This essay investigates the relationship between academic writing and the rhetorical awareness that college students gain from evangelical backgrounds. We interviewed thirty-seven students about their experiences with reading, writing, and debate in religious contexts and how those practices informed their work in first-year writing. Interviews revealed that students observed or practiced rhetorical skills that found parallels in writing courses. Some critiqued evangelical rhetoric, at times because of skills they learned in first-year writing. These findings call for pedagogical practices attuned to the knowledge writers bring from evangelical backgrounds.

This dialogue between a first-year composition (FYC) instructor and administrator proposes listening-oriented curricula to cultivate actionable empathy in FYC: an attempt at understanding and acceptance when engaging across difference that results in naming how power shapes engagement. Actionable empathy can help students become introspective, flexible communicators and help instructors develop pedagogical agency.

AbstractThis article describes an antiracist first-year writing curriculum, formulated in the wake of Black Lives Matter protests in 2020. Classroom participants examined the racialized and class-based nature of “Standard English,” then each student informed their instructor of how they wished to be graded. Student coauthors reflect on their educational experience.

AbstractThis article explores some pedagogical challenges and opportunities introduced by higher education's increased reliance on private learning management systems (LMS) during the COVID-19 pandemic. It theorizes LMS as an expression of neoliberalism and argues that critical literacy, as a method, should be done to (rather than simply through) LMS. Specifically, it examines two case studies of student interactions with the LMS during an asynchronous first-year writing course.

Abstract Responses to the COVID-19 pandemic have increased feelings of isolation and lack of support among faculty. Grounded in collaborative curriculum and professional development, the Core Books at CUNY project offers faculty the opportunity to work together to incorporate texts from Columbia University's core curriculum into first-year writing (FYW) courses. The project invites faculty to collaboratively develop, implement, and reflect on the shared curriculum. As an Open Educational Resource (OER), the resulting curriculum was well positioned to become part of CUNY's Model Course Initiative that makes consistent curriculum easily shareable on the college's OpenLab, an open platform for teaching, learning, and collaboration. This curriculum provides the agility necessary for post-pandemic teaching as it builds a sustained community among participating contingent and full-time faculty and across community-building initiatives. It provides support on multiple levels, is flexible and adaptable for new situations—pandemic or otherwise—and ameliorates the isolation of teaching. Community through shared curriculum is therefore a way forward and a model for English departments in the post-pandemic future.

We advocate for the inclusion of Indigenous studies within first-year writing and academic English courses, particularly those taught to multilingual, international students. We argue that asking international students to learn about local and international Indigenous issues productively intersects with coursework in academic English. Our pedagogical approach emphasizes metalanguage and allows Indigenous studies and explicit language instruction to work in tandem, thereby recognizing the agency of Indigenous scholars and guiding non-Indigenous students in relation to it.

Although literacy narratives have been a popular assignment in college composition classrooms, the role of context and interaction in students’ writing and understanding of literacy is one of the least explored areas. This article reports the findings of a qualitative case study conducted in a regular first year composition class (English 101) of a public research university in the Southwest. The data is comprised of fifteen literacy narratives accompanied by reflective letters written by a group of English monolingual and bi- and multilingual students; transcripts of nine personal interviews; and twelve one-on-one conferences that were coded and analyzed using a combination of inductive, deductive, and literal or verbatim coding methods mostly informed by grounded theory. The findings show that a literacy narrative assignment in college writing can foster a complex understanding of literacies among student writers. When we adopt a translingual orientation to literacy, encourage cross-cultural conversations through various collaborative activities and diverse readings, and emphasize the role of little narratives to resist the master narrative of literacy, both English monolingual and bi- and multilingual students mutually enrich their understanding of literacies. In this process, the writing classroom becomes borderland and the instructor and students become border crossers.

AbstractThis article uses narrative inquiry to examine one instructor's experiences teaching two first-year writing classes, each one marked by different pedagogical choices. Themed with the topic of place and foregrounding the recurring example of Appalachia, the classes were nonetheless taught outside the region usually called Appalachia and to college students coming from, and identifying with, places other than Appalachia. This resulting data lends support for easing non-Appalachian-identified students into studying Appalachia as a rhetorical case and for encouraging students to explore various ways that textual representations of Appalachia reveal social and economic patterns noticeable in some form elsewhere.

