This article argues that introducing undergraduates to literary criticism and theory can be most effectively accomplished through the teaching of children's literature, fantasy literature, and Disney films alongside traditional literary criticism. We discuss a series of assignments we use in Pursuits of English, our department's introductory theory and criticism course.

Critical thinking skills are valued across the university. Derek Bok writes that 90 percent of faculty identify critical thinking as the most important goal of a university education. In English and foreign language departments, critical thinking has often served as a default goal when faculty cannot agree on which texts or approaches to teach. Without disputing the importance of these skills, I argue that an exclusive focus on critical thinking compromises more modest but also very worthy aims, including appreciation. This article makes the case for renewed attention to appreciation as a goal of literary study. I argue that teaching appreciation helps to cultivate virtues of open-mindedness, responsiveness, and attunement, and that such teaching may be useful in addressing widespread declines in reading and reading skills. At the end of the essay I describe changes I have made in my own teaching practices to emphasize literary appreciation.

The Roanoke College Writing Initiative Grant (WIG) program provides a two-thousand-dollar stipend for non-English Department faculty to teach in the first-year writing program. Faculty is expected to teach three iterations of their proposed course and receive a year of training prior to entering the classroom. Hanstedt's introduction discusses the theoretical justifications for the program, as well as its historical roots and positive outcomes. The faculty development training of Roanoke's WIG program is described, as is how this member of the chemistry department put the lessons learned into action as he taught freshman writing for the first time. Rachelle Ankney taught an introductory writing course as a break from teaching many sections of introductory college math. She enjoyed learning a whole new approach to writing and had fun in the first-year writing course. But she was most surprised to find that teaching writing well makes teaching math better, too. She went from advocating “required writing across the curriculum” to being a firm supporter of “teaching writing across the curriculum.” This paper reflects on an experiment in using a writing course to teach critical thinking skills and vice versa, with special emphasis on helping students to get beyond their aversion to and distrust of argument. The course assigned short argument analyses, an exercise in literary interpretation, and a research paper in for students to gain more familiarity with argument and to appreciate its varied uses. One unforeseen result was the amount of time that had to be devoted to clarification of the terms of argument. Because clarification requires using inference, however, it is recommended that descriptive writing would be a helpful vehicle to start students addresstheir problems involving argument. This paper recounts a music professor's experience designing and teaching his first writing course, Music into Words. Research on the conceptualization of music argues that our ability to communicate musical understanding relies heavily on phenomenological and metaphorical description; the opportunity to teach writing about music to the general student offered the musician a laboratory for testing this hypothesis. However, the instructor discovered that, not surprisingly, narrative (story-telling) functioned as his students' primary mode of communicating meaning and significance in music. In the end, while reading and writing these stories, the students and the music professor learn important lessons about the role of music in human experience.

The New York Times and others regularly implore us to raise the quality of teacher education. This essay explores why it is so difficult to do so, particularly at the urban, public institutions that produce many of our nation's teachers. It describes one such attempt to raise standards in writing. I document the process of building a new writing assessment program, including a writing assessment exam and a remediation program. I discuss our rubric and scoring procedures, samples of student work, and the poor score trends for our exam. I describe the difficulties in working without adequate resources, and I examine the ways in which our program posed a threat to the economics of the university. I conclude that efforts to raise program quality and produce higher-quality graduates are unlikely to succeed without fundamental changes to the economy of education generally and teacher education in particular.

This article proposes a strategy for teaching students about periodization, canonicity, and recovery work. It assigns Mary Darby Robinson's reading list as course material in women's literature as well as in Romantic-period classes and other kinds of eighteenth- and nineteenth-century interdisciplinary courses.

Fueled by disciplinary disagreements and resource fights, comp/lit conflicts continue. However, productive collaboration is possible and an opportunity remains in developing general education writing courses. A general education course in teaching writing through literature is argued for on the grounds that English studies has been positively transformed by the mainstreaming of composition, pedagogy, and cultural studies.

