This paper investigates the relationship between practical argumentation (PA) and Rhetorical Structure Theory (RST). PA is argumentation providing justification for an agent’s action. PA has been described in terms of a three-level structure composed of practical, evaluative, and classificatory argumentation schemes. RST is a linguistic theory that models the hierarchical structure of monological discourse in terms of discourse coherence relations. RST’s Motivation relation is intended to increase an agent’s inclination to perform some action. Our investigative approach was to analyze argumentation schemes of PA in examples of RST involving Motivation and to analyze RST structure for texts that have been used as examples of PA. The results of the investigation show uses, not only of Motivation, but also RST’s Antithesis, Concession, Evaluation, and Solutionhood. In some cases the RST analysis reflects the layered composition of argumentation schemes of PA.

Abstract This article suggests pedagogical practices to help first-generation students gain effective problem-solving strategies for the future transfer of writing knowledge and skills. The retention of first-generation students depends on developing four positive dispositions for learning: success attribution, self-efficacy, expectancy value, and self-regulation. Meaningful writing assignments with a connection to students’ cultural experiences are an essential foundation for improving transfer. Specific reflective activities are detailed for analyzing emotional reactions to writing experiences, evaluating procedural writing strategies, and solving current and future writing-related problems. A reflective problem-solving pedagogy promotes deep learning by emphasizing students’ agency in responding to writing difficulties and their resourcefulness in creating successful solutions.

In this paper, we present a science writing assignment in which students focus on targeting specific audiences when writing about a socioscientific issue as well as participate in a peer review process. This assignment helps students consider inclusive science communication in their writing, focusing on engaging unique audiences about the intersections of science and social justice. Students are introduced to evidence-based tools for formulating communication for unique audiences as well as for assessment of writing quality. This assignment is novel in that it helps students think about inclusion issues in STEM, science writing, and peer review, all of which are key disciplinary skills that are not always included in STEM courses. While this assignment was piloted in chemistry and environmental engineering courses, this assignment could easily be modified for other disciplines.

The bias against personal experience manifests in writing courses as privileging the citation of scholars, fearing emotional writing, and equating argumentation with democratic ideals. To value the lives and knowledges of marginalized students, the curricular goals, assignments, and activities for writing courses needs to be reconsidered. Culturally sustaining pedagogy explores, extends, and examines the experiences of students. Meaningful, experience-based, narrative writing assignments are suggested: memoir essays, ethnographic research reports, and multigenre interview projects. Analysis activities challenge students to examine a chosen experience through several scholarly lenses. By adding complex analysis to their writing, students gain a challenging new experience that considers past, present, and future influences upon their identity formation. Experience-based writing assignments make room for home language through dialogue and informal genres that include intentional code meshing and translingualing. This inclusion prompts questions about academic language conflicts and opens discussion about how language represents identity, negotiates hierarchies, and permits agency.

The book offers a range of plans including a 32-week plan to craft chapter-length literature reviews for a dissertation, a 16-week plan for those more time-crunched or experienced, an 8-week plan for the “highly motivated” or those with shorter literature review requirements such as for a conference paper, and finally two-week and one-week plans for the truly desperate. Activities in each chapter take the writer step-by-step through the process of preparing the review for evaluation by an advisor. The book is further divided into 12 chapters, the last of which is geared more toward advisors and writing instructors. This book fills a long-standing gap in resources for novice research writers. Too often, graduate students receive feedback on only grammar and punctuation issues—surface concerns—rather than the structure and clarity of their narratives. Berdanier and Lenart provide a step-by-step guide for graduate students, postdoctoral researchers, and new graduate advisors in writing effective, impactful literature reviews, the backbone of journal articles that get cited and grant proposals that get funded. Not to be overlooked, though, are writing center coaches, who often see engineering students and faculty in their sessions but may not have the background to feel comfortable providing guidance on such projects. At a minimum, this book is a must-have for engineering graduate students seeking a path through one of the more challenging writing tasks early in their careers.

Materials compositions, such as textiles, tell stories and act as data carriers. They persist in speaking even as their makers are erased or lost. When information about a maker ceases to be available, applying principles of storytelling and rhetoric facilitates a possible re–reading of a material composition as a process of recentering the human maker.

Seeking to support graduate student writers, writing centers at research universities have developed highly successful dissertation camps over the past 15 years. Previous research from North American dissertation camps has demonstrated significant benefits from these camps, as dissertation writers developed new writing habits and increased their productivity. In this study, however, a closer look at initial and follow-up survey responses provided by participants from dissertation camps at two institutions—an Upper Midwestern university in the United States that has held camps for 11 years and an Eastern European university that held an online camp during the 2020 pandemic—suggests that focusing on the positive responses may obscure some telling tensions between dissertation camps’ benefits and limitations. Our research reveals tensions around four key parts of dissertation camp curricula—developing writing habits and schedules, sustaining a community of writers, focusing on the drafting stage, and emphasizing cross- disciplinary participation. Listening more deeply to these outlier responses sheds valuable light on the affordances and limitations of dissertation writing camps and on how the curricula of dissertation camps might be reimagined to better articulate and embrace those tensions.

Writing studies and writing center scholars have recently focused much-needed attention on how graduate student writers are taught, mentored, and supported. This scholarship also points to a persistent and stubborn conundrum: Graduate students must write their way into disciplinary belonging, yet most advisors lack a language for, or even awareness of, the specialized practices and tacit expectations shaping written discourse in their fields. While graduate student–serving writing centers help fill this writing-support gap, a reliance on English and humanities graduate students for staff reproduces a status quo in which the genre awareness and rhetorical vocabulary needed to mentor advanced academic writers are neither widely distributed nor recognized and valued. This essay offers the counterexample of a graduate writing center whose consultants hail primarily from master’s and doctoral programs in the sciences and social sciences. Using feminist social reproduction theory to examine this case study of one graduate writing center, the authors explore how multidisciplinary staffing resists the enclaving of writing process and rhetorical knowledge and points to a future in which the responsibility for mentoring graduate student writers is visible, valued, and shared.

<b>Introduction:</b> The COVID-19 pandemic brought unprecedented challenges to universities when instruction had to shift entirely online. Universities were quick to survey their students about those challenges, and education researchers are now focused on building more effective online experiences based on student feedback. <b>About the case:</b> The loss of in-person instruction was difficult for engineering students in practice-based courses as they lost the courses' hands-on aspect, which is essential for reinforcing theoretical concepts. They also lost the support provided through daily interactions with their peers and instructors. <b>Situating the case:</b> Students in a required four-course practice-based mechanical engineering sequence shared their perspectives via reflective portfolio essays on how shifting to online instruction affected their ability to participate in their learning communities and negotiate meaningful learning experiences. <b>Methods/approach:</b> Through thematic analysis of the reflective essays, we applied the lens of communities of practice to put the students' responses into context. <b>Results/discussion:</b> The students' concerns varied depending on their position in the course sequence and the course; however, most students felt that the loss of in-person interaction was most detrimental and disruptive in the transition to online instruction and yielded communication and teaming issues. <b>Implications and conclusions:</b> Five implications arose from the results of this study, including recognizing the unique challenges of online learning in practice-based courses, instructing students in virtual communication tools, exercising empathy, being mindful of cognitive load, and researching self-directed learners in online environments. In addition, faculty should consider the importance of students' communities of practice and build opportunities to maintain and strengthen the bonds of those communities within their courses, both online and face to face. They should also add more opportunities for virtual interaction early in the curriculum to build digital communication skills, which will undoubtedly be required in their careers.

rian Street reminds us that literacy practices-the "broader cultural conception of particular ways of thinking about and doing reading and writing in cultural contexts" ("What's 'New'" 79) -are always social acts and have to be defined in relation to the historical, economic, and political contexts in which they take place. As such, literacy is "always rooted in a particular world-view" and always "contested in relation to power" . Our introduction to this understanding of literacy practices as graduate students in the early 1990s gave us confidence that our literacy experiences as a Latina and as an international student from Austria would be addressed and valued. However, more than 15 years later, we are not sure how our own literacy experiences are reflected in our academic environments, and whether our literacy practices, like the practices of so many of our students and faculty colleagues, are social acts that have continued to be "contested in relation to power. "

While place-based pedagogies and place-conscious education have received a great deal of attention in community literacy, these studies have often focused on classroom efforts at engaging students in their communities. This article articulates an extracurricular pedagogy of place through a historical study of a network of creative writing groups in mid-century rural Wisconsin. Rather than thinking of place-conscious education as something that emerges from the classroom, the work of these writers suggests that scholars and educators in community literacy look instead for place-based literacies already at work in our communities.

ABSTRACT R. G. Collingwood's strong, early, inventive interests in aesthetic experience and art activity were of fundamental importance to his lifelong engagement with philosophy and his critique of the available “academic” philosophies. And his work finds reinforcement in the current speculations in the philosophy of art of Alva Noë.

In this program profile, we detail the design and implementation phases of an interdisciplinary first-year experience curriculum for multilingual students in the Creando Raíces learning community model at Humboldt State University. Our profile describes how we worked together as a professional learning community to integrate theories of writing development and transfer with culturally sustaining pedagogies. The coursework and academic structural supports of our model, such as its writing fellows program, supported student engagement in critical work that asked them to consider what it means to transfer one’s emerging and existing knowledges about language, literacy, discourse, schooling, and identity into and out of systems, institutions, and communities. In reflecting on our work across three semesters, our profile reveals ways that instructors, administrators and students can enact a multilingual, decolonial praxis as an approach to facilitating writing knowledge transfer.

This article affords insights into the interdependence between writing and critical translation to inform implementations of antiracist and translingual writing pedagogies. Promoting linguistic and social justice for multilingual writers, it presents a writing assignment design that focuses on critical translation across asymmetrical power relations between languages, texts, writers, and readers. Critical translations by an international student and a resident multilingual student receive particular attention in this article in that they strategically utilize paratexts as discursive spaces for interrogating, resisting, and reconstituting academic English writing standards and conventions. Foregrounding such paratextual interventions in critical translations as forms of translingual and anti-racist practice can bring about social justice and change in multilingual writing and its teaching.

Business communication programs and business school competitions are a prevalent component of graduate-level business education. Both activities help students develop problem-solving skills, critical thinking, high-level communication, and applied experiential learning. While business competitions may aid in the development of advanced communication skills, to date there has been no comparison of the effectiveness of coursework, competitions, or both. Using U.S. News & World Report rankings of the top 100 U.S. MBA programs as a proxy for program quality, we find that business communication coursework provides greater benefits when compared with internal case competitions. Specifically, findings indicate a higher ratio of graduate business communication classes to internal competitions correlated to higher rank. Furthermore, reputational advantage was also associated with required communication coursework and a higher number of internal competitions offered for graduate business student participation.

