose of the genre and are highly valued in ELA classrooms. In addition, the analysis found significant variety among the student products: they took varied evaluative stances in response to prompts, modified their interpretations of character attitudes using nuanced lexis, and provided differing, but relevant evidence in support of their claims. Many students were likewise able to provide elaborated analysis of evidence from literary texts in a variety of ways.

Authors in issue 3.1 of *Prompt* present ideas for teaching proof writing in math, examining scholarly writing in the classroom, and reinvigorating approaches to teaching professional writing genres.

This essay describes a project that introduces undergraduate students in a technical and professional writing course to rhetorical genre studies, context, and ethics. In this project, students (1) study examples of meeting minutes and consider their functions within specific contexts, (2) take meeting minutes of a class session, and (3) analyze their minutes to abstract larger lessons on the rhetorical, epistemological, and ethical work of technical and professional writing. This project brings students' attention to the complex decision-making processes writers face as they seek to produce useful, ethical, recognizable professional documents.

Teaching rhetorical flexibility within a nonprofit environment to professionally-oriented students can be challenging because the seemingly transactional genres of nonprofit communication, such as grant applications, do not appear to invite improvisation. This genre analysis assignment from a Writing for Nonprofits course asks students to reflect on the intersections of their own values as emerging communications professionals and the rhetorical choices they made while writing in a nonprofit genre of their choice. To complete the assignment described here, students created a "personal code" that describes their professional values and used the code to write a genre analysis that examines the rhetorical choices made in a nonprofit genre. This "reflective genre analysis" allows students to recognize their own agency in the negotiation of genre and reinforces the idea that professional behavior is rhetorical and situational.