Abstract Any attempt to control the content and conversations of first-year composition classrooms has become increasingly complicated by social media and technology. Building on the types of textual difficulty explored by scholars like Mariolina Rizzi Salvatori and Patricia Donahue, Jeffrey Berman, and Alan Purves, this article considers the challenges presented to contemporary college-level readers by affectively difficult texts such as David Lynch's 1986 film Blue Velvet. The article also explores the potential responses students express to difficult texts and encourages flexibility in the assumptions made about these reactions. By working through the importance of these questions, the author ultimately examines the potential benefits and best strategies of using difficult fictional texts in the writing classroom to help students investigate the nuances of verbal and written conversations such as those created by the #MeToo movement.

Most U.S. colleges and universities expect students to improve their writing ability by taking first-year composition (FYC) courses. In such courses, non-native English (L2) writers with diverse language backgrounds study alongside their native English (L1) speaking peers. However, it is not clear how different these populations are in terms of their language development over time, leaving questions unanswered about whether L2 writers develop more or less than L1 writers in an FYC curriculum. To investigate, we compared 75 L1 and L2 students’ written accuracy, fluency, and lexical and syntactic complexity over the semester of an FYC course. Data showed that L2 students had significantly higher rates of language error and less fluent and lexically complex writing compared to L1 writers. Moreover, L2 student writing became less grammatically accurate over 14 weeks despite showing greater fluency and syntactic complexity. These results suggest a need for plurilingual pedagogies in FYC that embrace diversity and inclusion while also providing L2 writers with instruction on socially powerful and dominant linguistic forms.

This article reports on the working conditions of one hundred faculty who teach first-year composition at two-year colleges across the US.

Based on a qualitative case study of students’ “theory of writing” essays, this study examines ways that first-year students’ community engagement experiences solidify and disrupt their writing knowledge, beliefs, and practices. Analysis of student writing demonstrates how different community-engaged writing projects inform first-year students’ writing theories and strategies.

Situated in disability studies, this article shares the results from a qualitative research project that examined how three community college students who wrote about addiction navigated the process-based activities assigned in their first-year writing courses. These findings illuminate how such exercises evoke a spectrum of emotion that shapes both process and product.

This multi-institutional study surveyed undergraduate students (n=669) about how and what they learned in hybrid and online first-year composition (FYC) classes, employing the Community of Inquiry (CoI) Framework to analyze their responses. The data illustrated a significant difference in hybrid versus online students’ perceptions of the student-teacher relationship.

The Instructional Note provides a multistage drawing-to-read activity that is intended to support students’ development of process-oriented, active, engaged, and mindful reading habits.

This essay, in three parts plus a conclusion, is a performance of US third world feminist praxis for our contemporary moment. Part one is a literacy narrative that resists generic convention. Part two uses conventions of academic writing to explore the damage that is happening to the field of composition and rhetoric due to the academic erasure of US third world feminist praxis. Part three is a gift. The conclusion is a manifesto to end the economic exploitation of students and teachers in our first-year writing classrooms. The sum of the parts is greater than the whole.

Abstract This article discusses how the concept of undergraduate research has evolved from an artificial academic exercise, typically introduced in first-year composition courses, to an authentic activity that engages students in primary research. Through these authentic experiences, students have opportunities to learn why research is valued in colleges and universities, to see themselves as makers of knowledge, and often to contribute to their communities.

This article describes a research assignment for first-year composition students that combines film and television motif analysis and role-playing, thus creating an opportunity for students to write critiques of contemporary institutions.

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Lexical analysis with concordancing software offers faculty a simple tool for analyzing reflective texts in first-year composition courses.

When teaching first-year composition, I noticed how uncomfortable students became at the prospect of talking about politics in the classroom. The science majors were vocal in proclaiming the importance of limiting the use of plastic bags, and the nursing students vehemently argued for the necessity of vaccinations. These impassioned voices, though, quieted when faced with&hellip; Continue reading Book Review: From Thought to Action: Developing a Social Justice Orientation by Amy Aldridge Sanford

This instructional note contains a prompt and a set of step-by-step classroom instructions for introducing first-year writers to the functions and scholarly activities of professional associations.

Through classroom observations and semi-structured, text-based interviews, this study analyzes the impact of a service-learning first-year composition course on students’ rhetorical knowledge. Students’ own words are used to describe their transformative experiences related to academic writing and community service. As a result of what these students called their “investment” in community organizations, they began to see writing itself as advocacy. This article explains how this commitment to writing as advocacy motivated students to develop transferrable writing knowledge.

