Abstract This article argues that performance pedagogy can invest students in difficult literary texts through slow reading and textual adaptation. Drawing on her experience of teaching Herman Melville's “Benito Cereno” to her multilingual students, the author uses Melville's interest in drama and performance as a jumping-off point for an exercise in adapting the text for in-class performance.

Abstract This study addresses the paucity of literature on the impact of ungrading — contract grading, specifically — on international students at American colleges. Over the course of four semesters, 307 international and domestic students were surveyed (anonymously) about their perceptions of grading contracts in their writing (and writing-heavy) classes. Specifically, the survey was designed to find out if grading contracts serve as “just another thing” to navigate as international students transition into the Western educational setting and, furthermore, to find out if grading contracts inadvertently do more harm than good. Ultimately, international students perceive more overall benefits than drawbacks of ungrading. However, the data show that international students do find contract grading confusing — especially at first. This article analyzes the sources of confusion along with mitigating topics named by the survey participants, such as fairness, student agency, and stress reduction. The data also show that ungrading practices can serve as a transitional tool to ease international students into American education; a portion of students identify the grading contract as a means of facilitating the transition into American education, rather than as a barrier to it.

Abstract This article offers a theory of action model for grading in first-year writing classes, as enacted at two public, suburban, Midwestern two-year colleges. First, it analyzes labor-based contract grading and specifications grading through this model, examining how these popular grading methods have manifested in unintended negative consequences for historically and multiply marginalized students. Then, it proposes a sociocognitive grading model designed to maximize course-level success rates for New Majority college students. The sociocognitive model was iteratively built on feminist standpoint theory, intersectional learning sciences, multilingual writing pedagogy, and disability studies. Thus far, student course-level success has improved, along with their learning in four domains of a robust writing construct: intrapersonal, interpersonal, cognitive, and health. While it does not prescribe specific patterns of response, this model nevertheless establishes an overall referential frame that holds the potential to incorporate empirically based best response practices.

