community literacy

Youth perspectives are routinely absent from research and policy initiatives. This article presents a project that infuses youth participation, training and mentorship into the research process and teaches youth how to become policy advocates. Empower Latino Youth (ELAYO) studies the individual and systemic factors impacting sexuality and childbearing among Latino youth and seeks to reduce negative stereotypes and elevate the social standing of Latino youth. As a team-in-training, ELAYO provides adolescents, undergraduate and graduate students the opportunity to develop research skills while learning the importance of linking science to policy. This paper was developed in collaboration with Latino youth.

This project increased awareness about issues of violence to youth, their communities, and policy makers through the technique of photovoice and its translation into photo exhibitions and other community events. Youth participants learned photography skills, engaged in critical communal discussions about important issues affecting their health, wrote reflective stories about their photos, and engaged in policy change efforts. Their photos depict the need to address economic devastation and built environment degradation to prevent violence in their communities. Youth presented policy makers and community leaders with an “insider’s perspective” of the issues facing their communities, with the hope of promoting policy change.

This essay provides an approach to teaching T. S. Eliot’s The Waste Land. The approach is designed to disassociate the student from the annotation usually provided by either Eliot or an editor. The assignment is presented in multiple frameworks and hopes to make students deal with the poem’s specific lines. The process described has students identify voice shifts in the poem. It is certainly true that there are differing opinions about voice in The Waste Land, but the point of the assignment is not to involve the student in this debate (at least initially). The explicit pedagogical goal of the approach described in this essay is to enable students to develop their own views on the poem and to create a reading that is independent of editorial direction. This develops their ability to read critically and increases their comfort level with a difficult text.

This article examines the influential Chinese science book Brush Talks from Dream Brook, written by Shen Kuo in the 11th century. I suggest that Brush Talks reveals a tension between institutionalized science and science in the public, and a gap between the making of scientific knowledge and the communication of such knowledge to the general public. In writing Brush Talks, Shen preserved and popularized grassroots science and technology in the most respected medium of his time—the printed book. In the article, I ask what formal elements of this book reveal about the choices Shen made as a literati author to connect to his primary readers, most of which were middle and lower class lay audiences. As I will argue, he used three approaches that aided him in speaking to the public about science and technology—an ethnographic approach to knowledge, innovative uses of genre, and a straightforward writing style.

Many science students believe that scientific writing is most impressive (and most professionally acceptable) when impersonal, dense, complex, and packed with jargon. In particular, they have the idea that legitimate scientific writing must suppress the subjectivity of the human voice. But science students can mature into excellent writers whose voices are clear, interesting, unburdensome, efficient, and accurate. To do this, they must abandon their ponderous scientific voices and use techniques that produce good style. When I teach for the Science Communication Center at the University of Tennessee, Knoxville, I focus on helping students improve their scientific voice. I use workshop-style instruction, review of student writing, tutorial staff, and free online tutorials that I have developed. This article meditates upon the nature of good scientific voice as it analyzes examples of student writing to show improvements made through specific stylistic techniques.

This article argues that an understanding of writing as translingual requires a shift to a different orientation to literacy—i.e., from autonomous and situated to negotiated. Such an orientationtreats the text as co-constructed in time and space—with parity for readers and writers in shaping the meaning and form—and thus performed rather than preconstructed, making the multimodal and multisensory dimensions of the text fully functional. Going beyond the native/nonnative and monolingual/multilingual speaker binaries, this study demonstrates that both student groups can orient themselves to such literate practices in the context of suitable pedagogical affordances. Drawing from teacher research informed by an ethnographic perspective, the study identifies four types of negotiation strategies adopted by writers to code-mesh and readers to interpret texts: envoicing, recontextualization, interaction, and entextualization. Envoicing strategies set the conditions for negotiation, as it is a consideration of voice that motivates writers to decide the extent and nature of code-meshing; recontextualization strategies prepare the ground for negotiation; interactional strategies are adopted to co-construct meaning; and entextualization strategies reveal the temporal and spatial shaping of the text to facilitate and respond to these negotiations. The analysis points to the value of a dialogical pedagogy that can further develop the negotiation strategies students already bring to the classroom.