The Internet has helped to change who writes about science in the news, how news is written, and how it is taken up by different audiences. However, few studies have examined how these changes have impacted the uptake of scientific claims in online news writing. This case study explores how online news genres take up knowledge claims from a research article on climate change over a period of one year and shows how shifting boundaries between rhetorical communities affect genre uptake. The study results show that online news writers predominantly use the news report genre to cover research findings for 48 hours, after which they predominantly use the news editorial genre to engage these findings. Analysis suggests that the news report genre uses the press release and the article abstract as intermediary genres, but the news editorial uses only the abstract. I argue that the switch between genres repositions the scientist, the journalist, and the public epistemologically, a reorientation that favors uptake in news media outlets supporting action to mitigate climate change and its effects.

Book Review| November 01 2018 Review: Traditions of Eloquence: The Jesuits and Modern Rhetorical Studies, edited by Cinthia Gannett and John C. Brereton Cinthia Gannett and John C. Brereton, eds., Traditions of Eloquence: The Jesuits and Modern Rhetorical Studies, New York: Fordham University Press, 2016. 444 pp. ISBN: 9780823264537 Nancy L. Christiansen Nancy L. Christiansen Nancy L. Christiansen 4198 Joseph F. Smith Building Brigham Young University Provo, Utah 84602 USA nancy_christiansen@byu.edu Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (2018) 36 (4): 437–439. https://doi.org/10.1525/rh.2018.36.4.437 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Cite Icon Cite Search Site Citation Nancy L. Christiansen; Review: Traditions of Eloquence: The Jesuits and Modern Rhetorical Studies, edited by Cinthia Gannett and John C. Brereton. Rhetorica 1 November 2018; 36 (4): 437–439. doi: https://doi.org/10.1525/rh.2018.36.4.437 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. © 2018 by The International Society for the History of Rhetoric. All rights reserved. Please direct all requests for permission to photocopy or reproduce article content through the University of California Press's Reprints and Permissions web page, http://www.ucpress.edu/journals.php?p=reprints.2018 Article PDF first page preview Close Modal You do not currently have access to this content.

Graduate programs in the sciences offer minimal support for writing, yet there is an increasing need for scientists to engage with the public and policy makers. To address this need, the authors describe an innovative, cross-disciplinary, National Science Foundation (NSF)–funded training program in rhetoric and writing for science, technology, engineering, and math (STEM) graduate students and faculty at the University of Rhode Island. The program offers a theory-driven, flexible, scalable model that could be adopted in a variety of institutional contexts.

Reviews 437 dianoia (thought) in the Poetics where Aristotle assigns it to his Rhetoric, even though, Bialostosky observes, it occupies, at best, an inferred presence in that work (138). Performing a close and careful rereading of both texts, Bialos­ tosky concludes that Aristotle's assigning of dianoia to the Rhetoric is evidence of what Bakhtin calls a "hidden polemic" Aristotle conducts with a sophisticinspired "poetics of the utterance" that pre-dated both of these works. This line of argument ultimately leads Bialostosky to something of an unexpected reversal. Where he had earlier argued for a separate discipline, or "art of dialogics," he now perceives that art as but one of many that can be "responsive to the predisciplinary scene of action" (146). Drawing upon the architectonics of Bakhtin's early works, Bialostosky now thinks it possi­ ble to "refer our sometimes calcified institutionalized disciplines at least to an imagined, reconstructed common world that preceded them and still underwrites them" (147). Such a world is inaccessible, Bialostosky argues, except through the sorts of "radical inquiries" that "Bakhtin and Heidegger undertook in the 1920s" (147). Such a world is inaccessible so long as we think of disciplines as fixed, able to stay within the boundaries drawn for them. For not only does disciplinarity exceed itself in interdisciplinarity, it also discovers a surplus in its predisciplinary origins. And it is here that Bia­ lostosky sees a particular significance for Bakhtin, whose "dialogic field of discourse [is] broader than the modem disciplines or the ancient ones of rhetoric and dialectic" (82). Heard again as a complete utterance, what questions does Bialostosky's work pose for contemporary inquiry? Does Bakhtin and Voloshinov's inter­ est in intonation, for example, bear any relevance to our interest in sonic rhetorics? Does Bakhtin's regard for the historical significance of the "per­ son-idea" connect to recent investigations into the meanings of embodi­ ment? Is the shift from epistemology to ontology, as posited by the new materialism, reflected in Bialostosky's conception of Bakhtin's architecton­ ics as predisciplinary? These questions cannot be answered here. But if Bakhtin still speaks to us, as I believe he does, then Bialostosky's essays will serve as exemplary models of how to engage Bakhtin with care, insight, and admirable rigor, and collectively, as an invitation for future dialogues. Frank Farmer University of Kansas Cinthia Gannett and John C. Brereton, eds., Traditions of Eloquence: The Jesuits and Modern Rhetorical Studies, New York: Fordham Uni­ versity Press, 2016. 444 pp. ISBN: 9780823264537 This book contributes in welcome and valuable ways to the history of rhetoric, the history of education, and current rhetorical pedagogy. It is an 438 RHETORICA enriching read, with provocative and significant theoretical implications. These essays raise important questions concerning central disciplinary issues and make available to both theorists and teachers richly encompass­ ing and hence highly generative curricular models with wide applicability. I thoroughly enjoyed the time spent perusing these pages and have already begun to draw upon the resources herein to bolster both my own scholar­ ship and teaching. This Jesuit tradition brings into view a rhetorical para­ digm that is truly "transdisciplinary" (xv). As the editors acknowledge, the book provides the "first maps of this huge intellectual geography" (xv). Therefore, I look forward to future scholarship on Jesuit contributions to rhetorical theory and pedagogy. Following the three distinct periods of Jesuit education from its beginnings in the sixteenth-century to the present day, the book is divided into three sections: 1) studies of Jesuit rhetorical instruction from 1540, when Ignatius Loyola and friends founded the Society of Jesus, to 1773, when Jesuit education was suppressed by the pope; 2) studies of Jesuit rhetorical education from 1789, when many Jesuits moved to North Ame­ rica and established colleges and universities, to the Second Vatican Council (1962-65), which marked the end of the rhetoric-centered curricu­ lum in Jesuit institutions; and 3) studies of developments in rhetorical ins­ truction in United States' Jesuit higher education from the 1960s to the present. Although some description of the grammar school classroom appears in several early chapters, the primary emphasis of the book is on higher education. Each section contains a loosely...

Review Article| October 01 2017 Beginning Where the Students Are Beginning Nancy L. Chick Nancy L. Chick Search for other works by this author on: This Site Google Pedagogy (2017) 17 (3): 563–569. https://doi.org/10.1215/15314200-3975703 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation Nancy L. Chick; Beginning Where the Students Are Beginning. Pedagogy 1 October 2017; 17 (3): 563–569. doi: https://doi.org/10.1215/15314200-3975703 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2017 by Duke University Press2017 Article PDF first page preview Close Modal You do not currently have access to this content.

This article examines the role of narrative in helping students navigate their rhetorical positioning in the public and private discourses of service.

This dialogue considers the future of service-learning in two-year colleges given the issues raised by Kassia Krzus-Shaw, Jennifer Maloy, and Nancy Pine, based on their experiences in two-year college classrooms and contributions to TETYC.

In an effort to expand the range of ways graduate programs prepare students to be scholars and practitioners in technical and professional communication, this article argues for a fresh direct reengagement with stories, storytelling, and narrative as valuable ways of studying and effectively producing the varied texts of the workplace. The previous call for acknowledging the value of narrative traces back almost 30 years, and story is still being used in a variety of compelling ways, even as an overt regard for narrative has not been sustained. What may be lacking is a systematic way to transform assumptions about stories as informal anecdotes into stories as data for rigorous analysis. David Boje’s antenarrative theory and method offers technical and professional communication graduate students, scholars, and practitioners just such a compelling and timely position from which to consider workplace processes and products.

Abstract With this review article, I evaluate Samuel Chambers's The Lessons of Rancière. Central to Rancière's corpus—and to Chambers's evaluation of this work—is the claim that frictive pedagogies can lead to a more radical emancipation by preparing for movements disruptive to politics. In analyzing the connections between pedagogy, emancipation, and movement, I question whether these concepts have been adequately conceived so as to contribute to collective political movements. I conclude by considering how these concepts might be revised and extended so as to sharpen their political effects.

This paper aims to propose a theoretical framework for investigating L2 speaking scholars who successfully write in English for publication. The theories brought together – which are associated with third space, hybridity, funds of knowledge, intertextuality, heteroglossia and multivoicedness – form a nest of interrelated theories which proved useful for examining writing for publication by non-native English speaking (NNES) academics in our own work (Barbosa-Trujillo 2015, Barbosa-Trujillo and Keranen 2015). The paper first orients the topic within the field of NNES scientific research writing then discusses the theoretical framework presented, first by pulling the strands apart to briefly describe each, then by showing how each strand works within the framework as a foundation for research.

This study accounts for the complex tensions that four FYW multilingual students from Lebanon experience as they strive to reconcile monolingual representations of language—as a fixed, internally uniform, and discrete entity—on one hand with their own commitment toward mobilizing their diverse language resources as fluid, malleable, and intermingling in their academic work. Based on an analysis of the "postmonolingual" nature of their representations of language and language relations as socially embedded and constructed, I argue that diverse, and often contradictory representations circulating in their minds have complicated, even stifled, these writers' translingual academic literacies and abilities.

During World War II, the US Office of the Coordinator of Inter-American Affairs (OIAA) and the Walt Disney Company produced a series of educational films promoting literacy, hygiene, and American (US) values for distribution across the Americas. Through these films, literacy was to move across borders in service of inter-American cooperation. That movement, however, also reinscribed the distance between a modern, powerful, literate United States and a stagnant, resistant, illiterate “other America.” The program’s insistence on film as a pedagogical tool imagined the United States as a site of technical modernity in contrast to its American neighbors. Working in light of recent scholarship addressing how literacy controls and constrains movement, this essay considers the effects of literacy for literacy's others—in this case, the population of what the OIAA termed the “other American republics.” It highlights the American assumptions that circulated within the literacy films and became enmeshed with the reading and writing skills they claimed to provide. Examining how film moved literacy practice and ideology across national borders, this essay demonstrates how thoroughly the contexts and the media of literacy's movement shape the consequences of its transmission.