Aaron Bruenger (he/they) is a senior lecturer at the University of Minnesota Rochester where he teaches writing and communication courses. He is interested in rhetorical criticism and theory, multimodal literacy and composition, and relational pedagogy.Ellen C. Carillo (she/her) is professor of English at the University of Connecticut and the writing coordinator at its Waterbury campus. She is the author of Securing a Place for Reading in Composition: The Importance of Teaching for Transfer (2014), Teaching Readers in Post-Truth America (2018), and The Hidden Inequities in Labor-Based Contract Grading (2021). Ellen is also the editor or coeditor of several textbooks, handbooks, and collections.Esther M. Gabay (she/her) is a PhD student at The Ohio State University, focusing on writing, literacy, disability studies, and writing assessment. She has over a decade of experience teaching first-year writing in the two-year college, and was a collaborative member of the Faculty Initiative of Teaching Reading at Kingsborough Community College. Esther has published articles in TETYC and has chapters in the forthcoming edited collections What Is College-Level Writing (vol. 3) and College Teachers Teaching Reading: Practical Strategies for Supporting Postsecondary Readers.Catherine Gabor (she/her) is professor of rhetoric and acting associate dean for the College of Arts and Sciences at the University of San Francisco. Her professional interests are digital authorship, the scholarship of administration, and ungrading. Her work appears in the Journal of Writing Program Administration, Reflections: Writing, Service-Learning, and Community Literacy, the Journal of Basic Writing, and several edited collections.Kara K. Larson (she/her) is an assistant professor of English at Hillsborough Community College–SouthShore, Florida. She was a Conference on College Composition and Communication Scholars for the Dream Award recipient in 2021. A former middle school English language arts and reading teacher for ESL students, Kara has enjoyed taking learner-centered engagement and collaborative learning strategies into the college classroom.Bronson Lemer (he/him) is a senior lecturer at the University of Minnesota Rochester. He is the author of The Last Deployment: How a Gay, Hammer-Swinging Twentysomething Survived a Year in Iraq (2011). He is a 2019 McKnight Writing Fellow and lives in St. Paul.Jessica Nastal (she/they) is assistant professor of English at College of DuPage. With Mya Poe and Christie Toth, her edited collection Writing Placement in Two-Year Colleges: The Pursuit of Equity in Postsecondary Education won the CWPA Best Book Award for 2022. Jessica serves on the editorial boards of Assessing Writing, Teaching English in the Two-Year College, and Composition Studies.Katherine Daily O'Meara (she/her) is assistant professor of English and director of Writing across the Curriculum at St. Norbert College. Her work has been published in the Journal of Response to Writing, The WAC Journal, and multiple edited collections. Kat's current research focuses on accessible assessment and contract grading, student self-placement, equitable/antiracist pedagogies, WAC/WID, and writing program administration.Cheryl Hogue Smith (she/her) is a professor of English, WRAC coordinator, and liberal arts coordinator at Kingsborough Community College, CUNY. She is a past chair of the Two-Year College English Association (TYCA) and a Fellow of the National Writing Project. Her work appears in TETYC, JBW, JAAL, English Journal, JTW, and in several edited collections.Jesse Stommel (he/him) is a faculty member in the Writing Program at University of Denver. He is also cofounder of Hybrid Pedagogy: the journal of critical digital pedagogy and Digital Pedagogy Lab. He has a PhD from University of Colorado Boulder. He is author of Undoing the Grade: Why We Grade, and How to Stop (2023) and coauthor of An Urgency of Teachers: The Work of Critical Digital Pedagogy (2018).Molly E. Ubbesen (she/they) is assistant professor and director of Writing at University of Minnesota Rochester. She applies critical disability studies to writing studies to support accessible and effective teaching and learning. Her work has been published in Kairos: A Journal of Rhetoric, Technology, and Pedagogy and Composition Forum. Additionally, she is an editor for the forthcoming collection Disability, Access, and the Teaching of Writing.Megan K. Von Bergen (she/her) is an assistant professor of English at Murray State University, where she teaches first-year and upper-division composition courses. She is interested in inclusive, student-centered assessment practices and the programmatic structures needed to support them. Her work has appeared in Composition Studies and enculturation. In her spare time, she likes running (really) long distances.Griffin Xander Zimmerman (they/he) recently graduated with a PhD in rhetoric, composition, and the teaching of English from University of Arizona. Griffin's work appears in the Journal of Writing Assessment and the Journal of Multimodal Rhetorics. An interdisciplinary disability scholar, Griffin focuses his work on pedagogical approaches to neurodiversity, teacher training, disability rhetorics, and relationality through communities of care.