Corporate social media policies construct what Herndl and Licona term “constrained agency,” an ambiguous, contradictory agent function. Drawing on an analysis of 31 corporate social media policies, this article argues that these policies create constrained agency in two ways: they establish contradictory expectations for a writer's voice by requesting both individual and corporate-friendly voices, and they create a seemingly paradoxical situation where employees both do and do not represent the company. These policies shed light on the complex constructions of agency within corporations and encapsulate the workplace tensions that accompany the affordances of social media tools.

This article provides a historical case study of the Sentinelle Affair, a conflict between French language rights and the English Only educational policies of the Catholic Church in New England in the 1920s. An analysis of this conflict reveals a correspondence between programs of language centralization and the production of language differences in the United States. The article explores the possibility that such language histories of white ethnic groups might provide grounds for creating what Malea Powell calls “a rhetoric and composition alliance.”

This article describes working with a deaf student in a basic writing course and explores what teaching deaf students can teach us about composition studies.

Our purpose in this paper is to foreground contextual issues in studies of situated writing practices. During a year-long case study in a rural Kenyan secondary school, we applied a number of ethnographic techniques to document how 32 girls (aged 14-18 years) used local cultural and digital resources (i.e., donated digital cameras, voice recorders, and laptops with connectivity)within the context of their after-school journalism club. We take inspiration broadly from the concept of liminal spaces, which we bring together with notions of placed resources, New Literacy Studies (NLS), multiliteracies, multimodality, and identity work. We argue that the learning space of the journalism club, including its mediating digital tools, affords identities of empowerment to students’ writing and experimentation. On close examination of the transitional space of the journalism club, we see the foundational practices of situated rehearsal, appropriation, and performance of the roles and linguistic repertoires that the learners associated with competent journalists. We conclude that the club as a learning space, including its “props” and digital resources, fostered new degrees of freedom, community, equality, and creativity. We are left with questions about the characteristics of transitional learning spaces and how these might serve as fertile ground for growing competent writers in a range of educational contexts.

In recent years, scholars have voiced the need for research which focuses on the ability of multilinguals to write across multiple languages rather than on the limitations that they face when composing in a non-native language. In order to better understand multilingual writers as resourceful and creative problem-solvers, the current study aims to investigate how German/Spanish/Catalan multilinguals draw on the full extent of their linguistic repertoires to solve lexical problems while writing in their fourth language, English. Think-aloud data were collected from 10 informants (8 female, 2 male; ages 16-17) in a German immersion secondary school in Barcelona, Spain. Analysis of the participants’ protocols revealed that the activation of lexical items across several languages was a common approach to tackling lexical problems. The writers’ resourcefulness and creativity were apparent in the activation of cognate forms and their willingness to experiment with language. In their metacomments, they expressed awareness of their strategic behavior as well as their degree of satisfaction with their solutions. It is argued that more research into the strategic behavior of multilingual writers is necessary in order to inform multilingual pedagogy.

When, why, and how do college students come to value their writing as intellectual property? How do their conceptions of intellectual property reflect broader understandings and personal engagements with concepts of authorship, collaboration, identification, and capital? We address these questions based on findings from the Stanford Study of Writing, a five-year longitudinal cohort study that examined students’ writing, writing development, and attitudes toward writing throughout their college years and one year beyond. Drawing in particular from interview data, we trace relationships between students’ complex and creative negotiations with intellectual property and shaping tensions within the academy, arguing for renewed pedagogical approaches that affirm students’ writerly agency as consumers and producers of intellectual property.

The Prik of Conscience is a lengthy and widely distributed medieval poem (more than 9,600 lines, more than 115 surviving manuscripts). But should we call it literature? Spurring vigorous discussions of aesthetic value and providing a vivid introduction to spoken Middle English, the Prik of Conscience functions as a usefully disruptive classroom “voice.”

