The author builds on the position that "knowledge is power," with particular reference to knowledge providing the basis for competitive action. This book is written to be useful in teaching and research. It is divided into two sections: the first presents the theory and the second presents a set of illustrative case studies that show how the theory is manifested. The 30 knowledge-flow principles are enumerated at the start, explained in the overview, developed in detail and, finally, repeated in the summary. The book is well written, providing both brief summaries of the principles and well-formulated development of the meaning and application of these principles. The book's audience includes academic researchers and teachers in knowledge engineering and communications, as well as those developing systems that support or require knowledge management.

Results in past studies comparing teaching time and effort in online and face-to-face (FTF) teaching environments have been inconsistent. This research study compares the instructional time and effort it took the authors to teach the same course online and FTF in their respective universities. The authors hypothesize that it takes more time to teach online courses. The results of the two-semester study show that both authors spent more time per student, approximately 20% more, in the online courses. In the total time spent per student online compared to the total time spent per student FTF, the paired-samples t-test showed a statistically significant difference (t(3)=6.163 , p=0.009). The authors speculate a number of factors contributed to this difference and the perception that teaching in an online environment takes more time and effort than teaching in a FTF environment.

There has been little discussion of hospitality as a practice in college writing courses. Possible misuses of hospitality as an educational and ethical practice are explored, and three traditional and still tenable modes of hospitality are described and historicized: Homeric, Judeo-Christian, and nomadic. Application of these modes to instructional situations may lead to new and sometimes counter-establishment methods, in terms of course objectives, shared labor of teacher and students, writing assignments, response to writing, and assessment of student work. Perhaps the most radical form is transformative hospitality, which accepts the possibility that host and guest, teacher and students, will all be changed by their encounter, a potentiality that is characterized by risk taking, restlessness, and resistance to educational entrenchments. Traditional hospitality as practiced in writing classrooms does not mark a return to student-centered pedagogies of past decades but does stake out a position that might be considered marginal apropos the current political and educational climate in the United States.

Contemporary composition classrooms have understandably distanced themselves from the elitism associated with the terms taste and propriety. However, writers do need to learn how appropriate discourse is rhetorically negotiated. Understanding and reinventing propriety’s rhetorical function can enable students and teachers to develop notions of propriety that consider complex histories and perspectives.

The goal of teaching students to write for the university assumes that in first-year composition students can be taught ways of writing (genre and genre knowledge) that they can then transfer to the writing they do in other courses across the university. This goal and its underlying assumption are problematic for a number of reasons illustrated here through a study of a large midwestern composition program. The study validates theoretical critiques of general skills writing courses made by genre and activity theorists over the past decade. The difficulties of teaching varied academic genres in only one context suggest we might better serve first-year students by reframing the goals of FYC, such that the course does not promise to teach students to write in the university but rather teaches students about writing in the university.

Sirc’s essay also uses the writing course as touchstone “this time, to wrestle initially” with the issues Allen Tate pondered in his 1952 essay . . . “The Man of Letters in the Modern World.” Sirc challenges contemporary instructors of writing, claiming that “the vox pop criticism of iTunes writing represents a new Attic style, one well worth studying and teaching to.”

This essay offers Neil Postman’s thermostatic metaphor as a model for critical teaching. In this model, the role of the composition teacher is that of a thermostat that responds to a changing ideological environment by offering counterbalance. Such a stance is an anti-stance since it requires the teachers to enact philosophies and pedagogies, rather than holding them.

Reviewed are: A Counter-History of Composition: Toward Methodologies of Complexity, by Byron Hawk, Reviewed by Brian Ray Community; College Faculty: At Work in the New Economy, by John S. Levine, Susan Kalter, and Richard L. Wagoner, Reviewed by Keith Kroll; Designing Writing Assignments, by Traci Gardner; Teaching English by Design: How to Create and Carry Out Instructional Units, by Peter Smagorinsky, Reviewed by Nancy Lawson Remler; Doing Emotion: Rhetoric, Writing, Teaching, by Laura R. Micciche, Reviewed by Tim N. Taylor

An assignment for teaching English in a time of war.

This article explores the impact of a memoir about the Iraq War, written by a student in a creative writing class, on a teacher and students.

This article focuses on audio-recording our thoughts while responding to student writing as a form of reflection-in-action.