O’Connell’s Rhetoric of Seeing joins a growing list of titles interested in restoring performance and visuality to our understanding of ancient Greek culture and, especially, political and legal culture. This work distinguishes itself through its limited focus on the rhetorical function of seeing and visuality in extant forensic speeches. Each chapter addresses a different kind of seeing, often beginning with an overview of the relevant secondary literature, then considering other ancient genres or fields—Plato and Aristotle, poetry or history, medical or rhetorical treatises, and finally examining two or three important or representative examples from legal speeches. O’Connell divides the work into three “kinds” of seeing.First, he looks at what the audience can literally see. Part 1, “Physical Sight,” considers examples of visual bias concerning the physical appearance of litigants or others. This includes familiar arguments from probability (eikos) based on appearance: one need only look at Antigenes to know that he could not have overpowered Pantainetos (Demosthenes 37, Against Pantainetos); a glance at the pensioner’s disability and we can see that the charge of hubris is ridiculous (Lysias 31, For the Disabled Man). It is surprising here that O’Connell does not do more with the visual aspect of eikos arguments, which are said to have begun with Hermes’ infantile appeal to his own youth in his defense speech against Apollo: “Do I look like a cattle driver to you, a burly fellow?” (Hymn to Hermes 265). This is a central and well-trod aspect of ancient rhetorical theory that seems to call out for inclusion and that could have been given a new layer of interpretation through O’Connell’s visual approach. Counter-probability is rare in legal arguments but equally important in the development of rhetorical theory and with similar implications for visual rhetoric. The strong (or young) man who asserts that he would not have assaulted the weak (or old) man because he would be the first suspected depends in part upon similarly visible features of his person (Antiphon 2.2.3; cf. Aristotle 2.24.10–11).The final chapter of Part 1 takes up issues of movement and gesture, with references to gesture in Plato and Aristotle, a brief review of physiognomy, and then a discussion of Aeschines’ widely studied Against Timarkhos. There is brief mention of the rhetorical cannon of delivery or hupokrisis and the recommendations of Cicero, Quintilian, and Dionysius and more recent work on categories of gesture by Karsouris and Hughes, but O’Connell does not take up the rhetorical canon of delivery (hupokrisis) in depth. His discussion of delivery faces the same problems that most scholars face: there simply is no good way to talk about it as a general category. Either atomize the body to talk about hands, then faces, then movement, or settle for vague gestural and expressive categories and recommendations: modest and appropriate or excessive and inappropriate. Attending to specific cases and speeches is often more successful. O’Connell’s discussion of Aeschines’ speech Against Timarkhos goes further toward demonstrating his overall thesis than do his general comments.Second, we can observe the language of visuality in the speech itself, when the speaker asks the audience to look at something literally and directly as visual evidence, or figuratively or indirectly through terms of demonstration, display, and witnessing. Part 2, “The Language of Demonstration and Visibility,” looks at terms of seeing in the orations: deiknumi (demonstrate or display) and its variants (apodeixis, epideixis, endeixis, etc.), phaneros and phainomai (visible) and their variants (kataphanēs, apophainō, etc.), and martus (witness) and its variants. Chapter3 considers the language of display and witnessing, where speakers seek to prove their case by describing what has been shown and seen by witnesses, or where they demand witnesses to prove what has been asserted. “How else,” says Antiphon in On the Chorus Boy, “can I make true things trustworthy” except through the consistent affirmation of witnesses who were present? (Antiphon 6.29). This section is valuable for bringing into focus the centrality of visibility and sight to notions of truth, a factor that can easily be lost in translations. Thus, the speaker of On the Chorus Boy emphasizes not only that he was appointed a counselor and entered the council-house as such, but that he was seen (horōntes) and was visible (phaneros) doing so. O’Connell does not claim, but he enables one to conclude, that the infamous dichotomy between truth and probability in rhetorical theory typically devolves into these two kinds of seeing: what has been witnessed (and is therefore true) and what the situation “looks like” to the audience (and must be probable).Included here is a section on medical and philosophical interest in the visible as an epistemological link to the invisible. O’Connell quotes Anaxoagoras’ maxim, “Visible things are the face of things which are unclear” (101). This could lead to a discussion of the complex and rhetorically important doctrine of signs as tools of rhetorical argument. Instead, O’Connell moves on in chapter four to discuss how speakers use the language of visibility and demonstration to describe arguments. This, argues O’Connell, places jurors into the position of virtual witnesses themselves of something publicly known, as it was known that some grain dealers had been changing their prices over the course of a day (Lysias 22, Against the Grain Dealers). Or they are witnesses of arguments as demonstrations (epideixō). Speakers contrast what the opponent simply says (legei) with what the speaker will “demonstrate in an evident manner” (110). The language of display is thus used to differentiate mere telling from showing. This reference to visual metaphors for the persuasive effects of argument suggests a larger connection with rhetorical argument generally and the role of vision therein.Third, we can attend to imagination as internal sight, or what O’Connell calls “shared spectatorship,” when speakers “try to make the jurors visualize their version of events and accept it as true” (123). This includes a discussion of techniques of vivid description like enargeia, hyptyposis, or ekphrasis via detailed description. O’Connell looks specifically at described scenes of civic suffering, as when Lycurgus describes the panic after the Athenian defeat at Chaeronea. Shared spectatorship can also occur through the construction of “internal audiences—characters in a narrative who witness what is being described and whose reaction can function as a prompt and model for the jury, as when, in the speech Against Diogeiton (Lysias 32), the speaker recounts Diogeiton’s daughter speaking to the family about her father’s embezzlement and lying (150). Visualization can also be heightened through deictic pointing to the persons in court whose actions or suffering is being described, fusing what is physically seen (demonstratio ad oculo) with what is imagined (deixis ad phantasma): “this man here they seized and tied to the pillar” (Lysias fr. 279, 155). This takes us back to the beginning, which addressed seeing in performance space itself. This last section was for me the most interesting and informative, and it seemed the most widely applicable to forensic, and indeed all genres of oratory. Here too, I saw connections to a basic category of rhetorical discourse: narrative and narrative theory, to notions of realism and verisimilitude, to the conjuring of story worlds and the work of narrative inference.Certainly, anyone interested in visual and spatial rhetorics, bodily rhetoric, performance, and related topics will want to be familiar with O’Connell’s work. I found much to admire in every chapter, and more so as the book advanced to later sections and chapters. At the same time, in each section I found myself thinking about some clear and relevant connections to fundamentals of rhetorical theory—theories of probability and signs, of argument and narrative—that the work brushed up against but did not explore. Of course, O’Connell writes as a classicist, not a rhetorician, and we cannot expect any work to follow up every thread that it pulls on, particularly those outside the author’s bailiwick. So, we might rather say that this work promises to amply repay the attention of scholars of rhetorical history and theory for its insights into the operation of sight and seeing—physical, lexical, and imaginary—in Attic forensic speeches.

This article investigates the uncanny logics of space, time, and voice in augmented reality by theorizing and illustrating how augmented space can serve as a formal medium for writing. Critical analyses of the audio and video walks of artists Janet Cardiff and George Bures Miller, and of student work on a “Writing in Augmented Space” assignment, demonstrate how the literate and literary possibilities afforded by these logics, which first appear as difficulties, identify techniques of an emergent genre of writing in the English studies curriculum.

The small amount of work on workplace writing assessment has focused almost entirely on student readiness for professional writing or included case studies of employer expectations for new writers. While these studies provide insight into current pedagogies for technical writing and writing instruction in general, the main conclusion to be drawn from them is the unsatisfactory number of recent graduates who display workplace readiness. In this article, we explore writing assessment research in both the academy and the workplace and attempt to identify ways in which the academy’s assessment practices lead, lag behind, or simply differ from writing assessment in the workplace. This comparison will serve to identify not only where the academy might improve pedagogy in its curriculum for technical communication in order to best prepare students for workplace writing but also where the workplace might learn from the academy to improve its own hiring and training procedures for technical writers. In this case study, we used Neff’s approach to grounded theory to categorize rater feedback according to a ranking system and then used statistical analysis to compare writer performance. We found that the direct test method yields the most predictive results when raters combine tacit knowledge with a clearly defined rubric. We hope that the methods used in this study can be replicated in future studies to yield further results when exploring workplace genres and what they might teach us about our own pedagogical practice.