��� I must begin with a confession. When I last taught Literature of the Holo caust, I cut Wiesel’s Night from the reading list. Teachers are always making hard choices. There’s just too much compelling literature to teach in this class. I teach only texts written by survivors. That narrows the field somewhat — so, no Cynthia Ozick, no Anne Michaels, or Ursula Hegi, or Art Spiegelman. I sneak in Nathan Englander’s short story “The Tumblers” as end-of-semester reading and for the final exam, but that’s a closing flourish. Eliminating Night carries a hint of heresy and a measure of guilt. But with Oprah Winfrey as champion, and 10 million copies sold, Night’s dominance in discussions of Holocaust literature has long been secured. Less pervasive texts, such as Ida Fink’s A Scrap of Time and Other Stories, Lore Segal’s Other People’s Houses, Charlotte Delbo’s Auschwitz and After, Jurek Becker’s Jacob the Liar, and Imre Kertesz’s Kaddish for an Unborn Child, claim my class’s attention. Perhaps you hear too in the opening of this review of Alan Rosen’s edition of essays on Wiesel’s Night, in the Modern Language Association’s series Approaches to Teaching, the echo of Kertesz’s 2002 Nobel Prize for Literature lecture, “I must begin with a confession” (604). Kertesz’s confes sional, analytical literature tackles the need to understand and even explain the Holocaust, as well as the totalitarian oppression to which Auschwitz

While disciplines such as law, journalism and medicine have ethics classes embedded into their degree structures, fiction writing has escaped this administrative scrutiny. This paper argues that an `ethics of representation' should be raised within the prose fiction classroom if creative writing teachers are serious about training future writers. Drawing on work by Michael Riffaterre and Seymour Chatman, this paper argues that due to the historic privileging of realism and ensuing reader assumptions, writing students need to understand the importance of research and representation. After a brief discussion of how creative writing is situated within the tertiary administrative context, this paper then cites a critical teaching pedagogy (as articulated by Rochelle Harris) and practical strategies that teachers can use to bring discussions of representation into the prose fiction classroom. Inspired by the work of creative writing academics such as George Kalamaras and Sandra Young, these strategies include using the workshop session, classroom readings and formal assignments to foreground matters of representation.

The first-year writing program at Kennesaw State University has found its in-house conference (IHC) to be an important venue for faculty development. Based on the assumption that teachers actually know what they are doing, the IHC invites teachers of all ranks to propose a presentation on a selected topic and then to present those papers at conference sessions that other teachers attend. The IHC invites part-time faculty into the community, generates intellectual conversation about teaching across the lines of rank and hierarchy, allows the conversation to continue long after the conference since participants can see each other daily, and invites reflection on and modification of teaching. The success of the IHC serves as a reminder that some faculty development should be discipline-specific and local. In addition, the IHC asks teachers of writing to actually write themselves and allows them the opportunity for scholarship. The professional development that the IHC offers is not, however, limited to a writing program but can be used to stimulate intellectual engagement across the English department and, beyond that, to other departments across the university.

The books under review here envision models of professional development not as episodes of developing skills or training faculty to conform to changing laws, rules, and pet projects of administrators, but rather as collaborative processes of education and reflection that encourage faculty to rethink their practices. They draw on research in composition theory and pedagogy, suggesting that more effective learning takes place when teachers trust learners to consider their own need for knowledge, invite learners to devise variations and applications of received knowledge, and resist keeping things simple to be sure they are correct. Applying different focuses, these books consider how to put teacher-learners at the center of the process of their own professional development. Jeffrey Jablonski argues that the expertise developed in composition studies needs to be recognized and respected in initiatives to implement Cross-Curricular Literacy programs. The writers of The Everyday Writing Center consider how, in the midst of increased professionalization, to maintain the serendipitous—even carnivalesque, at times—learning and teaching that the intimate and nonhierarchical space of a writing center can foster. And the collective wisdom in The Writing Center Director's Resource Book surveys the current state of writing center theory and practice, providing a reflective guide for developing the expertise of writing center administrators, who are (or could be) leaders in campus faculty development efforts.

The author considers faculty development and its potential relationship to the ethos of collaborative practice modeled both by critical (Freirean) pedagogy and by interdisciplinary research. As a primary concern for any academic administrator, faculty development is not only a teaching moment but also an opportunity for reciprocal exchange, learning, and knowledge production, allowing participants to challenge the received wisdom of their fields and to come to a more rhetorical understanding of their identities. The collaborative construction of new knowledge and an emerging understanding of identities are examined in the context of two professional development and administrative contexts: the assessment by faculty of the writing of entering, first-year students and a collegewide, first-year experience (learning-community) initiative.