This study traces Renaissance and post-Renaissance technical writers' use of classical rhetoric in English instruction manuals on the sport of falconry. A study of the period's five prominent falconry manuals written by four authors—George Turberville, Simon Latham, Edmund Bert, and Richard Blome—reveals these technical writers' conscious use of classical rhetoric as an important technique to persuade readers to accept these authors' authority and trust the information they were disseminating. These manuals employed several classical rhetorical techniques: invention by using ethos and several classical topics, classical arrangement, the plain style, and adaptation of the orator's duties. The explanation for this classical influence rests in the authors' own knowledge of classical rhetoric derived from sources such as Thomas Wilson, as well as the sources from whom these authors obtained their knowledge of falconry. The article ends by suggesting the origins through which these classical rhetorical techniques influenced the writing of the manuals.

Scholarship on language difference has strived for decades to transform teaching practices in mainstream, developmental, and second-language writing classrooms. Despite compelling arguments in support of linguistic diversity, a majority of secondary and postsecondary writing teachers in the US still privilege Standard English. I join a number of scholars in arguing for a revival of classical style and the progymnasmata, albeit with the unique agenda of strengthening pedagogies of language difference. Although adapting classical rhetorics to promote translingual practices such as code-meshing at first seems to contradict the spirit of language difference given the dominant perception of Greco-Roman culture as imperialistic and intolerant of diversity, I reread rhetoricians such as Quintilian in order to recover their latent multilingual potential.

As a composition historian working with nineteenth-century American literacy artifacts, I have become increasingly aware of how particular keywords have come to dominate our histories. Specifically, I have noticed how the keyword that most resonates with my research—literacy—has been eclipsed and to some extent erased by the dominance of the keyword “rhetoric” in our history writing over the last decade. Why has this happened? How does this trend affect the materials historians look for and the questions they ask? How do our keywords modulate the voices of our artifacts? How do our keywords determine the uses we claim for history?I have surveyed book-length American composition histories published between 1999 and 2010 in order to describe the major trends shaping the kinds of histories we are producing to see if we can identify gaps and fissures, the roads not taken, in relation to these major trends. The preliminary thesis I put before you is that we are in danger of closing off certain types of materials and questions because our histories are increasingly dominated by the keyword “rhetoric.”

In this response I offer a counternarrative to Keith’s dystopian vision and challenge some of his assumptions about the state of our profession. My alternate view notwithstanding, I fully agree with Kroll on more than a few points, not the least of which is the need for more faculty voices to join this conversation at the local and national levels.

Abstract This essay makes two key arguments. The first is that preemptive politics often rely on strategies of rhetorical irony to cultivate perceptions of reasonableness, humility, and dialectical transcendence. As such, I expand the rhetorical conception of Stephen Skowronek's “political time” thesis to reveal its dimensions as a Burkean “ironic development.” The second argument is that Barack Obama's rhetorical strategy more directly fits the typology of preemptive presidents than that of reconstructive presidents, making him far more comparable in “political time” with Richard Nixon than with Ronald Reagan. I proceed to analyze the two presidential candidates' rhetoric in their first winning campaigns for the presidency to discern the extent of these parallels and reveal the applicability of an ironist political style in preemptive electoral situations. The essay concludes by examining the trajectory of liberalism in political time and the implications of this analysis for preemptive “wild cards” in presidential rhetoric.

Abstract This study examines the case of the American philosopher John Dewey as rhetor and public intellectual in China in 1919–1921 to elucidate the lived rhetoric of pragmatism. In China, Dewey gave more than 200 lectures to large academic and general audiences on topics such as education, philosophy, and science. This lecturing activity represents a remarkable and complex rhetorical situation as it involves Dewey addressing an audience not familiar with his ideas and potentially open to persuasion. Using recently discovered lecture notes written by Dewey and translations from the Chinese interpretations of his lectures, I argue that his lectures evinced a pragmatist rhetorical style that attempted to reconstruct dominant habits of thought and communication among his Chinese audiences. In so doing, this study advances our understanding of Dewey as rhetor and the theoretical grounds of the pragmatist rhetoric of experience and synthetic conflict.

