This collaboratively composed paper recognizes the juxtaposition and resonance between two writing center workers’ experiences, writerly voices, and perspectives on the future of diversity, equity, and inclusion in the two-year writing center. It also takes into account our shared commitment to honesty with ourselves and each other about where we succeed and where we fail in our work as diversity practitioners.

This article shares findings from a research study on writing students’ preferences, needs, and success rates across in-person, hybrid, and asynchronous online modalities and the implications for department scheduling.

This symposium documents an ongoing conversation between five faculty members from Portland Community College. The discussion explores what “equity-based assessment” means, grappling both with the reasons for adopting such approaches as contract grading, labor-based grading, and ungrading and with the challenges of implementing them in two-year colleges.

College reading instruction warrants recognition as a necessary and actionable means of teaching for social justice. Faculty who teach students how to read course texts—and who guide and support them in doing so—advance social justice and equity via three separate mechanisms of action. These processes preferentially benefit marginalized and underserved students while more broadly fostering conceptual and perspective-taking skills essential for social justice.

This article critiques the whole-college reform project dubbed Guided Pathways. The article describes how Guided Pathways research has failed to provide data that support the reform project’s claims, disputes the extent to which Guided Pathways can claim to be equity-oriented work, and ultimately identifies Guided Pathways as a reform project that diverges from the interests of the two-year college.

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This article describes the importance of pedagogies of access for equity in literacy classrooms, especially for first-generation students, who are more likely to bring what sociologists call strategies of deference that have been shaped by differences in class culture. A threshold concepts approach can bring transparency to the values of college-level core literacy skills to help interrogate and address those differences.

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This article explores the potential of a song lyrics-based curriculum to encourage the practice of racial literacy in the first-year composition classroom.

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This article describes a first-year writing course focused on language diversity and asserts the importance of this focus as a foundation for college writing success and linguistic inclusivity.

This article and its five authors investigate how writing programs, writing instructors, and the profession itself engage in the erasure of race—of blackness and brownness specifically—and perhaps most importantly in a hesitancy to address white privilege.

In this essay, two poets who have taught language learners in the United States and abroad argue for the use of personal writing, preferably poetry from students’ home cultures, as a bridge to writing in academic genres.

The author claims that dual enrollment programs are here to stay and that collaboration and shared equity will allow these programs to continue to improve.

Reviewed are: Facing the Center: Toward an Identity Politics of One-to-One Mentoring by Harry C. Denny. Writing Centers and the New Racism: A Call for Sustainable Dialogue and Change edited by Laura Greenfield and Karen Rowan. I Hope I Join the Band: Narrative, Affiliation, and Antiracist Rhetoric by Frankie Condon. Logan A Teaching Subject: Composition since 1966, new ed. by Joseph Harris Language and Learning in the Digital Age by James Paul Gee and Elisabeth R. Hayes Contemporary Literature: The Basics by Suman Gupta The Changing of Knowledge in Composition: Contemporary Perspectives edited by Lance Massey and Richard C. Gebhardt

The author presents findings from a research study that examines the use of a racial literacy approach to teaching first-year composition.

This essay offers an example of one course that focuses exclusively on Ebonics as a specific African American linguistic practice and on rhetoric and composition scholarship as the primary topics of investigation.

This article describes a process of building on students’ views about academic discourse to talk about issues of privilege, access, and the banking concept of education, thus providing a constructive and organic approach to making social justice issues relevant for students’ lives.

This essay explores the diverse uses, misperceptions, and passionate convictions about African American Vernacular among college students, revealing its complicated relevance to our culture.

This essay reports on an effective approach to teaching both rhetorical skills and white racial awareness by using historical moments when racial definitions were asserted and defended, allowing students to see their constructed racial identities through a nonthreatening rhetorical lens.

