An instructional note on foregrounding rhetoric across the curriculum to convey the rigor of professional and technical writing and assist instructors in claiming pedagogical ethos in a course that spans many disciplines.

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Drawing on findings from a national survey of TYCA members about how and why they access published scholarship, this article makes recommendations for fostering local teacher-scholar communities of practice within two-year college English departments.

Applying data from surveys and interviews, the authors examine why many experienced two-year college English faculty give up assigning group projects. They then propose a model of group training developed in the field of business management that aims to prevent many of these difficulties—the self-managed work team.

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An instructional note on one method of using folktales as texts in the composition classroom to help students gain a basic understanding of agenda and the way objectives and ideologies can shape information.

Reviewed are: Inspiring Dialogue: Learning to Talk in the English Classroom, by Mary M. Juzwik, Carlin Borsheim-Black, Samantha Caughlin, and Anne Heintz, Reviewed by Mary Ann Zuccaro Academic Writing: Concepts and Connections, by Teresa Thonney, Reviewed by Kirstin Bone Teaching, Learning, and the Holocaust: An Integrative Approach, by Howard Tinberg and Ronald Weisberger, Reviewed by Lesley Broder

The Inquiry column is about the scholarship of teaching and learning.

This essay considers the contexts and constraints that shape high school and college teaching and limit opportunities for faculty at both levels to collaborate; it then offers suggestions for how to bridge the space between these two institutional cultures and make students’ transitions from one level to the next more seamless and successful.

A veteran writing teacher asks the question—What keeps teaching fresh and new?—and discovers, in the process of writing a teaching narrative, how her teaching voice and writing voice intertwine, both in the classroom and on the page.

This essay uses the Community of Inquiry model to discuss strategies online writing instructors can use to provide effective feedback to students while intentionally creating a

I suggest that we deliberately frame our professional identity, in part, as activists—accepting and embracing the revolutionary and inescapably political nature of our work.

This article shows how brief psycholinguistic reading experiments can illustrate the effects of various grammatical features, pique students’ interest, and position them to construct their own understanding of English grammar, separate from the teacher’s dictates.

This article situates the teaching of first- and second-semester college writing courses in relation to current discussions about the Common Core State Standards Initiative, competency-based education, the “Framework for Success in Postsecondary Writing,” the “WPA Outcomes Statement for First-Year Composition,” and vertical college writing curricula.

Reviewed are: Singing School: Learning to Write (and Read) Poetry by Studying with the Masters by Robert Pinsky; reviewed by Rob Wallace Basic Skills Education in Community Colleges: Inside and Outside of Classrooms by W. Norton Grubb with Robert Gabriner; reviewed by Keith Kroll Rhetorical Strategies and Genre Conventions in Literary Studies: Teaching and Writing in the Disciplines by Laura Wilder; reviewed by Abigail Montgomery

Five two-year-college writer-teachers from different states (California, Colorado, Oklahoma, Ohio, and Wisconsin) present ways that creative writers can make particular contributions to the important and meaningful work of teaching basic skills composition, particularly at institutions of access, and particularly at this time when that work is so crucial.

This essay describes an approach to teaching the braided essay, highlighting the rewards and difficulties.

Hassel continues her series about the scholarship of teaching and learning.

Reviewed are: Collaborative Learning and Writing: Essays on Using Small Groups in Teaching English and Composition, edited by Kathleen M. Hunzer, Reviewed by Signee Lynch Remixing Composition: A History of Multimodal Writing Pedagogy, by Jason Palmeri, Reviewed by Stephanie Vie Communal Modernisms: Teaching Twentieth-Century Literature in the Twenty-First Century Classroom, edited by Emily M. Hinnov, Laurel Harris, and Lauren M. Rosenblum, Reviewed by Mike Piero Understanding Rhetoric: A Graphic Guide to Writing, by Elizabeth Losh, Jonathan Alexander, Kevin Cannon, and Zander Cannon, Reviewed by Kristen Welch

This article addresses the challenge of teaching voice in the introductory composition classroom, using graphic narrative to make voice visible for students as they identify and rhetorically compose their own voices.

Using visual rhetoric as a mode of instruction in two-year college composition can have a positive and powerful impact on teaching and learning.

Reviewed are: Facing the Center: Toward an Identity Politics of One-to-One Mentoring by Harry C. Denny. Writing Centers and the New Racism: A Call for Sustainable Dialogue and Change edited by Laura Greenfield and Karen Rowan. I Hope I Join the Band: Narrative, Affiliation, and Antiracist Rhetoric by Frankie Condon. Logan A Teaching Subject: Composition since 1966, new ed. by Joseph Harris Language and Learning in the Digital Age by James Paul Gee and Elisabeth R. Hayes Contemporary Literature: The Basics by Suman Gupta The Changing of Knowledge in Composition: Contemporary Perspectives edited by Lance Massey and Richard C. Gebhardt

Beginning with this issue, Holly Hassel joins the editorial staff of TETYC in the role of associate editor. Holly’s essay “Research Gaps in Teaching English in the Two-Year College” [40:4 (May 2013), 343–63] provided an invaluable overview of more than a decade’s research as reported in TETYC. As associate editor, Holly will be contributing short essays under the heading “Inquiry” that focus onvarious aspects of the process of publishing research in the journal, research most commonly known as SoTL (the scholarship of teaching and learning). Our hope is that “Inquiry” will serve as an invitation to readers to join the ongoing SoTL conversation in these pages.