A veteran writing teacher asks the question—What keeps teaching fresh and new?—and discovers, in the process of writing a teaching narrative, how her teaching voice and writing voice intertwine, both in the classroom and on the page.

In 2010, Fairfield University, a Jesuit Carnegie Masters Level 1 University located in the Northeast, established its first doctoral -level program: the Doctorate of Nursing Practice (DNP). In a developing program such as the DNP, some of the most pressing concerns of current rhetoric and writing in the disciplines align and interact with the education of clinical nurse leaders — questions of transfer, ethical practice, reflection, assignment desi gn, and community engagement. Clearly, nursing scholar/practitioners and writing scholar/practitioners have much to offer and to learn from each other. In this article, we trace the initial action -research undertaken by the School of Nursing, the Writing C enter, and the Center for Academic Excellence to document, reflect upon, and support the reading and writing experiences of DNP graduate students as they negotiate the new curriculum.

This article makes the case for expanding our conception of what it means to provide “professional training” to PhD students in departments of English. Rather than focus exclusively on placing students in tenure-track academic appointments, departments should prepare them simultaneously for careers both inside and outside the academy by focusing on the broad range of skills inherent to doctoral training. Such an approach not only will empower graduate students but also may transform the academy itself.

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The viral video Kony 2012 is the point of departure for our argument that composition’s public turn is marked by a concern with discursive features and digitized forms at the expense of attention to historical context and human consequences. The alternative we propose, critical materialist pedagogy, reconnects discursive and digitized arguments to the extradiscursive interests they serve. By urging teachers and students to “think through the body,” this critical materialist pedagogy tests fetishized appearances against lived reality—and reconnects public rhetoric to embodied examples of struggle and material potential for creative action.

Reviewed are: Networking Arguments: Rhetoric, Transnational Fitalicinism, and Public Policy Writing Rebecca Dingo Conversational Rhetoric: The Rise and Fall of a Women’s Tradition, 1600–1900 Jane Donawerth Fitalicinist Rhetorical Resilience Elizabeth A. Flynn, Patricia Sotirin, and Ann Brady, editors Writing a Progressive Past: Women Teaching and Writing in the Progressive Era— Lisa Mastrangelo— Fitalicinist Rhetorical Practices: New Horizons for Rhetoric, Composition, and Literacy Studies Jacqueline Jones Royster and Gesa E. Kirsch

Distinct from prose essays as cultural expression, we use technical communication for functional purposes, addressing questions of how people learn as we craft our communications. Aristotle set out psychological principles of how people learn -- or are persuaded to change their minds -- when he laid down his foundational advice for rhetors to cultivate "the faculty of observing in any given case the available means of persuasion on almost any subject presented to us." Building on this foundational principle, technical communicators since World War II have studied how to achieve persuasion (or change) by making information accessible, formatting documents, writing at designated reading levels, and setting out instruction steps clearly. Recently, we have also become interested in how, through the concept of rhetoric, oral and written language acquires poignant social, ethical and technical dimensions, situating Aristotle's "faculties" of persuasion within specific cultural and political contexts.

Color highlighting is used to connect revision mini-lessons to teacher comments that are easy for students to identify and quicker for teachers to generate electronically.

Welcome to Double HelixSeattle has its double helix pedestrian bridge.The Fermi National Accelerator Laboratory (Fermilab) outside Chicago has its gold-colored double helix staircase within the Proton Pagoda

Little known about the now celebrated 1912 Bread and Roses strike is that prominent Progressive-era reformers condemned the strikers as “uncivil” and “violent.” An examination of Bread and Roses’ controversies reveals how a ruling class enlists middle-class sentiments to oppose social-justice arguments and defend a civil order—not for the good of democracy but against it. The strikers’ inspiring actions to push against civil boundaries and create democratic space can challenge today’s teachers of public writing to question the construction of civility as an a contextual virtue and consider the class-struggle uses of unruly rhetoric for our new Gilded Age.

Writing in higher educational settings is regarded as problematic for all but the most dedicated people (Silva, 2007). Many of the problems come from psychological states (internal-censors, fears, perfectionism, procrastination) deeply rooted in writing experiences (Boice, 1990). However, the literature addressing this is generally missing. A survey of writing-books, manuals, and research studies indicate that most approach writing from linguistic, stylistic, and rhetorical perspectives (Silva, 2007). This study attempted to fill this gap by examining a group of graduate students attending a writing workshop which specifically addressed psychological barriers to productive writing (Boice, 1990). The eight-week workshop consisted of classroom sessions in the first week and then moved to an online course management platform. The primary aim of the study was to note the changes in the students using data from their weekly writing reflections and discussion board comments in several forums and 8-month follow-up interviews. Findings indicate that the workshop had immediate effects on the writers but as the time passed the effects faded. The study looked to Threshold Concepts Theory (Meyer & Land, 2005) as a possible theoretical explanation for the loss of the temporary positive workshop results.

Books discussed in this essay: Reframing Writing Assessment to Improve Teaching and Learning, Linda Adler-Kassner and Peggy O’Neill Going Public: What Writing Programs Learn from Engagement, Shirley K. Rose and Irwin Weiser, editors The Public Work of Rhetoric: Citizen-Scholars and Civic Engagement, John M. Ackerman and David J. Coogan, editors Activism and Rhetoric: Theories and Contexts for Political Engagement, Seth Kahn and JongHwa Lee, editors

By examining in turn a son’s craft project, a family photograph, and an image of tectonic plates, the authors demonstrate how objects can elicit rhetorical invention.

102 RHETORICA authoritarians generally, wanted things their way, without acknowledging the criticism, flaws, or consequences of that way or how they got it." (234) Some more nuance is in order. Historians are well aware that proslavery thought ante-dated the abolitionist literature crisis of 1835, though the ampli­ tude of proslavery thought certainly increased after Nat Turner's rebellion in 1831 and became substantially more strident post 1835. Another instance is Roberts-Miller's argument that many proslavery advocates portrayed slav­ ery as anti-modern (65-67). Those tropes are certainly in the proslavery lit­ erature and historians still frequently set up the old South as a place of pre-modern values against the market-oriented North. However, much of the movement (and also the rhetoric) was about how slavery was consistent with progress. Fanatical Schemes is difficult reading. It is dense. The discussion of secondary literature sometimes seems distant from the topic under study. For instance, juxtaposed are references to Orwell and proslavery thought (41, 219), the Nazis and slavery (218-19), and histories of Native Americans and contemporary debate over the Confederate flag (46). However, for those who are interested in the power of rhetoric and the contours of conservative thought, this volume will repay well the time spent with it. Roberts-Miller relocates ideas and words to the center of historv in this J study of how slavery was discussed. The big question one has is how do the ideas expressed here relate to reality? That is, even if the proslavery arguments had been more moderate, would the path of our nation towards proslavery actions - like secession - have been different? Did words cause war? Or is the discussion of proslavery thought more a dependent variable than an independent one? As we try to answer these questions, this important book may help re-ignite the scholarly study of proslaverv thought and the power of words and ideas. Alfred L. Brophy University of North Carolina-Chapel Hill Jeanne Nuechterlein, Translating Nature into Art; Holbein, the Refor­ mation, and Renaissance Rhetoric, University Park, PA: Pennsylvania State University Press, 2011, 242 pp. ISBN:978-0-271-03692-2 In the main, the terms and syntax of early sixteenth-century criticism of art are those of classical rhetoric. Most certainly, rhetorical analysis can illumine any visual or verbal persuasive event, regardless of self-conscious authorial intent or training. And early sixteenth-century Basel was the shared context of Erasmian (and Melancthonian) rhetorical publications as well as of Holbein's early (pre-England) work. Nuechterlein very usefully explores the context and considers the parallel tactics in Erasmian rhetorical theory and practice and Holbeinian visual rhetoric. She observes that Holbein "il- Reviews 103 lustrated , or drew marginal comments" on, Myconius' copy of Praise of Folly, suggesting he read it (67). There is as well an ingenious, useful dis­ cussion of the classical anecdotes Holbein selects for the “political rhetoric" of his decorative program (now lost) of the Basel Council chamber; she also notes possible linkages of the scenes to contemporary political scandal. Still, noting that Holbein s dev otion to variety as aesthetic value resonates with Erasmus s case for the virtue of copiousness, she correctly emphasizes a source of Holbeinian variety as current artisanal practice. Nuechterlein has amassed a great deal of rhetorical information—the available theory and expressive practices—but what rhetorical use does she make of her facts? Her primary, dominating rhetorical strategy is to dichotomize: opposing Holbein's “descriptive" art to the “inventive": phys­ ical to spiritual, body to mind, objective to subjective, observation of reality to “artistic", imaginative inv ention. But are not the "descriptive" portraits “inventive"? Could not a case be made that they are powerfully innovative? True, she asserts that Holbein achiev es a “middle ground" between descrip­ tive/ inv entiv e modes; but this does not do justice to the portraits' delivery of persons simmering with intent. There is the “Young Man, Age 32", alive to the possibility of engaging the viewer; and Holbein's portrait places Thomas More as oligarch, a man of power we know as intent on the cruel repression of heretics, a repression justified in his strenuous Humanist rhetoric. On the other...

Research Problem: Investigate the match between content published by the Transactions and content sought by its readers. Research Questions: What content does the IEEE Transactions on Professional Communication publish? How does that compare to the content published by other journals in the field? And what content do readers of the Transactions want to read? Literature Review: Researchers in most fields occasionally analyze the entire body of literature within a discipline to assess the current state of the literature, identify leading works, assess the state of the literature, provide a basis for changing the direction of a journal, and assess alignment among parts of the literature. Methodology: To identify what journals published, researchers used the STC Body of Knowledge schema and a list of categories of research methods that classify all peer-reviewed articles published between January 2006 and December 2010 in the Transactions, Journal of Business and Technical Communication, Technical Communication, and Technical Communication Quarterly. To identify reader preferences of the Transactions, researchers surveyed members of the IEEE Professional Communication Society about their preferences for content and types of research. Results and Discussion: In terms of the topics covered, the three most widely covered topics in the Transactions were: (1) Deliverables, (2) Information Design and Development, and (3) Academic Programs. Readers prefer (1) About Technical and Professional Communication, (2) Information Design and Development, and (3) Research Theory, and Practice. The three least-covered topics were (1) Business Knowledge, (2) About Technical Communication, and (3) Technical Communication Standards. Of least interest to participants were: (1) Deliverables, (2) Quality Assurance, (3) Management, and (4) Technical Communication Standards. The Transactions primarily publishes experiments, surveys, and tutorials while readers prefer case studies, literature reviews, and tutorials.