In this book, published in the CCCC Studies in Writing and Rhetoric series, Mara Holt provides a historical overview of collaborative pedagogy in US writing classrooms. In fact, Holt argues that collaborative writing pedagogy reflects and is shaped by its historical context. The book defines collaborative learning broadly, as “a pedagogy that organizes students to work together in groups” (1). Although she focuses on collaborative writing, Holt casts a wide net to capture writing classroom practices that she sees as applications of John Dewey's philosophy of American pragmatism. Holt argues that the American pragmatism espoused by Dewey is enacted in many collaborative writing practices, allowing those pedagogies to transform classrooms into training grounds for participatory democracy.Holt, who is professor and director of composition at Ohio University, intentionally operates both as a historian and as a writing studies scholar. The book has roots in Holt's (1988) history-based dissertation, “Collaborative Learning from 1911–1986,” submitted over thirty years ago, and in what the composition theorist James Berlin (1987) calls the significance of history in writing studies. Holt identifies a social-constructivist perspective in Dewey's philosophy of pragmatism that aligns with her argument that collaborative learning practices are shaped by their temporal context. Pragmatism, Holt says, offers general principles to ground education: 1) a focus on praxis; 2) knowledge creation as social, and collaboration as potentially “authoritative” (6); 3) the importance of critical thinking; and 4) the classroom as a place to model democracy and prepare students to participate in it. While Holt admits that Dewey probably never used the term collaborative (12), she implies that his principles are enacted in the most democratic collaborative learning practices.After a chapter of introduction, the chapters of Collaborative Learning as Democratic Practice each provide case studies of collaborative learning in US writing classrooms at a transformational moment in US political or pedagogical history. In the introduction, Holt asserts her underlying thesis that a historical overview of collaborative writing pedagogy is needed to help new generations of writing teachers understand that they are part of a tradition of using collaborative writing in the classroom for democratic pedagogical purposes. Holt also argues that a historical perspective is necessary for educators to fully understand and assess collaborative writing practices. Chapters 2 and 3 outline collaborative learning in writing classrooms during the Progressive Era and the Cold War; chapter 4 considers the impacts of the Civil Rights and anti–Vietnam War movements. Chapters 5 through 7 consider moments of pedagogical shift—feminist theory, the creation of writing centers, and computer-mediated collaboration. The book concludes with a chapter in which Holt reflects on the future of collaborative learning as it intersects with three current movements: globalization, posthumanism, and Black Lives Matter.In some ways, Collaborative Learning as Democratic Practice is a contemporary complement to Anne Ruggles Gere's (1987) Writing Groups: History, Theory, and Implications. Writing at a time when social-constructivism was coming into its own, Gere outlines a theory to explain how writing groups, the collaborative writing pedagogy that she focuses on, are evidence of writing as a socially constructed activity. Holt's book, on the other hand, takes as accepted theory that writing is socially constructed and links that social interaction to Dewey's pragmatism. As a result, Gere and Holt share the notion that collaborative writing is affected by historical context. Like Gere, Holt includes historical background for the pedagogies she discusses, but Gere begins her history in the colonial era, starting at an earlier moment in US history than Holt, who extends the time line of collaborative writing into the twenty-first century.In addition to being a thesis-based history book, Holt's Collaborative Learning as Democratic Practice is part memoir. Holt weaves over forty years of personal experience as a writing studies scholar into her narrative. In the preface, Holt notes that her “first formal interaction with collaborative learning was at Kenneth Bruffee's Brooklyn College Institute in Peer Tutor Training and Collaborative Learning in 1980” (ix). Through her affiliation with the Brooklyn Institute she met Peter Elbow, Stanley Fish, Carol Stanger, John Trimbur, Harvey Kail, and Peter Hawkes. She read texts by Lev Vygotsky, Clifford Geertz, Richard Rorty, Thomas Kuhn, John Dewey, and Paulo Freire. Her experiences at the Bruffee institute led Holt to pursue a PhD at the University of Texas at Austin, where she met James Berlin, who was a visiting professor from the University of Cincinnati. Holt's dissertation director was Lester Faigley. Holt also acknowledges Victor Villanueva as a major influence. The array of scholars that Holt was taught by, wrote with, and thought with shows the depth of her connection to the foundation of the field. Her connection and experience in the field lends credibility both to her authority to survey the history of collaborative learning within the field and to select case studies not just with an eye to proving her point, but because they were some of the most