This article considers why, in the wake of Ernest Boyer's work, the promise of a transformation of university teaching has not been broadly realized and what that implies for faculty development projects. It discusses the assumptions that place the professional development of teaching outside of disciplinary boundaries, both literally and figuratively, and considers the consequences of that placement. It then turns to the scholarship of teaching and learning, considering what it offers to and implies about the disciplinary practices it proposes to transform. In response to this examination, the essay proposes that the Boyer Report attempted to alter teaching by arguing that teachers and the systems that support them needed to change, an argument that failed to convince college faculty to change. The article concludes with the proposal that the real exigence facing college faculty is that the way students raised in a culture saturated in electronic media learn is dramatically different than the way people learned a generation ago. That shift in learning is the exigence that requires a transformation of teaching.

This essay explores the underlying dynamics that inform postsecondary English teacher development efforts. In particular, it argues for a more expansive understanding of “context” in order to emphasize the inevitability of conflict and the productive potential of surfacing the meaningful contextual differences of our teaching lives. Such differences include varying philosophies of teaching and learning, competing motivations and expectations for participation in teacher development, and differing institutional teaching contexts where very different values might inhere. The essay offers strategies for engaging such differences with a view toward discerning collective (as well as individual) commitments. Such an orientation toward teacher development is crucial in the current climate, where plans for reform increasingly locate the work of remaking higher education outside of postsecondary classrooms. The kind of postsecondary teacher development work this essay calls for, then, seeks to support teachers' growth as agents of educational change.

This essay describes and critiques the creation and evolution of Teaching Circles, small groups of teachers meeting regularly to discuss curriculum and pedagogy, as a vehicle for teacher development in the composition program at the University of Miami. Included in the essay are comments from several of the full-time lecturers who participated in these discussion groups as both members and leaders. The essay makes visible the competing tensions inherent in fostering professional development through such a structure, especially the complications involved in turning lecturers into teacher educators as they take on responsibility for mentoring beginning teachers. The essay and the comments from the lecturers note the challenges inherent in making such an institutional structure productive over time and suggest that sustained critical reflection, willingness to revise, and attention to the scholarship of teaching teachers are important components of keeping any structure of professional development relevant.

It has become increasingly clear that U.S. faculty cannot afford to remain insular about global issues in teaching and the forces that are shaping them. At the same time, our desire to address or resist those issues, to join in or to find alternatives, needs to be contextualized. The three edited collections reviewed here address globalization of higher education in Australia, writing instruction in higher education in the United Kingdom, and interdisciplinary collaboration in U.S. higher education. The three bring different perspectives to current U.S. discussions of internationalization and interdisciplinary work in higher education and allow us to better understand issues in other cultures and disciplines while critically examining our own through new lenses.

This article explores, through the lens of a WAC faculty developer, how it is difficult to maintain disciplinary neutrality when developing any program; both teaching and learning can easily become codified through the lens of one person, field, or group. By using the work of, among others, Krista Ratcliffe, Mikhail Bakhtin, and David Bartholomae, I make a case for working differently with stakeholders: collaborating within a discipline and including students in faculty development plansas both learners and mentors. If we mutually examine our definitions (“teaching,” “learning,” “writing,” “students”) and engage in rhetorical and reflective listening, we can move away from a model of teaching as rules, templates, and regulations; we can begin to engage our own assumptions along with those of our students, changing together the very definitions that constrain the evolution of our own mutual development.

This overview of resources for faculty development initiatives in Englishstudies proposes a specific framework and sequence for faculty development work and identifies and annotates key resources. It proposes that the sequence for should take place within the theoretical framework of the learning paradigm, introduces faculty to the science of learning and teaching for significant learning, engages faculty in the scholarship of teaching and learning, and focuses on ways to create and maintain communities of practice and knowledge. Work on this overview initiated the development of an interactive Web-based clearinghouse devoted to the ongoing gathering and sharing of faculty development resources.

Troilus and Criseyde is a work of magnificent scope and intimidating breadth. A strategy that I have found effective for addressing the potentially overwhelming pedagogical task of teaching this masterpiece is to ask students to analyze the relationships between genre and character. Through this process, I encourage students to engage in vectored analysis, which I describe as the examination of a text from at least two converging yet separate perspectives. Encouraging students to examine literature from complementary and vectoring perspectives enables them to make the cognitive leap from a static analysis of one issue to a more vibrant exploration of textual interplay. Vectored analysis provides a pedagogical foundation for students of all abilities to approach multigeneric texts and to reach deeper insights about them. In this essay, I demonstrate this approach with Chaucer's Troilus and Criseyde, but it could be readily reformulated for a range of multigeneric texts.