A program assessment project at our college suggests the importance of listening to every teacher’s account of the assessment practice and the value of ongoing conversation.

The author presents findings from a research study that examines the use of a racial literacy approach to teaching first-year composition.

Reviewed are: Composition’s Roots in English Education, by Patricia Lambert Stock, reviewed by Mark Blaauw-Hara Exploring More Signature Pedagogies: Approaches to Teaching Disciplinary Habits of Mind, edited by Nancy L. Chick, Aeron Haynie, and Regan A. R. Gurung, Reviewed by Yvonne Bruce Before and After the Tutorial: Writing Centers and Institutional Relationships, edited by Nicholas Mauriello, William J. Macauley Jr., and Robert T. Koch, Reviewed by Kristen Welch

After reviewing the past ten years of TETYC’s “What Works for Me,” I claim these pieces offer writing instructors much more than mere teaching tips; rather, they evidence a genre in a fraught relationship to academic discourse, a genre that asks readers to consider how the ways we write the classroom affect composition as a field, our teacherly selves, and the students in our classrooms.

This article describes working with a deaf student in a basic writing course and explores what teaching deaf students can teach us about composition studies.

This essay reports on a systematic assessment of 239 feature articles published in the journal Teaching English in the Two-Year College between 2001 and 2012. It notes gaps in the published research on two-year college English teaching and recommends areas offocus for future work in the field.

This article describes a pilot study on developmental writers’ attitudes toward and use of instructor-written feedback in multiple sections of a precollege-level writing— course at our college.

This essay presents various perspectives about honors work among first- and second-year students as they proposed and completed independent, open-ended projects in BritishLiterature— I and British Literature— II.

Color highlighting is used to connect revision mini-lessons to teacher comments that are easy for students to identify and quicker for teachers to generate electronically.

In this response I offer a counternarrative to Keith’s dystopian vision and challenge some of his assumptions about the state of our profession. My alternate view notwithstanding, I fully agree with Kroll on more than a few points, not the least of which is the need for more faculty voices to join this conversation at the local and national levels.

Writing in and about Wikipedia encourages students to think about the outcomes of their writing and, by extension, changes the student/teacher relationship in pedagogically useful ways.

This professional autobiography, covering the time from my first teaching job in Spain upto the present, documents my development as a teacher, teacher educator, and researcher,showing how my thinking about teaching has evolved through my deepeningunderstanding of how learners learn the grammar of a second language.

This article describes the design and implementation of a cross-cultural composition coursewhich was designed to provide opportunities for ESL students and native English-speaking students to learn about cross-cultural literacy practices from each other in a first-year writing context at a community college in the Southwest.

A program in which prisoners teach ESL classes, supported by volunteer teacher-trainers, is a learning community with immense and sometimes unforeseen value.

This hands-on article advocates teaching form to ESL students through the use of contrastive rhetoric, demonstrates how students apply L1 and L2 forms, and offers suggestions for the classroom.

The guest editors introduce the issue.

This essay reflects on how one writing teacher incorporates photography in her practice to engage students of different backgrounds and experiences.

Engaging in a series of student-faculty discussions that highlight student perspectives on their own learning and faculty views on teaching provides opportunities for students and faculty to learn from one another and thereby enhance both teaching and learning.

Teaching developmental students to use simile and metaphor in their essays improves their writing and helps the teacher become a more dialogic reader; moreover, creating original figurative language kindles the analogical imagination that characterizes the academy.

In this study, I use think-aloud protocol methods to determine how students respond to their teacher’s conversational and nonconversational written feedback on their writing.

In this latest in a series of commentaries from former chairs of the national Two-Year College English Association (TYCA), Sandie McGill Barnhouse, TYCA chair (2008–2010) shares her experiences and observations.

Legos Build the Way to Successful Process Analysis Writing, Michelle Rhodes (New Voice) Native American Elder Stories Make Descriptive Essays Easier, Pamela Tambornino (New Voice) Teaching Writing Style and Revision, Eric Bateman Dialect and Language Analysis Assignment, Amanda Hayes (New Voice) A Scaffolded Essay Assignment on Poetry, Jane Arnold (New Voice)

The third goal of Zen practice, helping others achieve enlightenment, suggests that we should help students learn about their own composing practices and histories as part of their instruction, but we cannot help others until we learn to help ourselves by reflecting on our own processes and histories, becoming enlightened, and liberating ourselves.

Before Shaughnessy: Basic Writing at Yale and Harvard, 1920–1960 , by Kelly Ritter, Reviewed by William DeGenaro Teaching Developmental Writing, by Susan Naomi Bernstein; Before Shaughnessy: Basic Writing at Yale and Harvard, 1920–1960 , by Kelly Ritter, Reviewed by Gregory Shafer William DeGenaro’s Response to Gregory Shafer; Gregory Shafer’s Response to William DeGenaro

A study of scholarly research articles from six disciplines provides insights about academic writing that composition instructors can use to prepare students to write across the curriculum.

While teaching field research methods to freshman composition students, this professor uses online digital video to scaffold note-taking, interviewing, and observation skills.

We offer here a critical assessment of our experiences teaching in Kingsborough Community College's learning communities—in a descriptive, personal mode that echoes the frequent conversations we have together—to illuminate how official data fail to capture both important successes and failures and to model the kind of reflective, subjective assessment from a professorial perspective that we believe is vital for larger institutional decision making.