Reflecting on teaching in a time of war, I realize that all of my education, all of my teaching, indeed, all of my life has been “in a time of war” and that I have been constantly influenced by war, rumors of war, fears of war.

This teacher-researcher study explored the manner in which students created video compositions in a secondary English language arts media studies program. The study found that video composition is a complex, recursive process that allows for sequential multimodal representation of thoughts and ideas. Four areas are addressed: video allows for the expansion of compositional choices, demonstrates the verisimilitude of students’ initial concept to videotaped image, highlights the visuality in students’ re-presentations of ideas, and provides research methodological considerations.

This paper, presented at the CCCC 2008 Senior Citizens Writing session, draws upon my experiences as a senior workshop member and past teacher. Addressing workshop leaders, it emphasizes the need for the many-faceted seniors’ voices to be “translated” and tested within a workshop’s microcosm before entering the outside world’s macrocosm.

Attention to the similarities between an academic class and a magazine illuminates how periodicity affects the reading and learning experience. Focusing on the subscribers' power in shaping the continuing life of a periodical, the teaching methodology presented here also underscores the collaborative nature of all teaching.

This article argues that introducing undergraduates to literary criticism and theory can be most effectively accomplished through the teaching of children's literature, fantasy literature, and Disney films alongside traditional literary criticism. We discuss a series of assignments we use in Pursuits of English, our department's introductory theory and criticism course.

Critical thinking skills are valued across the university. Derek Bok writes that 90 percent of faculty identify critical thinking as the most important goal of a university education. In English and foreign language departments, critical thinking has often served as a default goal when faculty cannot agree on which texts or approaches to teach. Without disputing the importance of these skills, I argue that an exclusive focus on critical thinking compromises more modest but also very worthy aims, including appreciation. This article makes the case for renewed attention to appreciation as a goal of literary study. I argue that teaching appreciation helps to cultivate virtues of open-mindedness, responsiveness, and attunement, and that such teaching may be useful in addressing widespread declines in reading and reading skills. At the end of the essay I describe changes I have made in my own teaching practices to emphasize literary appreciation.

The Roanoke College Writing Initiative Grant (WIG) program provides a two-thousand-dollar stipend for non-English Department faculty to teach in the first-year writing program. Faculty is expected to teach three iterations of their proposed course and receive a year of training prior to entering the classroom. Hanstedt's introduction discusses the theoretical justifications for the program, as well as its historical roots and positive outcomes. The faculty development training of Roanoke's WIG program is described, as is how this member of the chemistry department put the lessons learned into action as he taught freshman writing for the first time. Rachelle Ankney taught an introductory writing course as a break from teaching many sections of introductory college math. She enjoyed learning a whole new approach to writing and had fun in the first-year writing course. But she was most surprised to find that teaching writing well makes teaching math better, too. She went from advocating “required writing across the curriculum” to being a firm supporter of “teaching writing across the curriculum.” This paper reflects on an experiment in using a writing course to teach critical thinking skills and vice versa, with special emphasis on helping students to get beyond their aversion to and distrust of argument. The course assigned short argument analyses, an exercise in literary interpretation, and a research paper in for students to gain more familiarity with argument and to appreciate its varied uses. One unforeseen result was the amount of time that had to be devoted to clarification of the terms of argument. Because clarification requires using inference, however, it is recommended that descriptive writing would be a helpful vehicle to start students addresstheir problems involving argument. This paper recounts a music professor's experience designing and teaching his first writing course, Music into Words. Research on the conceptualization of music argues that our ability to communicate musical understanding relies heavily on phenomenological and metaphorical description; the opportunity to teach writing about music to the general student offered the musician a laboratory for testing this hypothesis. However, the instructor discovered that, not surprisingly, narrative (story-telling) functioned as his students' primary mode of communicating meaning and significance in music. In the end, while reading and writing these stories, the students and the music professor learn important lessons about the role of music in human experience.

Most technical communication practitioners conduct research throughout their careers. Yet, a survey of the Web sites of 114 undergraduate technical communication programs between September 2006 and April 2007 revealed that 65% (about two thirds) of these programs are providing minimal or no exposure to research instruction and therefore are not sufficiently preparing students to handle the types of research they will encounter in their upcoming careers. Given the disconnect between the centrality of research in the work that technical communicators do and the low presence of research instruction at the undergraduate level, academics need to look for ways to overcome institutional and other constraints in order to give research training greater priority in their undergraduate programs.