This article explored a community-engaged, first-year writing course that partnered students with student activist groups on campus at Northeastern University in Boston. Their placement with peers connected them with the campus network and illuminated the ways that they could advocate for social justice in their new community. Students wrote in multiple genres as they attended the meetings and events of different groups involved with environmentalism, food justice, adjunct rights, and more. As students connected their social-change work to the classroom, they learned more about different genres of writing, from scholarly inquiries to multi-modal “deliverables” supporting their student groups. These final “deliverables” included posters, videos, prezis, banners, and even original music to be played at meetings or events. The fact that student worked with peers alleviated some common challenges of community-engaged learning, such as a sense of saviorhood. Instead, students felt a sense of civic investment and developed rhetorical flexibility that they implemented in the classroom and with their groups. Students found the course meaningful and valued the opportunity to get involved with campus activism. As they developed as activists and writers, students felt that the classroom and community spheres overlapped and informed each other.

This article shares findings from a CCCC-funded grant that focuses on a dual enrollment program in Washington State called Running Start. This model invites high schoolers to take college courses on a college campus. Instructors are frequently advised to treat Running Start participants “as if they were any other college students,” yet as our large-scale survey suggests, these students have complex hybrid identities that warrant greater consideration. Without diluting academic rigor, we call for an enhanced understanding of the “funds of knowledge” (González, Moll, and Amanti) that high schoolers bring to First-Year Composition in the spirit of congruous inclusivity.

First-year composition faculty have historically cast a skeptical eye on high-school-based dual enrollment FYC. However, when secondary and post-secondary faculty are allowed to build their program together, trusting each other’s expertise and engaging in mutual professional development, enormous value is generated for both sets of faculty and the DE students. This article presents findings, materials, and recommendations from a long-standing successful DE program built on the assumption that college faculty have just as much to learn from their high school colleagues as high school teachers have to learn about teaching college-level writing.

This article locates and describes different versions of dual credit for first-year composition as they occur across Oregon and concludes with recommendations, a call for financial transparency in the funding of dual credit in Oregon, and an invitation to researchers in other states to map dual credit in their own states.

Over 1.4 million high school students enroll in college-credit-bearing courses yearly, and 80% of that instruction occurs on secondary campuses under the tutelage of high school teachers (US Dept. of Education). Since First-Year Writing remains a common choice among enrollees, Concurrent Enrollment (CE) classrooms present a unique space for inquiry and collaboration into the quality and rigor of CE writing instruction. This study investigates CE writing instructors’ definitions of “rigor” in the college writing classroom and explores the training and support provided to CE writing instructors representing two- and four-year higher education institutions in Ohio. Findings suggest that on-going discipline-specific professional development can lead to definitions of rigor in high school writing spaces that align to postsecondary standards. This study also demonstrates that disparity exists in instructor preparation and support, especially in regard to discipline-specific training that could help close gaps in writing instruction.

To those outside of academia, college professors lead charmed lives. What’s not to love with the Hollywood version of twelve-hour work weeks, six figure salaries, meaningful discussions of the mind, summers off, and even paid sabbaticals for pet projects? For those who toil in the trenches, teaching mandatory freshman composition and literature classes, the grim&hellip; Continue reading Review of The Adjunct Underclass: How America’s Colleges Betrayed Their Faculty, Their Students, and Their Mission by Natalie Dorfeld

This essay explores the many benefits of adding a community-based writing component to the first year composition course. It looks closely at the self-selected projects of 25 freshmen at a large suburban university to show how service-learning creates a context in which students can gain greater control over their own literacy and learn more about self&hellip; Continue reading Surprised By Service: Creating Connections Through Community-Based Writing by Linda Cullum

The article describes the dynamics of freshman composition classes for medium-security inmates at the Saginaw Correctional Facility which were linked to parallel classes at Saginaw Valley State University, supported by SVSU student-tutors, and enhanced by collaboratively produced publications of student writing. It presents excerpts from inmates’ essays that tell their stories, explore their relationships, and&hellip; Continue reading Do You Hear What I Hear? Voices from Prison Composition Classes by Phyllis G. Hastings with Jim Morrison