After creating a taxonomy of classroom approaches to the teaching of creative writing, the authors discuss a current practice they have employed, the writing community. The authors detail its success, place it within current pedagogical research into small-group and team-based learning, and suggest possible applications to allied fields.

The question guiding “What Should We Do with Postprocess Theory?” is one of praxis: postprocess theory has articulated an advanced and promising theory of rhetoric in action, but few attempts have been made to develop a postprocess pedagogy. This article suggests several ways that postprocess ideals can be adapted to existing teaching strategies.

This essay argues that presence—the condition of being fully present in the classroom to students and to oneself—is an essential element in good teaching. The essay identifies major obstacles to presence and explores means of achieving it.

Research Article| January 01 2008 Mind the Gap: Teaching Othello Through Creative Responses Dan Mills Dan Mills Search for other works by this author on: This Site Google Pedagogy (2008) 8 (1): 154–159. https://doi.org/10.1215/15314200-2007-030 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Dan Mills; Mind the Gap: Teaching Othello Through Creative Responses. Pedagogy 1 January 2008; 8 (1): 154–159. doi: https://doi.org/10.1215/15314200-2007-030 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search nav search search input Search input auto suggest search filter Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2007 Article PDF first page preview Close Modal Issue Section: From the Classroom You do not currently have access to this content.

In this issue, you will have the opportunity to read an unusual piece in our Reviews section.Written by the University of Illinois Urbana-Champaign Pedagogy Collective, it is a coauthored, multivoiced text that rehearses descriptions of a set of key terms taken from the authors' reading of professional writings on teaching. 1The collective was formed during a required course for graduate students seeking to teach a literature course in the English department.As they describe it, "The major goal for this course was to introduce students to the critical debates in literature pedagogy."As such, students were asked to synthesize their learning through writing a critical book review and a teaching philosophy with an annotated bibliography.Using excerpts from the students' teaching philosophies, the review essay in this issue was organized to expose and elaborate those "critical debates in literature pedagogy."Reading this essay from the UIUC Pedagogy Collective reminds us of how difficult it is to construct a philosophy of teaching.While on the job market, most of us have to write something like a teaching philosophy or create an introduction to a teaching portfolio.At the very least, we are asked in interviews such questions as, "Explain your approach to teaching the introductory survey."How do we construct such overarching philosophy statements without sounding naive, overly idealistic, or abstract?If we embrace an antifoundationalist pedagogical stance (and even if we don't), how do we employ the stance we take?When we turn to theorists (say, to Paolo Freire or Gerald Graff, two whom the collective mentions), do we really believe (that is, enact) the principles they espouse?

This article investigates the challenges of interdisciplinary teaching that crosses the fields of postcolonial literary studies and international relations. Interdisciplinary courses demand that teachers be able to comprehend, translate, and represent different disciplines' theories and epistemologies, and their interactions, in a flexible and syncretic manner.

Research Article| January 01 2008 Teaching Native American Literature: Inviting Students to See the World Through Indigenous Lenses Carol Zitzer-Comfort Carol Zitzer-Comfort Search for other works by this author on: This Site Google Pedagogy (2008) 8 (1): 160–170. https://doi.org/10.1215/15314200-2007-031 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Carol Zitzer-Comfort; Teaching Native American Literature: Inviting Students to See the World Through Indigenous Lenses. Pedagogy 1 January 2008; 8 (1): 160–170. doi: https://doi.org/10.1215/15314200-2007-031 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2007 Article PDF first page preview Close Modal Issue Section: From the Classroom You do not currently have access to this content.

This collaboratively written essay offers an account of a group of graduate students preparing to teach a literature course at the University of Illinois Urbana-Champaign. The students, guided by their professor, Dale Bauer, immerse themselves in current debates about teaching by reading Patrick Allitt's I'm the Teacher, You're the Student, Shari Stenberg's Professing and Pedagogy, Paul Kameen's Writing/Teaching, Gerald Graff's Clueless in Academe, and one textbook, Mariolina Salvatori and Pat Donahue's The Elements (and Pleasures) of Difficulty. The essay references a range of additional writing on the college and university classroom—including works by bell hooks, Ira Shor, Jane Tompkins, and Elaine Showalter. The essay includes excerpts from teaching statements the students composed as they worked through the current debates in literature pedagogy.

