Many genre scholars have focused on how individuals might build genre knowledge, generally understood as the enculturation processes, gradual stages, or ingredients that lead to one’s facility with a genre in context. While genre knowledge describes whether people can engage genres, it does not describe the various factors that shape how people may engage genres. By consolidating scholarship across Rhetorical Genre Studies (RGS), this article characterizes genre access as the power, opportunity, permission, and/or right to engage genre. Furthermore, this article integrates Network Gatekeeping Theory to develop a micro-level analytical approach for explicitly describing genre access. The author demonstrates and develops genre access as a concept and analytical approach with an illustrative example from a larger ethnographic project. Specifically, this illustrative example explores genre access for the Staff Report, a common genre in local government that proposes recommendations from individual departments to their elected City Commissioners for voted approval. Overall, the purpose of this article is (1) to consolidate and extend RGS’s exploration of the power, opportunity, permission, and/or right to engage genres; (2) to identify and name genre access as a fundamental aspect of how genres work; and (3) to provide a micro-level analytical language for researchers to tease out the various factors the shape genre access.

Genre has long been used by Writing Studies ethnographers as a theoretical orientation and analytical tool to bridge text and context. This article describes how genre-based ethnographies as methodology might get taken up at the level of method. Drawing on a genre-based ethnographic study as an example and guide, this article presents a process of data collection that builds ethnographic sites from genre by emergently identifying chains of data sources and collection techniques emanating from starting genres. Applying a genre orientation at the level of method centers inquiry on writing and mitigates the need to define site boundaries. By articulating how a genre orientation might shape ethnography at the level of method, this article encourages a stronger articulation between research methodologies and methods across the field of Writing Studies. Further, this article can be used as a guide for researchers conducting genre-based ethnographies.

This article engages with recent discussions in the field of technical communication that call for climate change research that moves beyond the believer/denier dichotomy. For this study, our research team coded 900 tweets about climate change and global warming for different emotions in order to understand how Twitter users rely on affect rhetorically. Our findings use quantitative content analysis to challenge current assumptions about writing and affect on social media, and our results indicate a number of arenas for future research on affect, global warming, and rhetoric.

This study details a method for mHealth app development and user experience design (UX) evaluation, which generates a comprehensive list of stakeholder-users, acknowledges UX barriers, advocates multiple methods, and argues that developers should address the UX needs of each stakeholder-user in a complex health-care system. A case study of a research project on an mHealth app for women who are considering prevention of or treatment for osteoporosis assists to elaborate and define the method. To find any measure of success, a fully functional app for older users should be integrated into the entire health-care system.

This article proposes that writing instructors can present genre innovation as a strategy for asserting class (and other) identities within academic discourses. Drawing on sample student innovations of integrating emotions, expanding modes, and reconstructing audiences, this pedagogical approach seeks to value varied class identities and increase multivocality in academe.

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This article makes a case for the value of literary field studies as a way both to reframe familiar narratives about texts and to open up regions and sites to the analytic mode of close reading. The authors describe their experiences teaching a seminar and week-long field study exploring the literature and culture of the American South.

In 2010, we received a nationally competitive grant from the Ford Foundation to undertake cross-disciplinary, community-engaged work to shift public conversations around youth sexuality, health, and rights (YSHR). We came to the projects from our positions as a humanities scholar (Licona) and as a social science scholar (Russell). According to the Ford Foundation, “a deeper understanding of human sexuality is an essential element of human rights and healthy social relationships.” Beginning with this assumption, we seek to be informed by and to inform policies and local practices; to initiate broad conversations that address sexual health and healthy sexualities for youth; and ultimately to develop innovative collaborations, programs, and research.

This article reports the findings from analysis of end-of-life court cases and case files from one state public guardianship administrator as well as interviews with guardians or surrogates to identify how language and principles of the courts are operationalized in end-of-life decisions for those who are unable to make decisions for themselves. We found that physicians and guardians worked well within the requirements of the genre to ensure the best interests for those whom they represent.

AbstractIn this article the author offers a reading of mimetic style (lexis) as it is presented in book 3 of Plato's Republic with the aim of disclosing the importance of style in the acquisition and employment of knowledge—whether scientific or ethical. In fact, the author argues that a careful reading of Socrates' words in the text occasions the idea that reflection on the way that we imitate our inherited content—the ethos, the comportment, in which we exhibit that content—makes visible a potential to appropriate received content and imitated knowledge in original and wakeful ways. In consequence, the author argues that it might be style, not content, that harbors the capacity for us to take a genuine, critical responsibility for our inherited concepts.