“The study of activity ceases to be the psychology of an individual, but instead focuses on the interaction between an individual, systems of artifacts, and other individuals in historically developing institutional settings” (Miettinen, 1997). As teaching technical writing online becomes more widespread, teachers and scholars are identifying ways to increase teaching/learning efficacy. One way of accomplishing this goal is by continually reflecting on different types of student ethos being constructed in an online course. The changes that occur in the ethos development process can be contextualized through activity theory, which emphasizes the dynamic, evolving nature of social environments. Activity theory's focus on cultural history and tools makes it ideal for exploring active communication among multiple participants in an online technical communication environment. The triangle of human activity adapted and developed by Engeström (1987) Engeström, Y. 1987. Learning by expanding: An activity theoretical approach to developmental research., Helsinki, Finland: Orienta-Konsultit Oy. [Google Scholar] provides a framework for exploring ethos as an object within an online course's activity system.

This article attempts to summarize the history of ATTW. It focuses on issues that led to the need for an organization devoted to technical writing, and the individuals who were leaders in ATTW, as well as in NCTE and CCCC, whose efforts provided the foundation for the presence of technical writing as a legitimate teaching and research discipline. We draw on existing historical pieces and the contributions provided by many of the first ATTW members to capture the history of ATTW. We describe the major changes in ATTW from 1973–2007 and conclude with our reflections, as well as important questions we believe to be critical to the future of ATTW

Reviews David C. Mirhady, ed., Influences on Peripatetic Rhetoric: Essays in Honor of William W. Fortenbaugh. Leiden: Brill, 2007. viii + 282 pp. This valuable collection of fourteen essays divides itself naturally into two parts: those which conform strictly to its title (1, 2, 3, 5, 8,11,13), and the rest, which focus on Aristotle's Rhetoric (4, 14), Rhetorica Ad Alexandrian (6) and post-Aristotelian topics (7, 9, 10, 12). Mirhady's Introduction assembles the diverse elements that inform the book very skilfully: the present state of scholarship, the historical background, a synopsis of the contents of Aristotle Rhetoric and the Rhetorica Ad Alexandrian, and summaries of the fourteen chapters. Dirk Schenkeveld, Theory and Practice in Fourth-Century Eloquence, is con­ cerned with a particular feature, mainly of deliberative oratory: the speaker's adoption of a didactic tone, usually when introducing a key narrative or ar­ gument. He does not consider whether this tone is a function of the characters of its two chief proponents, Isocrates, who was a teacher, and Demosthenes, who was famously superior in his attitude to his audiences and opponents; while the examples in Lysias look suspiciously formulaic. These character­ istics would go some way to explaining the absence of recommendations for them from the theorists. In Ethos in Persuasion and in Musical Education in Plato and Aristotle, Eckart Schutrumpf finds the latter's proposition that a speaker's good character is by itself a device of persuasion too simplistic compared with the examination conducted by Plato, in whose Gorgias and Protagoras audiences are seen as more susceptible to purely rhetorical skills than to a speaker's perceived moral qualities. Schutrumpf traces a development in Plato's attitude to persuasion, with the need to replace it by force being increasingly considered. Aristotle consistently takes a more optimistic view of human nature. David Mirhady, Aristotle's Enthynienie, Thymos, and Plato, sets out to establish the emotional content of the Aristotelian enthymeme by reference to its etymology. After admitting that the verb had come to mean no more than 'consider,' Mirhady argues that the enthymeme connotes "a form of cognitive activity that takes place in the context of emotional response.'' But the enthymeme is concerned with emotions only in so far as the human experiences from which it draws its premisses have emotional content, and for Aristotle it is always closer to logic (the syllogism) than to the irrational Rhetorica, Vol. XXVII, Issue 2, pp. 218—234, ISSN 0734-8584, electronic ISSN 15338541 . ©2009 by The International Society for the History of Rhetoric. All rights re­ served. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions website, at http://www.ucpressjournals.com/reprintlnfo.asp. DO1: 10.1525/RH.200A27.2.218. Reviews 219 thoughts and actions of the thymos. In his Techniques of Proof in 4th Century Rhctoiic, Tobias Rheinhardt finds connections between Aristotle s Rhetoric, his dialectical theory' in the Topics, and the Rhetorica Ad Alexandrum in respect of arguments related to some of the standard themes of deliberative and forensic oratory; This chapter begins and ends with a welcome reassertion of the view that the birth of rhetorical theory is to be assigned firmly to the Fifth Century: a fact which can easily be established by noticing the recurrence of a wide array of technical proofs and topoi in Antiphon and the early speeches how Aristotle defines an ideal written text as one which is susceptible to oral performance, and that epideictic oratory is aimed at an audience which is both spectator and critic, who dissects a discourse and passes judgement on the question of whether the author/speaker has discovered all the possible means of persuasion. She notes that Aristotle differs from his predecessors in distinguishing between styles suitable for deliberative and forensic oratory. Her study also clarifies several of the obscurities in Aristotle's account of these styles by reconciling different parts of it. In Carl Werner Muller's Der Euripideische Philoktet und Die Rhetorik des 4. Jnhrhunderts the starting-point is Dion of Prusa's opinion that the rhetorical content of Euripides Philoctetes distinguishes it from its Aeschylean and...

