This Research Brief presents an overview of current research in community-engaged writing, particularly foregrounding the importance of praxis-oriented and collaborative approaches. Here, we articulate collaboration, reciprocity, and accountability as some of the main tenets of community-engaged writing, and we showcase the variety of projects that such work can include (from local food writing to prison literacy work to transnational social justice movements and beyond). Then, we explore some of the methods and methodologies that are central in this scholarship, drawing on examples that engage storytelling, oral history and interview methods, archival methods, ethnographic research, and even public performances and workshops. We conclude with a discussion of future possibilities for research, teaching, and the imperative to see community-engaged work as part of scholarly work in tenure, promotion, and review.

The integration of generative artificial intelligence (AI) into academic writing has raised questions about the syntactic complexity of AI-generated texts compared to human-authored essays. While studies have explored syntactic complexity in human writing, limited research has compared AI-generated argumentative and narrative texts, particularly in isolating cognitive overload and proficiency factors. This study addressed this gap by examining genre-specific syntactic patterns in AI-generated essays. Using the L2 Syntactic Complexity Analyzer, the study analyzed four hundred AI-generated essays (two hundred argumentative and two hundred narrative) and employed paired T-tests and Pearson correlation coefficients to identify differences and relationships among syntactic measures. Results showed that argumentative essays demonstrated higher syntactic complexity than narrative essays, especially in production unit length, coordination, and phrasal sophistication, while subordination measures remained similar. Correlation analysis revealed that argumentative essays compartmentalized ideas through coordinated and nominally complex structures, while narrative essays integrated descriptive richness through longer sentences and embedded clauses. The findings suggest that genre-specific rhetorical demands shape syntactic complexity in AI-generated writing. Implications for teaching and learning writing and future studies are discussed.

In response to disruptions introduced to the job market by AI resume screeners, this article introduces a novel theoretical framework for the life cycle of artificial intelligence systems to help unblackbox resume screening AI systems. It then applies the AI life cycle framework to a digital case study of RChilli’s job-resume matching algorithm. The article introduces an eleven-step computational job-resume matching assignment that writing instructors can use in their classrooms to explore the pedagogical implications offered by the AI life cycle framework. The assignment helps students simulate important phases in AI production and development while highlighting biases and ethical concerns in AI screening of resumes. By exploring job-resume analytics, this study helps to teach critical AI and data literacy, make job-resume matching algorithms more explainable, and transform how professional writing can be taught in the age of automated hiring.

This essay discusses the conflict a compositionist from the US-Mexico border encounters in teaching composition amidst migration. Through autohistoriando, the author shares his experiences inside and outside of the composition course at this border to analyze and respond to this conflict.

We report our qualitative study on two graduate student instructors’ experiences teaching alongside an experienced professor in an experimental super-sized first-year writing class. Using the framework of wobble (Fecho et al), we explore how mentors can help novice teachers navigate moments of destabilization and uncertainty.

This article argues for repositioning voice within BIPOC histories and contributions to the fields of English/rhetoric/composition studies. By reinvestigating the affordances and constraints of Expressivist-driven definitions of “voice” and the contemporary applications of imitation writing assignments, this article demonstrates alternative approaches to teaching and thinking through voice in writingbased courses.

This paper tells the story of theedubba, the Mesopotamian scribal school. First, theedubba’s pedagogy demonstrates that the first formalized center for teaching writing was more akin to the modern writing center than to the composition classroom. Second, unlike many modern writing centers, theedubbawas multilingual. It is easy to look at the past and congratulate ourselves on how much better we’ve made the future, but theedubbahas something to teach us beyond the fact that it preceded the composition classroom. A circle has no beginning, and both the writing center and the writing classroom are part of one circle—equally important to the students they serve.