Although books in the For Dummies series and other similar series have found commercial success, the approach to information design they use has not received much attention in technical communication journals. This article reports on readers' responses to information presented in the magazine Nursing Made Incredibly Easy! and two other nursing journals. Three groups of readers (two groups of nursing students and one group of nursing faculty members) responded to three articles they read by completing questionnaires and participating in focus groups. Nursing Made Incredibly Easy! was regarded as easy to read and as a good starting point for less-experienced readers, but its tone and style elicited some strong objections as well. The article provides observations and recommendations about using an informal approach to information design.

The concepts of drafting and revision were developed out of process theory and research done in the early 1980s, an era when word processing was not as pervasive or standardized as it is now. This paper reexamines those concepts, drawing on an analysis of two decades of previous college-level studies of writing processes in relation to word processing and an exploratory survey of 112 upper-level undergraduate students who use computers extensively to write and revise. The results support earlier studies that found students’ revision is predominantly focused on local issues. However, the analysis suggests that the common classroom practice of assigning multiple drafts to encourage global revision needs to be rethought, as more drafts are not necessarily associated with global revision. The survey also suggests that printing out to revise may be on the decline. Finally, the analysis suggests the very concept of a draft is becoming more fluid under the influence of word processing. The study calls for further research on students’ drafting and revision practices using more representative surveys and focused qualitative studies.

1 This riddle's shelf-life would appear to have run out on November 1, 2004. But in fact, it is a perennial -or more accurately, a quadrennial. When I first heard it in 1980, the three men in a boat were Jimmy Carter, Ronald Reagan, and John Anderson.

Each year, more people search the Internet for health information. Through a case study conducted at a prominent health-information company, I will show that technical communicators are well-suited to contribute to the development of online health information. Like other technical communicators, online health-information developers must make rhetorical choices based on audience needs, function within specific social contexts, and work through challenges of writing, editing, and project management.

In a profound sense, the teaching of business and technical communication (BTC) is always already the teaching of writing in the disciplines (WID). Yet the WID dimension of BTC is often hard to see. The question this article addresses is, How might the North American tradition of BTC communication courses be more consciously—and effectively—articulated with the disciplines? The article reviews some of the research literature concerning the value of articulating BTC with WID in undergraduate education and program descriptions of such efforts to examine what BTC has done, is doing, and might do in the future to strengthen WID in BTC.

Empathy is a relatively new term in English. According to the Oxford English Dictionary, it was first attested in 1904. This is worth pondering.

Research Article| January 01 2005 Deleuze’s Dick Russell Ford Russell Ford Search for other works by this author on: This Site Google Philosophy & Rhetoric (2005) 38 (1): 41–71. https://doi.org/10.2307/40238200 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Russell Ford; Deleuze’s Dick. Philosophy & Rhetoric 1 January 2005; 38 (1): 41–71. doi: https://doi.org/10.2307/40238200 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressPhilosophy & Rhetoric Search Advanced Search The text of this article is only available as a PDF. Copyright © 2004 The Pennsylvania State University2004The Pennsylvania State University Article PDF first page preview Close Modal You do not currently have access to this content.

The recent trend of incorporating more visuals into communication challenges technical communicators, who must now possess both verbal and visual literacy. Despite all the recent scholarship on visual aspects of technical communication, technical communicators lack thorough guidelines for selecting and composing effective images that convey thematic and conceptual information, or what Schriver calls “stage-setting” images. This article reviews existing literature in visual communication and reports results of a study that assessed readers' opinions of themes conveyed by specific example images. It then suggests that the rhetorical tropes of metonymy and synecdoche can be used to identify images for conveying certain themes, and that successful stage-setting images will show intrinsic, not extrinsic, relationships to their thematic subject matter.

This article presents a systematic method for examining and evaluating written commentary. When used by writing instructors in authentic responding contexts, these reflective models can help instructors better understand their commenting practices in light of current response theories, establish clearer goals for making written commentary, and develop new commenting strategies that provide increased revision options for students.