Reviews 233 allows for a comparison so general, one might doubt its usefulness. “Painting is really like poetry/' van Eck writes, “because both arts are inventions that make appear things that do not exist" (p. 68). Yet the point of van Eek's book is not to show how painting and architecture are the same as rhetoric, but how a culture saturated with the lessons of classical rhetoric influenced the creation and reception of visual art. In fact, rather than primarily focusing on works of visual art and architecture, the book is actually more concerned with the way early modern artists, architects, and spectators spoke and wrote about the visual arts. This is the book's strength, as example after example reveals that classical rhetorical theory provided a rich mine for both artists seeking to describe their method and spectators accounting for their reaction to the artwork. The discussion (in chapter fixe) of poetic responses to the discovery of the Lnocoon statue in 1506 is particularly interesting in this regard. The responses laud the power of the statue to move the viewer while drawing on the language of classical rhetorical theorv. As a whole van Eek's studv is a compelling and welcome contribution to the growing body of work on earlv modern visual culture, broadly defined. Through careful readings of a v ariety of early modern texts about art and architecture from England and Italy, she is able to show how rhetoric influ­ enced the theory, practice and reception of the visual arts. The book serves as a correctiv e to art historical approaches based on theories of aesthetics and style after Kant that downplay the instrumental character of much early modern art. To accomplish this, though, the variety of rhetorical theory is necessarily placed in the background to allow for the common threads that tie rhetoric to the v isual arts in van Eek's account to come into relief. For those interested in early modern European visual culture this will seem a small price to pay. James A. Knapp Eastern Michigan University Susan Miller, Trust in Texts: A Different History ofRhetoric. Carbondale, IL: Southern Illinois University Press, 2008. xiv + 224 pp. This is an astute, ingenious, and inclusive survey of the contemporary Anglophone discussion that centers on what Miller considers the rhetorical core: that is, pedagogy, training for discursive performance—either in civil affairs or in "self-fashioning," techniques of representation of the practi­ tioner for both public and private motives. That is, both teaching-practice and practice-practice. Tier vital distinction is the prefix meta . rhetoric engages "multiple metadiscourses derived from ritual, imaginative, affil iative practices" (p. 1). Rhetoric as pedagogy is obviously meta-discourse, discourse about discourse; it can, or should, invest in meta-discursive 234 RHETORICA controlling, important—discourses that form and are formed by vital, specific life-interests. On the one hand, the multiple metadiscourses are practices 1) "that we trust for their well-supported and reasoned statements", or 2) "for their participation in infrastructures of trustworthiness," products of "special plane[s] of understanding, and [their] consequences" (p. 2). But, on the other hand, pedagogy, as schooling in the conditions of trust, deals also with trust, not in reason and the shared infrastructure, but with uncertainty, bad faith; it functions "symbolically and charismatically" (p. 3), it can be a "retreat to the orphic" (p. 147). Still, it is always creating "contexts for choice" in an "emergent present" (p. 3) responding—she cites John O. Ward—to "distinct market niches" (p. 4), or, preferably to universal/human, national, global niches. Thus, rhetoric is hegemonous: powerful in its contribution to "productivity and stature of the present [whatever] age," or to "the circulation of contemporary values" (p. 37). As hegemonous, omnicompetent: the study considers political ideolo­ gies, literary aspirations, social ambitions, power contests, gender definings, genre strategies. Rhetoric can be reformulated as concerned with "ad hoc, class-based, experiential, and especially educational bonds that enable per­ suasion" (p. 53). Anything, in short, "crucial to monitoring, reprocessing, and delivering the limits of trust" (p. 5). There is, as well, a very strong emphasis on the pertinent contributions of emotional as well as cognitive capacities. Indeed, a large...