The Eating Well With Canada’s Food Guide (CFG), which represents Canada’s official dietary guidelines, is designed to address high rates of obesity and diet-related chronic disease in Canada. This article presents a qualitative study of the social and ideological actions that the CFG performs. The study draws on the concepts of antecedent genres and uptake from rhetorical genre studies, applying them in a multimodal analysis of the CFG and interviews with the CFG’s producers and registered dietitians (RDs) who work with vulnerable populations. Findings reveal that scientific representations play a profound role in the social and ideological actions that the CFG performs. The author demonstrates how representations of scientific evidence from nutrition science, as exemplified in the concept of the Food Guide Serving, are taken up by the CFG and, in turn, how these scientific representations influence RDs’ use of the CFG and dominate, rather than facilitate, discussions about healthy eating. The study suggests that the CFG, instead of being an enabling resource, is a limiting document: It limits who can make healthier food choices and how such choices can be made.

In their production and uptake, memoirs grapple with the status of the self and subjectivity as evidentiary fodder for social, cultural, and political concerns. The concept of ethos illuminates memoir’s rhetorical potency and its dubious ethics. Personal experience that subtends memoir serves as a form of persuasion, but it can also be used to overly personalize issues in need of systemic critique. We argue that attending to a memoir’s uptake is one way to contend with the ethical challenges this genre poses. This approach places a memoirist’s ethos—her vision, language, modes of rationality, and ideology—as well as memoir’s varied functions, within larger social, cultural, and political debates. It thereby traces memoirs’ rhetorical power while also enabling critique of their ethical grounding in the “self.” Two case studies illustrate our findings: J. D. Vance’s Hillbilly Elegy and Ta-Nehisi Coates’s Between the World and Me.

The research article is a staple genre in the economy of scientific research, and although research articles have received considerable treatment in genre scholarship, little attention has been given to the important development of Registered Reports. Registered Reports are an emerging, hybrid genre that proceeds through a two-stage model of peer review. This article charts the emergence of Registered Reports and explores how this new form intervenes in the evolution of the research article genre by replacing the central topoi of novelty with methodological rigor. Specifically, I investigate this discursive and publishing phenomenon by describing current conversations about challenges in replicating research studies, the rhetorical exigence those conversations create, and how Registered Reports respond to this exigence. Then, to better understand this emerging form, I present an empirical study of the genre itself by closely examining four articles published under the Registered Report model from the journal Royal Society Open Science and then investigating the genre hybridity by examining 32 protocols (Stage 1 Registered Reports) and 77 completed (Stage 2 Registered Reports) from a range of journals in the life and psychological sciences. Findings from this study suggest Registered Reports mark a notable intervention in the research article genre for life and psychological sciences, centering the reporting of science in serious methodological debates.

Drawing on a text-based ethnography of digital writing in a biology laboratory, this article examines the text trajectory of a scientific manuscript and a scientific team’s related writing for public audiences, including for citizen scientists. Using data drawn from texts, observations, interviews, and related artifacts, the author examines how scientists conceptualize and adapt their multimodal writing for specialized scientific audiences as well as lay audiences interested in the work of scientific inquiry. Three concepts— meaning compression, meaning expansion, and meaning attention—were used to analyze the multimodal strategies that scientists employ when composing for different audiences. Findings suggest that while scientists often restrict their writing practices to meaning compression to maintain the values and conventions of scientific genres, they also sometimes deploy a wider range of multimodal strategies when writing for nonspecialist audiences. These findings underscore the complex rhetorical environments scientists navigate and the need to support emerging scientific writers’ development as versatile writers able to adapt varied multimodal strategies to diverse rhetorical and epistemic goals.

The Internet has helped to change who writes about science in the news, how news is written, and how it is taken up by different audiences. However, few studies have examined how these changes have impacted the uptake of scientific claims in online news writing. This case study explores how online news genres take up knowledge claims from a research article on climate change over a period of one year and shows how shifting boundaries between rhetorical communities affect genre uptake. The study results show that online news writers predominantly use the news report genre to cover research findings for 48 hours, after which they predominantly use the news editorial genre to engage these findings. Analysis suggests that the news report genre uses the press release and the article abstract as intermediary genres, but the news editorial uses only the abstract. I argue that the switch between genres repositions the scientist, the journalist, and the public epistemologically, a reorientation that favors uptake in news media outlets supporting action to mitigate climate change and its effects.

The recent call for replicable, aggregable, and data-driven (RAD) research of writing center effectiveness motivated this study. In writing centers, the primary objective is to improve writers through one-to-one conversations. Improvement in writers, defined here in terms of rhetorical awareness, has proven difficult to measure. In this article, the authors describe how they developed a scale to measure rhetorical awareness, specifically purpose, genre, and audience awareness. Using both discourse and content analyses, they applied the scale to student responses on reflection forms collected over two semesters at an HBCU to see if rhetorical awareness might be observable and measurable. Although the responses of students who visited the center more than once within six months did not show changes in their rhetorical awareness, as the authors had hoped, the results seem to reveal more about the social context than individual students, suggesting that current-traditional pedagogy persists. Aggregating data with this methodology may open new lines of inquiry for researchers of writing and allow them to track trends in discourse on writing.