This article develops a theoretical understanding of the processes involved in the co-construction of a written text by a teacher and student from a Vygotskian perspective. Drawing on cultural-historical and sociocultural theories of writing and Vygotsky’s concept of the Zone of Proximal Development (ZPD), this case study of a student and teacher interaction in a UK secondary school examines the social mediation of collaborative activity in the negotiation of meaning.While expressivist process theories of writing focus on the development of the authentic voice of the writer, this article contends that the development of a student’s writing abilities requires active intervention by a teacher within a constructed zone of development. Writing is viewed as a situated activity system that involves a dialectical tension between thought and the act of composition.Finally, the article will argue that the recursive and complex nature of writing development is an integral tool in the learner’s own agency in creating a social environment for development.

Writing centers have long been rich sites of critical inquiry into individualized instructional styles and methods. One of the great writing center debates involves directive versus nondirective tutoring styles and methods. While many writing center scholars have discussed the intricacies of directive or interventionist versus nondirective or minimalist pedagogical methods, few have examined the rhetorical implications of this important debate in relation to more classroom-based peer collaborations. This article rhetorically analyzes the literature on directive/nondirective methods and various approaches to tutoring writing, drawing pedagogical and rhetorical connections and implications useful for all teachers of writing and rhetoric.

In this essay, I develop a pedagogical stance called the “free exercise of rhetoric” as a way to approach teaching and student writing at the intersection of LGBT and religious discourses. Through this stance, I work with students’ personal commitments and build their rhetorical competence using a process that involves encountering uncommon arguments, valuing misreading, and embracing unpredictability. I suggest the free exercise of rhetoric as a pedagogical option for taking religion seriously as a topic and identity in writing classrooms, but one that does not start from students’ personal experience with religion.

This essay reveals the importance of investigating mundane internal documents, particularly when considering muted rhetors, who may use such texts strategicallyin an attempt to subvert the status quo. It does so by examining the first and second women presidents of NCTE and their efforts to professionalize the organization andto strengthen the voice of the president.

Ethnography has consistently faced ethical questions since the earliest postmodern critiques of the ethnographer’s claims to objectivity in descriptive research. Concerns of how to represent ethically the ethnographic Other, to engage in activist research, and to foster collaboration among researchers and participants persist even in the age of critical ethnography and its strict attention to these issues. This article offers activity theory as a useful tool with which to address the ethical and practical difficulties that continue to plague critical ethnographers. I argue that by seeing the project of ethnographic research as an activity system as described by A. N. Leontiev and expanded upon in the work of David Russell and Yrjo Engeström, researchers can recognize the shifting locus of expertise between researcher and participant and thus design a research project that is more ethical and, ultimately, more useful for all involved. Ultimately, activity theory serves as a means of helping ethnographers recognize the actual nature of what they are doing when they conduct research so that they may confront ethical challenges in a more fully theorized fashion.

This article makes a case for using Jane Austen’s Pride and Prejudice as a tool for skill-based writing instruction in the composition classroom. The novel employs prose strategies such as commonplaces and amplification that become springboards for class conversation about prose style and student writing. Additionally, the novel’s characters admit to difficulties with composition, such as language usage and organization in letter writing, that seem eerily familiar to those voiced by novice writers in a freshman writing course. Mangiavellano contends that students eagerly seek out ways the novel reminds them of their own lives, and he argues that Pride and Prejudice in the composition classroom can reflect back to students versions of their academic selves just as much as it does their personal selves.

This article argues that popular sports media (such as websites, TV shows, and tweets) can be used in the freshman composition classroom to introduce students to academic argument and to encourage them to reimagine their own writing styles. Because sportswriters, broadcasters, and analysts frequently try to persuade someone of something, the intellectual operations that take place in many types of sports writing make them vibrant examples of academic argument. Asking students to read—and ultimately learn—from sports writing, which is often written in a personal, humorous, and experimental style, inspires students to revisit their own writing style and can teach them about the relationship between form and content. Specifically, Gubernatis Dannen uses David Foster Wallace’s essay “Roger Federer as Religious Experience” to demonstrate relationships between content and prose style strategies. For many students, thinking about sports and sports writing opens up larger possibilities of thinking and writing in college.