In this article, we argue for a coalitional orientation for writing programs and centers to advance language justice and make good on the promises delineated over fifty years ago in the Conference of College Composition and Communication’s publication of the Students’ Right to Their Own Language. Specifically, we argue that writing centers are ripe sites of teaching and learning—not merely auxiliary support for the composition classroom. Indeed, as we demonstrate, many writing centers actively push for language justice by, for example, publishing language diversity/inclusion statements and championing concrete, pedagogically just practices. Accordingly, we urge the discipline of composition and writing centers to work together as coalitional partners to advance language justice across the discipline and, ultimately, beyond.

This article outlines the concept of readiness to learn (RTL) as a framework for explaining students’ differentiated engagement with the Teaching for Transfer (TFT) curriculum. As documented in student voices, RTL operates along a continuum ranging from preparing to engage, on one end, to enacting TFT, on the other, with beginning to engage in the middle.

In our introduction to this special issue on cultural rhetorics, we as editors recognize that members of the field maintain many different approaches and frameworks. This diversity suggests that the work of prioritizing emplaced stories over universalizing theories brings cultural rhetoricians together, making research and teaching accountable first to communities, rather than the academy, and continuously examining our ethical commitments to O/others. This work, then, requires that scholars situate themselves within networks of places and spaces, cultures and peoples, power and privilege, so that we may practice relationality and accountability, actively seeking to make meaningful connections within and across research sites, and create space for silenced voices while building a more just world and disciplinary community.

This essay defines “benevolent gaslighting”: a technology of whiteness in which racisms are repurposed as benevolent misunderstandings. In reading disciplinary trends and cultural examples, we show how it (re)centers whiteness and prompts BIPOC to question their histories, memories, and realities by situating racial trauma as “progressive” teaching moments.

This multi-institutional study surveyed undergraduate students (n=669) about how and what they learned in hybrid and online first-year composition (FYC) classes, employing the Community of Inquiry (CoI) Framework to analyze their responses. The data illustrated a significant difference in hybrid versus online students’ perceptions of the student-teacher relationship.

Data from a study of graduate instructors in a composition teaching practicum show that the neglect of declarative knowledgeaboutlanguage is something that they were conscious of and wished to remedy. This finding supports arguments calling for reinstating a focus on linguistic knowledge in composition and writing studies programs.

Fake news feels exceptional in the post-Trump era, but it’s not. We are in an era of fake news, but not the first one. By situating our current moment on a longer timeline, we can recognize tools writing teachers have at our disposal in a new era of fake news.

Interdisciplinary collaborations to help students compose for discipline-specific contexts draw on multiple expertise. Science, technology, education, and mathematics (STEM) programs particularly rely on their writing colleagues because 1) their academic expertise is often not writing and 2) teaching writing often necessitates a redesigning of existing instructional materials. While many writing studies scholars have the expertise to assist their STEM colleagues with such tasks, how to do so—and, more fundamentally, how to begin such efforts—is not commonly focused on in the literature stemming from these collaborations. Our article addresses this gap by detailing an interdisciplinary Writing in the Disciplines (WID) collaboration at a large, public R1 university between STEM and writing experts to redesign the university’s introductory biology writing curriculum. The collaborative curriculum design process detailed here is presented through the lens of wayfinding, which concerns orientation, trailblazing, and moving through uncertain landscapes according to cues. Within this account, a critical focus on language—what we talk about when we talk about writing—emerges, driving both the collaboration itself and resultant curricular revisions. Our work reveals how collaborators can wayfind through interdisciplinary partnerships and writing curriculum development by transforming differences in discipline-specific expertise into a new path forward.

Women continue to be underrepresented at the highest academic rank of full professor. Studies show that once women earn tenure, they are inundated with teaching, service, and administrative responsibilities, which take time away from research and publication—the primary criteria for promotion. We believe that rhetoric and writing studies (RWS) faculty are uniquely situated to confront this challenge because of our disciplinary expertise, our experience administering writing programs, and our interest in equity. With the goal to increase the number of women full professors at our university, we created a year-long writing program for women associate professors. Based on results from this pilot study, we argue that RWS faculty can use their expertise to decrease the disparity at the highest academic rank and make the university more diverse and equitable. Moreover, we believe that RWS scholars can use their disciplinary expertise to address a range of other institutional and systemic challenges.