First-generation college students (FGCS) are a growing student population in the United States. Because of the barriers they face, these students are more likely to drop out or fall behind than are their multigenerational peers. This article presents the results of a case study on FGCS and their use of the writing center conducted at a midsized, southeastern, public university. The study analyzed the WCOnline appointment and consultation report forms of self-identified FGCS and multigeneration college students (MGCS) who used the writing center in order to learn more about the needs, perceptions, and experiences of FGCS as writers. Results indicate FGCS' appointments cover more ground, use more directive approaches, are more likely to include negative language and emotional affect, and focus on global concerns and genre/rhetorical knowledge at more frequent rates than do MGCS' appointments. Based on results, recommendations for improving writing support for FGCS and further research are made.

Positioned within our field’s work on supporting transfer of writing-related knowledge through careful course design, this article describes the development of a pedagogical intervention designed to help students identify knowledge gaps and pose questions about rhetoric and genre. Below, I tell the story of a 2012 teacher research study that helped me identify a key problem in my inquiry-based first-year composition classroom: while students were comfortable asking questions, they were not asking the kinds of questions that would help them move across assigned genres most successfully. I explain how this finding led me to develop a rhetorical reflection assignment and explore the rhetorical reflections of two students in my fall 2016 FYC course to identify and describe what happens when these knowledge domains are explicitly emphasized in reflective tasks and to consider questions for future study of this kind of reflective writing.

This program profile describes a globally focused cocurricular writing program led by faculty, staff, and graduate students from academic affairs and student affairs. Revisiting the program’s first two years, the authors (three graduate students and a faculty member) assert that writing-oriented learning activities within Texas Christian University’s (TCU) GlobalEX program were productively positioned to enable students to engage with other cultures and hone skills for becoming intercultural navigators. Drawing on a similar approach from Fernando Sánchez and Daniel Kenzie to apply Michel de Certeau’s ideas about tactics in cultural work, our program profile identifies important features shaped by this program’s cocurricular context that can be productively drawn upon both in non-course contexts and in curricular spaces. These include writing reflectively within flexible structures arranged to support learning through progressive stages; capitalizing on multimodal composing genres conducive to collaboration; and situating writing in public contexts without the individual pressure of grades.

This profile of the Writing at Moravian program discusses how an application of activity theory has facilitated a collaborative and context-responsive (re)development of the First-Year Writing, Writing Fellows, and Writing-Enriched Curriculum programs at our small liberal arts college. Activity theory is presented as a lens and flexible tool that allows us to identify and evaluate the myriad dynamic components of these interrelated programs in order to align the objectives of each program to work towards our programmatic mission built upon the fundamental ideas of transfer, reflective practice, and threshold concepts.

Should, and could, the rhetoric of health and medicine (RHM) develop a professional disciplinary code of ethics? In this commentary, I argue that RHM has special need for a code of ethics, but that we encounter unique barriers to codification. These barriers arise not because we are not ethical, but because we are distinctively ethical. By analyzing the rhetoric of the professional disciplinary code of ethics as a genre, it becomes evident that codes have the potential to restrict a humanities field’s ethical discourse to the domain of academic research and to limit its participation in the domains of health and medicine. Subsequently, I levy that certain generic conventions of the code of ethics do not adequately meet our needs as a health humanities field. I raise, instead, the possibility of an alternative statement of ethics that better mediates the health and humanities divide. Towards the feasibility of this prospect, I begin to theorize the notion of a “rhetorical ethics”: a conceptualization of RHM as a distinctive and legitimate approach to ethical discourse in health and medicine.

This article lays out an approach for introducing students to the writing demands of crowdfunding platforms using a genre-driven research report. Using genre theory and genre ecologies, students leverage primary research to map the genre norms and writing demands within a specific area of a crowdfunding platform, generating a data set to help them either formulate their own campaign or critically engage with the crowdfunding genre.

Profile writing enables nursing students to draw a connection between first-year composition and nursing through the genre’s emphasis on descriptive details and understanding the individual.

What does it mean to take a risk when I write? Can I? Should I? The idea of risk has preoccupied a number of scholars recently, including those interested in discourse, writing and education (e.g. McWilliam 2009 and Thesen and Cooper 2014). This paper attempts to trace a concept of risk in academic writing, by asking questions about what “belongs” in academic texts and making use of bodies of knowledge that seem to be beyond the pale of academic discourse – magic, the occult, exorcisms. By thinking of risk as a side-effect of genres and traditions, I use the language of magic and the occult as a device to apprehend what academic reading cannot usually perceive, when there may be more in a text than academic reading can deal with. I draw examples from three inventive academic writers (Mary Scott, Yosef Hayim Yerushalmi and Nick Sousanis) to think about the benefits and consequences of risk in academic writing, and the limits of what Karen Bennett (2007) calls English Academic Discourse (EAD). I argue for a kind of writing that might, in the words of Jacques Derrida, anticipate the future ‘in the form of an absolute danger’ (1997: 5).