Contributors to this symposium recall and reflect on changes of mind they have experienced, noting the relationship of these to larger concerns of English studies as a profession.

These papers were given at the 2011 MLA panel on faculty governance. They present the topic's importance in the face of budget crises and institutional pressure.

While teaching field research methods to freshman composition students, this professor uses online digital video to scaffold note-taking, interviewing, and observation skills.

Today’s composition courses should consider rhetorical strategies historically used by working-class movements, especially because this class still exists despite popular misconceptions that the world has fully entered a post-Fordist era.

Following historian Deborah Lipstadt's 2000 victory over David Irving in a monumental libel lawsuit, Lipstadt declared that the Holocaust would henceforth reign uncontested as historical fact. Yet within the last five years Holocaust denial has grown exponentially, exacerbating the Arab-Israeli conflict as well as tensions between what the general public often defines as the Western and Muslim worlds. While Litvak and Webman's From Empathy to Denial directly engages scholarship in Holocaust and Middle Eastern studies on this issue, their important work also promises to inform ongoing discussions among rhetoricians about belief systems and intolerance. By framing Holocaust denial in Arab cultures as a distinct subject, Litvak and Webman have used place and time as vital tools for analyzing cultural beliefs underlying anti-Semitism in the Middle East. As a counterpoint, Elhanan Yakira's discussion of political philosophies in Post-Zionism, Post-Holocaust seeks to restructure the dominant perception of Holocaust denial as hate speech by exploring how many Jewish intellectuals reference the Holocaust to support their own critiques of Israel rather than to justify its policies toward Palestinians. Within these texts lies an implicit notion of kairos, described by John Poulakos in Sophistical Rhetoric in Classical Greece (U of South Carolina P, 1995), as the ability to “address issues in their topicality and typicality” and “place a single case within a larger context, a context that helps render the case meaningful” (178). The rich contexts provided by Litvak and Webman and Yakira challenge Western ideological reactions toward Holocaust denial in order to foster more meaningful conversations.

In her essay "Collaboration, Control, and the Idea of a Writing Center," Andrea Lunsford offers a much-needed critique of the traditional "garret" and "storehouse" models for writing center instruction, and she argues for a collaborative model in which students work together in groups to discuss, question, write, and revise.In contrast to the storehouse and garret models that reinscribe rigidly authoritarian or naively libertarian beliefs about language use, this collaborative model dramatizes the "triangulation" or "dialogism" that theorists such as Donald Davidson, Mikhail Bakhtin, and Ann Berthoff place at the heart of composing: as students seek to join in a conversation that precedes and takes place around them, as they seek to understand, complicate, and communicate their perceptions with and through others.In the collaborative writing center, Lunsford writes, students learn how knowledge and reality are "mediated by or constructed through language in social use . . . the product of collaboration" (4).Through collaboration, Kenneth Bruffee writes, students come to internalize those social conversations; they develop "reflective thought" and learn to play "silently, in imagination, the parts of all the participants in the conversation" as they write and reflect (5).While these aims of collaborative learning are ones I enthusiastically support, I find myself resisting jumping on the "collaboration bandwagon" (Lunsford 4) if by collaboration we mean only and always peer-group writing and response or conversation with another person.Peer groups can produce discussion, negotiation,

This article documents a scholarship of teaching and learning project designed to help literature students cultivate the core disciplinary skill of reading for complexity. We offer a close reading of student responses from a collaboratively designed lesson to understand what happens when students read complex texts in introductory literature courses.

A happy coincidence exists between the elements needed to analyze, understand, and produce strong arguments and their analog properties entailed in the map metaphor that we use as prototype in our teaching.

The author reports on and analyzes the inclusion of parody in her sequence of assignments for a graduate composition theory seminar. She contends that having students write parodies of particular theorists and theoretical camps enables them to gain critical leverage that they might not otherwise obtain on a field (in this case, composition studies).

Reviews 233 allows for a comparison so general, one might doubt its usefulness. “Painting is really like poetry/' van Eck writes, “because both arts are inventions that make appear things that do not exist" (p. 68). Yet the point of van Eek's book is not to show how painting and architecture are the same as rhetoric, but how a culture saturated with the lessons of classical rhetoric influenced the creation and reception of visual art. In fact, rather than primarily focusing on works of visual art and architecture, the book is actually more concerned with the way early modern artists, architects, and spectators spoke and wrote about the visual arts. This is the book's strength, as example after example reveals that classical rhetorical theory provided a rich mine for both artists seeking to describe their method and spectators accounting for their reaction to the artwork. The discussion (in chapter fixe) of poetic responses to the discovery of the Lnocoon statue in 1506 is particularly interesting in this regard. The responses laud the power of the statue to move the viewer while drawing on the language of classical rhetorical theorv. As a whole van Eek's studv is a compelling and welcome contribution to the growing body of work on earlv modern visual culture, broadly defined. Through careful readings of a v ariety of early modern texts about art and architecture from England and Italy, she is able to show how rhetoric influ­ enced the theory, practice and reception of the visual arts. The book serves as a correctiv e to art historical approaches based on theories of aesthetics and style after Kant that downplay the instrumental character of much early modern art. To accomplish this, though, the variety of rhetorical theory is necessarily placed in the background to allow for the common threads that tie rhetoric to the v isual arts in van Eek's account to come into relief. For those interested in early modern European visual culture this will seem a small price to pay. James A. Knapp Eastern Michigan University Susan Miller, Trust in Texts: A Different History ofRhetoric. Carbondale, IL: Southern Illinois University Press, 2008. xiv + 224 pp. This is an astute, ingenious, and inclusive survey of the contemporary Anglophone discussion that centers on what Miller considers the rhetorical core: that is, pedagogy, training for discursive performance—either in civil affairs or in "self-fashioning," techniques of representation of the practi­ tioner for both public and private motives. That is, both teaching-practice and practice-practice. Tier vital distinction is the prefix meta . rhetoric engages "multiple metadiscourses derived from ritual, imaginative, affil iative practices" (p. 1). Rhetoric as pedagogy is obviously meta-discourse, discourse about discourse; it can, or should, invest in meta-discursive 234 RHETORICA controlling, important—discourses that form and are formed by vital, specific life-interests. On the one hand, the multiple metadiscourses are practices 1) "that we trust for their well-supported and reasoned statements", or 2) "for their participation in infrastructures of trustworthiness," products of "special plane[s] of understanding, and [their] consequences" (p. 2). But, on the other hand, pedagogy, as schooling in the conditions of trust, deals also with trust, not in reason and the shared infrastructure, but with uncertainty, bad faith; it functions "symbolically and charismatically" (p. 3), it can be a "retreat to the orphic" (p. 147). Still, it is always creating "contexts for choice" in an "emergent present" (p. 3) responding—she cites John O. Ward—to "distinct market niches" (p. 4), or, preferably to universal/human, national, global niches. Thus, rhetoric is hegemonous: powerful in its contribution to "productivity and stature of the present [whatever] age," or to "the circulation of contemporary values" (p. 37). As hegemonous, omnicompetent: the study considers political ideolo­ gies, literary aspirations, social ambitions, power contests, gender definings, genre strategies. Rhetoric can be reformulated as concerned with "ad hoc, class-based, experiential, and especially educational bonds that enable per­ suasion" (p. 53). Anything, in short, "crucial to monitoring, reprocessing, and delivering the limits of trust" (p. 5). There is, as well, a very strong emphasis on the pertinent contributions of emotional as well as cognitive capacities. Indeed, a large...

Research Article| January 01 2009 Rhetorical Definition: A French Initiative Nancy S. Struever Nancy S. Struever Search for other works by this author on: This Site Google Philosophy & Rhetoric (2009) 42 (4): 401–423. https://doi.org/10.2307/25655367 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Nancy S. Struever; Rhetorical Definition: A French Initiative. Philosophy & Rhetoric 1 January 2009; 42 (4): 401–423. doi: https://doi.org/10.2307/25655367 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All Scholarly Publishing CollectivePenn State University PressPhilosophy & Rhetoric Search Advanced Search The text of this article is only available as a PDF. Copyright © 2010 The Pennsylvania State University2010The Pennsylvania State University Article PDF first page preview Close Modal You do not currently have access to this content.

We cannot remake the world through schooling , but we can instantiate a vision through pedagogy that creates in microcosm a transformed set of relationships and possibilities for social futures , a vision that is lived in schools.

Teachers and students often express an aversion to poetry based on their experiences with printbased poetry texts that typically dominate school curricula. Given this challenge and the potential affordances of new and multimodal technologies, we investigate how preservice and inservice teachers enrolled in a new literacies master’s course began to interpret poetry multimodally, through PowerPoint.

This article focuses on America's Army Game, the first-person-shooter video game now being peddled by the U.S. Army for classroom use. In my community-based literacy class, where students partner with children and teens at a local youth center, this "game" helps us to grasp and problematize literacy sponsorship and recruitment-the idea that literacy education involves not just learning a new set of practices but also trying out a social identity. Through this class, I argue for a pedagogy of multiliteracies that's committed to counter-recruitment: to enlarging ideological space so that critical questions can be formed and alternatives entertained.

This conversation among five activists in Brooklyn, New York, explores the intersections between local anti-war organizing efforts and recent response to issues of gentrification, development, and displacement. Four of the five participants are university professors and members of a neighborhood peace group formed after 9/11; the other participant is an organizer for Families United for Racial and Economic Equality. All five live in the same diverse neighborhood. The central contradiction that emerges in the conversation is between the potential for building a more diverse movement around issues of gentrification and the equally great potential for gentrification to reproduce and deepen the very social divisions that have historically hampered organizing multi-racial movements across class lines.

The article describes two service learning projects that engaged our Delgado Community College students in a sense of community that transcended their personal trials. A regional accrediting agency afforded local conference registrants the opportunity to participate in a Habitat for Humanity construction project; more than a hundred volunteered. What had been a diaspora of historical proportions effected a new community spirit, one borne of mutual loss and committed to restoration and rebuilding.

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When I teach a writing course to an interdisciplinary group of students, I find that the most difficult concept to get across is the contextual nature of writing. Writing, I always say to students,...

Composition teachers can reconcile the conflict between effective writing instruction and educational reform mandates by making timed writing assignments part of the writing process.

This is the second installment in the Re-Visions series “an occasional series for which I invite essays that reconsider important work previously published in the pages of CCC. The full text of Nancy Sommers’s “Responding to Student Writing” (CCC, May 1982, 148–56) is available at www.inventio.us/ccc.