This article reports on one university’s experiment in resurrecting and reanimating the composition lecture, a one-hundred-plus student section dubbed “MonsterComp,” including the process, outcomes, and lessons learned. Although this restructuring of the first-year composition course was partially motivated by administrative pressures, the main motivation behind this experiment was to enhance teacher training and support while still retaining the workshop environment and low student-to-instructor ratio of traditional composition sections. The course involves multiple stakeholders, including the WPA and graduate student program coordinators, graduate student instructors, and course-based coaches from our university's writing center. Assessment of student work, observations of the course, and surveys administered to stakeholders indicate that the course was successful in terms of teacher training and preserving student learning outcomes.

Drawing on the Teaching for Transfer (TFT) writing curriculum, this study documents how students in writing courses at four different institutions transferred writing knowledge and practice concurrently into other sites of writing, including other courses, co-curriculars, and workplaces. This research demonstrates that when students, supported by the TFT curriculum, understood that appropriate transfer of writing knowledge and practice is both possible and desirable, (1) they engaged in writing transfer during the TFT course into other sites of writing; (2) they transferred from in-school contexts into out-of-school contexts with facility; and (3) in both cases, they engaged in a just-in-time transfer.

Editor’s note: The Exemplar Award is presented to a person who has served or serves as an exemplar of our organization, representing the highest ideals of scholarship, teaching, and service to the entire profession.

Two-year college faculty have begun articulating ateacher-scholar-activistprofessional identity. After tracing the emergence of this concept and calls for solidarity in two-year college writing studies, we draw on two case studies to advocate for cross-sector disciplinary alliances that expand educational opportunity, improve professional equity, and advance social justice.

With June Jordan’s voice lodged inside my head, I traverse history and the here and now as queer immigrant scholar/teacher of color via a transnational critical optic, alert to the ravages of power. I write using experimental form to break the hold of dominant (white) rhetorical traditions that are failing us, intertwining my words with Jordan’s words amidst ongoing assaults on our lives/imaginations.

Members of the CCCC Committee on Globalization of Postsecondary Writing Instruction and Research drafted the following policy statement between 2014 and 2017. Composing the policy statement has been a key charge for the committee since its inception in 2009; the impetus for both the committee and the statement arises out of CCCC’s recognition that the processes of globalization influence all members of the discipline, including writing program administrators, teachers, students, and researchers. We hope that the definitions, guidelines, recommendations, and suggestions for further reading offered in the policy statement ultimately serve CCCC constituents in teaching, research, and outreach. The statement has also been published on the CCCC website.

This article argues for understanding Kenneth Burke’s linguistic pedagogy as a teaching practice rooted in the appreciation of disability. It explores connections between the Cold War cultural context and the present day, describing how a nuanced approach to disability pedagogy can resist impulses toward competition and conflict in the classroom and on the world stage.

Building on studies of alternative rhetorics, this article envisions personal writing pedagogy as a relational endeavor that fosters rhetorical alliances among disparate communities. I detail a particular course design through which “personal reflection” becomes a means of enacting more radical forms of belonging.

This essay brings to light new evidence about the relationship between revision and reflective writing in the first-year writing classroom. Based on a robust study of student work, we illuminate a variety of complex relationships between the writing knowledge that students articulate in their reflections—including how they narrate their course progress, approach teacher commentary, and make decisions about their revisions—and the actual writing practices they execute in their revised essays. The essay offers pedagogical innovations that help students use reflective writing in ways that support substantive revision.

Epideictic rhetoric reifies and reshapes the shared values of a community, and in this article, I reread William E. Coles Jr.’sThe Plural Ias showing forth a classroom built upon epideictic rhetoric, his own epideictic pedagogy asking that teachers of writing engage student work not expecting to be persuaded but as observers of rhetorical display.