Although scholars have acknowledged technical texts written during the Middle-Ages, there is no mention of “technical writer” as a profession except for Geoffrey Chaucer, and historically absent is the accreditation of medieval female writers who pioneered the field of medical-technical communication. In an era dominated by identifiable medieval male technical writers, this article analyzes the medical texts of Hildegard von Bingen, which should be recognized as significant scientific and medical contributions to the field of medical-technical writing. Because the term “technical writing” or “technical writer” did not exist during the Middle Ages, accrediting female medieval scientific and medical writers as technical writers requires the application of modern thought and definition. Primarily known as a mystic and writer of poetry and music, Hildegard's technological and medical texts have slowly gained interest within the medical community. Her texts Physica and Causae Curae, written in the style of modern-day patient history and physicals, outline patient symptoms, causes and effects, preceded by a treatment plan. This article examines Hildegard von Bingen's medical works, identifying her as a scientific or medical technical writer within the same context from which scholars assign Chaucer the same title, and from which all medical and scientific writers of medical texts can be professionally accredited as technical communicator or writer.

Women's rhetoric in the Middle Ages reflects their participation in the deliberative rhetorical genre inherited from classical antiquity. The deliberative tradition, which was often theorized by medieval rhetoricians as existing in consular practice, can thus serve as an example of women's rhetoric which, as Christine Mason Sutherland has noted, could take place in sermo. Women's letters were often hortatory, civic, and sometimes agonistic in tone. These rhetorical artifacts demonstrate that women operated in the rhetorical tradition as eloquent, powerful agents of persuasion in the civic arena, and they also show that, although unmoored from traditional spaces and practices associated with deliberation in antiquity, deliberative rhetoric was a more viable form of rhetoric in the Middle Ages than previously believed.

Jon McKenzie , University of Wisconsin-Madison Enculturation : http://enculturation.net/the-revelations-of-drKx4l3ndj3r ( Published: September 27, 2012 ) In March, 2011, I was invited by Austrian artist Ralo Mayer to write an essay for an exhibition catalogue to accompany his first major solo show, Obviously a Major Malfunction/KAGO KAGO KAGO BE . Mayer’s interest in experimental, performative research had led him to my book Perform or Else: From Discipline to Performance , especially its eccentric second half, whose trajectory begins with the NASA Challenger disaster. This event had had a profound effect on the artist, as it had on me, and he asked if I could reprise some of my book for the catalogue. I soon discovered that Mayer had already remediated certain disastronautic elements of Perform or Else into his multi-medium conceptual art. As his research borders on speculative fiction, I decided to compose a gay sci-fi text remixing his work back with my own, while also stirring in a reading of certain passages from Nietzsche’s Nachlass. The result was the cosmographic text “The Revelations of Dr. Kx4l3ndj3r,” bilingually published in German and English in Obviously A Major Malfunction by Ralo Mayer (Verlag für Moderne Kunst, Linz, Austria). As I had recently been invited to give a keynote presentation at a Performance Design conference in Santiago, I decided to create a multimedia version based on “Revelations.” I narrated the text into my iPhone, imported it into GarageBand, and began mixing in music and sound effects to create the audio. I also invited Mayer to contribute by recording some of his own texts and emails, which would allow me to slice in his voice as well as his imagery. As I completed each audio section, I began designing with visuals, starting in Keynote and finishing in Final Cut Pro. Since my Santiago audience would be overwhelmingly Spanish-speaking, I also had the text translated and the entire video subtitled. I presented a full, though…

The guest editors introduce the issue.

Abstract The relationship between William James and the stoics remains an enigma. He was clearly influenced by reading Marcus Aurelius and Epictetus throughout his career. Some work has been done on the thematic convergences between Jamesian pragmatism and stoic thought, but this study takes a different path. I argue that the rhetorical style that James uses in arguing for his moral claims in front of popular audiences can be better understood if we see it in light of the stoic style of argumentation. I look at a text James read closely and recommended to close acquaintances—Marcus Aurelius's Meditations—to extract a sense of stoic rhetorical style. James's use of the stoic's tactics of vivid examples and rhetorical questions to shape the rhetorical experience of his audience and to thereby make his points becomes understandable as a possible extension of the stoic style of persuasion.

This article excavates how style in writing was represented and taught in the under-investigated mid-twentieth century. I trace four editions of the textbook Modern Rhetoric (1949–1979), authored by Cleanth Brooks and Robert Penn Warren; I detail how the book was surprisingly innovative for the time, despite its eventual re-entrenchment to a more conservative approach. I argue that the teaching of style serves as a marker of the tensions between disciplines and pedagogical approaches, changing views of students, and competing cultural demands.