Composition and/or Literature, edited by Linda S. Bergmann and Edith M. Baker, and Integrating Literature and Writing Instruction by Judith H. Anderson and Christine R. Farris, reviewed by Jason Pickavance; Local Histories: Reading the Archives of Composition by Patricia Donahue and Gretchen Flesher Moon, reviewed by Keely R. Austin; Take 20: Teaching Writing by Todd Taylor, reviewed by Jeffrey Klausman.

This essay reports on an effective approach to teaching both rhetorical skills and white racial awareness by using historical moments when racial definitions were asserted and defended, allowing students to see their constructed racial identities through a nonthreatening rhetorical lens.

The 2008 Alan C. Purves Award Committee is pleased to announce this year’s recipient, Beth Maloch, for “Beyond Exposure: The Uses of Information Texts in a Second Grade Classroom,” which appeared in the February 2008 issue of Research in the Teaching of English (pp. 315-362). Here the committee discusses the importance of Maloch’s work and its implications for teaching and future research.

The RTE editors introduce the articles in Volume 43, Number 3.

Anne Ruggles Gere and Daniel Berebitsky take the No Child Left Behind legislation as their starting point to review relevant literature on teacher quality. They document what is becoming an increasingly disturbing pattern: discrepancies in the distribution of highly qualified teachers with the most experienced teachers being the least likely to work with students from diverse social and economic backgrounds.

Beth Maloch reflects on her Alan Purves Award-winning article, which was chosen because of its demonstration of the ability of one teacher to make a difference in young students’ use of informational texts to develop complex, literate lives.

The year-long case study described in this article examined the transactions between a sixth grade social studies teacher, Mrs. O’Reilly, and a struggling reader within her classroom, Sarah, in relation to the reading-task demands of their classroom. Findings indicated that Mrs. O’Reilly’s transactions with Sarah were influenced by a cognitive, print-centric view of reading and the identity she created for Sarah based on that view of reading. Sarah’s transactions with the reading task demands were influenced by how she identified herself as a reader and her goal to prevent her peers from seeing her as a poor reader. The findings from this study suggest that teachers and researchers need to find ways to identify and be responsive to the role of identity in the classroom.

David H. Slomp and M. Elizabeth Sargent have written a commentary on the responses by Joseph P. Kutney (December 2007) and by Libby Miles et al. (February 2008) to Douglas Downs and Elizabeth Wardle .Teaching about Writing, Righting Misconceptions:(Re)Envisioning First-Year Composition as Introduction to Writing Studies which appeared in the June 2007 issue of CCC.