important developments of collaborative learning in the field at that moment.Sometimes, however, these personal details can distract from her argument; they add names and dates to case studies already crowded with such information. Some personal details may also distance Holt from readers when she recalls memories in a way that requires insider knowledge. For example, she references the iteration of the “CUNY Graduate School on 42nd Street,” which she attended as the “pre-Giuliani pornographic version,” which assumes knowledge of both the pre- and post-Giuliani versions of the building (5). The text also includes other unnecessary details. For example, Holt notes that 1930s progressivism affected how first-year writing programs were administered; that's interesting history about first-year writing, but it says little about collaborative learning.Overall, Holt effectively argues that collaborative learning in writing classrooms was shaped by its historical context. For example, during the labor movements and nascent socialism of the 1930s, pedagogies emerged that were based on collective, student-centered practices. Likewise, during the rise of Nazism and Fascism in World War II, when international collectivist movements were viewed as oppressive, the use of collaborative pedagogies declined. In addition, Holt demonstrates that collaborative writing practices decades apart can mimic each other, proving her point that a historical knowledge of collaborative writing might prevent reinvention. For example, under the “Oregon Plan” of the 1950s, students critiqued each other's writing before revising it to be turned in to the teacher. These examples of peer critique foreshadowed Bruffee's peer revision of the 1970s, but Holt presents no causal link between the two pedagogies. In fact, Holt stresses that, while collaborative learning practices of one era may seem similar to those of another, their purposes will vary because their proponents are responding to different historical contexts and may be rejecting rather than amplifying democratic values. In the case above, Holt says that the Oregon Plan arose in a 1950s context in which students interacted with each other's texts suspiciously, whereas in Bruffee's context, students were encouraged to depend on classmates for educational gain.In chapter 6, Holt argues that writing centers, mostly through peer tutoring programs, have been key to the development of collaborative writing pedagogy. She also outlines current historical situations to which writing centers have responded in recent decades, including increasing numbers of underprepared and international students, and the shift from alpha text to multimodal composition. In focusing on the internationalization of writing centers, Holt also notes that American English is no longer the assumed standard in US writing centers and that institutions around the world have created writing centers of their own.In chapter 6 Holt traces the advent of computer-mediated collaboration in writing pedagogy by outlining how writing centers responded to the introduction of computers. In chapter 7 she extends her analysis of computer-mediated collaboration into the twenty-first century by acknowledging that much collaborative learning in writing classrooms is now mediated by technology. The tech-mediated case studies Holt considers in chapter 7 are the Daedalus Integrated Writing Environment at the University of Texas in the 1980s and the more recent use of wikis in writing instruction. While Holt asserts that such tech-mediated pedagogies are “solidly connected to Deweyan/Bruffeean theory and practice” (109), her analysis overlooks the ideology of the infrastructure that supports tech-mediated collaboration—the technology itself. As a result, it may be that an updated version of a Deweyan/Bruffeean framework is needed to analyze collaborative learning in an increasingly tech-mediated classroom. As Holt persuasively shows, collaborative pedagogies in writing classrooms often embody democratic ideals, so a framework based on egalitarian principles is appropriate for their analysis, but perhaps that framework needs to have the capacity to analyze the infrastructure mediating the collaboration as well as the collaboration itself. Such a theoretical framework might be technofeminism, a framework concerned with issues of equity and access, but which also accounts for the ideology of the technology (Bates, Macarthy, and Warren-Riley 2018).Some readers may balk at the notion of examining collaborative writing pedagogies through any sort of theoretical framework at all. Indeed, educators from many ideological persuasions have used collaborative writing to help students improve their writing and thinking. Rather, what Holt implies is that collaborative writing almost by definition embodies elements of Dewey's democratic goals for education and that to practice collaborative writing is to enact Deweyism. Holt makes a strong case that collaborative writing pedagogies reflect the full context of their historical moment, and that many of them reflect Dewey's ideas of social reform; however, her survey also demonstrates that in an age of technology-mediated classrooms, a framework that incorporates the perspectives of colleagues who study technology through a lens of equity may be a way to productively analyze collaborative writing pedagogies in the future.