The concept of voice has long attracted the attention of teachers, but more recently has also been the focus of a growing body of research aiming to understand voice as self-representation in writing. Adopting a socio-cultural orientation to voice, studies have revealed much about how textual choices are used by readers to build images of text-authors; however, such research has been limited to contexts in which the author’s actual identity is unknown by the reader. Research has offered limited insight into how an author’s embodied self figures into readers’ voice construction, or how voice construction is connected to readers’ assessments of text—with or without knowledge of the author’s identity apart from the text. This article takes up these issues by exploring how readers’ exposure to videos of two second language (L2) student-authors influenced voice construction and evaluation of the students’ papers. Through primarily qualitative and intertextual analysis, the study concludes that voice construction, extra-textual identity, and assessment are related and interacting constructs, though these relationships are neither straightforward nor predictable. Methodological, pedagogical, and theoretical implications of this conclusion are discussed

In 1885, William Stead, editor of the Pall Mall Gazette, printed an exposé of child prostitution in London, “The Maiden Tribute of Modern Babylon.” This incendiary article helped pass the Criminal Law Amendment bill, but also garnered accusations of pornography against the “Maiden Tribute.” Using Stead's four-part article as a case study, I develop a rhetorical understanding of pornography to account for the dynamic political energy and outrage generated by this text. I argue that the pornography of the “Maiden Tribute” managed to create a particular ignorance, one in which sexuality was isolated from material economic realities. Ultimately, Stead's mission proved politically deleterious to the very women he professed to help.

Abstract This essay examines reminiscences of Abraham Lincoln that were published in the aftermath of his death by those who had interacted with Lincoln personally. An understudied genre y Lincoln reminiscences offered judgments of Lincolns character through a portraiture style designed to make salient private as well as public dimensions of his character. We historicize the rhetoric of portraiture and trace the rise of reminiscence out of biography as a stand-alone genre, which reached unprecedented popularity in the competitive subgenre of the Lincoln reminiscence. We argue that Lincoln reminiscences featured a balance of common and uncommon virtues thought essential for a president, a balance that helped democratize and humanize presidential character.

AbstractBooker T. Washington's Cotton States Exposition Address enlarges our understanding of the genre of witnessing by presenting a version of public testimony and historical remembrance sharply at odds with contemporary definitions of the genre. Washington's resolute choice to lend voice as a living witness to the atrocities of slavery in the service of conspicuously pragmatic and narrowly defined interests rather than universal human rights dramatically separates his performance of public witnessing from its late modern forms. Whereas survivors of historical atrocity in the post–World War II era ritually assume the difficult responsibility of testifying to past evils with the greatest possible accuracy, Washington relates the history of slavery—most notably its legacy of heinous human rights abuses—in radically inventive ways. The address demonstrates that those who embody the putative collective voice of subaltern communities may, in particular circumstances, call on the public to willfully forget, rather than somberly remember, the crimes of history. In doing so, the speech also suggests that the ability to bear witness may not automatically result in the ability to petition for equal human rights.

This article discusses the ways issues of audience and authority are encountered and addressed by classroom teachers who write journal articles for publication. Drawing on an interview study of K-12 classroom teachers who have published articles in NCTE’s journals Language Arts, Voices from the Middle, and English Journal, we show that teachers developed and deployed strikingly different conceptions of audience at different points in their composing process. Before and after writing, they acknowledged the wide and mixed readership of those journals, including university-based scholars; however, while drafting their articles they thought about a much more limited group of “teachers like them.” In doing so, these teacher-authors found a concrete way to navigate the contested place of classroom teachers in wider education discourses. We highlight two major implications of this work. First, it complicates the standard advice to writers to “know your audience,” showing instead how considerations of audience are closely linked to questions of one’s status relative to members of that audience. Second, our work might complicate understandings of legitimate peripheral participation and how members of communities of practice are positioned relative to one another vis-à-vis authority: teacher-authors manipulated notions of authority, temporarily redefining some readers as more central and others as more peripheral, in ways that shifted according to the authority stances those definitions allowed them to take in composing.