Reviews Raffaella Cribiore, The School of Libanins in Late Antique Antioch. Princeton: Princeton University Press, 2007. 360 pp. ISBN-10· 0-691128234 -3 Given the enormous body of writing left bv Libanius (b. 314 C.E.), sophist of Antioch, it is surprising that more scholarship has not been generated on this dynamic figure. Raffaella Cribiore, author of the prize winning Gymnastics of the Mind: Greek Education in Hellenistic and Roman Egypt (Princeton, 2001), has gone some distance in filling that gap with the impressive volume under consideration here. Her book serves two purposes: to provide an overview of education in the Greek East in Late Antiquity, with a focus on the school of Libanius in Antioch, and to present new English translations of ox er 200 of Libanius' letters to fathers, students, and other teachers. Using this material, Cribiore argues that assessments of Libanius as a personality based on his orations and the long Autobiography (composed in 374 and supplemented on numerous occasions up to the supposed date of his death, 393: see A. L. Norman, Libanius. Autobiography and Selected Letters, vol I, ed. and trans. A. L. Norman (Cambridge: Harvard UP, 1992), "Introduction" pp. 7-16) will become more three-dimensional through the evidence of the letters. Admirably, she does not read the letters as direct reports of Libanius' character or of history: "[l]etters manipulate reality no less than do speeches self-consciously composed for public consumption or autobiography" (p. 3). The character that takes shape in these letters, argues Cribiore, provides a counterbalance to the "old, embittered sophist" of the Autobiography and the late speeches (p. 6). She seeks to keep in view the warm, supportive teacher and passionate devotee of the logoi alongside the more familiar figure: a Libanius anguished over his physical trials and personal losses, and resentful at the loss of students to other teachers and other interests, such as philosophy and Roman law. Cribiore brings attention to the status of the letter as a genre residing "between public and private" (p. 4) and to the teaching of epistolary rhetoric (pp. 169-73). Letters were essential to the sophist in maintaining contact with former students, their families, and friends; he used them as a central form of promotion and recruitment to keep his school, so closely identified with the man himself, active and filled with students. "'A friend's children have come Rhetorica, Vol. XXVII, Issue 1, pp. 98-111, ISSN 0734-8584, electronic ISSN 15338541 . C2009 by The International Society for the History of Rhetoric. All rights re­ served. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Rights and Permissions website, at http://www.ucpressjournals.com/reprintlnfo.asp. DOI: 10.1525/RH.2009.27.1.98. Reviews 99 to a friend through a friend"' (letter number 204, 321; qtd. p. 110): through such artful formulations Libanius forges a chain of connections among elites across the great distances of the empire. Cribiore emphasizes the role of the carrier, often the student in question, in presenting the letter, and the topos of letter as gift (p. 173; see also Norman, Libanius, pp. 17-43). In the translation section, Cribiore helpfully groups letters into "dossiers": clusters of letters concerning a single student or family. Most had instrumental goals—to evaluate a student to a father, to recommend a student for a position—but more fundamentally, Cribiore observes, each "had to represent the cultural values [Libanius] embodied" (p. 105). They functioned to maintain bonds of philia, the practice of a codified web of relationships (p. 107), forming the connective tissue of elite Greek society in Late Antiquity. Beginning with overview chapters on Libanius in Antioch and schools of rhetoric in the Roman East, Cribiore then moves in more closely to educational practices: the network of relations woven by epistolary practices, processes of admission and evaluation, the content of the curriculum, a long and short course of study, and a discussion of career paths of students after they completed their rhetorical education. The analysis ends with a somewhat cryptic and gloomy section on the silences of Libanius' final years: his illness and depression, the usurpation of rhetoric...

Reviews 101 promotion of building activities (p. 227). Over the years, Cribiore speculates, Libanius came to realize that "although a veneer of rhetoric was important [for a youth] to show that he belonged to the same world as an official whose entourage he sought to enter," an intensive study of the art was optional and did not guarantee success (p. 228). Despite the abundance of material from Libanius, Cribiore acknowl­ edges that what we have is still quite fragmentary: the data "are neither complete nor binding" (p. 80). She makes the reader vividly aware that con­ structing a story or argument about the era is a risky and tentative operation. Cribiore's strengths are the accumulation and rigorous examination of ex­ tremely diffuse pieces of evidence, as well as an abiding interest in the scene of education. For this labor, scholars of rhetoric owe Cribiore a debt. The view of rhetorical education in late antiquity ventured here, and particularly the translations of Libanius' teaching letters, provide the material for many more analyses of this vibrant and perplexing period of rhetorical history. Susan C. Jarratt University of California, Irvine M.a Pilar García Ruiz, Claudio Mamertino: Panegírico (Gratiarum Actio ) al Emperador Juliano, introducción, edición, traducción y comen­ tario (Mundo Antiguo—Series Minor 4), Pamplona: Ediciones Uni­ versidad de Navarra, 2006, pp. 163. In poco meno di trenta anni, tra il 1964 e il 1992, R. A. B. Mynors, P. Fedeli (che portava a termine il lavoro intrapreso dal suo maestro V. Paladini) e D. Lassandro hanno pubblicato tre edizioni del corpas dei Panegyrici Latiai che, partendo da quelle fondamentali di E. Baehrens del 1874 e del figlio W. Baehrens del 1911, hanno senza dubbio apportato significativi miglioramenti al testo, assestandolo in una forma pressoché definitiva e unánimemente accolta dalla comunitá scientifica. Avvalendosi dell'ottimo lavoro svolto da tali illustri precedenti, come ella stessa dichiara nella presentazione del volume (p. 7), M.a Pilar García Ruiz pubblica ora una nuova edizione critica con introduzione, traduzione in castigliano e commento del Panegírico aU'iniperatore Giuliano, composto da Claudio Mamertino e pronunciato il 1° gennaio del 362 d.C.; LA. é arrivata a tale risultato dopo aver gia prodotto alcuni articoli sulla raccolta dei panegirici latini e sulla figura dell'imperatore Giuliano, nell'ambito di un piü ampio progetto sugli aspetti storico-letterari del rapporto tra paganesimo e cristianesimo "nell'ultimo secolo dell'impero romano." Dopo la presentazione (pp. 7-9), il volume presenta una introduzione (pp. 11-44) in cui sono fornite al lettore alcune notizie preliminari necessarie ad un adeguato inquadramento storico e letterario del testo in esame, nonché dei principali temí in esso riscontrabili. Nello specifico, 1 A. si sofferma 102 RHETORICA brevemente su: a) origine ed evoluzione dei panegirici (pp. 11-13); b) il corpus dei Panegyrici Latiui dei secoli III e IV d. C. (pp. 13-19); c) la Gratiarum actio di Claudio Mamertino a Giuliano, con particolare attenzione al contesto storico (pp. 19-22), all'autore e alia circostanza storica (pp. 22-4), all'immagine dell imperatore Giuliano che emerge dal panegírico (pp. 24-9), al carattere funzionale di alcune figure retoriche a cui fa ricorso Claudio Mamertino (pp. 29—37); d) la tradizione manoscritta del testo dei Panegyrici, con una rapida rassegna di informazioni sulla scoperta in etá umanistica, sui manoscritti e sulle edizioni (pp. 38-43); e) sulla presente edizione (pp. 43-4). Le pp. 48-97 sono occupate dal testo latino con una traduzione in castigliano , che sostanzialmente rispetta le caratteristiche e i moduli espressivi del testo antico; successivamente (pp. 101-56) si sviluppa il commento. Concludono il volume una bibliografía (pp. 157-61) e un indice dei nomi propri (p. 163). Nella presentazione (p. 7) LA. dicbiara di aderire alia convinzione di chi ritiene che, per realizzare un contributo plenamente valido sul piano scientifico , sia necessario affiancare al commento storico quello letterario; in realtá, le pagine dedícate al commento dimostrano come LA. preferisca concentrarsi soprattutto sugli aspetti storici che emergono dal testo della Gratiarum actio; il confronto con le fonti parallele considérate, soprattutto Ammiano Marcellino , forse avrebbe meritato un maggiore approfondimento e una...