This article looks at how two offices changed their informal work relationships and patterns in response to a major technological innovation in their field. This inductive study involves a cross-case analysis with field studies covering a two-year period. The research applies the models suggested by social action theory to help explain outcomes. By the end of this study, one office had lost its funding and was eliminated, while the other has survived and grown. The article examines whether the differing organizational responses to new core technology were related to each office's ability to survive.

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The relation between writing in formal schooling and writing in other social practices is a central problem in writing research (e.g., critical pedagogy, writing in nonacademic settings, cognition in variable social contexts). How do macro-level social and political structures (forces) affect micro-level literate actions in classrooms and vice versa? To address these questions, the author synthesizes Yrjö Engeström's systems version of Vygotskian cultural-historical activity theory with Charles Bazerman's theory of genre systems. The author suggests that this synthesis extends Bakhtinian dialogic theory by providing a broader unit of analysis than text-as-discourse, wider levels of analysis than the dyad, and an expanded theory of dialectic. By tracing the intertextual relations among disciplinary and educational genre systems, through the boundary of classroom genre systems, one can construct a model of ways classroom writing is linked to writing in wider social practices and rethink such issues as agency, task representation, and assessment.

Genre Knowledge in Disciplinary Communication: Cognition/Culture/Power. Carol Berkenkotter and Thomas N. Huckin. Hillsdale, NJ: Lawrence Erlbaum, 1995. Academic Literacy and the Nature of Expertise: Reading, Writing, and Knowing in Academic Philosophy. Cheryl Geisler. Hillsdale, NJ: Lawrence Erlbaum, 1994. Constructing Experience. Charles Bazerman. Carbondale, IL: Southern Illinois University Press, 1994.

La rédaction professionnelle en français au Canada n'ayant encore fait l'objet d'aucune étude approfondie, nous avons mené une enquête auprès de divers employeurs et rédacteurs indépendants du Canada pour savoir dans quelles conditions s'exerce cette profession. Nous présentons ici les résultats de cette enquête qui révèle certaines différences qu'explique le contexte géo-politique de la profession. Nous avons relevé, selon les employeurs et les secteurs (public et privé), des divergences significatives en ce qui a trait au profil du rédacteur, aux tâches qui lui sont assignées, à la documentation qui lui est fournie ainsi qu'aux compétences exigées au moment de son recrutement. Notre article fait enfin le lien entre les données fournies par l'enquête et la formation donnée actuellement au Canada francophone dans les établissements qui offrent des cours ou des programmes de rédaction.

Understanding Scientific Prose. Jack Selzer, ed. Wisconsin UP, 1993, 388 pp. A History of Professional Writing Instruction in American Colleges: Years of Acceptance, Growth, and Doubt. Katherine H. Adams. Dallas: Southern Methodist UP, 1993. xi + 192 pp. Technical Writing: Contexts, Audiences, and Communities. Carolyn R. Boiarsky. Boston: Allyn and Bacon, 1993. 652 pp. Technical Communication. 3rd ed. Rebecca E. Burnett. Belmont: Wadsworth, 1994. 742 pp. Technical Communication: Problems and Solutions. Roy F. Fox. New York: Harper Collins, 1994. 610 pp. Communicating Technical Information: A Guide for the Electronic Age. Donald Pattow and William Wresch. Englewood Cliffs: Prentice Hall, 1993. 600 pp.

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To understand the ways students learn to write, we must go beyond the small and all too often marginalized component of the curriculum that treats writing explicitly and look at the broader, though largely tacit traditions students encounter in the whole curriculum, explains David R. Russell, in the introduction to this singular study. The updated edition provides a comprehensive history of writing instruction outside general composition courses in American secondary and higher education, from the founding of public secondary schools and research universities in the 1870s, through the spread of the writing-across-the-curriculum movement in the 1980s, through the WAC efforts in contemporary curriculums.

The teaching of ethics in professional communication courses for non-English majors is problematic because teachers of those courses are usually trained in literary studies, a profession that has traditionally viewed with suspicion the ethical orientation of science, technology, and business professions. This article examines the history of this problematic, focusing on the “Engineering Publicity” program at Massachusetts Institute of Technology (MIT) in the 1920s. The article suggests that students may be empowered to enter and transform their professions more through examining ethical critiques of science, technology, and business carried on within and among the professions they will enter than by examining ethical critiques from the profession of literary studies.