Code-switching pedagogies do not consider that some features of African American Verbal Tradition (AVT) are rhetorically effective mainstream communication structures in academic writing. My research asserts that when teaching language/dialect difference in majority white school settings, contrastive analysis techniques such as these may have highly negative effects on AAL (African American Language) speakers. Thus, as an alternative to code-switching pedagogical practices, I introduce a comparative approach that may be applied across all minority language groups and that highlights African and African American contributions to standardized American written communication structures and demonstrates the value of AVT in academic settings. This comparative rhetorical approach may have a positive impact on student language attitudes toward AAL by illustrating that many academic writers from varied racial/ethnic backgrounds often use AVT in their writing for rhetorical purposes and to produce lively, image-filled, concrete, readable essays.

Editor’s note: The Exemplar Award is presented to a person who has served or serves as an exemplar of our organization, representing the highest ideals of scholarship, teaching, and service to the entire profession

This article theorizes teaching as accommodation and argues for a centering of disability in writing pedagogy. It examines how universal design can improve composition classrooms, applying inclusive principles to the syllabus in particular.

This article uses systems and complexity theory to illustrate key characteristics of writing as a complex system. This illustration reveals how writing works on multiple levels of scale, and adds to the body of theoretical knowledge that can be taught within the discipline of writing studies. In so doing, it shows how a complex systems writing pedagogy can benefit both researchers and students.

This article explores bodily movement practices as a foundational component of rhetorical awareness. Through ethnographic study of dance pedagogy, the author demonstrates how genre uptake is enabled by bodily experience; learned ways of moving produce inclinations toward certain rhetorical pathways over others.Enabling students to uptake new genres means teaching them to be aware of the intersection of bodily and intellectual resources.

In an era of normative austerity in US higher education, composition is being transformed by budget cuts, retrenchment, and marketization. Nevertheless, the field’s scholarship continues to compartmentalize questions concerning the material terms of practice away from questions of curricular philosophy. Because composition has not developed a deliberate, sustained inquiry into how scholarship and teaching are being shaped by the perpetual crisis of austerity economics, we are compelled to adopt myopic and reactionary stances toward our work. As a means of subverting composition’s perpetual crisis, Scott advocates disciplinary work that not only imagines new, globally focused, and politically conscious curricula but also actively pursues the creation of the work and learning environments that are necessary for their successful realization.

By returning to the controversy created by the publication in 2002 of Marc Bousquet’s JAC article (“Composition as a Management Science”), focusing on the labor issues attending composition teaching and the prospects of institutional critique, I examine how the conceptual indeterminacy of many of the field’s key terms in actuality undergo (and perform) a political-economic function. This exploration forms the basis for an analysis of how the knowledge domains of the field can be more clearly defined through an effort to reframe the field as “writing studies,” for the purpose of moving beyond the worn out commonplaces and labor exploitation associated with first-year composition.

This article argues that composition should be involved in the study and teaching of graduate level writing. It goes on to argue that independent consulting offers a viable way for compositionists to share expertise with graduate students and programs, as well as to expand opportunities for participation in the profession.

The concept of metanoia illuminates the spaces that exist around and beyond opportune moments. As such, metanoia offers ways to reframe the affective elements of teaching and learning, writing and revising. This essay examines emotion, agency, and transformation in the concept of metanoia as a way to expand “opportunity” in writing processes. View a short video by Myers and some of her students on the CCC Videos page.

This essay examines James Britton’s role in the development of composition studies as an academic discipline and considers the relevance of his work in the field today. It contends that his influence arose, paradoxically, through his construction of an antidisciplinary theory of the role of language in teaching and learning. Finally, in response to calls for composition studies to move away from its longstanding focus on instruction, it argues instead for an increased emphasis on pedagogical inquiry.

