This article explores teaching writing with generative AI as critical play where students and teachers engage in an ethically dialectical and aleatory game with generative AI. I qualitatively surveyed 24 writing teachers about how they teach writing with generative AI as well as its advantages and disadvantages. I discovered that teachers used generative AI to teach about the ethics of generative AI's design and rhetorical use to avoid plagiarism. Teachers also critically played with generative AI to teach the writing process of invention, drafting, revision, and editing. Specifically, the critical, dialectical interplay of human and machine invents in aleatory and emergent ways, creating moments of epiphany for students and teachers within the writing process for invention, drafting, revision, and editing while the real time pace of generative AI democratizes education, making writing and teaching more accessible for them.

As a component of the Community of Inquiry Framework, social presence is typically defined as students “feeling real” enough to interact with and learn from peers online. This article complicates social presence for an online writing instruction (OWI) context, differentiating between social presence, social comfort, attitudes about online learning, and social learning. The study was initially designed to examine graduate students’ perceptions of social presence as an element of online teaching and learning in two sections of an Online Composition Pedagogy course offered in Spring 2020 and Summer 2020. The COVID-19 pandemic intensified the project, since students were now learning about hybrid and online pedagogy against the backdrop of their own experiences as emergency remote students and teachers. Analysis of 21 students’ reflections written during the courses indicates that distinguishing between social presence per se and social comfort, attitudes, and learning helps to account for the individual and social contexts of course participants. Ultimately, this article argues that simply inviting students to “feel real” or positioning yourself as a “real” instructor is not sufficient for establishing the types of social interactions that composition studies values.