“When Readers Disagree”, Kip Strasma, Review Editor; “Teaching Writing with Latino/a Students: Lessons Learned at Hispanic-Serving Institutions” by Cristina Kirklighter, Diana Cardenas, and Susan Wolff Murphy, Reviewed by Kip Strasma; “Engaging Grammar: Practical Advice for Real Classrooms” by Amy Benjamin with Tom Oliva, Reviewed by Kimme Nuckles; “Educating English Language Learners: A Synthesis of Research Evidence” by Fred Genesee, Kathryn Lindholm-Leary, William M. Saunders, and Donna Christian, Reviewed by Mercè Pujol.

Preventing Plagiarism: Tips and Techniques Laura by Hennessey DeSena, Reviewed by Moira Casey; English Studies: An Introduction to the Discipline(s) by Bruce McComiskey, Reviewed by Carolyn Brown; English Studies: An Introduction to the Discipline(s) by Bruce McComiskey, Reviewed by Eric Bateman; Multicultural Hybridity: Transforming American Literary Scholarship and Pedagogy by Laurie Grobman, Reviewed by Edith M. Baker; First Time Up: An Insider’s Guide for New Composition Teachers by Brock Dethier, Reviewed by Linda Houston.

In light of research on diversity learning and teaching, an introductory course on cinematic depictions of African Americans taught at a predominately white, rural university campus leads students to see the impact of history and Hollywood on their own local and statewide communities.

This essay traces two teachers’ experiences crossing spaces in a combined literature and history seminar where students explore American culture and diversity and engage in service learning. The model has evolved from paired classes with collaborative activities to a student-centered environment promoting active learning. This article offers practical advice for establishing cross-curricular pairings and suggests course content that promotes learning across curricula.

The highly competent professor of English in today’s two-year college—like highly competent faculty at all levels of education—is a skilled educator, a knowledgeable scholar, and an active learner and contributor within the profession. What distinguishes the two-year college teacher-scholar is his or her dedication to open educational access, commitment to democratic participation and equity within higher education, and ability to help make these ideals a reality for highly diverse learners from eighteen to eighty and from backgrounds that cross conventional divides of race, ethnicity, class, and academic preparation.

Examining student responses to a class assignment leads to a richer understanding of how students process and respond to diversity issues.

Combining service-learning with multicultural literature study in a general education first-year course can encourage students to theorize difference from multiple perspectives.

Reviews four books: Listening Up: Reinventing Ourselves as Teachers and Students, by Rachel Martin; Disturbing the Peace, by Nancy Newman; Let Them Eat Data: How Computers Affect Education, Cultural Diversity, and the Prospects of Ecological Sustainability, by C. A. Bowers; Assessing the Portfolio: Principles for Practice, Theory, and Research, by Liz Hamp-Lyons and William Condon.

Describes a study unit for ESL (English Second Language) students on language and identity. Explores the dichotomy of attitudes and behavior occurring when a nonnative speaker tries to embrace a new language and culture. Concludes that reading and writing about multicultural literature in the ESL classroom helps students gain language skills and better perspectives on the diversity of American culture.

Offers future researchers many opportunities for research in two-year college English. Considers input about issues, problems, and questions which the research community still needs to engage. Assumes that research clusters around several “fault lines” shared by other groups and institutions not directly tied to education; the fault lines selected are identity, technology, diversity, pedagogy, literacy, and methodology.

Describes a writing assignment in which students study and imitate the language of a minority author. Discusses how the assignment helps negotiate conflicts when students resist multicultural literature, as their creative responses mediate between themselves and works they might otherwise find foreign and antagonistic.

Argues that using unfamiliar texts in a multicultural classroom allows students to read and write without interference from existing cultural tensions. Describes how, finding their own defenses and prejudices suddenly meaningless, students realize just how much common ground they share. Illustrates this by describing use of a Maori poem the author has found particularly powerful and effective.

Reviews three books: August Wilson and the African American Odyssey, by Kim Pereira; When Students Have Power: Negotiating Authority in a Critical Pedagogy, by Ira Shor; A Guide to Argumentative Writing, by Byron L. Stay.