This is the second installment in the Re-Visions series’ an occasional series for which I invite essays that reconsider important work previously published in the pages of CCC. The full text of Nancy Sommers’s “Responding to Student Writing” (CCC, May 1982, 148–56) is available at www.inventio.us/ccc.

This article describes two strategies for grounding grammar instruction in students’ lifelong experience as users of language. In both cases, students participate as active decision-makers in the process of analyzing conventions of language use.

Research Article| January 01 2006 Ethical Representation of Working-Class Lives: Multiple Genres, Voices, and Identities Nancy Mack Nancy Mack Search for other works by this author on: This Site Google Pedagogy (2006) 6 (1): 53–78. https://doi.org/10.1215/15314200-6-1-53 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Nancy Mack; Ethical Representation of Working-Class Lives: Multiple Genres, Voices, and Identities. Pedagogy 1 January 2006; 6 (1): 53–78. doi: https://doi.org/10.1215/15314200-6-1-53 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2006 Duke University Press2006 Article PDF first page preview Close Modal Issue Section: Articles You do not currently have access to this content.

Maxine Cousins Hairston, one of the architects of the contemporary discipline of rhetoric and composition, died July 22, 2005, at the age of eighty three.

These essays are based on a session called “Stories from the Field” at the 2004 meetings of the Conference on College Composition and Communication.

At the same time that compositionists have shown a renewed interest in public writing, neoliberal social and economic policies have dramatically shrunk the spaces in which most students’ voices can be heard. In this essay I argue that from twentiethcentury working-class struggles in the U.S. we and our students can acquire the tools necessary to work against this latest wave of economic privatization and concomitant suppression of public voice and rights. If we can resist the common academic assertion that we live today in a radically distinct postmodern, postindustrial society, we can return to capitalism’s long history for examples of the creative and persistent ways in which ordinary people have organized to claim living room.

When I speak with people about the juvenile justice system and the youth caught up in it, many of them remind me of tourists browsing a whitewater rafting brochure. Media mantras like “teenage superpredator” and “gangbanger” rely on the ignorance of the reader every bit as much as does “experience nature in a thrill ride that won’t be forgotten.” If you have experienced the power of whitewater or the sensitivity of an incarcerated teen, then you are less likely to buy prefabricated images of those experiences.

Why do some students prosper as college writers, moving forward with their writing, while others lose interest? In this essay we explore some of the paradoxes of writing development by focusing on the central role the freshman year plays in this development. We argue that students who make the greatest gains as writers throughout college (1) initially accept their status as novices and (2) see in writing a larger purpose than fulfilling an assignment. Based on the evidence of our longitudinal study, we conclude that the story of the freshman year is not one of dramatic changes on paper; it is the story of changes within the writers themselves.

Abstract This article reports results from a survey of US technical and professional communication undergraduate programs concerning core concepts emphasized and most commonly taught procedures, skills, and tools. Snapshot views of current programs are derived from the results, and the developmental processes and directions of four new programs are described in more detail. The article concludes with challenges for programs to maintain humanistic concerns while also providing effective professional and technical preparation.

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Focusing on the references to women and the feminine in The Second Philippic Against Antony, I argue that Cicero's female allusions open up a rhetorical space that exposes the subtle tensions within the Roman social dynamic of men and women. This historically contextualized rhetorical analysis offers a complex understanding of Roman women as both historical entities and rhetorical representations. The article illustrates the importance of understanding not only women in the rhetorical tradition but also mythical portrayals of women as an argumentative strategy. 1

Contract grading promotes quality writing as well as a large quantity of writing. In fact, teachers can use contract grading to support and promote the behaviors, thinking skills, and writing skills they believe will help students create quality writing.

The following article focuses on Latino students’ difficulties with higher education because of dual constructions of identity from and toward the Anglo mainstream. First, the article addresses Other perception: the potential problems Latino students (Mexican Americans) encounter in higher education based on how others perceive their individual and group identity. Second, it addresses self-perception: the contradictory expectations that Mexican Americans have of the mainstream in higher education. The discussion of these issues is presented in a letter format that primarily speaks to audiences outside the mainstream.

Punctuation is often learned without teaching and more often not learned despite much teaching. Jointly, these facts suggest that real punctuation decision rules are very different from and probably much simpler than the rules we teach. This article argues that the punctuation system does have features that generally make systems learnable, such as binary contrasts, limitation of parallel categories to seven or fewer options, and repeated application of the same criterion to different kinds of entities. The simplicity that allows some readers to learn this system unconsciously also makes it possible to figure out consciously the system’s underlying information–management rationales, which in turn motivate both conscious learning and use.

In a departure from traditional paradigms, in this work Latinos examine their own experiences in US schools and offer theories born from positions of expertise and first-hand knowledge as researchers and educators.

Research Article| January 01 2003 Metacognition in the Classroom: Examining Theory and Practice Nancy Joseph Nancy Joseph Search for other works by this author on: This Site Google Pedagogy (2003) 3 (1): 109–114. https://doi.org/10.1215/15314200-3-1-109 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation Nancy Joseph; Metacognition in the Classroom: Examining Theory and Practice. Pedagogy 1 January 2003; 3 (1): 109–114. doi: https://doi.org/10.1215/15314200-3-1-109 Download citation file: Zotero Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search Books & JournalsAll JournalsPedagogy Search Advanced Search The text of this article is only available as a PDF. © 2003 Duke University Press2003 Article PDF first page preview Close Modal Issue Section: From the Classroom You do not currently have access to this content.

In this essay, I turn to contemporary feminist object-relations theory to understand the efforts of students in a service learning course to push beyond the usual subject-object, active-passive dualisms that pervade community-based literacy projects and to compose instead complex representations in which all participants are composed as active, as knowing, and as exceeding any single construction of who we all are. I also argue for placing writing and the problems of composing at the center of such courses.

In this essay, I turn to contemporary feminist object-relations theory to understand the efforts of students in a service learning course to push beyond the usual subjectobject, active-passive dualisms that pervade community-based literacy projects and to compose instead complex representations in which all participants are composed as active, as knowing, and as exceeding any single construction of who we all are. I also argue for placing writing and the problems of composing at the center of such courses. I begin with a scene written by a student in my service learning course, U.S. Literacy Politics. The scene, taken from her final paper for the course, recounts her first night at a downtown community center, where students likeJanis serve as literacy partners and mentors. Shifting back and forth between present and past tense, Janis writes:

(2002). Review of Writing Centers and Writing Across the Curriculum Programs: Building Interdisciplinary Partnerships. Technical Communication Quarterly: Vol. 11, No. 4, pp. 476-478.

While active learning strategies enable students to grasp important concepts, they also help students become enthusiastic and confident writers and interpreters of literature.

314 RHETORICA Jean Nienkamp, Internal Rhetorics: Toward a History and Theory of SelfPersuasion (Carbondale, Southern Illinois University Press, 2001), xiv + 170 pp. In her deceptively slim volume, Internal Rhetorics, Jean Nienkamp pro­ vides historical precedents and theoretical arguments for opening up the self as a site for rhetorical study. She examines several key texts from the Classical, Enlightenment, and Modern periods to develop a theory of inter­ nal rhetoric, the concept of thinking as verbal interaction and the self as a socially constituted collection of internalized discourses. Since neither traditional nor expansive understandings of rhetoric theo­ retically preclude the extension of their studies to the self, Nienkamp sur­ mises that this aspect of rhetoric has been "eclipsed by various political, educational, and philosophical factors that have shaped thinking about lan­ guage use" (p. x). Traditional rhetoric's historical emphasis as an intentional practice for public address and the postmodern ban of vocabulary sugges­ tive of a unitary subject are two powerful predispositions against thinking of rhetoric as internal. Another, as Nienkamp emphasizes, is the Platonic division of philosophical and rhetorical reason and the long historical reign of thought over language. Nienkamp's history and theory of internal rhetoric clearly favors the epistemic rhetorics of Isocrates and the twentieth-century rhetoricians and psychologists she examines. Internal rhetoric, Nienkamp argues, unites the divisive disciplinary con­ cerns of traditional and expansive (interpretive) rhetorics by pointing to both the effects and intents of language and its use; it also reestablishes rhetoric's relations with psychology and philosophy by providing a complex rhetorical reading of the self and offering a model of moral agency in an antifoundationalist age. Central to these proposals is Nienkamp's distinction between cultivated and primary internal rhetoric. A deliberately cultivated moral rea­ soning is the form internal rhetoric takes in the Classical and Enlightenment texts examined in Part One. Associated with the intentionally crafted dis­ course of traditional rhetoric, cultivated internal rhetoric is the conscious use of a learned language to effect desired change in the self. Primary internal rhetoric is the form self-persuasion assumes in the post-Freudian Modern texts examined in Part Two. Associated with expansive rhetoric, primary internal rhetoric understands the powerful unconscious imperatives of mul­ tiple, often conflicting social discourses influencing internal rhetoric and constituting the rhetorical self. Because his representation of logos is both epistemic and ethical, Isocrates is Nienkamp's classical standard for internal rhetoric. The Socratic-PlatonicAristotelian treatments of self-persuasion, although identifying and address­ ing the divided psyche, depict the coercion of reason over the appetites rather than the linguistically interactive negotiation Nienkamp identifies as rhetor­ ical. Francis Bacon, the Third Earl of Shaftesbury and Richard Whately, Nienkamp's Enlightenment figures, emphasize the highly rhetorical nature of moral reasoning, the intense, concerted interactions with reason to move Reviews 315 the will away from the passions; but they use a faculty psychology whose discrete, innate parts are more acted upon than acting. Nienkamp wants an epistemic rhetoric to underwrite her theory of thought and the self, but she returns in her conclusion to the cultivated ethical reasoning associated with traditional rhetoric to propose a theory of moral agency. Nienkamp's historical depictions of rhetorical thought and the self should prove fascinating to anyone wondering or worrying about the fate of the self in rhetoric. Rhetorical representations of thought from Homer to Ken­ neth Burke portray a psyche whose constituent parts are innate. Along with Burke, Chaim Perelman and Lucie Olbrechts-Tyteca use the Freudian un­ conscious to unseat "the rationalist and theological ethics of earlier periods" (p. 81), but the Freudian psyche is also comprised of innate parts. Not until Nienkamp examines the psychologies of George Mead and Lev Vygotsky does her theory of internal rhetoric reflect the historicized nature of thought processes, consciousness, and the mind. Her social-constructionist rhetorical view of thought and the self is based on knowledge gained from the social sciences, an epistemological stance epistemic rhetoric refutes. The rhetori­ cal self as depicted by Nienkamp's rhetorics and philosophies is clearly a cultivated, not experiential, self. Although she proposes collaboration with psychology to redress this problem, rhetoric is incorrigibly aligned with phi­ losophy and never more so...