This article discusses a service-learning project for an English Composition class, focusing on the theme of incarcerated women. Through class projects, which included a book drive and research for the group Prison Watch, the students and teacher learned to negotiate the tricky demands of audience and worked to develop a new model of successful service&hellip; Continue reading First Year Composition and Women in Prison: Service-based Writing and Community Action by Lisa Mastrangelo

This essay describes a series of assignments that I have used in Writing and Social Issues, a first-year writing course that features service-learning. These assignments should prove useful to those interested in the relationship between community-based writing instruction and first-year courses that focus on the student’s transition from high school to college. Link to Full&hellip; Continue reading Community-Based Writing Instruction and the First-Year Experience by Mary Vermillion

This article reports on one university’s experiment in resurrecting and reanimating the composition lecture, a one-hundred-plus student section dubbed “MonsterComp,” including the process, outcomes, and lessons learned. Although this restructuring of the first-year composition course was partially motivated by administrative pressures, the main motivation behind this experiment was to enhance teacher training and support while still retaining the workshop environment and low student-to-instructor ratio of traditional composition sections. The course involves multiple stakeholders, including the WPA and graduate student program coordinators, graduate student instructors, and course-based coaches from our university's writing center. Assessment of student work, observations of the course, and surveys administered to stakeholders indicate that the course was successful in terms of teacher training and preserving student learning outcomes.

Examination of the Compass Learning Community shows that service-learning, when integrated into first-year learning communities, expands each student s ability to determine a college major in an informed manner. The combination of a first-year writing course linked with an academic course in career discovery provided students with a variety of opportunities for experiential learning about&hellip; Continue reading Helping Undeclared Majors Chart a Course Integrating Learning Community Models and Service-Learning by Gerry McNenny

The authors argue that writing-intensive service-learning courses extend the lessons of first-year composition courses by teaching students how to understand and negotiate differences between the discourses of the academy and those of community-based organizations. While first-year writing courses lead students through successive approximations of a generalized academic discourse in the relative safety of the composition&hellip; Continue reading Confronting Clashing Discourses: Writing the Space Between Classroom and Community in Service-Learning Courses by Caryn Chaden, Roger Graves, David A. Jolliffe, Peter Vandenberg

In our analysis of seventy-five FYC writing assignment prompts, we identify common elements and offer pedagogical suggestions so faculty can use assignment sheets as rhetorical tools to introduce students to writing studies’ threshold concepts.

This article argues that rhetoric-focused first-year composition curricula may effectively use feminist revisions to rhetoric by employing a method the author calls procedural feminism, or the distillation of feminist rhetorical practices and theory within curricular development that does not make feminism a topic students will directly engage. The author argues that employing procedural feminism can move students to become more ethical participants in public discourse while circumventing student resistance to ideological classrooms.

In many ways, the transformative character of developing critical consciousness reflects the dynamics of acquiring threshold concepts. Drawing from research into threshold concept acquisition, the author argues that critical first-year composition instruction can more effectively scaffold students into critical perspectives by linking critical pedagogy more closely with efforts to develop students’ rhetorical meta-awareness of writing.

This article emphasizes time’s effects on student resistance. Drawing on kairos and chronos, the authors argue that when teachers perform ideological neutrality is at least as significant as whether or how they do so. They explore their own temporal approaches to two pedagogical ecologies: first-year composition and an upper-level feminist rhetorics course.

This article describes the rationale, development, and implementation of a digital archival curriculum within the first-year composition program at Oklahoma State University. Such a curriculum helps students engage genuine inquiry to discover arguments rather than defend their existing beliefs. Analytic complexity and hidden information are offered as potential sources of uncertainty.

The CCCC position statement on student veterans (2015) reminds writing program administrators (WPAs) of their responsibility to prepare faculty to understand not only the challenges these returning students may face but also the assets they bring with them. This essay argues that writing programs must develop faculty education programs that go beyond solo workshops to&hellip; Continue reading Articulating Veteran-Friendly: Preparing First-Year Writing Instructors to Work with Veterans by Thomas Sura

In the process of creating portraits that document the lives and knowledge of community leaders who are engaged in food access work and urban farming in Chester, PA, students in a first year writing course at Widener University are introduced to a rhetoric of social change and the multivocality and creativity that characterizes food justice&hellip; Continue reading The Food Justice Portrait Project: First-Year Writing Curriculum to Support Community Agency and Social Justice by Ruth Cary