Abstract This essay investigates the ways that some teachers colleges not typically considered in traditional histories of the Speech field reconfigured aspects of elocution or the performance arts through their teaching practices. Focusing on San Jose State Teachers College in the early decades of the twentieth century when Speech was emerging as a discipline, this analysis demonstrates how some speech teachers refashioned and democratized the teaching of oral reading, particularly the oral reading of poetry. In so doing, this study reveals the gendered nature of our standard histories while broadening our understanding of how teachers colleges fit into the disciplinary split between Speech and English.

The New York Times and others regularly implore us to raise the quality of teacher education. This essay explores why it is so difficult to do so, particularly at the urban, public institutions that produce many of our nation's teachers. It describes one such attempt to raise standards in writing. I document the process of building a new writing assessment program, including a writing assessment exam and a remediation program. I discuss our rubric and scoring procedures, samples of student work, and the poor score trends for our exam. I describe the difficulties in working without adequate resources, and I examine the ways in which our program posed a threat to the economics of the university. I conclude that efforts to raise program quality and produce higher-quality graduates are unlikely to succeed without fundamental changes to the economy of education generally and teacher education in particular.

This article proposes a strategy for teaching students about periodization, canonicity, and recovery work. It assigns Mary Darby Robinson's reading list as course material in women's literature as well as in Romantic-period classes and other kinds of eighteenth- and nineteenth-century interdisciplinary courses.

Fueled by disciplinary disagreements and resource fights, comp/lit conflicts continue. However, productive collaboration is possible and an opportunity remains in developing general education writing courses. A general education course in teaching writing through literature is argued for on the grounds that English studies has been positively transformed by the mainstreaming of composition, pedagogy, and cultural studies.