Reviewed are: Placing the Academy: Essays on Landscape, Work, and Identity Jennifer Sinor and Rona Kaufman The Locations of Composition Christopher J. Keller and Christian R. Weisser, editors What Is “College-Level Writing”? Vol. 2: Assignments, Readings, and Student Writing Samples Patrick Sullivan, Howard Tinberg, and Sheridan Blau, editors Teaching Writing in Thirdspaces: The Studio Approach Rhonda C. Grego and Nancy S. Thompson Generaciones’ Narratives: The Pursuit and Practice of Traditional and Electronic Literacies on the U.S.-Mexico Borderlands John Scenters-Zapico

Sisters and Brothers of the Struggle: Teachers of Writing in Their Worlds Charles Bazerman Internationalization, English L2 Writers, and the Writing Classroom: Implications for Teaching and Learning Terry Myers Zawacki and Anna Sophia Habib

Reviewed are: Multimodal Literacies and Emerging Genres Tracey Bowen and Carl Whithaus, eds. Redesigning Composition for Multilingual Realities Jay Jordan First Semester: Graduate Students, Teaching Writing, and the Challenge of Middle Ground Jessica Restaino

The Exemplar Award is presented to a person who has served or serves as an exemplar of our organization, representing the highest ideals of scholarship, teaching, and service to the entire profession. This is a written version of the acceptance speech that Keith Gilyard gave at the CCCC Convention in Las Vegas on March 15.

Reviewed are: Networking Arguments: Rhetoric, Transnational Fitalicinism, and Public Policy Writing Rebecca Dingo Conversational Rhetoric: The Rise and Fall of a Women’s Tradition, 1600–1900 Jane Donawerth Fitalicinist Rhetorical Resilience Elizabeth A. Flynn, Patricia Sotirin, and Ann Brady, editors Writing a Progressive Past: Women Teaching and Writing in the Progressive Era— Lisa Mastrangelo— Fitalicinist Rhetorical Practices: New Horizons for Rhetoric, Composition, and Literacy Studies Jacqueline Jones Royster and Gesa E. Kirsch

This essay examines the current state of online writing instruction in light of changing technologies and everyday literacies in order to understand their impact on access to higher education and on the material conditions of teaching writing.

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In a photo taken at the community college where my father Julian Medina taught, he’s wearing a tie and a middle-management, short-sleeved buttonup shirt, shaking hands with farm worker advocate César Chávez. As in my father’s proud image, I too work hard to project a professional appearance, often wearing a tie the first few weeks of the semester. I do so because of the often mistaken assumptions students make about my knowledge and the wisdom of assigning readings by writers of color. Unfortunately, this feeling of insecurity comes from lived experience. When my Anglo mother married my Mexican American father, her father disowned her. Even though my father had earned his bachelor’s degree and his master’s degree and taught English at a community college in central California, his accomplishments did little to diminish my grandfather’s racial prejudice. Before my father died in 2006 at the age of fifty-six, he often told me that I was supposed to surpass his success in the same way as he did with his accomplishment as the first in his family to graduate from college. He did this by changing the family trade of mowing lawns to instead teaching English at the college level.

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By challenging misconceptions about students and instructors at two-year campuses, this article critically examines practices of knowledge making in writing studies, arguing for the repositioning of writing instruction at two-year and open-admissions colleges from the margins to the center of the profession.

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Drawing on qualitative research conducted at the University of Michigan, this article examines the extent to which composition instructors theorize and teach reading-writing connections and argues that explicitly teaching reading-writing connections may increase student motivation to complete assigned reading. The article also discusses using model texts as an effective means of teaching those connections.

This article is a pragmatic, classroom-focused conversation about the teaching of writing among three teachers living in the United States and China, separated by manythousands of miles and many centuries of tradition and culture. Our focus here is on classroom concerns: actual student writing, assignment design, and assessment. Weseek to understand more clearly through this conversation how culture and rhetorical tradition help shape the way we teach writing.

This article describes the rationale and efficacy of a graduate-level teaching module providing loosely structured practice with real archives. Introducing early career scholarsto archival methods changed their beliefs about knowledge, research, teaching, and their discipline(s). This case study suggests that archives can be productive training spacesfor all writing studies researchers.