One of the goals for tutors of academic writing is to help student writers tailor their writing processes to different writing projects so that students adapt what they know about one type of writing to another. This ability to write in different contexts can be explained by the theory of transfer of learning, which is generally defined as the ability to take something learned in one context and adapt, apply, or remix knowledge or skills in new contexts, including educational, civic, personal, or professional (Driscoll 2011). The mind, seeing similarities to what is already known, extends what is similar to another activity (Haskell 2001: 11). Tutors of writing need to know about transfer. Six categories of transfer – content, context, genres, writers’ prior knowledge, students’ ability to reflect, and dispositions – offer a lens to help researchers, trainers of tutors, or tutors (whether of L1 or L2 writers) to better identify where and how transfer could happen so that tutors are more prepared to look for opportunities to tutor for transfer. This paper offers insights into how these categories help tutors of academic writing who want to enhance students’ acquisition of academic skills.

Students are expected to write complex text genres in higher education contexts. Such complexity stems not only from the nature of the knowledge they convey but also from the norms and conventions adopted by the academic communities that use such texts. Among those genres, the dissertation seems particularly complex, considering both the set of problems related to its configuration (structure, language, norms of reference), and the factors that constrain its production (methodological procedures, student/supervisor relationship, time management, institutional constraints, individual nature of the writing process). The present study seeks to identify and analyze (i) students’ perspectives and representations of the dissertation writing process, and (ii) the problems that arise in the writing process. It is based on semi-structured interviews with students, at three different universities in the North of Portugal, who recently completed their dissertations in Humanities, Education and Engineering. The analysis is based on the assumption that writing a dissertation involves not only cognitive, linguistic and social dimensions, but also emotional aspects that can condition it decisively.

English-medium instruction (EMI) in higher education presents challenges at many different levels for educators and students. One of the challenges is disciplinary writing, as students typically study disciplinary content through, and also write in, English as a second or a foreign language. The present, exploratory intervention study uses the redesign of a writing assignment in a Master’s level engineering course at a Swedish university to investigate challenges of disciplinary writing in an EMI context. The study describes how collaboration between content and communication staff helped unpack some of the challenges that students faced. The results show that the students’ texts improved and that the redesign helped them to better adjust to a genre partially new to them. The study also underscores the value for programmes to have a clear plan for writing. The planning is likely to benefit from collaboration between disciplinary and communication faculty, as these participants bring different knowledge to the process.

This paper discusses implementation of blog writing as a formative assessment within a final year undergraduate module. Drawing on students’ perceptions and experiences, it proposes that blogging offers a more inclusive writing genre for Higher Education than traditional forms of academic scholarship.

Using a cultural-historical genre analysis of the Gantt chart, the author describes how, when a project’s progress and scope are being considered, this popular project management visualization evokes managerial values of certainty and simplicity. These values, instantiated in early 20th-century scientific management philosophy, are made visually manifest in Henry L. Gantt’s popular chart. These charts require technical and professional communicators to gauge the rhetorical implications of using them when providing their expertise in communicating project management.

This paper gives an analytic description of why and how an instructional writing program on the improvement of cross-genre writing skills in German secondary grade level has been designed and implemented. From a diagnostic research phase, and according to theoretical expectations, coherence management and perspective taking proved to be ability components that substantially contribute to text quality across different genres. To train these two abilities in a didactical setting, two 11-unit writing courses were analogously constructed and administered in 5th and 9th grades. There were 12 intervention classes and 12 control classes in each grade, forming 48 classes with 1.145 participants. The decisions that lead to the design of the intervention study and the corresponding didactical settings are explained and justified in detail, and the developed self-learning materials are described in terms of their assumed learning potentials and the underlying didactical principles. Based on the obtained empirical experiences, the intervention is critically evaluated with respect to good intervention research and its proper description.

The British Academic Written English (BAWE) corpus (www.coventry.ac.uk/BAWE) comprises almost 3,000 pieces of university student writing distributed across four domains (Arts & Humanities, Life Sciences, Social Sciences, Physical Sciences) and four levels of study (from first year undergraduate to taught Master's level). The texts had all been submitted as part of regular university coursework, and had been awarded top grades, indicating that they had met disciplinary requirements in terms of level and task. The corpus was compiled to enable identification of the linguistic and generic features associated with successful university student writing. Our detailed analyses of the corpus led to the identification of thirteen genre families, and supports the premises that university students write in a wider variety of genres than is commonly recognised, and that student writing differs across genres, disciplines and levels of university study. This review introduces the BAWE corpus and the associated genre family classification, then explains how they can be accessed and used for teaching and research purposes, how they have been used to deepen our understanding of academic writing in English, and where

This article applies identity construction concepts to a professional and technical communication student intern’s use of agency as she negotiates a unique identity for herself within a state legislature. Following a literature review, the author highlights several of the intern’s key efforts to become part of this new governmental and legal discourse community, including learning legislature-specific genres, combatting the “totem-pole” hierarchy, making choices about appropriate professional behavior, socializing by creating an “entire family dynamic,” and making an effort to learn the culture of the legislature. These efforts are documented through the intern’s reflective, self-narratives and documents produced during the internship. Through this discussion, the author suggests practical implications for aiding students and newcomers as they transition to unfamiliar workplace communication environments.