Writing in the Academic Disciplines, 1870–1990: A Curricular History. David R. Russell. Carbondale and Edwardsville: Southern Illinois UP, 1991. 383 pp. The Politics of Writing Instruction: Postsecondary. Ed. Richard Bullock and John Trimbur. Gen. Ed. Charles Schuster. Portsmouth: Boynton/Cook, 1991. 311 pp. Rereading the Sophists: Classical Rhetoric Refigured. Susan Jarratt. Carbondale: Southern Illinois UP, 1991. 154 pp. Gender in the Classroom: Power and Pedagogy. Ed. Susan L. Gabriel and Isaiah Smithson. Urbana: U of Illinois P, 1990. 196 pp. Technology Transfer: A Communication Perspective. Ed. Frederick Williams and David V. Gibson. New York: Sage, 1990. 302 pp. Writing Strategies: Reaching Diverse Audiences. Laurel Richardson. Beverly Hills: Sage, 1990. 65 pp. Computers and Writing. Ed. Deborah H. Holdstein and Cynthia L. Selfe. New York: MLA, 1990. 150 pp. Perspectives on Software Documentation: Inquiries and Innovation. Ed. Thomas T. Barker. Amityville: Baywood, 1991. 279 pp. Writing Space: The Computer, Hypertext, and the History of Writing. Jay David Bolter. Hillsdale: Lawrence Erlbaum, 1991. 258 pp. Design of Business Communications: The Process and the Product. Elizabeth Tebeaux. New York: Macmillan, 1990. 516 pp.

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Recent research suggests that pragmatic emphasis on writing proficiency alone does not produce a good technical communicator. Attention must also be given to the technical communicator as liberally educated generalist who writes well and feels an affinity for science or technology. To this end, technical communication needs to be studied in the larger context of evolving science and technology, developing trends in technical education, and the oratorical tradition of broad learning applied to the active life. Recent studies of the collaborative culture of the workplace should be supplemented by increased attention to humanistic questions of what a person needs to be and know in order to cooperate effectively as a practicing technical communicator.

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This study examines the monitoring strategies eleventh-grade students employ in analytic and summary writing. Ten high and ten average ability writers each took part in two composing-aloud sessions, writing one analytic, thesis/support essay and one chronological summary essay based upon their reading of history passages. Students' composing-aloud protocols were broken down into individual communication units, which were examined for the kinds of monitoring, self-regulatory behaviors students engaged in to guide themselves through the composing process. The study analyzed students' monitoring at different points in the composing process and for the process as a whole. Multivariate analysis of variance procedures were used to study results of the protocol analyses. The study found that, while writing analyses, students devoted considerable attention to figuring out the demands of the writing task, to examining their own understanding of the topic and its significance, and to assessing the effectiveness of their own writing strategies. However, while writing summaries, students did far less monitoring of their composing processes and reflecting about their subject matter, spending most of their time mainly paraphrasing the readings. Results suggest that both high and average ability student writers employ a wide range of metacognitive strategies in writing, and that students vary those strategies both across writing tasks and at different points within the writing process.

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In the century or so that required freshman composition courses have been in existence, critics have often called for their abolition. Indeed, no other subject of study in the university has been so persistently and bitterly attacked, as historians have often noted (Berlin, Rhetoric; Greenbaum; Parker). I cannot in this space recount the whole history of the attempts to abolish composition courses. Instead I will analyze the arguments that the abolitionists used to attack the courses, and in doing so explore the assumptions which lay behind their opposition-assumptions which continue to fuel the conflicts within English studies: between teachers of literature and of literacy, between exponents of competing theories of the composing process, and, finally, between those who favor and those who oppose wider access to the academic community. Though English departments were founded at the close of the nineteenth century largely to teach writing, and freshman composition has been the most constant part of a shifting elective curriculum ever since, composition courses have rarely been a full part of the university. Dismissed as remedial or preparatory, condemned as ineffective, passed down like old clothes to

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A technical writing course can simulate the work situation and develop in students the uniquely human faculty of imagination. Whole-group effort is needed to sustain the fiction that the course is a job. Special presentation by the instructor of traditional assignments is essential. Such a course prepares students for demands made on the job. More importantly, the course, by emphasizing the act of imagining, enables students to progress from fitting facts into given formats to designing reports for specific communication situations. Because of this emphasis on imagination, the course is a humanities offering as well as a technical complement.