��� I must begin with a confession. When I last taught Literature of the Holo caust, I cut Wiesel’s Night from the reading list. Teachers are always making hard choices. There’s just too much compelling literature to teach in this class. I teach only texts written by survivors. That narrows the field somewhat — so, no Cynthia Ozick, no Anne Michaels, or Ursula Hegi, or Art Spiegelman. I sneak in Nathan Englander’s short story “The Tumblers” as end-of-semester reading and for the final exam, but that’s a closing flourish. Eliminating Night carries a hint of heresy and a measure of guilt. But with Oprah Winfrey as champion, and 10 million copies sold, Night’s dominance in discussions of Holocaust literature has long been secured. Less pervasive texts, such as Ida Fink’s A Scrap of Time and Other Stories, Lore Segal’s Other People’s Houses, Charlotte Delbo’s Auschwitz and After, Jurek Becker’s Jacob the Liar, and Imre Kertesz’s Kaddish for an Unborn Child, claim my class’s attention. Perhaps you hear too in the opening of this review of Alan Rosen’s edition of essays on Wiesel’s Night, in the Modern Language Association’s series Approaches to Teaching, the echo of Kertesz’s 2002 Nobel Prize for Literature lecture, “I must begin with a confession” (604). Kertesz’s confes sional, analytical literature tackles the need to understand and even explain the Holocaust, as well as the totalitarian oppression to which Auschwitz

While disciplines such as law, journalism and medicine have ethics classes embedded into their degree structures, fiction writing has escaped this administrative scrutiny. This paper argues that an `ethics of representation' should be raised within the prose fiction classroom if creative writing teachers are serious about training future writers. Drawing on work by Michael Riffaterre and Seymour Chatman, this paper argues that due to the historic privileging of realism and ensuing reader assumptions, writing students need to understand the importance of research and representation. After a brief discussion of how creative writing is situated within the tertiary administrative context, this paper then cites a critical teaching pedagogy (as articulated by Rochelle Harris) and practical strategies that teachers can use to bring discussions of representation into the prose fiction classroom. Inspired by the work of creative writing academics such as George Kalamaras and Sandra Young, these strategies include using the workshop session, classroom readings and formal assignments to foreground matters of representation.

This article investigates the status of orality in the history of technical communication. The article calls for orality as an integral part and driving force of technical writing. The article brings to light the misconceptions that have led to a diminished role of oral communication in technical writing. The article shows the implications of oral skills for improved effectiveness of technical communicators. The article outlines the challenges and promises of teaching oral communication in technical writing.

Phishing e-mails deceive individuals into giving out personal information which may then be utilized for identity theft. One particular type, the Personal Solicitation E-mail (PSE) mimics personal letters—modern perversions of ars dictaminis (the classical art of letter writing). In this article, I determine and discuss 19 appeals common to the PSE. These appeals were established first by conducting generative rhetorical analysis, then by volunteer coding, on 170 e-mails collected over a 12-month period. After defining these categories, I show how these letters are excellent twenty-first century teaching tools for pathos-based argumentation, logical appeals, the creation of ethos, and kairos in the development of perceived exigency.

Student compositions traditionally are written for the teacher. Yet instructors of professional communication genres have discovered that students' motivation may be enhanced when they write assignments for audiences of peers within the classroom or professionals outside the campus. Yet client-based projects require writing students who have never yet written for an external audience to make a leap beyond the classroom. To bridge the gap between writing for classroom peers and writing for professional clients, this article describes a third and intermediate choice of audience, namely, external peers in cross-classroom collaborations that occur via telecommunication. The author places this intermediate-audience strategy within the larger conversation about the impact of audience on student writing outcomes, applies the strategy to professional writing pedagogy, and reports the results of a small pilot study that provide some preliminary support for the strategy.

As a field, creative writing must reject its traditional image of “uselessness” and realize its anticapitalist, antiprivatizing potential as a creator of public space. In part, this move would involve teaching students to question traditional notions of influence, as well as the modernist concept of the author as a lone,autonomous individual.

Defining Our Terms - Elizabeth Hodges: Reviewed are Keywords in Creative Writing, by Wendy Bishop and David Starkey, and Power and Identity in the Creative Writing Classroom: The Authority Project, edited by Anna Leahy. The “Sticking” Problem: Locating Creative Writing at Home and Abroad - Sarah E. Harris: Reviewed are Creative Writing Studies: Practice, Research, and Pedagogy, edited by Graeme Harper and Jeri Kroll; Teaching Poetry Writing: A Five-Canon Approach, by Tom C. Hunley; and The Author Is Not Dead, Merely Somewhere Else: Creative Writing Reconceived by Michelene Wandor. Creative Writing for Everyone - Megan Fulwiler: Reviewed is The Practice of Creative Writing: A Guide for Students by Heather Sellers.