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Presents an assignment in which students look through a handful of poetry collections or anthologies, seeking 20 poems they like and thus understand or want to understand to some extent. Describes the benefits of this assignment, including honing students’ interpretive skills, dispelling their misconceptions about the genre, and continuing their "initiation into art."

Reflects on the author's long, demanding, and rewarding career as a teacher and administrator in community colleges. Describes how she found herself an advocate of change in the profession in the 1970s, the differences she sensed and thrived upon in the community college experience, and how flexibility was the key to successfully teaching the wide array of community college students.

This article examines the implications of service-learning educators’ commitments to community literacy for professional development in higher education. It places stories of professional development in composition studies within the context of community literacy needs and of broader debates about tenure and promotion practices. The article proposes a set of questions that challenge compositionists to draw on community-based work to redefine professional development in rhetoric and composition studies.

Argues that introducing students to literary criticism while introducing them to literature boosts their confidence and abilities to analyze literature, and increases their interest in discussing it. Describes how the author, in her college-level introductory literature course, used Shel Silverstein’s “The Giving Tree” (a children’s book) to introduce literary criticism, increase enthusiasm for literature, and build confidence in making meaning.

The teacher-student conference is standard in the repertoire of teachers at all levels. Because it's a one-to-one encounter, teachers work hard to make it comfortable; but because it's a pedagogical moment, they hope that learning occurs in the encounter, too. The literature in this area often suggests that a conference is a conversation, but this doesn't account for a teacher's need to use it pedagogically. Laurel Johnson Black's new book explores the conflicting meanings and relations embedded in conferencing and offers a new theoretical understanding of the conference along with practical approaches to conferencing more effectively with students.

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Describes a study unit for ESL (English Second Language) students on language and identity. Explores the dichotomy of attitudes and behavior occurring when a nonnative speaker tries to embrace a new language and culture. Concludes that reading and writing about multicultural literature in the ESL classroom helps students gain language skills and better perspectives on the diversity of American culture.

Studies five preschoolers’ response to four genres of picture books: fantasy, realistic, poetic, and information. Finds (1) distinct patterns of response for each genre; and (2) personal associations to the characters, events, images, and topics seemed to form the basis for interpretation.

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This article argues for a social perspective of the new technical communication service course, a conclusion supported by several premises: the technical communication profession wants and needs accountability, accountability is demonstrated by evaluation, assessment requires that we define literacy, evaluating technical communication literacy requires portfolio evaluation, portfolio assessment supports the social perspective of learning, and the social construction concepts imply teaching strategies. The argument proceeds from a case study that demonstrates reliability, stability, and validity in its technical communication service course assessment, tasks, and instructor community. This article demonstrates that portfolios can help us both conceptualize and evaluate the new technical communication service course.

Research Article| May 01 1999 Vico's Axioms: The Geometry of the Human World James Robert GoetschVico's Axioms: The Geometry of the Human World (New Haven: Yale University Press, 1995) xiv + 173pp. Nancy S. Struever Nancy S. Struever Humanities Center, Johns Hopkins University, Baltimore, Maryland 21218, USA. Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (1999) 17 (2): 222–227. https://doi.org/10.1525/rh.1999.17.2.222 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Cite Icon Cite Search Site Citation Nancy S. Struever; Vico's Axioms: The Geometry of the Human World. Rhetorica 1 May 1999; 17 (2): 222–227. doi: https://doi.org/10.1525/rh.1999.17.2.222 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. Copyright 1999, The International Society for the History of Rhetoric1999 Article PDF first page preview Close Modal You do not currently have access to this content.

222 RHETORICA substitute aux mots orator ou poeta celui de pictor et applique à la peinture des analyses rhétorico-poétiques" (pp. 19-20). The result amounts to a digest of everything in classical rhetoric relevant to the visual arts. The full extent of Junius's re-elaboration of rhetorical theory can be partly gauged by the subjects treated in the editor's invaluable commentary section, reduced to key terms: imitatio, ars, phantasia, ratio imitandi ("une problématique cicéronienne"), ut pictura poesis (including the roles of inspiration, enthusiasm, imitation, illusion, emotion), and contemplatio (the function of the spectator, aesthetic and moral). Every self-respecting historian of rhetoric should make sure his departmental library buys this remarkable edition. And we keenly look forward to its completion. Brian Vickers ETH Zurich James Robert Goetsch Jr, Vico's Axioms: The Geometry of the Human World (New Haven: Yale University Press, 1995) xiv + 173pp. Goetsch undertakes a defense of Vico against his "friends", such as Isaiah Berlin, who are mainstream historians of philosophy; he is concerned to give Vico credit for a solid, systemic mode of inquiry, rather than the wildly eclectic mass of detail, chaotically presented, attributed to Vico by Berlin, (p. xi). His defense of Vico becomes a defense of rhetoric, for Goetsch insists on the significance of fundamental rhetorical assumptions and strategies of analysis of language structure and process as they frame an investigation. Vico's hermeneutics are, for Goetsch, a rhetorical hermeneutics. The defense of rhetoric is also an abandonment of the hegemonous strategies of definition and the standard issues of history of philosophy. To give a perspicuous, inclusive account of Vico's project, it is necessary to focus on the axioms, the key structuring principles, Vico lists in his New Science (p. 106); Axioms 1-22, 106 are common (koinoi), Axioms 33-144 particular Reviews 223 topics (p. 128). But, in Goetsch's rhetorical reading, the Vichian axioms, or elementi, or degnita (things worth thinking), are peculiarly rhetorical uses of the topoi,of the topical connections of the general and the particular (p. 108). The commonplace tradition illumines Vichian method (p. 104), because "topical storehouses" provide the arguments, enthymemes, motivating the most basic civil operations. The topoi, as both bins, spaces, organising argument and the contents of the bins represent a mode of connection in which both source and goal are in the domain of the communis. "Common sense", as a body of beliefs and dispositions held by a historical community, is a primary interest for Vico (p. 96), as the origin of the principles which illumine human history; Vico reads the axioms as "causes of customs" (p. 108). The description of common sense, as the summary of the common practices and values of the communities, is the goal of all historical initiatives and arguments. Moreover, when Vico claims that Providence, "like the queen she is", works only through civil institutions and practices, he selects irony as primary trope; history is not simply the product of self-conscious personal impulses; rather, particular institutional effects and strategies are often the unintended consequences of radically different, earlier dispositions and practices. Goetsch claims Vico's strategy represents a "recovery of an authentic Aristotelian rhetoric" (p. 106), a more "dynamic" Aristotle (pp. 54, 114). Goetsch reads the opening statement in the Rhetoric, that rhetoric is the antistrophe of dialectic, as pointing to the peculiarly heavy engagement with civic consciousness and civil effect of rhetoric (p. 108). Goetsch thus claims to recontextualise Vico in an Aristotelian tradition which is not that of a purely abstract, logical systematicity, the dominant reading of Aristotle in history of philosophy, but of a rhetorical, topical systematicity; a "rhetorical" reading of Aristotle, he claims, "corrects" the "scholastic" tendencies of Aristotle's logical interests (p. 77). Thus Goetsch asserts he may place Vico in a history of ideas aligned with the peculiar interests in philosophy of language and the philosophy of psychology represented in such twentieth-century figures as Ernst Cassirer, Ernesto Grassi, and Owen Barfield, to name three of the mentors frequently invoked by Goetsch.. At all times, Goetsch privileges, and claims Vico 224 RHETORICA privileges, "organic" wholeness (p. 116), valuing the image, imagination, ingenium, temporicity, historicity—a...

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Compares 20 years of teaching college writing (and reading countless drafts of student papers) to an immigrant father’s working 40 years in the family store in Terre Haute, Indiana (and selling 350,000 coats).

Aims to redefine what happens in the margins through a practice called “sideshadowing,” adapted from Bakhtinian theorist Gary Saul Morson’s examination of narrative technique. States that sideshadowing redirects the attention to the present moment, its multiple conflicts, and its multiple possibilities. Argues for sideshadowing’s potential to transform students’ (and teachers’) understandings of what a “good” essay is.

This article examines the critical perspective as an alternative to our current descriptive, explanatory research focus. The critical perspective aims at empowerment and emancipation. It reinterprets the relationship between researcher and participants as one of collaboration, where participants define research questions that matter to them and where social action is the desired goal. Examples of critical research include feminist, radical educational, and participatory action research. Adopting the critical perspective would require that scholars in professional communication rethink their choices of research questions and sites, their views of the ownership of research results, and the types of funding they seek for research initiatives.

The famous Awk is a well-known designation, but this label does not refer to a well-defined concept. The authors report here on an empirical study of the predominant types and patterns of awkward sentences in student writing. They suggest that four general types of syntactic problems—mismanagement of clause structure in errors of embedding, of syntax shift, of parallel structure, and of direct/indirect speech—are associated with four general patterns of semantic problems—mismanagement of idea structure in errors of subordinating ideas, of starting and finishing ideas, of adding ideas, and of incorporating ideas from sources. The authors argue that awkward sentences arise from a complex combination of semantics and syntax, as student writers struggle to manage the relationships among multiple ideas as well as the relationships among multiple clauses. These findings are used to suggest a number of possible pedagogical approaches to the problem of awkward sentences, including the use of read-aloud editing, the targeted teaching of grammar for syntactic editing, and the separation of ideas from sentence form for semantic editing.