Cooks describes how she incorporates her personal experience viewing Without Sanctuary: Lynching Photography in America, a traveling exhibit from 2000 to 2005, in her art history and ethics studies classes. For the purpose of analysis alone, she divides the photographs into four categories: crowd, crowd with lynching victim(s), lynching victim(s) alone, and souvenirs. Students respond in speechless and somber disbelief when confronted with the shameless desire to document and openly celebrate the destruction of the human body. However, the lynching photographs (four of which are included in the essay) are a catalyst for a complex system of varied responses beyond the immediate paralyzing effect. The history of lynching and the continued threat of racial violence are difficult subjects to teach, but the engagement with this history through lynching imagery and the exhibition history of Without Sanctuary has proven to be an important life experience for both Cooks and her students.

Both Azar Nafisi's and Mark Edmundson's recent books argue that the study of literature teaches a socially crucial set of critical thinking skills. But both take as dogma a liberal-capitalist framework and thus fail as models for how students can learn to think in genuinely critical ways.

Research Article| October 01 2007 The CAPITAL Centre: Teaching Shakespeare (and More) through a Collaboration between a University and an Arts Organization Jonathan Bate; Jonathan Bate Search for other works by this author on: This Site Google Susan Brock Susan Brock Search for other works by this author on: This Site Google Pedagogy (2007) 7 (3): 341–358. https://doi.org/10.1215/15314200-2007-004 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Jonathan Bate, Susan Brock; The CAPITAL Centre: Teaching Shakespeare (and More) through a Collaboration between a University and an Arts Organization. Pedagogy 1 October 2007; 7 (3): 341–358. doi: https://doi.org/10.1215/15314200-2007-004 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2007 Article PDF first page preview Close Modal You do not currently have access to this content.

Research Article| October 01 2007 Crossing Liminal Spaces: Teaching the Postcolonial Gothic Gina Wisker Gina Wisker Search for other works by this author on: This Site Google Pedagogy (2007) 7 (3): 401–425. https://doi.org/10.1215/15314200-2007-007 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Gina Wisker; Crossing Liminal Spaces: Teaching the Postcolonial Gothic. Pedagogy 1 October 2007; 7 (3): 401–425. doi: https://doi.org/10.1215/15314200-2007-007 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2007 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.

Research Article| April 01 2007 Overwhelmed by the World: Teaching Literature and the Difference of Nations Rajini Srikanth Rajini Srikanth Search for other works by this author on: This Site Google Pedagogy (2007) 7 (2): 192–206. https://doi.org/10.1215/15314200-2006-030 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Rajini Srikanth; Overwhelmed by the World: Teaching Literature and the Difference of Nations. Pedagogy 1 April 2007; 7 (2): 192–206. doi: https://doi.org/10.1215/15314200-2006-030 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. 2007 Article PDF first page preview Close Modal You do not currently have access to this content.

Research Article| April 01 2007 Teaching Elements of Literature Through Art: Romanticism, Realism, and Culture Virginia Pompei Jones Virginia Pompei Jones Search for other works by this author on: This Site Google Pedagogy (2007) 7 (2): 264–270. https://doi.org/10.1215/15314200-2006-035 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Virginia Pompei Jones; Teaching Elements of Literature Through Art: Romanticism, Realism, and Culture. Pedagogy 1 April 2007; 7 (2): 264–270. doi: https://doi.org/10.1215/15314200-2006-035 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2007 Article PDF first page preview Close Modal Issue Section: From the Classroom You do not currently have access to this content.

Review Article| April 01 2007 Reimagining the Teaching of Secondary English Howard Sklar Howard Sklar Search for other works by this author on: This Site Google Pedagogy (2007) 7 (2): 309–316. https://doi.org/10.1215/15314200-2006-041 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Howard Sklar; Reimagining the Teaching of Secondary English. Pedagogy 1 April 2007; 7 (2): 309–316. doi: https://doi.org/10.1215/15314200-2006-041 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2007 Article PDF first page preview Close Modal You do not currently have access to this content.

Research Article| January 01 2007 The Unbroken Continuum: Booth/Gregory on Teaching and Ethical Criticism Marshall Gregory Marshall Gregory Search for other works by this author on: This Site Google Pedagogy (2007) 7 (1): 49–60. https://doi.org/10.1215/15314200-2006-018 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Marshall Gregory; The Unbroken Continuum: Booth/Gregory on Teaching and Ethical Criticism. Pedagogy 1 January 2007; 7 (1): 49–60. doi: https://doi.org/10.1215/15314200-2006-018 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2007 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.