This article discusses how teaching students to recognize the contemporary American Indian theoretical concepts of “rhetorical sovereignty” and “rhetorical alliance” in Native texts can help deepen understanding of American Indian voices and histories in an appropriate context, while also developing students' understandings of multiple and cross-cultural rhetorical frameworks.

Ruminating on the work of Eve Kosofsky Sedgwick around failed pedagogy and a confused cat, I consider ways to provoke new streams of critical thought in my composition students around issues of gender and sexuality without “pointing.” Thinking about Jean Genet's novel Querelle and Rainer Werner Fassbinder's film of the same name, I delineate the specifics of how I teach these two difficult, often incomprehensible texts in an introductory class. In reviewing the confusion these works can provoke in student discourse upon reading and viewing the texts, I emphasize the role of disorientation and dislocation in the mapping of student thinking and writing, ultimately reemphasizing the importance of nondemagogic, malleable pedagogy in the teaching of sexuality and gender, particularly with composition students who are exploring and amplifying their voices. Teaching Querelle is like unleashing a virus of confusion and intrigue on student writers, but the incoherence it creates also creates opportunities to explore new ideas and horizons in these developing thinkers/writers.

Service-learning projects and traditional internships both prepare the student of technical communication for the workforce in many ways. What is lacking in the scholarship is a discussion of how to successfully link these two ideas. To help teachers implement courses that bridge the gap between service-learning projects and internships, I discuss how to design a course in technical communication that actively prepares students for subsequent internships with nonprofit agencies. In specific, I outline social development and social learning theories, service-learning pedagogies, and lesson plans and assignments that integrate these theories into practice. This project serves as a model that insists that the teacher first instructs students regarding not only rhetorical aspects of document design, including audience awareness and style, but also in placing the students in internships and designing assignments to be fulfilled in internship roles. The combination of classroom practices with an internship supports the idea that students learn the value of the process of writing, including the social embeddedness that can often influence their writing.

This article explores the indexicality (the ideological process that links language and identity) of “standard” edited American English and the ideologies (specifically, standard language ideology and Whiteness) that work to create and justify common patterns that associate privileged White students with written standardness and that disassociate underrepresented—especially African American—students from “standard” edited American English. Drawing on interviews with composition instructors about their readings of anonymous student texts, the author argues that indexicality and standardness are mutually informative: The non/standard features of student texts operate as indexicals for student-author identities just as perceived student-author identities influence the reading of a text as non/standard. Ultimately, this article offers inroads to challenging destructive and enduring indexical patterns that offer unearned privilege to some students at the expense of others and, in the process, perpetuate race- and class-based privilege.AQ Note that APA style capitalizes Black and White.

In this study, I use think-aloud protocol methods to determine how students respond to their teacher’s conversational and nonconversational written feedback on their writing.

Principles of universal design are applied to hybrid course materials to increase student understanding and, ultimately, success.

AbstractIn this article the author offers a reading of mimetic style (lexis) as it is presented in book 3 of Plato's Republic with the aim of disclosing the importance of style in the acquisition and employment of knowledge—whether scientific or ethical. In fact, the author argues that a careful reading of Socrates' words in the text occasions the idea that reflection on the way that we imitate our inherited content—the ethos, the comportment, in which we exhibit that content—makes visible a potential to appropriate received content and imitated knowledge in original and wakeful ways. In consequence, the author argues that it might be style, not content, that harbors the capacity for us to take a genuine, critical responsibility for our inherited concepts.

Our pedagogical histories lean on textbooks, institutional records, and the words of famous teachers. Students rarely appear in situ. Here, the voices of two very different Progressive Era students cast spotlights on the shadows of long-ago classroom practices—offering a liveliness that is difficult to recover, but worth seeking.

Reviewed are Out of Style: Reanimating Stylistic Study in Composition and Rhetoric by Paul Butler, and Performing Prose: The Study and Practice of Style in Composition by Chris Holcomb and M. Jimmie Killingsworth.

The story of one student writer shows how the challenges of writing from sources are tied to issues of voice and authority.