We examine the rhetorical activity employed within software development communities in code texts. For technical communicators, the rhetoricity of code is crucial for the development of more effective code and documentation. When we understand that code is a collection of rhetorical decisions about how to engage those machinic processes, we can better attend to the significance and nuance of those decisions and their impact on potential user activities.

A growing body of scholarship in the field of writing research from a cognitive perspective suggests that girls tend to outperform boys in particular writing tasks. Still, our understanding about gender differences continues to evolve. The present study specifically focused on gender differences in writing between students from Grade 4 to Grade 9. We examined differences in handwriting and self-efficacy, as well as in three measures of written composition across two genres (viz., spelling, text length, and text quality in stories and opinion essays). Moreover, we tested whether there were differences in written composition above and beyond handwriting and self-efficacy. Findings suggest that girls consistently outperformed boys in handwriting, self-efficacy, spelling, text length, and text quality. These effects were moderated by neither students’ grade nor text genre. In addition, after accounting for handwriting and self-efficacy, females still performed better than males in the three measures of written composition. Overall, findings confirmed the gender difference typically found in writing and indicated that potential explanatory variables for it may be handwriting and self-efficacy.

Perhaps one challenge facing postgraduate students is the writing of essays responding to a specific reading assignment. Such an essay requires students not only to summarize, but to engage in a discussion of the significant points of the article, pointing out its strengths as well as its weaknesses. This paper presents the results of an investigation on criticality in written assignments of postgraduate students in applied linguistics and TESOL. It will discuss: How 'critical' are students when writing their assignments?  What kind of 'critical' comments are they able to offer? Seventy assignments in the form of essays were analysed, using corpora from three universities in Asia (2010-2014). The investigation adopted a combination of quantitative and qualitative content analysis. In the quantitative phase, the commenting or critiquing sentences were identified and counted vis-à-vis reporting/summarizing information. In the qualitative phase, the critiquing or commenting parts were further analysed, and identified according to their functions or 'moves'. The initial findings from the investigation include: (1) the almost equal proportion of commenting/critiquing and summarizing/reporting information in the assignments; (2) the identification of four broad functions for the commenting or critiquing information adopted by students, each of which has a number of possible specific 'moves' or categories; (3) presence of critique 'nodes' as distinguished from 'support' comments; and (4) the identification of at least four moves as the most recurrent and possibly obligatory categories. This investigation has unearthed issues that are definitely worth investigating as extensions of this research, and will be of interest (most especially) to genre analysts and teachers of writing. Most of all, it will be of interest to postgraduate students in applied linguistics/TESOL programmes who may be wondering about the level of criticality they exhibit when writing assignments for their courses.

This paper aims to investigate how novice EFL writers develop their genre awareness and rhetorical flexibility in a genre-based writing course that incorporates two distinct types of genres (essay and journal writing) for practice simultaneously. Three sets of qualitative and quantitative data were collected: surveys, reflection papers from 40 students, and semi-structured interviews with eight students. Descriptive statistical analysis provides an overview on students' perceptions on the two types of genres and the distinct pedagogies. Qualitative data gathered from the in-depth interviews were used to understand how learners intermingle between two distinct writing pedagogies and what the perceived impact is on students' subsequent functional writing practice. In order to explore how students developed their genre awareness (cognitive) and rhetorical flexibility (metacognitive), we draw on Grabe and Kaplan's (1996) notion of ethnography of writing: (1) the purpose of a certain genre; (2) the criteria for writing; (3) audience; and (4) their goals/expectations. The findings show that most learners attached different benefits to these two genre-based instructions, enabling them to recontextualize their writing performance when necessary. Pedagogically, this study provides alternative pedagogies to the most commonly seen dilemma for L2 writing instruction. Theoretically, this research demonstrates how contested pedagogies can be complementary to enhance our understanding of to what extent cross-genre awareness can be raised and transformed through distinct genre-based practices.

Writing about historical change involves advancing causal explanations that show how events impact people and how their emotions contribute to historical outcomes such as wars and revolutions. This study uses Martin and White's (2005) Appraisal framework to examine how the language of emotion (Affect), an overlooked feature of historical discourse, is used by L2 writers of an under-examined genre, the Factorial Explanation. The study was conducted in a content-based, politicalhistory course for 63 upper-intermediate learners of English at a Japanese university. Results show that while writers made extensive use of the Affect categories Positive Inclination and Negative Satisfaction, which were often realized as adjectives and verbs, nominal formulations for building cohesion were infrequent. Writers also tended to intensify Affect resources by construing feelings as static attributes rather than destabilizing forces of change. The paper makes recommendations for teaching genre-specific language features to aid learners in construing the emotion of history.