Research Article| January 01 2007 Revisiting the “Visitable Past”: Reflections on Wayne Booth's Teaching after Twenty-Nine Years Meri-Jane Rochelson Meri-Jane Rochelson Search for other works by this author on: This Site Google Pedagogy (2007) 7 (1): 37–48. https://doi.org/10.1215/15314200-2006-017 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Meri-Jane Rochelson; Revisiting the “Visitable Past”: Reflections on Wayne Booth's Teaching after Twenty-Nine Years. Pedagogy 1 January 2007; 7 (1): 37–48. doi: https://doi.org/10.1215/15314200-2006-017 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2007 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.

Other| January 01 2007 Guest Editor's Introduction: Perspectives on a Master Teacher James Phelan James Phelan Search for other works by this author on: This Site Google Pedagogy (2007) 7 (1): 3–4. https://doi.org/10.1215/15314200-2006-014 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation James Phelan; Guest Editor's Introduction: Perspectives on a Master Teacher. Pedagogy 1 January 2007; 7 (1): 3–4. doi: https://doi.org/10.1215/15314200-2006-014 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2007 Article PDF first page preview Close Modal You do not currently have access to this content.

Review Article| January 01 2007 A Call to Action: Teaching, Researching, and Documenting Literacies in the Twenty-First Century Abby M. Dubisar Abby M. Dubisar Search for other works by this author on: This Site Google Pedagogy (2007) 7 (1): 133–140. https://doi.org/10.1215/15314200-2006-024 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Abby M. Dubisar; A Call to Action: Teaching, Researching, and Documenting Literacies in the Twenty-First Century. Pedagogy 1 January 2007; 7 (1): 133–140. doi: https://doi.org/10.1215/15314200-2006-024 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2007 Article PDF first page preview Close Modal You do not currently have access to this content.

Instructors of courses on the Brontë family now have another large encyclopedic resource to use in their teaching of the lives and works of the family. Like Heather Glen’s recently published Cambridge Companion to the Brontës (2002), this companion surveys the lives and writings of all of the family, including the father, Patrick, and brother, Branwell, while also covering some of the minute details in the works of the three sisters, Charlotte, Emily, and Anne. The question that I will address here is not which companion to use but how to use this particular resource. Of what use to instructors and students are detailed entries on specialized topics found in the lives and works?

Research Article| October 01 2006 Debt in the Teaching of World Literature: Collaboration in the Context of Uneven Development Tanya Agathocleous; Tanya Agathocleous Search for other works by this author on: This Site Google Karin Gosselink Karin Gosselink Search for other works by this author on: This Site Google Pedagogy (2006) 6 (3): 453–473. https://doi.org/10.1215/15314200-2006-005 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Tanya Agathocleous, Karin Gosselink; Debt in the Teaching of World Literature: Collaboration in the Context of Uneven Development. Pedagogy 1 October 2006; 6 (3): 453–473. doi: https://doi.org/10.1215/15314200-2006-005 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2006 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.

Research Article| April 01 2006 The Teacher as Exhibitor: Pedagogical Lessons from Early Film Exhibition Ted Hovet Ted Hovet Search for other works by this author on: This Site Google Pedagogy (2006) 6 (2): 327–335. https://doi.org/10.1215/15314200-2005-007 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Ted Hovet; The Teacher as Exhibitor: Pedagogical Lessons from Early Film Exhibition. Pedagogy 1 April 2006; 6 (2): 327–335. doi: https://doi.org/10.1215/15314200-2005-007 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2006 Article PDF first page preview Close Modal You do not currently have access to this content.

Research Article| April 01 2006 Teaching Digital Rhetoric: Community, Critical Engagement, and Application DigiRhet.org DigiRhet.org Search for other works by this author on: This Site Google Pedagogy (2006) 6 (2): 231–259. https://doi.org/10.1215/15314200-2005-003 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation DigiRhet.org; Teaching Digital Rhetoric: Community, Critical Engagement, and Application. Pedagogy 1 April 2006; 6 (2): 231–259. doi: https://doi.org/10.1215/15314200-2005-003 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2006 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.