Gautam Basu Thakur is associate professor of English and director of the critical theory minor at Boise State University, where he teaches theoretical psychoanalysis, postcoloniality and globalization studies, and literature of the British Empire. His books include Postcolonial Theory and Avatar (2015), Lacan and the Nonhuman (coedited, 2018), Postcolonial Lack (2020), and Reading Lacan's Seminar VIII (coedited, 2020).Saradindu Bhattacharya teaches at the Department of English, University of Hyderabad, India. His recent publications have been in the domains of trauma studies, young adult literature, and the pedagogy of English. He has been teaching cultural studies, Renaissance literature, and new literatures in English at the postgraduate level. Additionally, he has also taught elective courses on nation, media, and popular culture and on children's literature. He particularly enjoys teaching English poetry and reading dystopian fiction.Jolie Braun is curator of modern literature and manuscripts at The Ohio State University Libraries, where she oversees the modern literature and history collections and provides special collections-based instruction. Her research interests include women publishers and booksellers, zines, and self-publishing. Her recent work has appeared or is forthcoming in Tulsa Studies in Women's Literature, American Periodicals, and Textual Cultures: Texts, Contents, and Interpretation.Craig Carey is associate professor of English at the University of Southern Mississippi. His research and teaching focus on nineteenth-century American literature, book history, media theory, and game studies. His scholarship has appeared in journals such as American Literature, American Literary History, and Arizona Quarterly, among others. He is currently working on a manuscript that explores the relationship between authors, archives, and invention in the age of realism.Moira A. Connelly is associate professor of English at Pellissippi State Community College in Knoxville, TN. She has published in Teaching English in the Two-Year College. Her research interests include equity in collaborative writing, writing transfer, writing about writing, responding to the writing of multilingual students, community college teaching, and applying ideas from the academy to activist spaces.Jathan Day is a PhD candidate in the Joint Program in English and Education at the University of Michigan. His research explores how writing instructors’ organizational and design decisions in the Canvas LMS affect the ways their students write and learn.Cassandra Falke is professor of English literature at UiT The Arctic University of Norway, where she teaches an introduction to literature, literary theory, romanticism, and contemporary fiction. She is the author of The Phenomenology of Love and Reading (2016) and Literature by the Working Class: English Autobiography, 1820–1848 (2013) as well as articles and book chapters on literary theory, phenomenology, romanticism, working-class writing, and liberal arts education. She has edited or coedited five collections and special issues.Paul Feigenbaum is associate professor in the Department of English at Florida International University and coeditor of the Community Literacy Journal. His research, teaching, and engagement interests include community literacy, public rhetoric, and the intersections between rhetoric and psychology. His scholarship has appeared in journals including College English, Reflections, and Composition Forum. His first book, Collaborative Imagination: Earning Activism through Literacy Education, was published in 2015.Dustin Friedman is associate professor in the Department of Literature at American University in Washington, DC. His fields of research and teaching are Victorian literature and culture, aestheticism and decadence, queer theory, the history and theory of aesthetics, and global nineteenth-century writing. He is the author of Before Queer Theory: Victorian Aestheticism and the Self (2019). His writings have appeared in Studies in Walter Pater and Aestheticism (2019), the Journal of Modern Literature (2015), ELH (2013), Literature Compass (2010), and Studies in Romanticism (2009).Helena Gurfinkel is professor of English at Southern Illinois University Edwardsville, where she teaches primarily critical theory and Victorian literature and culture. She is the author of Outlaw Fathers in Victorian and Modern British Literature: Queering Patriarchy (2014; paperback 2017) and is currently writing a book on the Soviet television and film adaptations of the works of Oscar Wilde. She has published extensively in pedagogy, literary and film studies, gender studies, and critical theory. She is editor of PLL: Papers on Language and Literature.Sarah Hughes is a PhD candidate in the Joint Program in English and Education at the University of Michigan, where she also teaches in the English Department Writing Program. Her research explores how women use multimodal discourse—grammatically, narratively, and visually—to navigate online gaming ecologies.Andrew Moos is a PhD student in the Joint Program in English and Education at the University of Michigan. His research focuses on how writing instructors can and are using antiracist assessment and feedback practices in writing classrooms to empower students.Julie Sievers is founding director of the Center for Teaching, Learning, and Scholarship at Southwestern University, where she also teaches. At the time of this research, she was teaching literature and writing courses at St. Edward's University, where she also directed the Center for Teaching Excellence. Previously, she taught English and composition on the tenure-track at Denison University and in graduate school at the University of Texas at Austin. She has published on literature, pedagogy, and faculty development in the William and Mary Quarterly, Early American Literature, the New England Quarterly, To Improve the Academy: A Journal of Educational Development, and the Journal of Faculty Development. She is currently studying annotation pedagogy in the context of first-year seminar courses.Danielle Sutton is a PhD candidate in English studies at Illinois State University. She works at the intersections of life writing, children's literature, and memory studies and is especially interested in comics and verse memoirs of childhood. She lives in Normal, IL.Kathryn Van Zanen is a PhD student in the Joint Program in English and Education at the University of Michigan. Her research centers on ethical negotiation in writing and writing instruction, particularly among raised-evangelicals writing back to their home communities on social media.Crystal Zanders is a poet, educator, activist, and public speaker from Tennessee. As a Rackham Merit Fellow in the Joint PhD Program in English and Education at the University of Michigan, her research focuses on Black teachers’ use of African American English in pre-integration classrooms in the South.