Background: This study examined discourse during the problem resolution process in face-to-face technical-support interactions between technical-support providers and users at a helpdesk. Specifically, this study responds to the limited discourse-based research in technical-support interactions, despite the agreement that exploring communication within these interactions can help to improve them. Literature review: Research in technical communication has only begun to systematically explore the microlevel (smaller, moment-to-moment) communication in these interactions, though it has provided a well-established understanding of their macrolevel (genre) structure. Further, research has not completely explored how the two participants in the interaction work discursively to resolve technical problems and what strategies appear to promote user satisfaction. Research questions: 1. What microlevel discourse do technical-support providers employ to resolve technical problems? 2. What microlevel discourse do users employ when collaborating with technical-support providers to resolve technical problems? 3. What microlevel discourse from both technical-support providers and users appears in satisfactory interactions? 4. What exchange patterns between the two participants appear in satisfactory interactions? Methodology: Using speech-act discourse analysis, this study examined 17 helpdesk interactions that resolved problems. These interactions occurred at a large, Midwestern US university helpdesk at which 11 instructors sought help with instructional technologies. Using a post-session survey completed by the users, I compared interactions with above- and below-average levels of user satisfaction to determine which microlevel discourse promoted user satisfaction with the help experience. Results: Technical-support providers employed signals announcing their thoughts and actions, gave explanations of the technology, and communicated confirmations or denials to user questions. Users employed inquiries about the technology, gave background information, and communicated confirmations or denials to technical-support provider questions. Statistically significant results about both speakers’ discourse indicate that typical instructional strategies (such as explanations) do not necessarily characterize more satisfactory interactions. Instead, alternate forms of instruction (minimal responses or giving background information from personal experience) contribute toward satisfactory outcomes. Also, users’ facility in asking follow-up questions or in giving further background information even during the problem-resolution stage appears to promote satisfaction. Further, a closer examination of the exchanges reveals how both participants interact in these ways. Conclusions: This study provides further insight into the typical instructional strategies identified by other researchers. Specifically, although explanations or directions do characterize problem resolution, these discourse strategies do not necessarily characterize distinctly satisfactory problem resolution. As one of the only studies of the functional discourse within technical-support interactions, this study provides researchers and practitioners further insight into how these important interactions work when technical-support providers resolve problems.

Background: Corporate social responsibility (CSR) reports are one of the vehicles for developing corporate images, namely, the cognitive representation of a company perceived by the concerned stakeholders. It would be interesting to compare the CSR reports of companies of the world's two largest economies: the US and China. Literature review: Previous studies of CSR reports tend to highlight their lexicogrammatical, semantic, and functional features at the discursive level, but few studies have examined the cognitive images that companies intend to develop at the level of conceptual structure (knowledge representation). This study investigates metaphor use as a discursive and cognitive strategy for developing corporate images in Chinese and American CSR reports from the perspective of corpus-based conceptual metaphor analysis, particularly based on the concept of genre-specific metaphors, the metaphors used to conventionally construe notions for a certain communicative purpose achieved by a particular discourse community. Research questions: 1. What are the major concerns of Chinese and American CSR reports? 2. What are the genre-specific metaphors used to construe major concerns of Chinese and American CSR reports? 3. What do the genre-specific metaphors reveal about the corporate images of Chinese and US companies? Are there differences in developing corporate images between Chinese and American CSR reports? Methodology: We collected CSR reports of the top companies in China and the US, identified genre-specific linguistic and conceptual metaphors, and conducted comparative analysis of metaphor-based corporate images. Results and conclusions: The conceptual metaphors genre-specific to CSR reports are businesses are objects, business is war, business is a journey, and business competition is competitive games/sports. Furthermore, CSR reports of both countries share most genre-specific metaphor parings and thus nearly the same mappings, which contribute to building corporate images of being economically competitive, ethically cooperative, and environmentally responsible. Although both stress self-development and taking a leading position, American companies seem to pay more attention to external cooperation with others. On the other hand, Chinese companies seem to stress internal cooperation and a well-organized hierarchy. Admittedly, this study may be limited in terms of analyzing only genre-specific metaphors and not balancing sector types of the companies in the two corpora.

This book consists of a collection of narratives on the subject of scientific writing skill needs compiled by the author through more than 100 interviews with senior scientists, emerging (early career) scientists, and recent Ph.D. graduates, all of whom would be appropriate audiences of the book. It is an interesting amalgam of opinions from the scientific community about technical writing, its importance, the breadth of writing opportunities, and the authors’ enjoyment—or lack thereof. While oriented toward science, it could easily be expanded to the entire spectrum of STEM fields. Through her informal approach, the author achieves her purpose of exposing diverse opinions on the need for and acceptance of technical writing within the scientific community. While the book might not fit nicely into a technical writing course, it can provide valuable insight into technical writing needs beyond university undergraduate and graduate students. The author, through the use of interviews and narrative summaries, has provided a view of technical writing as accomplished by three levels of scientists, where personal opinions of the scientists are supported by the level of success achieved by the individual respondent. This book could be used for a course in technical writing in a number of ways, especially at the undergraduate level, either as a reference text or as the primary text for the course. To begin with, the material in the book is based upon the contributors’ years of experience. In some cases, that could mean many years of technical writing not only within a particular field of interest, but in other genres or subject matters, based upon the individual’s experiences. A professor teaching the technical writing class may have limited experience in the world of publishing papers, books, or other technical matter. An assignment for a class could be to pick one of the respondents in the book, and develop a detailed description of his or her beliefs and approaches to technical writing. Such an assignment could then lead into a class discussion on the importance of technical writing in one’s career as supported by the text.

<bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Background:</b> This study investigates linguistic characterizations in the form of linguistic co-occurrence patterns in discussion sections of English research articles (RAs) in an engineering discipline (i.e., chemical engineering) and linguistic variations that distinguish discussion sections of high-impact articles from those in low-impact articles. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Research questions:</b> 1. What underlying linguistic characterizations are salient in RA discussions in chemical engineering? 2. Are there any differences in the identified linguistic characterizations of discussion sections between high- and low-impact RAs? <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Literature review:</b> In the process of composing RAs, the discussion section is a difficult and challenging part-genre to write. The rhetorical organization of RA discussions has been examined extensively through Swales's English for Specific Purposes genre analysis. However, the linguistic characterizations of RA discussion sections remain unclear and the question of whether discernible differences exist between discussions of high- and low-impact RAs in a specialized engineering discipline remains unanswered. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Methodology:</b> This study used Biber's multidimensional (MD) analysis method. In response to the first research question, factor analysis (in this study, principal component analysis) was adopted to identify the linguistic characterizations in the form of linguistic co-occurrence patterns (“dimensions”) in 213 RA discussion sections extracted from chemical engineering RAs. To answer the second question, the independent t-test was implemented to compare the high- and low-impact RA discussion sections in the identified dimensions. <bold xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">Results and conclusions:</b> Six linguistic characterizations in the form of linguistic co-occurrence patterns were identified in RA discussion sections: 1. involvement and interactivity, 2. non-narration versus narration, 3. evaluative statements with further explanations and elaborations, 4. informational density, 5. stating results/claims, and 6. expression of denial relationships toward statement or experimental findings. The results suggest the linguistic characterizations in RA discussion sections and interesting differences in the high- and low-impact RA discussion sections, especially in Dimensions 1, 3, and 5. Reasons for the linguistic variations in the identified dimensions are discussed, followed by the pedagogical implications for reading or writing RAs for international scientific communication.

Year in, year out, scholarly and trade presses alike release new books on academic writing for publication, leading Kristin Solli recently to ask, 'Do we need another book offering advice on academic writing?' (2017: 59). These works typically either focus on writing for publication within a particular field or discipline (e.g. Donovan 2017, Egbert and Sanden 2015, Saver 2011) or present the impression of being more broadly applicable, while still being grounded in the author's (or authors') relatively narrow experiences (e.g. Jalongo and Saracho 2016, Johnson 2011, Rocco and Hatcher 2011). Helen Sword, approaching the situation empirically, assesses authors of both types of works: 'Successful academics who have never been formally trained as writers themselves are often eager to relay the "tricks of the trade" to younger colleagues, without realizing that what worked for them might not necessarily work for everyone ' (2017: 75). Oblivious of the genre to which they belong, the least helpful books of this ilk exist in an imaginary vacuum.

The genre of the study-abroad blog prompts students who are studying abroad to identify with marginalized populations they encounter during the travel experience, a practice that is particularly exigent amid the increasing commercialization of the studyabroad industry. To understand the conventions and ethical implications of the genre, the author examines an advice column on blogging abroad and students' reflections on their own writing from a recent studyabroad course. The blog conventions show that students are encouraged to use the misfortune of others to affirm their own privilege, while the interviews suggest that students need more support in responding to the complex cultural conditions of study abroad. To challenge the conventions of the studyabroad blog and ultimately the ideologies that contribute to the genre, faculty members leading students abroad should undertake pedagogical practices that encourage “empathic unsettlement. Copyright © 2018 by the National Council of Teachers of English. All rights reserved.

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This article offers a genealogy of the deliberative policymaking of the WPA Outcomes Statement 3.0 Revision Task Force. Interviews with Task Force members reveal that the revised statement presents composing, technology, and genre as “boundary objects,” in order to preserve the document’s kairos for as long as possible.

This client project is a culminating assignment in an upper-level professional writing course designed to help students understand the nature of audience-based writing in an unfamiliar writing context. The specific task is for students to revise a substantial section of the university *Faculty Policies and Procedures Manual*. Students researched their audience, analyzed samples of university manuals at other higher education institutions, exercised document design strategies, and practiced syntax revision during the project, ultimately presenting a sample of their work to faculty for feedback. Employing design workshop strategies, this assignment requires students to interview faculty in order to understand multiple users' experiences of the university Faculty Policies and Procedures Manual. In addition, an essential component for student learning in this course is reflection. This reflection is centered on the rhetorical situation of using and revising genres (Devitt, 2009) in the context of a professional environment (Clark, 2005; Kain & Wardle, 2005) in order that students avoid perceiving the class as a march through memos, reports, and emails as static formats (Miller, 1984). This project engages students independently, as they are responsible for their own revisions of 30 pages, while class time is used collaboratively on learning new ways of viewing the document's potential and the genre's function.

I am delighted to share issue 2.2 of Prompt with you. Themes of genre, the value of failure, and the importance of student engagement drive this issue.