Commentary| April 01 2006 From Shakespeare on the Page to Shakespeare on the Stage: What I Learned About Teaching in Acting Class Marshall Gregory Marshall Gregory Search for other works by this author on: This Site Google Pedagogy (2006) 6 (2): 309–325. https://doi.org/10.1215/15314200-2005-006 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Marshall Gregory; From Shakespeare on the Page to Shakespeare on the Stage: What I Learned About Teaching in Acting Class. Pedagogy 1 April 2006; 6 (2): 309–325. doi: https://doi.org/10.1215/15314200-2005-006 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. Duke University Press2006 Article PDF first page preview Close Modal You do not currently have access to this content.

Research Article| January 01 2006 Editors' Introduction: The Teaching Self Jennifer L. Holberg; Jennifer L. Holberg Search for other works by this author on: This Site Google Marcy Taylor Marcy Taylor Search for other works by this author on: This Site Google Pedagogy (2006) 6 (1): 1–6. https://doi.org/10.1215/15314200-6-1-1 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Jennifer L. Holberg, Marcy Taylor; Editors' Introduction: The Teaching Self. Pedagogy 1 January 2006; 6 (1): 1–6. doi: https://doi.org/10.1215/15314200-6-1-1 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2006 Duke University Press2006 Article PDF first page preview Close Modal You do not currently have access to this content.

Commentary| January 01 2006 The Millennial Teacher: Metaphors for a New Generation Kristine Johnson Kristine Johnson Search for other works by this author on: This Site Google Pedagogy (2006) 6 (1): 7–24. https://doi.org/10.1215/15314200-6-1-7 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Kristine Johnson; The Millennial Teacher: Metaphors for a New Generation. Pedagogy 1 January 2006; 6 (1): 7–24. doi: https://doi.org/10.1215/15314200-6-1-7 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2006 Duke University Press2006 Article PDF first page preview Close Modal Issue Section: Commentaries You do not currently have access to this content.

Review Article| January 01 2006 The Art of Teaching Teaching Bartholomew Brinkman Bartholomew Brinkman Search for other works by this author on: This Site Google Pedagogy (2006) 6 (1): 173–178. https://doi.org/10.1215/15314200-6-1-173 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Bartholomew Brinkman; The Art of Teaching Teaching. Pedagogy 1 January 2006; 6 (1): 173–178. doi: https://doi.org/10.1215/15314200-6-1-173 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2006 Duke University Press2006 Article PDF first page preview Close Modal Issue Section: Roundtable: Reviews of the Art of Teaching You do not currently have access to this content.

Review Article| January 01 2006 Placing Pedagogy at the Center: The Pain and the Pleasure Kirsti Sandy Kirsti Sandy Search for other works by this author on: This Site Google Pedagogy (2006) 6 (1): 145–148. https://doi.org/10.1215/15314200-6-1-145 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Kirsti Sandy; Placing Pedagogy at the Center: The Pain and the Pleasure. Pedagogy 1 January 2006; 6 (1): 145–148. doi: https://doi.org/10.1215/15314200-6-1-145 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2006 Duke University Press2006 Article PDF first page preview Close Modal Issue Section: Roundtable: Reviews of Professing and Pedagogy: Learning the Teaching of English You do not currently have access to this content.

Research Article| January 01 2006 Teaching Race to Students Who Think the World Is Free: Aging and Race as Social Change Terrence Tucker Terrence Tucker Search for other works by this author on: This Site Google Pedagogy (2006) 6 (1): 133–142. https://doi.org/10.1215/15314200-6-1-133 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Permissions Cite Icon Cite Search Site Citation Terrence Tucker; Teaching Race to Students Who Think the World Is Free: Aging and Race as Social Change. Pedagogy 1 January 2006; 6 (1): 133–142. doi: https://doi.org/10.1215/15314200-6-1-133 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2006 Duke University Press2006 Article PDF first page preview Close Modal Issue Section: From the Classroom You do not currently have access to this content.

Research Article| October 01 2005 Teaching and Learning as Improvisational Performance in the Creative Writing Classroom Shady Cosgrove Shady Cosgrove Search for other works by this author on: This Site Google Pedagogy (2005) 5 (3): 471–482. https://doi.org/10.1215/15314200-5-3-471 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Shady Cosgrove; Teaching and Learning as Improvisational Performance in the Creative Writing Classroom. Pedagogy 1 October 2005; 5 (3): 471–482. doi: https://doi.org/10.1215/15314200-5-3-471 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2005 Duke University Press2005 Article PDF first page preview Close Modal Issue Section: From the Classroom You do not currently have access to this content.