This article analyzes two of the inevitable messes of translingual scholarship and teaching in composition studies: the criticism that arose from cross-disciplinary conflict with second language writing and the semantic ambiguities that result from the–ism in translingualism. The article reviews a variation in uptakes of translingualism, while arguing that specific strands—translingualism as a disposition and praxis—are the most fruitful in pushing English studies toward a more collective pursuit of language awareness and justice.

This article theorizes the potential contours and impacts of faculty “resilience” within increasingly corporatized contexts by examining the strategies for resilience and persistence among international, multilingual, and nontraditional students who maneuver among various academic and cultural contexts.

Despite increased enrollments of multilingual students at US colleges and universities, many composition faculty lack specialized training to support second language writers. This article offers a framework through which faculty and administrators can begin developing knowledge about applied linguistics that is relevant to the teaching of multilingual writers.

This essay discusses the personal experiences of a US Army soldier transitioning from military life to academia, focusing on lessons of isolation learned from the author's experiences teaching foreign soldiers and then international students. These lessons can inform our approach to successful veteran integration into our classrooms and into our broader campus communities.

In this article, the author explains the habits that she brought to teaching English from the field of second-language acquisition. She began teaching in the Department of Germanic Languages and Literatures at the University of North Carolina, Chapel Hill, where graduate teaching assistants were trained to use the communicative language teaching method, especially as it is developed by Lee and VanPatten in Making Communicative Language Teaching Happen (1995). When the author switched to teaching world literature survey courses in the Department of English at North Carolina State University, she found that many of the techniques she had used in beginner language courses applied beautifully to what she was trying to do in her new field. After briefly explaining the characteristics of communicative language teaching, this article highlights the three main strategies that she found most useful: minimizing “teacher talk” and maximizing the work the students do in the classroom, emphasizing the process of learning to encourage the students’ metacognitive thinking about their own education, and making negotiation a key activity to engage their critical thinking skills. As universities and colleges increasingly decide to make critical thinking and student engagement key factors in their brand, it can be very useful to reexamine the habits that we adopt and to consider some of the best practices of our colleagues in other departments.

Critical thinking skills are valued across the university. Derek Bok writes that 90 percent of faculty identify critical thinking as the most important goal of a university education. In English and foreign language departments, critical thinking has often served as a default goal when faculty cannot agree on which texts or approaches to teach. Without disputing the importance of these skills, I argue that an exclusive focus on critical thinking compromises more modest but also very worthy aims, including appreciation. This article makes the case for renewed attention to appreciation as a goal of literary study. I argue that teaching appreciation helps to cultivate virtues of open-mindedness, responsiveness, and attunement, and that such teaching may be useful in addressing widespread declines in reading and reading skills. At the end of the essay I describe changes I have made in my own teaching practices to emphasize literary appreciation.