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[This book] is a must for those committed to voicing the personal conflicts writers experience and to turning those confusing and sometimes dismaying moments into productive sites for questioning textual relations. - Journal of Advanced CompositionIn Getting Restless, Nancy Welch calls for a reconception of what we mean by revision, urging compositionists to rethink long-held beliefs about teacher-student relations and writing practices. Drawing primarily on feminist and psychoanalytic theories, she considers how revision can be redefined not as a process of increasing orientations toward a particular thesis or discourse community, but instead as a process of disorientation: an act of getting restless with received meanings, familiar relationships, and disciplinary or generic boundaries--a practice of intervening in the meanings and identifications of one's text and one's life. Using ethnographic, case-study, and autobiographical research methods, Welch maintains two consistent aims throughout the study: to show how composition teachers can create for themselves and for their students environments that encourage and support revision as restlessness and as a process of intervening in a first draft's thoroughly social meanings and identifications to demonstrate how composition's process legacy is revitalized when we understand that our means to form and change communities- to form and change constructions of authority--are located in revision. In achieving these ends Welch examines three academic sites: a campus writing center, undergraduate writing classrooms, and a summer workshop for K-12 teachers. This book will appeal to a wide audience, including classroom and writing center teachers, historians and theorists in composition and rhetoric, feminist theorists, and those engaged in literacy studies, teacher education, and connections/tensions among teaching, writing, and psychoanalysis.

he Metaphor of Constructivism Remembering Bartlett Understanding as Construction Other Metaphors: Structuralism, Poststructuralism, and Deconstruction Composing as Construction Discourse Synthesis: Four Studies Textual Transformations in Written Discourse Authoring Identity Constructive Criticism References Name Index Subject Index

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Abstract: Pronuntiatio teaches charaeter creation and analysis. Because the rhetorical curriculum in the British Renaissance considers pronuntiatio essential, retains the educational goal of facilitas, treats every “text” as a declamation, and depicts inventio, dispositio, elocutio, and memoria in behavioral metaphors with rules mirroring those of pronuntiatio, Renaissance rhetoric is in practice an art of behavior centrally concerned with decorum. This connection between Renaissance rhetoric and ethics suggests a defense for the claim that the good orator is the good man and expands the domain of rhetoric from an art of expression, composition, or persuasion to an art of character-fashioning.

Pronuntiatio teaches character creation and analysis. Because the rhetorical curriculum in the British Renaissance considers pronuntiatio essential, retains the educational goal of facilitas, treats every “text” as a declamation, and depicts inventio, dispositio, elocutio, and memoria in behavioral metaphors with rules mirroring those of pronuntiatio, Renaissance rhetoric is in practice an art of behavior centrally concerned with decorum. This connection between Renaissance rhetoric and ethics suggests a defense for the claim that the good orator is the good man and expands the domain of rhetoric from an art of expression, composition, or persuasion to an art of character-fashioning.

This article examines contributions of selected theories to technical communication's understanding of environmental discourse and uses a dialogical synthesis to construct a model of stakeholder analysis. The model, with its interactive variables of stakeholder knowledge, attitude, and desired behavior, is applied to a pollution prevention document and calls for an active research emphasis in determining effective communication strategies.

In learning how to write, one has to cope with many demands on language proficiency, organization skills, and intellectual ability. A checklist of what is required can help to clarify all these demands and to turn them into manageable items or units for practice, implementation, and evaluation. The skills involved in designing and applying checklists resemble those required for dealing with the writing tasks on campus and/or at work. The focus of this article is on using checklists to improve the skills of one kind of writing—the report, among students from two faculties in a tertiary institute. The reports are for different purposes, situations, and readers. The article will discuss the different approaches in adopting a checklist to facilitate the report-writing process. It will highlight using students' work or authentic materials as an input to their own learning and helping them to integrate the skills learned with their work on the campus and in the workplace.

This article explores narrative theory and research in fields closely allied with professional communication to clarify the value of narrative to our discipline. It addresses the move in many fields to reconceptualize research as narrative. Placing narrative within a postmodernist frame, it examines the centrality of ethnography within a postmodernist view. The importance of ethnography in research is related to two key narrative questions that ethnographic theorists in other disciplines are addressing: Who is telling the ethnographic story? For what purposes is the story told? This article supports the importance of taking a critical stance toward these questions and discusses the implications of postmodernist ethnographic theory for research in professional communication.

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I always thought it was unfair to compare people you've just met to people you've known before. But as I was sitting in class today, I realized I was doing that with you. My first semester here I got into a [composition] class that was marvelous. Jim and the style he used helped take down the bricks that had formed my writing blocks. It was like seeing and feeling and breathing for the very first time. It was exciting. Today, I thought, This woman will have to be pretty good to be as good as he was. Then I mentally slapped myself.

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I think basic writing programs have become expressions of our desire to produce basic writers, to maintain the course, the argument, and the slot in the university community: to maintain the distinction (basic/normal) we have learned to think through and by. The basic writing program, then, can be seen simultaneously as an attempt to bridge and preserve cultural difference, to enable students to enter the normal curriculum but to insure, at the

When working with graphics and illustrations, technical communicators face ethical questions at almost every step. The visual rhetorics available offer help with evaluating visual components but little guidance on ethical issues. This article presents examples of ethical conflicts, describes some of the prominent visual rhetorics, and discusses ethical issues that need to be addressed. Some steps for improving ethical awareness related to graphics and illustrations are suggested.

Scholars in professional communication have called for a reexamination of pedagogy, asking that it instruct students not simply in the forms of workplace discourse but also in the connections between that discourse and socially responsible communicative action. This article posits that narrative can provide a basis for a pedagogy of social action—for a pedagogy, that is, that enables students to understand the workings of power and cultural reproduction in professional settings and that fosters reflection, critique, and dialogue. The article first reviews narrative theory supporting this claim, then discusses ways that teachers can use narrative to help students critique examples of professional discourse and their own composing choices. The article closes by discussing both the concerns about and the possibilities for such a pedagogy.

This article claims that the debate over research in professional communication is grounded in ideology. The article discusses the ideologies of two research perspectives: a functionalist perspective, common in much social scientific research, and a critical interpretive perspective, currently emerging in disciplines other than our own. The article sets recent discussions of research in professional communication within a functionalist framework, then posits that a critical interpretive ideology provides an alternative. The interests advanced by both perspectives are discussed, and the viability of critical interpretive research in professional communication is supported.

Nous mourrons de n 'etre pas assez ridicules .

The Construction of Negotiated Meaning. A Social Cognitive Theory of Writing. Linda Flower. Carbondale: Southern Illinois UP, 1994. 334 pp. Theory and Practice in the Teaching of Writing: Rethinking the Discipline. Lee Odell, ed. Carbondale: Southern Illinois UP, 1993. 329 pp. Audience and Rhetoric: An Archaeological Composition of the Discourse Community. James A. Porter. Englewood Cliffs, NJ: Prentice Hall, 1992. 185 pp. Approaches to Computer Writing Classrooms: Learning from Practical Experience. Ed. Linda Myers. Albany: State U of New York P, 1993. 225 pp. The Digital Word: Text‐Based Computing in the Humanities. Ed. George P. Landow and Paul Delany. Cambridge: MIT P, 1993. 362 pp. Electronic Quills: A Situated Evaluation of Using Computers for Writing in Classrooms. Bertram C. Bruce and Andee Rubin. Hillsdale, NJ: Lawrence Erlbaum Associates, 1993. 232 pp. The Tech Writing Game. Janet Van Wicklen. New York: Facts on File, 1992. Marketing Yourself with Technical Writing: A Guide for Today's Professionals. William M. Vatavuk. Boca Raton, FL: Lewis Publishers, 1992. Technical Writer's Freelancing Guide. Peter Kent. New York: Sterling Publishing Co., 1992. 160 pp.

Technical communicators are becoming increasingly involved in product development, often playing important roles on design teams. This shift brings with it the possibility for technical communicators to play more critical roles in balancing gender biases in technology. Feminist critiques of technology offer a range of perspectives for both educators and practitioners. Because discussion of feminism and technology in relation to technical communication is relatively new, the possibilities for applications of these theories are broad.

Understanding Scientific Prose. Jack Selzer, ed. Wisconsin UP, 1993, 388 pp. A History of Professional Writing Instruction in American Colleges: Years of Acceptance, Growth, and Doubt. Katherine H. Adams. Dallas: Southern Methodist UP, 1993. xi + 192 pp. Technical Writing: Contexts, Audiences, and Communities. Carolyn R. Boiarsky. Boston: Allyn and Bacon, 1993. 652 pp. Technical Communication. 3rd ed. Rebecca E. Burnett. Belmont: Wadsworth, 1994. 742 pp. Technical Communication: Problems and Solutions. Roy F. Fox. New York: Harper Collins, 1994. 610 pp. Communicating Technical Information: A Guide for the Electronic Age. Donald Pattow and William Wresch. Englewood Cliffs: Prentice Hall, 1993. 600 pp.

This essay uses Jürgen Habermas' theory of communicative action to explore the issue of empowerment. The essay first describes a communicative situation now common in public life, where scientific and technological forces are arrayed against citizenry over concerns with public import. Next, the essay discusses Habermas' critique of communicative practices and his vision of the way in which the technocratic consciousness has usurped communicative action in social life. Third, the essay applies Habermas' theory to the situation previously described, supporting the claim that in such situations empowerment may remain only a communicative ideal.

As teachers integrate social theory into the technical communication classroom, it is clear that they interpret the connection between writing and culture in different ways. The result is a range of socially based pedagogies rather than a single paradigm for writing instruction. This essay describes four of these social pedagogies—the social constructionist, the ideologic, the social cognitive, and the paralogic hermeneutic—distinguishing them by their pedagogic aims and classroom practices. The essay closes by discussing the implications of the differences among socially based pedagogies for both _ teachers and programs in technical communication.

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Business and technical communication have conventionally been separated in academe—a separation that formalist rhetorical theory has supported. Epistemic rhetorical theory, however, suggests that this separation does not reflect the profession's current understanding of workplace discourse. This article demonstrates that the labels business and technical communication are not helpful in understanding two workplace documents: a memorandum and a report. The article then explores the increased explanatory power in two epistemic theoretical approaches, social construction and paralogic hermeneutics, after which the article discusses the radical implications of these approaches for a curricular dialogue concerning workplace writing. Finally, the article describes interests inside and outside academe that preserve the status quo and thus mitigate against curricular change, positing that such change would be difficult, but not impossible, to achieve.

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Although “community”; is an important concept for writing, writers have been unclear about how a sense of community relates to the writing process or to the documents produced. This study reports a comparison of several technical reports showing the influences of a writer's identification with a community on features of the resulting document. Features most affected were personal and community references within the document, writer's stance toward the reader, and definition of the rhetorical problem.

Academic Discourse and Critical Consciousness by Patricia Bizzell. Pittsburgh, U of Pittsburg P, 1992; pp. 295.

In her essay "Collaboration, Control, and the Idea of a Writing Center," Andrea Lunsford offers a much-needed critique of the traditional "garret" and "storehouse" models for writing-center instruction, and she argues for a collaborative model in which students work together in groups to discuss, question, write, and revise. In contrast to the storehouse and garret models that reinscribe rigidly authoritarian or naively libertarian beliefs about language use, this collaborative model dramatizes the "triangulation" or "dialogism" that theorists such as Donald Davidson, Mikhail Bakhtin, and Ann Berthoff place at the heart of composing: as students seek to join in a conversation that precedes and takes place around them, as they seek to understand, complicate, and communicate their perceptions with and through others. In the collaborative writing center, Lunsford writes, students learn how knowledge and reality are "mediated by or constructed through language in social use . . . the product of collaboration" (4). Through collaboration, Kenneth Bruffee writes, students come to internalize those social conversations; they develop "reflective thought" and learn to play "silently, in imagination, the parts of all the participants in the conversation" as they write and reflect (5).

Public relations writing has been neglected as a research topic in professional communication. This article uses rhetorical theory from a number of fields to examine a topic of recent concern—shared, or negotiated, meaning—in relation to two very different samples of public relations writing: the public relations texts produced by political-advocacy organizations involved in the midwestern farm crisis of the 1980s and an entry from an organizational newsletter. More specifically, the article studies the role of four rhetorical elements—exophoric and intertextual references, metaphors, and narratives—in generating a shared meaning. In doing so, the article develops the thesis that narratives were particularly important to this public relations writing because they provided a comprehensive, compelling framework for belief and thus contributed greatly to the shared meaning created by writers and readers.

Although narration has been recognized as a complex mode of discourse, its role in professional communication has not been widely studied. This article examines narration in one form of professional communication—direct solicitations— and links narration to an important research issue: the social construction of knowledge, or the social justification of belief, through language. The direct solicitations are described, and the role of narration in justifying belief socially, for direct solicitations, is then discussed by examining narration and analysis as two means for organizing and expressing experience. The interweaving of these two means in direct solicitations is illustrated, but finally the importance of the narrational over the analytic in giving shape and significance to experience is asserted. Thus, the central role narratives play in justifying belief socially, for direct solicitations is described. Three sample narratives from three direct _ solicitations illustrate this discussion.

ESL in America looks at the social economic, and political contexts of second language and bilingual education.

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When composing, writers give shape to the meaning they construct, and they signal a possible configuration for meaning through the organizational patterns they supply for their readers. This study examined writers’ options in organizing comparisons–texts that are often considered to have a canonical pattern. Thirty college students wrote their comparisons through discourse synthesis, integrating content cued by two informative texts, each text dealing with one of the two topics to be compared. Analyses focused on the organizational patterns the writers generated and on the content they included. Of the two major ways of organizing comparisons–organization by aspect and organization by object–organizing by aspect was the format used by most writers in this study. However, there was much variability within this format in how writers combined material for the comparison. Writers could focus on specific aspects, could separate aspects into those that were similarities and those that were differences, or could generate macro-aspects to subsume several related aspects. In selecting source material the writers preferentially included content that was symmetrical, in that it related information that was available for both objects being compared. And almost half of their additions also contributed to symmetry by balancing their treatments of the two objects. Chunking of content in a systematic way, especially by generating macro-aspects for topical focus, was a strong predictor of holistic quality ratings, stronger than measures for the nature of the content that was included. These higher-rated papers providing readers with macro-aspects tended to be written by students with higher verbal ability and more extensive topic knowledge. The study points out the variability within comparison discourse and demonstrates the complexity of the choices writers must make in structuring comparison texts

Global multi-cultural reader. Perspectives - short quotes at beginning of each chapter. Myths/folktales at beginning of each chapter. Includes some student essays. New: chapters on gender and pop culture; 2 essays in each chapter with potentially polarizing situations so students can practice argumentative writing; pedagogy offers increased attention to rhetorical strategies.

Reading theory is important because meaning is not located solely in texts, but instead results from an interaction between reader and text. Although guidelines for developing such consensual meaning have been derived for the informational level of communications, the arguments underlying this level are not well understood. Reading theory offers insights on this issue. Background is given on reading theory and on guidelines that have already been formulated. The inability of current guidelines to account for the reader impact of one type of persuasive business communication is demonstrated. Three aspects of reading—inferring, reasoning analogically, and learning—are discussed, and their role in building consensual meaning, for persuasive business communications, is demonstrated in sample texts. Four guidelines are proposed for persuasive business communications, to supplement those guidelines already developed.

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One of the most effective communication links between corporate management and investors is the annual report. The letter to the shareholders in the report exemplifies the one-on-one communication attempt by chief executive officers and other high level executives with owners. This article examines thirty shareholder letters written by executives who are classified as highly successful based on their own annual salaries and/or the return to shareholders or company performance. The researchers found the letters written by these successful executives to fall within accepted readability levels. The letter writers adhere to convention in the use of numbers and the use of compound adjective. Section headings are not frequently used. The tone of the opening paragraph is usually equivocal or positive even though the first sentences frequently reflect a lack of “you attitude.” In general, the reports written by these successful executives conform to modern-day standards.

Research on newsletters, a major form of organizational communication, has largely been practical rather than theoretical. Certain theories, such as those in organizational theory and mass communication, can be applied to newsletters as forms of organizational communication and as media. Rhetorical theory, however, has not been used to understand how newsletter writing achieves its effects. This study applies rhetorical theory to newsletters produced by two political-activist organizations. The newsletters and the organizations are described, as background for the study. Three aspects of rhetorical theory (schema theory, social construction, and theories about audience) are presented, and their application to the newsletters is illustrated with sample passages. An agenda is suggested for further research on rhetorical theory and newsletter writing.

This article considers the complex processes involved in readers' and writers' construction of textual meaning: how people construct meaning from texts through reading and for texts through writing. Building meaning through reading entails organizing, selecting, and connecting. Readers use previously acquired knowledge to operate on textual cues, organizing mental representations that include material they select from the text and connect with material they generate. This constructivist characterization of the reading process extends also to literate acts in which people are writers as well as readers, those acts in which they compose texts by drawing from textual sources. To meet their discourse goals, writers perform textual transformations associated with the operations of organizing, selecting, and connecting as they appropriate source material for uses in different communicative contexts. They dismantle source texts and reconfigure content they select from these sources, and they interweave the source material with content they generate from stored knowledge. The article describes the kinds of transformations that occur through reading and writing, and proposes a way to think about tasks that invite writers to transform extant texts. Theoretical issues are raised, and suggestions are made for further research.

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This article discusses the impact of possible sex-based differences in communication styles on the technical writer's job. Linguistic research proposes a male and female style of communication. While it is helpful to acknowledge possible differences in communication styles, technical writers must be concerned with the moral and legal implications of sex stereotyping. To explore these issues, the article discusses what it is technical writers do, and who they interact with on a daily basis. It then reviews linguistic research, and linguistic folklore. Finally, the article determines that technical writers can choose to use both male and female traits to acknowledge multiple audiences, and improve the quality of their documents.

Research Article| May 01 1988 Shakespeare and Rhetoric Nancy S. Struever Nancy S. Struever Humanities Center, Johns Hopkins University, Baltimore, Maryland 21211. Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (1988) 6 (2): 137–144. https://doi.org/10.1525/rh.1988.6.2.137 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Cite Icon Cite Search Site Citation Nancy S. Struever; Shakespeare and Rhetoric. Rhetorica 1 May 1988; 6 (2): 137–144. doi: https://doi.org/10.1525/rh.1988.6.2.137 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentRhetorica Search This content is only available via PDF. Copyright 1988, The International Society for the History of Rhetoric1988 Article PDF first page preview Close Modal You do not currently have access to this content.

A review of the current literature suggests that the concept of purpose has not received sufficient theoretical or pedagogical attention. In this article, theoretical depth is provided by a discussion of four components of purpose: purpose as associated with discourse types, purpose from the writer's viewpoint, purpose as it relates to situation, and purpose from the reader's viewpoint. Research is cited, and examples from computer documentation are used to illustrate each component. Cooperation and conflict among components are examined in a sample document, and classroom applications are discussed.

Research Article| November 01 1985 Origins of a Significant Medieval Genre: The Musical "Trope" up to the Twelfth Century Nancy Van Deusen Nancy Van Deusen Department of Music, California State University, Northridge, CA 91330 USA. Search for other works by this author on: This Site PubMed Google Scholar Rhetorica (1985) 3 (4): 245–267. https://doi.org/10.1525/rh.1985.3.4.245 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Nancy Van Deusen; Origins of a Significant Medieval Genre: The Musical "Trope" up to the Twelfth Century. Rhetorica 1 November 1985; 3 (4): 245–267. doi: https://doi.org/10.1525/rh.1985.3.4.245 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu nav search search input Search input auto suggest search filter All ContentRhetorica Search This content is only available via PDF. Copyright 1985, The International Society for the History of Rhetoric1985 Article PDF first page preview Close Modal You do not currently have access to this content.

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This study examined cultural and instructional influences on the comprehension of figurative language by elementary school children in Harlem, New York. Specifically, it examined children’s exposure to and participation in the creative, verbal street game called “sounding” or “playing the dozens,” and it studied the effects of a program of creative writing instruction provided by visiting writers. The results indicate that the special instruction tended to improve the figurative language comprehension of the children. Also, those children who frequently engaged in sounding comprehended figurative language better than those who did not. This latter effect could not be accounted for by differences in general language ability. The results are taken as support for a “language experience” view of the development of figurative language comprehension in preference to any strong form of a “cognitive constraints” view.

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Communication break-down when we take ourselves too seriously and forget to be concerned about our audience. Appreciate their problems. Get comfortable with reducing detail and emphasizing only a few major points. Build visual, mental, and physical relief for the audience into your presentation.

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THERE HAVE BEEN CAMPAIGNS against public doublespeak as long as there has been language, and clearly they have not been successful. Responding, in part, to the language of Watergate and the general pollution of language in the mass media, our profession has assumed a strong sense of responsibility in this latest, politically oriented attempt to oppose dishonest and inhumane uses of language. It's a Sisyphean task; history and the nature of our profession are against us. In opposing public doublespeak, the question has always been what to advocate in its place. Most commonly, the alternative has been Truth, but it has been difficult to advocate truth in language without simply creating a new form of doublespeak to protect the new Truth. Less ambitious reformers, most of them in our profession, have let alone the content of public speech and advocated simpler, purified forms of expression as

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FOR THOSE OF US who are teachers and feminists, reading poetry is not only a private pleasure, but also a social action. We give poems to our students because we know the poems and the students, because in the public sorting out of a poem, we can participate in a communal, though often unacknowledged process of defining art while simultaneously sifting through our own lives. For the first meeting of my women's studies class, Poetry and the Female Consciousness, I selected Denise Levertov's poem The Pulse because I thought it a reasonable compromise with despair, one that urged us as women to stretch our human potential, but not to the breaking point, not absolutely to try for the sun.

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